We are pretty easy going here at The Whole Kameese, however if there is one thing that gets our blood boiling, it’s when people claim that “Rock Roll Is Dead “ Obviously they haven’t felt the power and fury of Boston, based rockers , Casket Rat. We have been basking in the glow of their debut album, “Rat City Rockers “ via Tee Pee Records, since its release in November. However…. Today ( February 18th) we got to feast our eyes on their glorious new video for “Stealin‘”
You can watch thekiller visual for “Stealin’” that was directed and edited by Justin Maloney, at The Middle East in Cambridge.Here You can also listen to “Stealin’” on Spotify, Here You can also listen to “Rat City Rockers” Here
“‘STEALIN‘… just another day in the life of your not so humble heroes, living proof of being able to exist in sunlight, another glimpse of the Foster Home bunker, a quick peek at the muse on the basement wall that’s inspired more than a few numbers and then off to spread the black thunder gospel to the people,” adds Bennet
We are pretty sure if you were to look up the definition of “mind blowing, Raw , Real , RockAnd Roll , You would see a picture of Casket Rats.
vocalistKeith Bennett, Brendan O’Hare (vocals and guitar), Goose (guitarandvocals,) and Phil “Fast Phil” Slopak (drums), pour their heart and soul into every piece of music that they create and you can hear it loud and clear on “Rat City Rockers “ and you can see it in living color in the video for “Stealin”
Casket Rats, brilliantly prove that no matter what kind of music you are into it is virtually impossible not to fall for great freaking music, this is certainly the case with the melodic and visual greatness that is “Stealin”
We have said it before and will say it again the musicianship in Casket Rats , is unmatched.
So give your rock and roll heart a treat and get lost in “Stealin’” from Casket Rats…. You deserve it.
We wholeheartedly believe that good albums tend to age like fine whiskey , they never loose their brilliance. This is most certainly true with “You’ll Be Ok”, from Western Mass, rock band, The Will Call.
“You’ll Be Ok”, recently turned 3 years old and still holds up as an immaculate collection of songs that showcase The Will Call, at their absolute best.
You can listen to “You’ll Be Ok “. On Spotify Here
The Will Call (Andrew Rush: Guitar, vocals, songwriting credits.Monte Arnstam: drumsand percussion and Marc Seedorf: bass) deliver a sound and style on their second album, “You’ll Be Ok” that make listener immediately take notice .
As we blissfully made our way through the album , we couldn’t help but feel the amazing and electrifying energy generated by The Will Call, they didn’t let up for a millisecond.
It is crystal clear from the opening chord on “Tonight’s On Me” that “You’ll Be Ok”, is more than just an album, but a musical experience.
The Will Call, wade in the waters of Americana , Alt / Country Rock .But… they also artfully weaved in elements of Rhythm and Blues, Soul , and Folk.
One of the more addictive tracks, ( We fell deep for the melody) “Somewhere Right Now” , had us singing along almost instantly.
Andrew Rush , has a song writing style that instantly grabs your attention. His lyrics had us on the edge of our seats, like we were reading a best selling novel. “Brooklyn On The 4th July, is both a melodic and song writing triumph.
The album was perfectly recorded at 1357 Recording Studio.
We would also like to point out the incredibly creative cover of “You’ll Be Ok” , A house that was spray painted (by who knows whom or for what reason?), in Amherst, MA and photographed by Aly Zagame from Greenfield, MA.
You owe it to your music loving heart to revisit the musical greatness of “You’ll Be Ok”, from The Will Call.
One of my favorite quotes about making records, comes from Michael “Mickey” Melchiondo Jr, who is perhaps better known by his stage name, Dean Ween , from the alternative rock band, Ween…. “When You Make A Great Record, It’s Around Forever “
This quote, perfectly describes the breathtakingly beautiful new album , “Sorrows and Smiles”, from Americana folk-rock project , Adam Sherman Band, led by acclaimed Cambridge singer-songwriter, Adam Sherman.
You can listen to “Sorrows and Smiles , on Spotify , Here and on Bandcamp Here
“Sorrows and Smiles”, from Adam Sherman Band, is an album of great substance, full from top to bottom with a melodic presence and authenticity that you just can’t fake .
The opening track, “Everyday Dangers” , which we first fell in love with back in October, sets the tone for an extraordinary 28 minute music listening experience, that you won’t soon forget.
Photo Credit: Carissa Johnson
As we listened to “Sorrows and Smiles”, we felt a deep and soulful connection to the music, which reminded us why we fell in love with music in the first place.
We were immediately put under the spell of “Greyhound “ If you are not moved by this song, you may need to seek medical attention. The soulful and bluesy sound of “Greyhound” will stay in your music loving soul long after the music has faded .
“Long Fall Down “ , is drenched in perfect melodies that are positively mesmerizing. The lyrics in “Long Fall Down “ are a prime example of why AdamSherman, is a next level songwriter.
“I always aim for honesty in my lyrics,” Sherman says. “Perseverance in the face of sadness and adversity is a theme in this collection of songs. How do we pick up and move on? How do we continue to find hope and meaning in our lives when there is so much darkness around us? These are the questions I attempt to illuminate.”
Across Sorrows and Smiles, that collection of talent includes vocalistKelly Jean Knapp, guitaristPeter Hoffman, mandolin player Dinty Child,bassistJeff Song, drummerChris Michaels, Tom West on keyboards and accordion, and backing vocals on “Greyhound” by Knapp, Dychell Reeves, and Alena Sorokina.
“I wanted the music to sound like a band – unified and cohesive,”Sherman says. “Using my live band in the studio was essential to achieving an ensemble feel to these sessions. I feel we succeeded. On my solo recordings I often played instruments myself or used various musicians to achieve a specific sound. The current sessions are performed by the bandmates who have been playing with me over the years. There is a cohesive feel to these songs that is the result of the years we’ve been making music together.”
It may be only February, but we think we may have just listened to a possible record of the year with “Sorrows and Smiles”
We recently had the epic opportunity to check out the new single, “Some Kind Of Dangerous “, from indie rock band, Arts Fishing Club. You can listen to “Some Kind Of Dangerous ,HereBuilt around driving percussion and soaring guitars, “Some Kind of Dangerous” captures the tension between digital overload and the raw, unfiltered emotion of being alive. With vivid storytelling and an anthemic chorus, the song channels the spirit of rebellion and vulnerability that defines the band’s sound. It’s both a cautionary tale and a rallying cry — a reminder to embrace imperfection and passion in a world increasingly consumed by screens and algorithms.
There is an undeniable buzz that surrounds Arts Fishing Club and their infectious new single, “Some Kind Of Dangerous “. The electrifying track, feels like a blues injected masterpiece that effortlessly washed over our music loving soul
Arts Fishing Club is more than just a band; they are storytellers, explorers of the human condition, and purveyors of living life boldly. An ethos demonstrated by frontman Christopher Kessenich’s first 4.5-month tour in which he walked 1,600 miles along the East Coast from Maine to Atlanta to Nashville, played 60 shows, and slept on strangers’ living-room floors. That same spirit of adventure fuels the band’s now-viral live performances, which have taken social media by storm. At recent shows, Arts Fishing Club introduced an unforgettable stage element — a grill mastercooking hot dogs live on stage and tossing them, foil-wrapped, into the crowd. The quirky, feel-good moment has earned the group national attention, with coverage from Wide Open Country and Whiskey Riff, calling it “the most deliciously fun show in Nashville.”
The boldness that compelled such an adventure is felt in AFC’s electrifying live shows, where the band weaves the raw energy of rock and the introspective lyrical honesty of folk to create a sound that is timeless and refreshingly original. Whether performing in sold-out small clubs or on festival stages (Bonnaroo, Summerfest, Treefort, Mile of Music), their engaging stage presence and ability to connect with fans makes their live performances a cornerstone of their success. With a growing fanbase, commitment to pushing creative boundaries, and an infectiously entertaining live show, Arts Fishing Club is poised to make a lasting impact on the indie music landscape.
“Some Kind Of Dangerous “ , from Arts Fishing Club, is without question a song you need in your life.
We were first introduced to the musical wonderment that is Izzy Mahoubi, back in April, with her single , “Wanted” . Izzy has now given us an absolute musical masterpiece, with her glorious new single , “Good” ( SPOILER ALERT: It’s better then “Good” it’s phenomenal)
Folk/Americana artist, Izzy Mahoubi who hails from Phoenix, Arizona, artfully blends influences from The Beatles and Fiona Apple, Izzy creates her own soulful folk sound with elements of classic rock.
Izzy, has a real authentic writing style, that feels like she’s talking to a friend- disclosing deepest insecurities and unafraid to share blunt, sometimes comedic, details.
At just 20, Izzy has built a name for herself the last few years opening for artists around America such as Adam Melchor, Em Beihold, LAUNDRY DAY, Mt Joy, and more.
Listening to Izzy Mahoubi sing is a one of a kind musical experience that is on full display with her powerful new single “Good”
Go find your favorite music listening spot and get lost in the musical goodness of “Good”, from Izzy Mahoubi.
We recently had the distinct honor of checking out the amazing debut album, “MESS I’VE MADE” , from Boston, based alternative rock band, Big Rav “ ( SPOILER ALERT: 🚨 It Is Absolutely Breathtakingly AWESOME )
You can listen to the very epic, “MESS I’VE MADE” Here
We are going to be honest, as soon as we heard the opening note on the opening track, “Another Tomorrow “, on “MESS I’VE MADE” we were instantly enthralled by the one of kind , mind blowing sound of Big Rav
Big Rav will be playing their release show in support of the album Saturday, August 2nd at 7:00 PM at The Burren in Somerville, MA. Tickets are available for presale Here
Big Rav (Maddy Montaquila, vocals, keys, Dan Colvin, guitar, Seamus Winters, bass, and Nick Montaquila, percussion) have a next level musical synergy that feels positively otherworldly.
No stranger to the Boston music scene, Big Rav has been filling local venues andporchfests for the past four years with their unique blend of in-your-face, pop punkinspired vocals, overdriven and melodic guitar riffs and solos, heavy, modal basslines,vintage synths, and foundational, never obvious grooves (think Paramore meets Rush).
Photo Credit: Grace Herron
Self-deprecating title aside, the band is incredibly proud of this labor of love which came to be over a series of intermittent recording sessions with Sean McLaughlin of 37’ Productions coordinated between the individual members’ “real jobs” (a product manager, a developer, an engineer, and an accountant walk into a bar…) and the obligations that come with adulthood. In a sense, that is the true theme of the album -grappling with the phenomenon of growing up, and the infinite possibilities of lifebecoming casualty to responsibilities, relationship issues, and struggles with mentalhealth. Throw in a wall of layered guitars, thick bass, bombastic drumming, and raw,expressive vocals, and you arrive at the essence of the appropriately labeled “Big Rav” sound.
Every song, on “MESS I’VE MADE”, had us tapping and singing along almost instantly . We found ourselves entranced with “Alien” with its bluesy vibe , showing off the band’s versatility.
Our favorite track on the album, without question is the amazing title track, “MESS I’VE MADE” The combination of the ultra cool melodic groove and the flawless vocals, make “MESS I’VE MADE” , an instant classic.
You owe it to your music loving heart to check out the stunningly brilliant debut album, “MESS I’VE MADE” from Big Rav
We recently had the opportunity to check out the second single from The Reverend Shawn Amos Dance Party,“Twisting The Night Away”
You can listen to “Twisting The Night Away” on Spotify Here, Apple Music Here
“This second Dance Party groove is from Sam Cooke—who was more than a beautiful face and voice. Brother Cooke used his massive popularity to sway people’s conscience in the struggle for civil rights. He understood the necessity of raising your voice and spirit. Sam Cooke knew why we should dance. Sometimes dancing is a righteous act of joyful defiance.”
Celebrated recording artist and NAACP Image Award-winning author Shawn Amos, best known as joyful bluesman The Reverend Shawn Amos, is an astute storyteller of multiple mediums. Shawn invests his unique creative vision and business savvy in both his own work and the endeavors of countless collaborators. He first honed these skills—and a restless entrepreneurial spirit— as a child of 1970s Hollywood, helping his father Wally “Famous” Amos launch a now-iconic cookie brand on then-gritty Sunset Boulevard.
Following a stint at NYU film school, Shawn wrote scripts for A & M films by day, recording and performing original music focusing on race and identity by night.
The Reverend Shawn Amos Dance Party!—an album of originals and 1960s dance classics—is forthcoming.
The Reverend ShawnAmos, artfully gives new life to the classic , “Twisting The Night Away” by honoring the great Sam Cooke , while also adding his own personal touch.
We recently had the splendid opportunity, to check out the EP, “Hard Is Hard”, via True Groove Records, from NYC-based alternative-R&B producer, singer, songwriter and indie label CEO Tomás Doncker. You can listen to “Hard Is Hard” on Spotify Here, Apple Music Here.
“Hard Is Hard “ from Tomás Doncker & The True Groove All – Stars is a brilliantly woven collection of soulful songs that are perfectly on point.
Tomás Doncker has long been a prime mover on the New York music, arts and culture scenes. From the early 1980s, as a member of groundbreaking No Wave and Punk Funk bands The Contortions and Defunkt, international touring, recording and songwriting collaborations with luminaries such as Bootsy Collins, Meshell Ndegeocello, Ivan Neville, The Specials and the legendary Ms. Patti Smith, to helming his own band, The True Groove All-Stars, Tomás has established himself as a cross-genre innovator without peer.
‘Hard Is Hard’ was produced with James Dellatacoma (Bill Laswell, Herbie Hancock) and mastered by Michael Fossenkemper (Paul Weller, LL Cool J, Miles Davis) and includes guest instrumentation from Frank Benbini (UB40, Fun Lovin’ Criminals), Adriano Rossetti-Bonell (UB40) and The Specials Horns. With elements of soul, blues, funk, rock and some jazz thrown in for good measure, ‘Hard Is Hard’ is a five-track masterclass in Doncker’s innate knack for genre fluidity. The EP lyrically explores themes of racial inequality, social injustice and keeping a positive mental attitude through hard times.
On the EP, Doncker says, “Things are difficult for everyone right about now. As a songwriter I’m very fortunate to be able to have so many songs to sing, to hopefully strike a match in the darkness of these uncertain times. This music has been blessed by the contributions of some dear friends – true legends, and we’re grateful to share it now, with you…join us!
, artfully takes music to another level, with his ability to make music that listeners can instantly connect with .
From the opening track “Do Or Die”, we were instantly hanging on every well formed melody and lyric.
Solid tracks such as “Rich People Problems, and the stunning title track, “Hard Is Hard” showcase Tomás Doncker, at his absolute best . If you are not dancing by the end of the EP….. listen to it until you are .
Doncker was recently invited to support Fun Lovin’ Criminals on their extensive tour throughout the UK and Europe alongside his band, The True Groove All-Stars, which include members of The Specials Horns.
On the tour, he says, “I’m so honoured, and excited to have been invited to be a part of the upcoming Fun Lovin’ Criminals fall UK/EU tour. They’ve really made me feel welcome as a member of the international / UK music community, and I am forever grateful for this opportunity. It’s gonna be a lot of fun for sure!“
You need to stop what you are doing immediately and check out the amazing new EP, “Hard Is Hard” , from Tomás Doncker
LIVE DATES:
July 12th 2025 – Cosmopolitan Arts Festival, Leicester
July 25th 2025 – Barefoot Festival, Leicester
July 27th 2025 – High Tide Festival, Twickenham
August 1st 2025 – Le Pub, Newport
August 6th 2025 – Peggy’s Skylight, Nottingham
September 4th 2025 – Sub 89, Reading (Supporting Fun Lovin’ Criminals)
September 5th 2025 – Waterfront, Norwich (Supporting Fun Lovin’ Criminals)
September 6th 2025 – The Garage, London (Supporting Fun Lovin’ Criminals)
September 7th 2025 – Concorde 2, Brighton (Supporting Fun Lovin’ Criminals)
September 18th 2025 – Arena, Torquay (Supporting Fun Lovin’ Criminals)
September 19th 2025 – Thekla, Bristol (Supporting Fun Lovin’ Criminals)
September 28th 2025 – Wedgewood Rooms, Portsmouth (Supporting Fun Lovin’ Criminals)
October 2nd – La Madeleine, Brussels (Supporting Fun Lovin’ Criminals)
October 5th 2025 – Werk2, Leipzig (Supporting Fun Lovin’ Criminals)
October 6th 2025 – Hole44, Berlin (Supporting Fun Lovin’ Criminals)
October 7th 2025 – Hirsch, Nurnberg (Supporting Fun Lovin’ Criminals)
October 8th 2025 – Backstage Halle, Munchen (Supporting Fun Lovin’ Criminals)
October 10th 2025 – Das Rind, Russelsheim (Supporting Fun Lovin’ Criminals)
October 11th 2025 – Opderschmeltz, Dudelange (Supporting Fun Lovin’ Criminals)
October 12th 2025 – Patronaat, Haarlem (Supporting Fun Lovin’ Criminals)
October 14th 2025 – La Salle des Fêtes, Bordeaux (Supporting Fun Lovin’ Criminals)
October 30th 2025 – Lucerna Music Bar, Prague (Supporting Fun Lovin’ Criminals)
We recently had the opportunity to check out new live album, The Bear Is The Mountain – Live 1979-1985’, from, songwriter, painter, music producer,- Robert Ellis Orrall. You can listen to The Bear Is The Mountain – Live 1979-1985, Here
The new live album, from Robert Ellis Orrall, is a trip ( literally) as t transports listeners back to the acclaimed singer-songwriter’s early-’80s glory days around Boston, showcasing his trusted band of musicians who could conquer any stage at any time, from the seedy dive bars on the outskirts of town to the glossy main stages of posh downtown theaters. But it also brings us forward, planting its flag in the modern day, delivering these four friends and collaborators back to the stage as one cohesive unit, and offering a glimpse – and a sound – of just what is to come.
The Bear Is The Mountain showcases a band at its sweaty, bluesy, breakneck-pace peak – Orrall on lead vocals and keyboards;Kook Lawry on guitar and vocals; Don Walden on bass and vocals; and David Stefanelli on drums and vocals. The record also features Brian Maes (touring keyboards in 1983); Eddie Grenga (tour keyboards in 1984); and a pair of original Robert Ellis Orrall band members in guitaristDouglas Millett and drummerSus.
Reclaiming the magic they first felt decades ago, Orrall, Lawry, Walden, and Stefanelli are all back together again after a 35-year break, coming together during the pandemic, not only to help Orrall unearth and polish up these lost recordings, but also create an exciting new chapter. It started with 2022 collaborative record 467 Surf & Gun Cluband last year’s studio album The War Between Us (recorded in 1986 at Downtown Recorders), continues with the summer live shows, and eventually leads to a new album on the way, Wrong Thing, showcasing the quartet’s first new all-original music in nearly four decades, due out in the fall.
The Bear Is The Mountain pulls from Orrall’s three studio albums for RCA Records: 1981’sFixation, 1983’s Special Pain (his Top 40 debut with Carlene Carter, “I Couldn’t Say No,” is excitedly included here), and 1984’s Contain Yourself, all originally recorded in Wales with producer Roger Bechirian (Elvis Costello, Squeeze). It’s a snapshot in time, one before Orrall relocated to Nashville to become a prolific songwriter, producer, and in-demand collaborator, with five Number 1 songs to his credit across an eclectic and expansive 350-track catalog.
The album kicks off with a manic rendition of “Inspired,” originally recorded in 1979 with former members Millet on rhythm guitar and Sus on drums. The energy from the recording explodes out of the speakers, and sets a brazen tone for the 15 tracks that follow, all offering an odd cohesion for songs that at some points have six long years wedged in between recordings. But it paints a vivid picture of Orrall’s band, and comes across like one compact live concert where the band was firing on all cylinders.
It was finding this recording on a cassette tape that made me search for more,” Orrall says about “Inspired,” perhaps enjoying what the title suggests for this new era as much as the recordings’ quality itself. “I dug deep and uncovered about 30 cassettes, digitized them, and then found the 16 best sounding/slash/best performances. When we got back together to rehearse, we actually pulled up some of those live tapes to remind us of the changes you make when you’ve been playing constantly for years. More reminders than inspiration, because we’re beyond ‘Inspired’ to be playing all these songs again.”
And play them they will. After the Marblehead gig over Fourth of July weekend, Orrall and his band canvass New England for the summer circuit, just like old times (with admittedly a bit more space between gigs), with additional shows July 17 as part of the Wildcat Concert Series in Jackson, New Hampshire; August 22 at The Cut in Gloucester; and September 13 at Two To Lou Music Festival in Sandown, New Hampshire.
The Bear Is The Mountain – Live 1979-1985, from Robert Ellis Orrall , is a beautiful melodic example of how the past can get us excited and energized for the future.
We recently had the stellar opportunity, to check out the new single, “‘53 Bel Air”, from LA-based songwriter andinstrumentalist Cooper Kenward. You can listen to , “‘53 Bel Air”, Here You can check out the video below
Bel Air,” is the second release from his forthcoming album, haha, now I’m sad, set for release onAugust 29 via Soggy Anvil Records. Anchored by unruly horns and chaotic percussion, “Bel Air” careens through the absurdity of a bank robbery with a wink and a wild grin. It’s a bluesy, cinematic opener to an album that explores the strangeness and hilarity of being human in a crumbling world.
“’53 Bel Air’ is a fun song that came together when I started playing it with the band in the studio. Each take got more and more wild until we all were committing musical crimes,” says Kenward. “The lyrics came from Raymond Chandler and John Fante stuff. I’ve never robbed a bank, but I’ve still got time.”
Cooper Kenward, is squarely in the driver’s seat with the melodically and sonically thrilling , “’53 Bel Air’. This without question a song you can’t miss.
Written the night before tracking began, “Bel Air” sets the tone for the entire record, part character study, part existential spiral. “Money buys a lot of things / But stealing it brings me joy,” Kenward croons with both menace and empathy, cracking open the criminal’s psyche like a car window with a crowbar. It’s storytelling at its most unhinged and tender, reflective of the album’s broader ethos: finding the silliness in sorrow and the sacred in chaos.
We can’t wait for “haha, now I’m sad” But in the meantime we are going to vibe out to the sensational “’53 Bel Air’”
We recently had the mesmerizing experience, to check out the new EP, “All You’ll Ever Be Good For”, from Brooklyn, New York , based Alt-Rock band, War Honey. You can listen to their third EP, “All You’ll Ever Be Good For” Here
We first heard the exquisite sound of War Honey, back 2023, when reviewed their single, “I Don’t Blame The Rats”, which we were instantly enthralled with.
Their new EP, “All You’ll Ever Be Good For” , from War Honey, is a well curated collection of music that may just be one of the best EP, of 2025
In our opinion the best music is not pigeon holed in to one genre, but rather is a cornucopia of sounds and styles, War Honey, has accomplished this and then some. On “All You’ll Ever Be Good For”, War Honey ( vocalist Gabrielle Dana, guitaristBen Fitts, bassist David Bloom, and drummerVictoria Smith) are a group of next level musicians, who’s attention to detail on “All You’ll Ever Be Good For”, is both noticeable and appreciated.
The intro, “This Time It Will Be Different “, has a cinematic feel that immediately made us take notice. Gabrielle Dana , sends every track on “All You’ll Ever Be Good For “ into the stratosphere, with her beyond flawless vocals. “My Little House “ is a stunningly beautiful track that literally gave us goosebumps.
“The Ballerina” is more than just an ordinary song , it is a musical event that we won’t soon forget. Perfect vocals , that had many different vocal stylings woven together. We were left absolutely speechless. The closing composition, “Behind The Glass”, was a hauntingly beautiful way to end a sensational collection of music.
War Honey , is band who has just released an EP, “All You’ll Ever Be Good For” that has done some we thought was impossible…. It has made us love music even more .
“Let The Praying Begin” is off upcoming LP ‘Straight Up’
We recently had the honor to check out the fantastic new single, “Let The Praying Begin via Oglio Records, “ from guitarist, singer, and songwriterJamie James. You can listen to “Let The Praying Begin”Here
Jamie James has had a rich and varied musical career, best known for his work with DQ and The Sharks (featuring actor Dennis Quaid), his long-time collaborations with the late Harry Dean Stanton, his role as a touring member of Steppenwolf in the late ’70s, and as the lead singer and founding member of the LA-based rockabilly trio Kingbees—the band behind the hit “My Mistake.”
On his upcoming 10-track solo LP, Straight Up, James reunites with his DQ and The Sharks bandmates—Tom Walsh (drums), Ken Stange (organ), and Tom Mancillas(bass)—with Jamie on guitar and harmonica.
The first single, “Let The Praying Begin” from Jamie James is an absolute religious experience. Jamie James, puts his whole heart and soul into his music and it is a beautiful thing.
Of the single, James says, “I grew up in rock ‘n’ roll in the ’60s—let’s just say I didn’t always live the life of a choirboy. But after a while, you find someone you actually love, and that feels better than anything. The song is about saying, if this relationship is wrong or a sin, or if this woman is too good for me, I’m not stopping—so go ahead and pray for me. In the end, the power of love makes us better”
A true survivor of rock’s ever-changing landscape, Jamie James remains an influential figure whose contributions to rockabilly, rock, and Americana continue to resonate with fans and fellow musicians alike. Straight Up, marks a return to his roots while showcasing his evolution as an artist, blending his signature style with fresh, contemporary sounds. With its raw energy and heartfelt lyrics, the album further cements Jamie’s place in the pantheon of rock’s most enduring voices.
As James, explains, “There isn’t a dishonest word on this record.”
Jamie James, is a refreshing sound in today’s somewhat musical landscape. We found ourselves completely mesmerized by the melodic and soulful goodness of “Let The Praying Begin “
We recently had the delightful opportunity to check out the new single “WHA-GWAAN” , from NYC-based alternative-R&B producer, singer and songwriter Tomás Doncker(feat. Frank Benbini)
You can listen to “WHA-GWAAN” on SpotifyHere, Apple Music Here
We were instantly attracted to “WHA-GWAAN” which, features guest drums and vocals rom Fun Lovin’ Criminals/UB40’s Frank Benbini.The groove-alicious is being released on Doncker’s label True Groove Records
Tomás Doncker has long been a prime mover on the New York music, arts and culture scenes. From the early 1980s, as a member of groundbreaking No Wave and Punk Funk bands The Contortions and Defunkt, international touring, recording and songwriting collaborations with the likes of Bootsy Collins, Meshell Ndegeocello, Madonna, The Specials and the legendary Ms. Patti Smith, to helming his own band The True Groove All-Stars, Tomás has established himself as a cross-genre innovator without peer.
Doncker’s previous works have seen praise from the likes of BBC, CNN, Huff Post, MOJO, Spin, Brooklyn Vegan and NPR’s ‘All Songs Considered’, Guitar World, All About Jazz, Paste Magazine, Rolling Stone and Blues Matters Magazine where he was a recent main cover feature.
Wha-Gwaan!’follow’s September’s EP ‘The AMPlified Soul Remixes’, Doncker’s most recent collaboration with the late acclaimed, grammy award winning ‘ambassador of funk’ Amp Fiddler, renowned for his performances with the likes of Prince and Seal.
The track serves as a wake up call to the increasing levels of social and racial injustice and the lack of acknowledgement of it.
On Wha-Gwaan!’s subject matter, Doncker says, “The legendary Nigerian Godfather of Afro Beat, Fela Ransome Kuti once said: ‘Music is the weapon of the future’. Well…The future is most definitely NOW! ‘Wah Gwaan’ is a Jamaican Patois greeting that means ‘what’s going on?’ or ‘what’s up?’. The lyric is a modern day riff on Marvin Gaye’s classic ‘What’s Going On’. Through an Afro Beat / Funk-Rebel music lens. It was designed to be a wake up call response to the seemingly increasing presence of social injustice in the world today. The hypnotic dub-funk groove is brought to the boiling point by the legendary Frank Benbini (Fun Lovin’ Criminals/UB40/Uncle Frank), who I’m thrilled makes a guest appearance on drums and hype vocals.”
When we listen to “WHA-GWAAN” we are reminded why we love music so much . Tomás Doncker along with Frank Benbini has created a vibrant and stunning track we can’t help but love with every being of our music loving heart . “WHA-GWAAN” effortlessly moves our mind , body ( and feet )
You owe it to yourself to check out “WHA-GWAAN” from Tomás Doncker featuring Frank Benbini
DATES:
February 7th 2025 – The Cumberland Hotel, London (An Eel Pie Records Event) March 7th 2025 – The 100 Club, London (Supporting KillerStar) March 8th 2025 – The 100 Club, London (Supporting KillerStar) July 27th 2025 – High Tide Festival, Twickenham
We recently had the most excellent opportunity, to check the amazing new EP “Pastel Southwestern “ from Desert Mambas, and… if we are being honest.. we were smitten with this incredible work of great music immediately.
You can also check out the video for the new single “Hot George Castanza” below
Desert Mambas, the bluesy, moody alt-country project of singer-songwriter and guitarist Bailey Moses, delivers the perfect new EP “Pastel Southwestern “ We also get the music video for “Hot George Costanza,“which is , the lead single off their second EP, Pastel Southwestern, both out now via Kill Rock Stars.
Photo credit- Rochelle Shipman
There is this real authentic energy around “Pastel Southwestern “ from Desert Mambas . The incredibly talented Bailey Moses has created an absolute indie masterpiece and we can’t get enough of it.
The dusty old time country/Americana vibe on “Pastel Southwestern “ is one of the most refreshing EP’s we have heard in quite some time. Every song is perfectly crafted and executed. From note one on the intro, all the way through to “the Average” we laughed, sang our hearts out and appreciated the overall greatness of “Pastel Southwestern “ from Desert Mambas .
The latest effort demonstrates just how comfortable Moses has gotten in their own shoes, gracefully holding a delicate balance between the intensity of being alive and the George Costanza of it all. “I’m not much of a ladies man / though I try, and I try, and I try / I’m much more a mustard stain on your shirt ‘Hey man your zipper’s down’ / ‘You should really check your fly,’” Moses croons before launching into the song’s soon-to-be-iconic chorus: “I’m like a hot George Costanza / I’m like, so hot you can’t stand it.”
In Pastel Southwestern, Desert Mambas brings brutal honesty to the forefront, poetically describing everything from the trials and tribulations of the trans experience to the alluring grip of trash TV. Set to the melodic and meditative cadence that Moses is becoming known for, this release showcases their range beautifully, from the soft, spacey twang of their guitar to the intricately woven pedal steel. And… we love every minute of it .
“I’m so proud of this EP,” said Moses. “I’m not a person who likes to take myself too seriously… but I also absolutely take myself very seriously. These songs capture so much of the seriousness and silliness I love about music simultaneously.”
Do yourself a favor and check out “Pastel Southwestern “ from Desert Mambas . You won’t regret it.
We recently had a chance to check out the amazing new album “Chicken Fight” from Rock band The Stews . You can listen to “Chicken Fight “ Here
The Stews formed in the midst of the pandemic, and used their ample free time to hone in on their songwriting and musical skills. As the world reopened, they brought this new music into the light, much to the delight of music lovers everywhere.
The Stews, play a brand of rock that truly touches the soul. The Stews have a classic soulful rock sound that borrows perfectly from the past but, also touches the future as well .
The band is thrilled to release new music for the first time since 2022, with their upcoming album Chicken Fight. The Chicken Fight Tour will give fans in every corner of the country an opportunity to bear witness to the experience that is a Stews show. With shows from New York City all the way to San Diego, Nashville to Seattle, the band is thrilled to play these new songs for more fans than ever before.
While We have never personally experienced a Stews show . One listen to “ Chicken Fight” and it is clear to us that, The Stews are a band who were built for the stage . The master musicianship present on “Chicken Fight” must be a thing of beauty live .
The Stews majesticallypull of many different musical styles on “ Chicken Fight”
The title track “Chicken Fight “ has a very fluid soulful almost jam band feel to it . The groove on the track is intoxicating.
The Smokey blues feel makes it was throughout the album with tracks “How It Ends” and “Hourglass” .
“So Much More To You “ shows a little different side to The Stews . Flawless drop dead perfect vocals make this track stand out.
In our opinion the absolute gem of the album is without question “Hard To Fine” If we close our eyes we can picture a stadium full with cell phone lights lit swaying to an absolutely brilliantly beautiful song.
Do yourself a favor and check out “Chicken Fight” from The Stews , you will not be disappointed.
We recently had the privilege to check out the new self titled EP from Sleepwalker . Sleepwalker is the new EP and project from musican Kevin Harrison.
You can check out the self titled EP from Sleepwalker Here. Harrison fully embraces the freedom of producing and creating music without boundaries. Known for his time on the folk-rock scene with bands Broken Compass Society and Kevin Harrison & True North, the Cranford, New Jersey singer-songwriter found a sense of freedom in leaving behind the constraints of the music industry and pursuing new artistic avenues with his latest creative ventures.
With Sleepwalker, KevinHarrison has created a one of a kind sound that we can’t turn away from . From the first note on “When The Lights Go Down” all the way through to the fascinating instrumental “Delirium “ we fell deep for the indie-rock/folk/blues sound that is on full display on the self titled EP
We were awash in a beautiful wave of sound on “When The Lights Go Down “ There is a mysterious blusey tone on the track that we can’t get enough of.
“Wake Me Up” which was one of our favorite track on the EP , was the catalyst for the entire Sleepwalker project. It begins with quintessential folk-rock softness before the shackles of standard songwriting constraints fall away amidst the synths, fuzz, and layers of emotive vocals. In the absence of lyrics, there’s a whispering piano floating in the ether, a disorientation that echos the question of “Am I still me?” despite all the changes around you. It was inspired by many sleepless nights as a new parent and the uncertainty that comes with raising the future. (As a fellow parent this one really resonated with us .
Throughout the Sleepwalker EP. Harrison artfully places tones and sounds to really give the EP a unique sound and feel .
Vocally throughout the EP , Harrison puts on absolute vocal clinic. On the title track “Sleepwalker” we literally got chills listening to the flawless vocal performance. “Burn” has a really Smokey feel that stays in your soul , long after the music ends .
From top to bottom there isn’t a bad song on “Sleepwalker” it is truly a work of musical greatness that you can’t afford to miss.
We started The Whole Kameese back in 2020 as a way to keep busy during the pandemic. We are so lucky to have worked with so many wonderful artists, promoters and other music professionals. We were also so blessed to be able to share so much amazing music . We have made the difficult decision to put the blog on the back burner. At this time we need to focus on other important matters. We do not know how long we will be away but, we will return. We thank all of you for your support
We are looking for Bands/Artist to send their vinyl releases for 2024. We are putting together a new video segment where we will be featuring vinyl releases. If you are a band or artist and you are going to be putting out a vinyl release in the new year we want to tap to you . You can find our information on the contact section of our website or send us a message through our socials @TheWholeKameese
We recently had the opportunity to check out Rockand Roll Hall Of Famer Ricky Byrd and his stunningly beautiful new single “Rhapsody In Blues (One for Jeff)” via Wicked Cool Records.
You can listen to “Rhapsody In Blues (One for Jeff)”Here
Rock and Roll Hall of Fame member, guitarist /singer-songwriter/producer/recovery advocate Ricky Byrd(inducted in 2015 with Joan Jett and The Blackhearts), has had a career in music spanning over 40 years.
Although best known for his time spent with The Blackhearts, Byrd has also recorded and played with Roger Daltrey and toured with Ian Hunter and Southside Johnny and the Asbury Jukes respectively. He has also been blessed to have had the chance to, at one time or another, share the stage with music royalty including Paul McCartney, Ringo, Alice Cooper, Bruce Springsteen, Steven Van Zandt, Joe Walsh, Mavis Staples, Dion, Brian Wilson, Smokey Robinson, Jimmy Page, Graham Nash, Sam Moore, Steve Miller and Elvis Costello…to name just a few.
Photo credit- Frankie Byrd
Byrd’s new single “Rhapsody In Blues (Onefor Jeff)” is an instrumental tribute to his guitar hero, the late Jeff Beck. The track follows the release of his recent digital/7″ singles “Louanne”, “Alien” and “Glamdemic Blues”, which featured a b-side cover of the Four Tops‘ classic “Reach Out (I’ll Be There).
Byrd says, “The only way I felt I could properly pay tribute to Jeff Beck, whose playing has inspired me my whole life, was to record this track dedicated to him. This is a track I felt I needed to write. I did it as a thank you to Jeff. He was such an important part of the process for me as a guitar player. First as a teenager discovering all this cool new music I was soaking up, trying to learn a riff here and there (the easy ones ;)), to all these many years later where I’m still in awe of where he took guitar playing. And yes I’m still trying (mostly unsuccessfully) to nick one of his riffs. Thanks again Guv’nor”- Byrd
If you are a lover of absolutely amazing mind blowing music, then you owe to yourself to Ricky Byrd and his brilliant tribute to the legendary Jeff Beck “Rhapsody In Blues (One for Jeff)”
We recently stumbled across an amazing band Cowboy Diplomacy from Austin,Texas and their amazing single “The Road”
You can listen to “The Road” on Spotify Here and on Apple Music Here
We are not going to beat around the bush here… Cowboy Diplomacy are one of the best bands we have heard all year .Cowboy Diplomacy, have an honest and authentic sound that will leave the toughest of tough speechless.
“The Road” a powerful, emotional, well written track that cannot be ignored.
Led by Ian Cochran (vocals, guitar), Brad Bentley (bass), and Matt Leslie (drums).
If you want to listen to a band that is firing on all cylinders, then look no further than Cowboy Diplomacy and their gem “The Road “
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