We recently had the stellar opportunity, to check out the flawless and stunning cover of “Pink Pony Club”, from Edmonton, punk rockers, The Spuds Mackenzies. You can listen to “Pink Pony Club” on Spotify Here and on Apple Music, Here
We generally have two rules with covers, 1 – You should always in some way honor the original, 2- While honoring the original you should always make it your own .
The Spuds Mackenzies achieve our requirements, effortlessly as the absolutely hit it out of the park , with their phenomenal version of Chappell Roan’s , “Pink Pony Club”
The Spuds MacKenzies are everything you would expect from a band named after a poorly thought out beer marketing campaign and are stoked to finally properly record one of their live show staples.
We freaking love The Spuds Mackenzies , If you can’t get into a good mood after listening to their epic cover of “PinkPony Club” , you might need to seek medical attention.
Guitarist/vocalistChris had this to say about the track: “We ran out of songs to that we had actually played together at a St. Patrick’s Day show…a close friend of ours was in the hospital having been diagnosed with cancer and PPC was her favourite song…we learned it on the spot live and the reaction was so fun we’ve played it live ever since. Recording it feels like a small tribute to her, we still love her and she’s always on our mind.”
So go to your favorite music listening spot and vibe out to the spectacular cover of “The Pink Pony Club “ from The Spuds Mackenzies.
We recently had the extraordinary opportunity to check out Boston, based Jennifer Tefft & The Strange and their phenomenal cover of The Lumineers , “Salt and the Sea”
There are a few unwritten rules that sort of goes hand and hand with releasing a cover song . The first one , is that you should always try and honor the original version in the best way possible. The second is while not straying too far from the original, you have to make it your own.
Jennifer Tefft & The Strange have not only honored the original version of “Salt and The Sea “… They have also have without question made it their own. They have also once again proven why they are one the most skilled and well put together group of musicians on the freaking planet.
The vocals on “Salt and The Sea”, literally gave us goosebumps, Jennifer Tefft, is in our opinion one of the best female rock vocalists in today’s musical landscape…. And her band is the notch that is way above top notch .
Jennifer shared,“We wanted to try our hand at a reinterpretation of someone else’s work. We’ve been playing this song live for a few months and it always gets a great response. Recording it allowed us to really dig into the song and get creative with the arrangement and parts “
Jennifer Tefft & The Strange’s music combines intense rhythms with unique guitar textures and vocals that wind easily from darkly ethereal to soaring anthems, creating their own brand of gritty-lush alternative rock. Along with Jenn on vocals, the band features longtime collaborator John Parrillo on guitar, Tim Provost on drums, and Stephen”Sharky” Beccia on bass and background vocals. The band released their new album Strange Beginnings, produced by Grammy award-winning Bob St. John in April of 2024, which garnered them an “Album Of The Year” award, as well asthree other nominations in the 2024 New England Music Awards, plus placement on “Best of 2024″ lists. The first single off the album “Caffeine” reached the #1 spot on Radio Indie Alliance’s Top 100 songs. Currently, they arenominated for Rock Act of the Year for the 2025 New England Music Awards and their song “Tonight” was officially accepted for Grammy Consideration for “Best Rock Song” .
You owe it your music loving heart to get lost in the otherworldly cover of The Lumineers ,“Salt and the Sea”, from Jennifer Tefft And The Strange.
We recently had the glorious opportunity to check out BIRD and her amazing cover of Bob Dylan’s “Lay Lady Lay”. You can listen to “Lay Lady Lay” Here
Janie Price aka “Bird” is an award winning, half English, half Irish singer/songwriter and multi-instrumentalist.
Known for her ethereal vocals and genre-defying compositions, BIRD builds an immersive soundscape using delicate finger-plucked ukulele and banjo, wrapped in dreamlike cinematic textures and underpinned by her unmistakable voice.
We are absolutely enthralled with the artistry of Bird her inspiring version of Bob Dylan’s, “Lay Lady Lay”
. Her upcoming EP Strange as Folk will roll out throughout the autumn, alongside her directorial debut—a short documentary about Roy Orbison titled You Found A Friend in Elvis. In support of her new music she will be playing dates added to her successful CAFFENERO “artist of the month” UK tour and other UK venues late November /December 25. Then January 2026 she heads to the USA for her first full tour which will include an official showcase for Folk Alliance in New Orleans 21-24 Jan.
You most definitely owe it to your music love to check out the beautiful and flawless cover of Bob Dylan’s“Lay Lady Lay “ from Bird.
We have had an absolute blast creating playlists for the last two Proving Ground Live Pro Wrestling Events. Today (October 25th ) we are proud to announce our Halloween themed playlist.
1- Rave From The Grave”- ALTARBOY
“Rave FromThe Grave” is an absolute scream.
2- Gimmie Gimmie Halloween- Lynda Mandolyn – We are on a dreamy pop high with “Gimmie Gimmie Halloween “
3- Witches Don’t Burn- Nathalie Miller
Photo by Tristan Zhu / Creative direction by Palmer Wells
“Witches Don’t Burn” is an absolute indie pop masterpiece, Bravo. Nathalie Miller, is a rising talent that you definitely need to check out.
4- “Alive Tonight” – Mourning Joy
Flawless vocals woven with drop dead perfect melodies. We couldn’t resist adding Mourning Joy, on our SLAMHAIN playlist.
5- “Time Warp”- Bad Mary
Bad Mary, has delivered a otherworldly version of “Time Warp” it is simply to die for
6- “Dead Inside “ – Joker’s Republic
Joker’s Republic, has a sound a style that will make you music loving soul come alive.
7- “Vampires”- Teen Idle
Brimming with electrifying energy, “Vampires”, from Teen Idle is absolutely stunning
8-“Friday the 13th“- Reverse Pathogen
“Friday the 13th” from Reverse Pathogen is a killer song , from a killer band with a killer sound.
9- “Bucky” –Oswald Slain
Our friend’s from Bristol (UK) , have just released a brilliant debut studio album and this is the amazing title track.
10- “Tourmaline” -All My Friends
“Tourmaline”, is an epic anthem that we can’t get enough of . You can afford to skip this one
11- “Get Offline” – JVK
We absolutely love the electricity of “Get Offline” , from JVK it is off the charts
12- “I’m A Vibe”– Lombardy
Rock music never sounded more alive . “I’m A Vibe” from Lombardy, is an explosive gem that you need in your life immediately.
13- “Bittersweet” – ColorMeKrazy
“Bittersweet” is a powerful and emotional song with flawless vocals. ColorMeKrazy, is a band that you need in your life. You just don’t know it yet.
We are so happy to present our killer new playlist for Proving Ground’s SLAMHAIN,
November Tour with Bowling For Soup and Don’t Panic
We recently had the spectacular opportunity to check the magnificent cover of “You Don’t OwnMe” via Wicked Cool Records, from beloved punk rock power trio The Dollyrots
The mark of a great cover , is when the band stays true to original while at the same time adding their own vibe . The Dollyrots , certainly accomplished this with “You Don’t Own Me”
At a time when empowerment anthems are more needed than ever, the band is releasing a rousing, punked-up cover of Lesley Gore’s feminist classic “You Don’t Own Me.” The song was the idea of labelmate Brian Ray (Etta James, Paul McCartney), who co-produced and contributed guitar parts to the track.
Photo: Jen Rosenstein
The song is an anthem for female empowerment, about willing to be defiant in the face of something that’s just plain wrong. Sadly, it’s still just as timely as when Lesley sang it over 60 years ago,” shared singer/bassist Kelly Ogden.
With their signature mix of sugar-rush melodies, punk grit, and bubblegum sneer, The Dollyrots breathe new fire into Lesley Gore’s classic “You Don’t Own Me.” It’s part candy-coated chaos, part fist-in-the-air rebellion—hook-laden guitars collide with Kelly Ogden’s unmistakable voice, equal parts sweet and savage. More than a cover, it’s a technicolor punk anthem that channels the band’s playful heart and fearless bite—reminding us that freedom and fun can both be loud.
In addition, a limited-edition evergreen vinyl 7-inch single featuring the high-energy original track “Get On This Ride” and “You Don’t Own Me” is out now. The vinyl and an exclusive bundle—including the 7-inch, a t-shirt, and a sticker—are available exclusively at The Dollyrots Storeand on tour while supplies last.
Fronted by Kelly Ogden (bass/vocals) and Luis Cabezas (guitar/vocals), with Simon Hancock on drums, The Dollyrots continue to deliver their infectious blend of attitude, melody, and heart that has become their signature sound.
The Dollyrots are hitting the road this November for a run with Bowling For Soup and Don’t Panic, culminating in a set at Vans Warped Tour in Orlando, FL.Tickets available HERE.
Tour Dates
Bowling For Soup, The Dollyrots, and Don’t Panic November 6 – Tipitina’s, New Orleans, LA November 7 – Mars Music Hall, Huntsville, AL November 8 – The Hall, Little Rock, AR November 9 – The Mill & Mine, Knoxville, TN November 10 – The EARL, Atlanta, GA November 11 – The Orange Peel, Asheville, NC
The Dollyrots and Don’t Panic November 12 – FIVE, Jacksonville, FL November 14 – Crowbar, Tampa, FL November 15 – Respectable Street, West Palm Beach, FL
We recently had the opportunity to check out the second single from The Reverend Shawn Amos Dance Party,“Twisting The Night Away”
You can listen to “Twisting The Night Away” on Spotify Here, Apple Music Here
“This second Dance Party groove is from Sam Cooke—who was more than a beautiful face and voice. Brother Cooke used his massive popularity to sway people’s conscience in the struggle for civil rights. He understood the necessity of raising your voice and spirit. Sam Cooke knew why we should dance. Sometimes dancing is a righteous act of joyful defiance.”
Celebrated recording artist and NAACP Image Award-winning author Shawn Amos, best known as joyful bluesman The Reverend Shawn Amos, is an astute storyteller of multiple mediums. Shawn invests his unique creative vision and business savvy in both his own work and the endeavors of countless collaborators. He first honed these skills—and a restless entrepreneurial spirit— as a child of 1970s Hollywood, helping his father Wally “Famous” Amos launch a now-iconic cookie brand on then-gritty Sunset Boulevard.
Following a stint at NYU film school, Shawn wrote scripts for A & M films by day, recording and performing original music focusing on race and identity by night.
The Reverend Shawn Amos Dance Party!—an album of originals and 1960s dance classics—is forthcoming.
The Reverend ShawnAmos, artfully gives new life to the classic , “Twisting The Night Away” by honoring the great Sam Cooke , while also adding his own personal touch.
Tomás Doncker is pleased to reveal that his upcoming EP ‘Hard Is Hard’ is set for release July 4th 2025
We recently had the amazing opportunity to check out the stunningly perfect and soulful cover of “Ace Of Spades” from NYC-based alternative-R&B producer, singer, songwriter and indie label CEO Tomás Doncker. You can listen to “Ace Of Spades” on Spotify Here , Apple Music Here
Tomás Doncker has long been a prime mover on the New York music, arts and culture scenes. From the early 1980s, as a member of groundbreaking No Wave and Punk Funk bands The Contortions and Defunkt, international touring, recording and songwriting collaborations with luminaries such as Bootsy Collins, Meshell Ndegeocello, Ivan Neville, The Specials and the legendary Ms. Patti Smith, to helming his own band, The True Groove All-Stars, Tomás has established himself as a cross-genre innovator without peer.
Discussing his decision to cover the single he explains, “Motörhead… Lemmy…Ace of Spades. Who doesn’t love this song? I have since I first heard it many lifetimes ago. A few years back, I was in a car and it came on the radio – and it spoke to me in a very different way than it ever had before. This was the moment when the idea of covering it popped into my head. When I read the lyrics, it became clear to me what it was that was tugging at me…The Blues. I realised that Motörhead had changed the spirit of Son House, Robert Johnson, Muddy Waters, and the Delta Blues storytelling tradition and sped it up to create one of the quintessential rock and roll anthems of all time. It became obvious that I had to sing this song. I saw myself in it.”
We blissfully basked in the absolute soulful perfection of the phenomenal version of “Ace Of Spades”, from Tomás Doncker
The upcoming EP ‘Hard Is Hard’was produced with James Dellatacoma (Bill Laswell, Herbie Hancock) and mastered by Michael Fossenkemper (Paul Weller, LL Cool J, Miles Davis) and includes guest instrumentation from Frank Benbini (UB40, Fun Lovin’ Criminals), Adriano Rossetti-Bonell (UB40) and The Specials Horns. With elements of soul, blues, funk, rock and some jazz thrown in for good measure, ‘Hard Is Hard’ is a five-track masterclass in Doncker’s innate knack for genre fluidity. The EP lyrically explores themes of racial inequality, social injustice and keeping a positive mental attitude through hard times.
Doncker was recently invited to support Fun Lovin’ Criminals on their extensive tour throughout the UK and Europe alongside his band, The True Groove All-Stars, which include members of The Specials Horns.
On the tour, he says, “I’m so honoured, and excited to have been invited to be a part of the upcoming Fun Lovin’ Criminals fall UK/EU tour. They’ve really made me feel welcome as a member of the international / UK music community, and I am forever grateful for this opportunity. It’s gonna be a lot of fun for sure!“
You can check out tour dates, below
We absolutely can’t wait for the release of “Hard Is Hard” , from Tomás Doncker. In the meantime we will groove out to “Ace Of Spades”
LIVE DATES:
July 12th 2025 – Cosmopolitan Arts Festival, Leicester July 12th 2025 – Cumberland Hotel, London (British Summer Time Festival After Party) July 25th 2025 – Barefoot Festival, Leicester July 27th 2025 – High Tide Festival, Twickenham August 1st 2025 – Le Pub, Newport August 6th 2025 – Peggy’s Skylight, Nottingham
September 4th 2025 – Sub 89, Reading (Supporting Fun Lovin’ Criminals) September 5th 2025 – Waterfront, Norwich (Supporting Fun Lovin’ Criminals) September 6th 2025 – The Garage, London (Supporting Fun Lovin’ Criminals) September 7th 2025 – Concorde 2, Brighton (Supporting Fun Lovin’ Criminals) September 18th 2025 – Arena, Torquay (Supporting Fun Lovin’ Criminals) September 19th 2025 – Thekla, Bristol (Supporting Fun Lovin’ Criminals) September 28th 2025 – Wedgewood Rooms, Portsmouth (Supporting Fun Lovin’ Criminals) October 2nd – La Madeleine, Brussels (Supporting Fun Lovin’ Criminals) October 5th 2025 – Werk2, Leipzig (Supporting Fun Lovin’ Criminals) October 6th 2025 – Hole44, Berlin (Supporting Fun Lovin’ Criminals) October 7th 2025 – Hirsch, Nurnberg (Supporting Fun Lovin’ Criminals) October 8th 2025 – Backstage Halle, Munchen (Supporting Fun Lovin’ Criminals) October 10th 2025 – Das Rind, Russelsheim (Supporting Fun Lovin’ Criminals) October 11th 2025 – Opderschmeltz, Dudelange (Supporting Fun Lovin’ Criminals) October 12th 2025 – Patronaat, Haarlem (Supporting Fun Lovin’ Criminals) October 14th 2025 – La Salle des Fêtes, Bordeaux (Supporting Fun Lovin’ Criminals) October 30th 2025 – Lucerna Music Bar, Prague (Supporting Fun Lovin’ Criminals)
Boston mod-pop trio pair rousing rendition of Mickey Lee Lane’s ‘60s stomper ‘Hey Sah-Lo-Ney’ with Andy Lewis’ fiery remix of ‘Jamie C’mon’
Since the Boston mod-pop trio last dropped new music, almost exactly two years ago, the unexpected happened: Beloved label boss and confident Justine Covault of Red on Red Records suddenly passed away; bassist and vocalist Linda Pardee was diagnosed with breast cancer; and founding drummer Ron Belanger amicably left the group to relocate to North Carolina, leaving Pardee and guitarist Tim Gillis without a beat to guide them.
So what’s a band to do? Regroup, reload, and get back on the scene. And call Boston music veteran and stylish gentleman Bruce Caporal to hop behind the kit and fill the role as the new drummer.
Photo credit: Trebmal Photography
The Chelsea Curve’s new beat begins today, (Friday, May 16, ) when they make their RumBar debut and launch the double A-side single featuring a rousing rendition of Mickey Lee Lane’s 1965 Northern soul stomper “Hey Sah-Lo-Ney” and a fiery Andy Lewis remix of 2022 single “Jamie C’Mon.” The upbeat tracks hit the streams ahead of the 7-inch arriving in July on Mod Glass Clear or Sharp Suit Black vinyl
The Chelsea Curve celebrate the night of the streaming release with a party at Faces Brewing Co. in Malden alongside Yes Nanny and Rum Bar labelmates Diablogato.
“It’s been a while, and we’re raring to get back at it!,” says Gillis. Pardee agrees with her usual enthusiasm: “We’re ready to go, baby!”
For some, especially on the live circuit, The Chelsea Curve never went away, staying sharp through select live shows, including brief stateside tours with British brethren Sharp Class and Norway’s The Cocktail Slippers, and a jaunt over to England to bring their ultra-stylized energy and sound to an appearance at the 45th anniversary of Mods Mayday in London.
The gritty and shout-along “Hey Sah-Lo-Ney” first debuted when The Chelsea Curve played The High Rollers scooter rally in Las Vegas back in 2023, and the response from the assembled crowd of British and American scooterists confirmed they captured the song’s true spirit. And now it gets the proper recorded treatment, providing another extension of the band bridging the gap and entrenching a cultural connection across the Atlantic. Plus, hey, it’s a total belter.
This one’s a little different for us, more of a rock and soul groove,” says Gillis. “On this one, we wanted to keep some of the roughness and rawness of the original but put our own mark on it, and I think we did that. It’s a great showcase for Linda’s vocals – she really sings the hell out of it.”
Adds Pardee: “I came across this classic Northern soul number a while back and instantly loved it. I love that this song is from a time when rock and roll still seemed kind of dangerous and maybe even ‘forbidden’. The lyrics are raw; they’re an ecstatic proclamation, frenzied… slightly out of control. The call and response makes you want to sing along. The pounding beat makes you want to dance. It’s all so very primal.”
And it makes a perfect companion track to Lewis’ remix of “Jamie C’Mon,” fueled by the English producer, musician, and DJ’s sonic enhancements, which includes super cool bells and whistles, rhythm tracks, extra keyboards, and a good dose of fairydust. It also features The Chelsea Curve Mod Squad: Rod Spark on keyboards; Dan Levine on trombone; and Jay Webb on trumpet. It’s an instant party-starter.
“I wanted to do a Northern soul style dance remix of ‘Jamie C’Mon’, and asked our Mod Squad keyboardist, Rod Spark, who could make that happen,” Pardee offers up. “Without hesitation, he said Andy Lewis – he’s played in Paul Weller’s band and DJ’d on the Blur Parklife tour, so his creds were a perfect fit! Rod connected Andy and us, and that was that!”
You can check out “Hey Sah-Lo-Ney Here and Jamie C’Mon ( Andy Lewis Remix) Here
The Chelsea Curve, is everything we love about music and then some. We love the Northern Soul, vibe with Hey Sah-Lo-Ney’, and “Jamie C’Mon ( Andy Lewis Remix)
A new drummer, a clean bill of health for Pardee, a new label, a new 7-inch, a newly-minted Bandcamp page, and a healthy slate of live shows positions The Chelsea Curve back at full operational speed, with Covault’s cherished memory and constant support not far from their collective hearts. New music is fast on the way this summer, a string of singles leading to either a new EP or new album around the turn of the calendar, and the crew is headed back to England for summer shows with Sharp Class and The Len Price 3. The run also includes a gig on the Isle of Wight for the world’s largest scooter rally.
The Chelsea Curve, have the groove you need, so do yourself a favor and check it out.
We recently had the opportunity to check out The Disassociates sparkling cover of SZA’s “Kill Bill” You can listen to “Kill Bill” Here
Southern California alt-rock standouts, The Disassociates, are continuing to build on their recent buzz with the release of a high-octane rock cover of SZA’s chart-topping hit, “Kill Bill.” Known for their genre-blending sound, sharp wit, and unforgettable hooks, the band has carved a bold new space in the rock scene.
We have forever said that the true mark of a great cover, is when a band takes a song and makes it their own. The Disassociates, have most definitely achieved this with their cover of SZA’s , “Kill Bill”
The group burst onto the map with their 2024 debut album, No Reason This Can’t Be Fun—an explosive fusion of rock subgenres, layered with clever, boundary-pushing lyrics and irresistibly catchy melodies. Since its release, the album has garnered critical acclaim and captivated a growing fanbase.
In addition to their musical chops, The Disassociates gained viral fame through their wildly popular “Wrong Door” social media series, racking up over 6 million views. Their single “30mg” earned both Single of the Year and Video of the Yearat the Bakersfield Music Awards, cementing their status as one of the most exciting acts to watch.
Featuring vocalistBrie Marie, guitaristJordan Sutton, drummerMichael Bonanno, and bassistJustin Pittman, the band is celebrated for their genre-defying approach, drawing influences from pop punk, metal, Broadway, and classic rock. Their newest release—an amped-up take on SZA’s darkly addictive hit—brings their signature edge to a song already rich in drama.
“‘Kill Bill’ was begging to be a rock song,” the band shares. “SZA’s incredible lyrics are all about revenge, pettiness, violence, madness—a lot of themes we cover in our original music, so we were extremely drawn to this song. And it’s a Tarantino reference!? Come on—that’s so punk and dramatic—we live for it. The original was so beautiful, we just knew we had to make a high-energy mess of SZA’s masterpiece.”
We can’t think of a better way to spend 2 minutes of our day than listening to The Disassociates , picture perfect cover of SZA’s, “Kill Bill”
Catch The Disassociates live at their upcoming shows:
We recently had the splendid opportunity to check out Southern Rock band, Holy Roller and their amazing cover of Fleetwood Mac’s“The Chain” that is out now on all platforms. You can listen to “The Chain” on Spotify Here, Apple Music Here
Listening to Holy Roller, is nothing short of a religious experience. We got literal goosebumps listening to the divine cover of Fleetwood Mac’s , “The Chain”
“Holy Roller? More like holy sh**!” That’s the review lo a x laccording to Nashville’s multi-Grammy award winning songwriter, Jim Lauderdale. The Richmond, VA based group is quickly proving that they intend to be the new face of southern rock. Holy Roller has been dominating the east coast, selling out nearly every show over the last year, not to mention some outstanding performances that landed them as festival favorites at Bristol Rhythm & Roots and Red Wing. Their sophomore album, Good Religion is out now and boasts some seriously riff-heavy, yet deeply intimate songs that are best played L-O-U-D. Holy Roller is down home, and damn good at it.
There is so much rock and roll/ southern goodness going on with Holy Roller, that they should be declared a national treasure. Do yourself a favor and check out the phenomenally fantastic cover of Fleetwood Mac’s , TheChain” from Holy Roller
We recently had the glorious opportunity to check out Southern Rock band, Holy Roller and their cover of Elvin Bishop’s “Fooled Round and Fell in Love” You can check it out on Spotify HereApple Music Here
We are absolutely captivated with Holy Roller’s flawless version of “Fooled Around And Fell In Love “ We had literal goosebumps it was simply spectacular. The amount of heart and soul poured in to this amazing performance, is off the charts .
Holy Roller released their sophomore album, Good Religionlast year and boasts some seriously riff-heavy, yet deeply intimate songs that are best played L-O-U-D. In support of their new music, the band has been touring nonstop .
They been dominating the east coast, selling out nearly every show over the last year, not to mention some outstanding performances that landed them as festival favorites at Bristol Rhythm & Roots and Red Wing. In May, they will be playing at the Boston Calling Festival.
There is a beautiful uniqueness to Holy Roller, that we absolutely love and it comes across crystal clear on “Fooled Around And Fell In Love “
We recently had the exciting opportunity to check out singer-songwriter CIAO MALZ (aka Malia DelaCruz) We were over the moon this past December, when she released her stellar label debut Safe Then Sorry
While a follow-up to ‘Safe Then Sorry’ is still a while away, CIAO MALZ has issued a cover of Elliott Smith’s“Clementine” from his classic 1995 self-titled second album. Coincidentally, it was a cover of Frog’s “You Know I’m Down”) which introduced her to the Audio Antihero label , and saw her join Frog on their roster late last year.
You can listen to “Clementine” below
We got absolute goosebumps when we listened to CIAO MALZ’s breathtaking cover of Elliott Smith’s“Clementine” , it is a beautiful version that will stay with you long after the music has faded.We also enjoy her authentic and captivating performance on WFUV
Clementine” isn’t the only new recording from CIAO MALZ this month. Having already recorded radio sessions for WVKR (accompanied on pedal steel by Hefner’s Jack Hayter), East Village Radio, BFF.FM, and numerous others, her most high-profile session to date just aired via NPR-affiliate WFUV in the Bronx. Without the expanded lineup of guitaristJames Chrisman (Sister.) and drummerFelix Walworth(Florist / Told Slant), DelaCruz performed solo acoustic versions of “Two Feet Tall” and “Gold Rush,” alongside an interview.
Do your music loving heart a favor and check out the amazing cover of “Clementine” , as well as the WFUV session from CIAO MALZ, you will be glad you did.
We recently had the amazing opportunity to check out The Mary Tyler Whores and their electrifying cover of the DEVO classic “Whip It” via Golden Robot Records, You can listen to “Whip It” on Spotify Here, Apple Music Here You can also watch the video below.
“Whip It “ , from DEVO , is probably one of the most electrifying songs in music history. The Mary Tyler Whores deliver a blazing version of “Whip It” that they make all their own and we freaking love it .
Produced by punk legend Greg Hetson (Circle Jerks / Bad Religion), this turbocharged, high-voltage version of Devo’s cult classic slaps harder than ever, dripping with the band’s signature filthy punk energy.
Covering ‘Whip It’ felt like the perfect way to pay tribute while ripping it open for a new generation.” Shot in downtown Los Angeles in January 2025 – right in the middle of the city’s wildfire devastation – the ‘Whip It’ video is a high-intensity, no-holds-barred spectacle. Directed, edited, and enhanced with SFX by Faust (Infinivision), with cinematography by Blake Russ, and Money$Punk Productions backing the madness, the video blends surrealism with pure punk destruction.
So dust off those new wave dance moves and get ready to “WhipIt”
Tess & The Details, have a vibrant and electrifying sound that is a must hear for any true music lover. The mark of a good cover , is when the band makes it their own , Tess & The Details, have definitely done this with their cover of “Maniac”
Since bursting onto the scene in 2023 with their debut albumRunaway (released via Double Helix Records), they’ve been making waves in the punk community. Their music has been featured on compilations like Punk Rock Saves Lives, Attention!(WiretapRecords), Distort The Bay (Destroy Art Inc.), and Pee Approved(Pee Records AU), among others.
Photo: Matthew Medina
With an electrifying live show ( to go along with their electrifying sound) , the band has toured extensively across California, Portland, and beyond, steadily building their reputation as a must-see act. They’ve shared the stage with legends like Fishbone, Swingin’ Utters, The Meteors, The Last Gang, and The Drowns, proving they can hold their own alongside some of the best in the scene.
Beyond the music, Tess & The Details take pride in their relentless work ethic and advocacy for mental health awareness—all while delivering the kind of no-frills, high-energy rock that keeps fans coming back for more.
The band has teamed up with, Wiretap Records for a cover of “Maniac”, along with fresh original music and an aggressive touring schedule.
The idea to cover Maniac came unexpectedly— Lead vocalist/guitarist Tess Stevens says , “We were loading out at an obscure little venue in Crockett, California called Toot’s Tavern, and over the speakers while we were lugging our Marshall’s out the door we heard the song and we all started dancing.
It was the energy and dark catchiness of the song that made us all go…wait…,”Should we cover this?” almost as a joke…then that joke turned into us coming up with a Details-ified version of the song that we have played at almost every show since. Crowds liked it so much that we ended up teaming up with our longtime producer & mixing engineer Jacob Light to record it at ModernTone Studios in Lafayette, California.”
They didn’t stop there. To fully embrace the Flashdance spirit, they threw themselves into a nostalgic, over-the-top music video, directed by their close friend and Like Roses guitarist Devin Zamora. The result? A wild, 1983-inspired spectacle that you truly have to see to believe. You can watch the video Here
Tess & The Details, absolutely knock it out of the park with their cover of “Maniac” from “Flashdance”
Chelsea Spear’s lo-fi ukulele-pop project releases a fully licensed cover of the Sparks classic on today (September 6th) with the video to soon follow
We recently had the breathtaking experience to listen to the new single “Tryouts For The Human Race , from Travels With Brindle .
Travels With Brindle is the lo-fi ukulele pop project from Massachusetts songwriter and artist Chelsea Spear. “Tryouts For The Human Race” is the fully licensed cover of Sparks’ ‘70s classic tune. You can listen to “Tryouts For The Human Race “ Here and on BandcampHere .
Chelsea Spear is an artist in every sense of the word . Travels With Brindle is an artistic lens that Spear uses to artfully bring meaningful stories to life. Chelsea Spear elegantly adds a wonderful new perspective on “Tryouts For The Human Race “ from Sparks.
Photo Credit: Krzystina Calderone for Vintage Girl Studios
Recorded at the Boston Public Library, “Tryouts For The Human Race” kicks off a bit of a Sparks era for Spear, as it not only serves as the follow-up to last year’s literary-minded Notes From Undergrad album, but sets the tone for her latest covers record, a ukulele and banjolele reimagining of Sparks’ entire Georgio Moroder-produced disco album “No. 1 in Heaven”, due next year.
“One of the things that hit me about Sparks is how effective they are at pastiche and at making genres their own,” says Spear. “It feels like they learn the rules of a genre just so they can subvert them. The fact that Sparks inspire such strong feelings among their fanbase also lends itself well to cover songs – you can hear the joy in the recording.”
The track’s vocals were engineered by Spear’s longtime trusted collaborator Joel Edinberg, with ukulele arrangement by Sage Harrington and mastering by Josh Cohen. Spear helmed the ukulele recording and track mixing, and Catherine Maddux supplied the textured sleeve cover art.
Spear says the effort put in, both for “Tryouts For The Human Race” and the forthcoming record, was worth the time and investment.
“Tryouts For The Human Race “ from Travels With Brindle is a beautiful example of how artistic interpretation can give joyous new life to a classic.
We started The Whole Kameese back in 2020 as a way to keep busy during the pandemic. We are so lucky to have worked with so many wonderful artists, promoters and other music professionals. We were also so blessed to be able to share so much amazing music . We have made the difficult decision to put the blog on the back burner. At this time we need to focus on other important matters. We do not know how long we will be away but, we will return. We thank all of you for your support
We recently got a chance to check out Rome and his stunning cover of the Lee Fields song “Forever” and we must say it is simply breathtaking. You can listen to “Forever” Here . You can watch the video below
The soulful sounds of “Forever” is just the introduction of what is to come from ROME, the solo project by Rome Ramirez. For the last 15 years, Ramirez has been touring and recording with Sublime with Rome honoring the legacy of Sublime.
2024 marks the final year of Sublime with Rome as they recently announced the release of their single “Love Is Dangerous” leading into their last album and The Farewell Tour.
Rome flawlessly bares his heart and soul on “Forever” and we absolutely love it. We can’t wait to see what’s next.
To be a really good artist, you have to be willing to be inventive and willing to think outside the box. Omaha based indie rock songwriter does it not only extremely well but with a vibe and style all his own and… We freaking love it .
You can listen to “Father Of Mine” on Spotify Hereand on Apple Music Here
His latest is a brilliantly reimagined cover of the 1997 Alt-Rock classic “Father Of Mine” from Everclear .
One listen to JACK’s version of “Father Of Mine” and it is crystal clear you are hearing greatness.
The track was produced by Rick Carson (GRAMMY-nominated producer and engineer of Make Believe Studio). It follows the Omaha-born artist’s latest single, Rick Carson (GRAMMY-nominated producer and engineer of Make Believe Studio). It follows the Omaha-born artist’s latest single, “Try To Arrive Alive,” which was released in January. which was released in January.
We are looking for Bands/Artist to send their vinyl releases for 2024. We are putting together a new video segment where we will be featuring vinyl releases. If you are a band or artist and you are going to be putting out a vinyl release in the new year we want to tap to you . You can find our information on the contact section of our website or send us a message through our socials @TheWholeKameese
We recently got check out the phenomenal cover of the Kate Bush classic “Running Up That Hill “ from London native and Los Angeles-based singer-songwriter Maisy Kay . You can listen to “Running Up That Hill “ on SpotifyHere and on Apple Music Here
The classic Kate Bush cover, shared as a ‘thank you’ to fans, caps off a busy 2023 for Maisy Kay following the release of her Metamorphosis EP featuring the singles “Doorway” and “First Time” this past fall.
“It was so much fun performing this song on tour with JVKE, because I could interact with the fans. And since everyone watches Stranger Things, I thought ‘Running Up That Hill’ would be the perfect song. A lot of the other music wasn’t out yet, so it was such a cool experience to have everyone singing the lyrics with me.” – Maisy Kay
We are absolutely captivated by this amazing version of “Running Up That Hill“ from Maisy Kay.
New original songs along with an exciting remix are slated to drop in 2024, and we can’t wait.
We recently checked out Omaha indie rocker JACK and his cover of Meredith Brooks‘ iconic 1997 single, “Bitch.” It follows his recent covers of “Patches” by Clarence Carter and “Love Will Keep Us Together” by Captain & Tennille.
You can listen to “Bitch” on Spotify Hereand on Apple Music Here.
My producer Rick Carson came to me with the idea to do this song, and upon playing it on the acoustic we both knew we had to do it. The song takes on a whole new meaning when sung from the male perspective, and I’m really proud of how this one turned out. The video for this song was my first YouTube post ever, and I’m so excited for it now to be available to stream.”
JACK released his debut album, SAD SONGS IN C MAJOR, this fall after sharing four singles from it throughout the year.
JACK does a phenomenal job of taking an iconic 90’s song , and making it his own-Bravo
The Whole Kameese 