We recently had the amazing opportunity to check out the sparkling new single, “I’m In Love With My Friends “, from Boston, based band, Girl With A Hawk. You can listen to “I’m In Love With My Friends” Here
A good friend definitely makes navigating this crazy thing we call life a little easier . Girl With A Hawk , have once again crafted an absolute gem with their salute to friendship, with , “I’mIn Love With My Friends “
The Boston rock band, Girl With A Hawk, led by vocalist, guitarist, and songwriter Linda Viens , deliver a buoyant and infectious new power-pop single titled “I’m In Love With My Friends” , today ( Wednesday, November 12 via Rum Bar Records)
The next night,( Thursday , November 13th) Viens takes part in the Boston Rebel Rock Coalition’s inaugural fundraiser at TheBurren in Somerville, this one benefiting the ACLU, performing with friends in bands like Diablogato, The Peppermint Kicks, Watts, and others.
The official release of “I’m In Love With My Friends” arriving a little more than a fortnight ahead of Thanksgiving is purely coincidental, as the song spins a tale fit for any time of the year, where the friends we surround ourselves with become the ones we lean on and love the most – in good times and bad, in happiness and sorrow.
‘I’m In Love With My Friends’ is an homage to one’s ‘ride or dies’; our true-blue friends who are there for us when the shit hits the fan, who make us laugh when things look dark, and who inspire us to be our best selves through all of life’s challenges,” says Viens. “Romantic relationships don’t always survive those challenges, but authentic friendships usually do.”
We could literally wax poetic about , Girl With A Hawk, for they have a style and sound , Led by Viens, that you simply can’t ignore.
The opening chords on “I’m In Love With My Friends “ bring an intoxicating retro sound that stopped us dead in our tracks ( Freaking Brilliant!)
Photo credit – Kelly Davidson
The new single sets up a forthcoming full-length set for Spring 2026 release and arrives fresh off Girl with a Hawk’s live performance at Rum Bar labelmates Gypsy Moths’ album release party at The Burren – long a local haven for the good times of personal connection – and is the band’s first new music since “It’s The Way” in July. Before the release of March single “No One Like You,” a track inspired by the passing of Foo Fighters’ Taylor Hawkins, Viens was inducted into the New England Music Hall of Fame.
With Girl with a Hawk, rounded out by Richard Lamphear(keys, backing vocals, and a rippin’ display of Hammond and Farfisaorgan), Daniel Coughlin (guitars, backing vocals), Dan Bernfeld (bass, backing vocals), and Nancy Delaney (drums, backing vocals), Viens is lucky to count her own bandmates as close personal friends.
We recently had the extraordinary opportunity to check out Boston, based Jennifer Tefft & The Strange and their phenomenal cover of The Lumineers , “Salt and the Sea”
There are a few unwritten rules that sort of goes hand and hand with releasing a cover song . The first one , is that you should always try and honor the original version in the best way possible. The second is while not straying too far from the original, you have to make it your own.
Jennifer Tefft & The Strange have not only honored the original version of “Salt and The Sea “… They have also have without question made it their own. They have also once again proven why they are one the most skilled and well put together group of musicians on the freaking planet.
The vocals on “Salt and The Sea”, literally gave us goosebumps, Jennifer Tefft, is in our opinion one of the best female rock vocalists in today’s musical landscape…. And her band is the notch that is way above top notch .
Jennifer shared,“We wanted to try our hand at a reinterpretation of someone else’s work. We’ve been playing this song live for a few months and it always gets a great response. Recording it allowed us to really dig into the song and get creative with the arrangement and parts “
Jennifer Tefft & The Strange’s music combines intense rhythms with unique guitar textures and vocals that wind easily from darkly ethereal to soaring anthems, creating their own brand of gritty-lush alternative rock. Along with Jenn on vocals, the band features longtime collaborator John Parrillo on guitar, Tim Provost on drums, and Stephen”Sharky” Beccia on bass and background vocals. The band released their new album Strange Beginnings, produced by Grammy award-winning Bob St. John in April of 2024, which garnered them an “Album Of The Year” award, as well asthree other nominations in the 2024 New England Music Awards, plus placement on “Best of 2024″ lists. The first single off the album “Caffeine” reached the #1 spot on Radio Indie Alliance’s Top 100 songs. Currently, they arenominated for Rock Act of the Year for the 2025 New England Music Awards and their song “Tonight” was officially accepted for Grammy Consideration for “Best Rock Song” .
You owe it your music loving heart to get lost in the otherworldly cover of The Lumineers ,“Salt and the Sea”, from Jennifer Tefft And The Strange.
We recently had the opportunity to check out the new single, “Everyday Dangers”, from Adam Sherman Band. You can listen to “Everyday Dangers” on SpotifyHere and Apple MusicHere
Great storyteller/ songwriters artfully take everyday disturbances and shed a much needed light on them through music. Boston music mainstay Adam Sherman and the Adam Sherman Band , do this brilliantly with the rousing new Americana/ Rock And Roll, single , “Everyday Dangers”
Photo Credit: Carissa Johnson
“I guess I’m always hoping for a bit of good news, but lately every day seems to present a new, dire development,” says Sherman. “The song is about trying to maintain our power and integrity during difficult times. It made me realize how much we depend on the decency of others and how vulnerable we are to those who choose not to respect the value of life. As a songwriter, I tried to create a universal story that would convey the fragility of our society at this time.”
The veteran Bostonvocalist and guitarist has been crafting a sense of comfort and longing in his music throughout a career that spans decades, from his early work with power-pop luminaries Private Lightning, then with rock and roll yearners The Souls, and now lately through his solo material and output with his band, with which he performs every third Sunday of the month at an ongoing residency at The Plough & Stars in Cambridge. A six-time nominee in the Boston Music Awards, Sherman was just nominated for Performer of the Year in the 2025 New England Music Awards.
And the encompassing “Everyday Dangers,” with its weary soul, magnetic allure, and potent lead guitar, which grabs hold of the listener and takes them along for a sonic joyride that belies the track’s thematic intensity, should keep attention in Sherman’s creative direction.
“Everyday Dangers” feels like a melodic moral compass that feels important and needed .
The follow-up to this past March’s critical lauded Nowhere But HereEP, which earned praise in WBUR, Boston’s NPR, as well as Twangville, Americana UK, and elsewhere, “Everyday Dangers” arrives just ahead of a pair of notable live appearances.
The first comes the day after the new single’s release when Sherman performs at the EarfullSeries at The Regattabar in Cambridge on Wednesday, October 29. A night of storytelling from songwriters and authors, the evening also welcomes best-selling novelists Tom Perrotta and Alice Hoffman, as well as indie-folk duo Highway Hoserie.
“I’m honored and very excited to be part of the Earfull Series,” he notes. “Writers read their work and songwriters sing their songs to a respectful, tuned-in audience there to listen. Performing for a listening audience is one of the most satisfying experiences for me as a musician. Lyrics and musical nuance become the center of attention.”
The next comes in January, when he appears at the Which Side?: A Protest Music Teach-Out, a collaborative showcase of varied voices and talents inspired by James Sullivan’s book, Which Side Are You On?: 20th Century American History in 100 Protest Songs, with the event hosted and organized by the respected Boston Globe journalist.
Both events are prime showcases for the messages Sherman is preaching, especially the one that comes to the forefront in “Everyday Dangers,” the first taste of a new album set for release sometime in 2026.
You owe it to your music loving soul to check out “Everyday Dangers” from the Adam Sherman Band.
We recently had the stellar opportunity, to check out the glorious new single, “Paradise Lost”, from Needham (Ma ) native and front man , for the band, The Teardowns, Steve Geraci, You can listen to “Paradise Lost “ on Spotify Here. And on Apple Music Here
Right from the first note of , “Paradise Lost” it is a clear that Steve Geraci, has crafted a song with a classic soulful sound and a modern vibe .
The soulful sound found on , “Paradise Lost” , can be traced back to Steve’s first love, the saxophone.
“Early on, I was in alto and tenor sax sections where I developed a love for harmony and dynamics,”
says Geraci. “It felt great to bring those early roots forward here.”
“Paradise Lost” showcases another stylistic twist in Geraci’s shape-shifting approach to songwriting —something he fully embraces.
“Alt-pop, glam rock, R&B — they’re all represented on the new EP,” he says. “If you like variety, look no further. As long as the music feels authentic, I’ll bring it to listeners who appreciate different styles.”
Produced and engineered by Dave Westner (Peter Wolf, Dropkick Murphys) and recorded earlier this year at David Minehan’s Woolly Mammoth Sound in Waltham, Massachusetts, the track features Westner on drums, piano, and bass, alongside Geraci’s guitar, sax, and vocals.
With his time split between solo work and fronting The Tear Downs,Geraci has built a collaborative,non-territorial dynamic that allows freedom across projects. Following his well-received singles “VoiceIn My Head” (March) and “Save Yourself” (August), “Paradise Lost” adds a raw and soulful chapter to Geraci’s evolving solo story.
“‘Paradise’ was a risk taker for me — rough and raw, but really emotive and relatable,”Geraci concludes. “When we listened back to the rough mix, we knew we’d bottled pure octane.”
Steve Geraci, is a master class musician who has the incredible ability to bring songs to life with his extraordinary songwriting and storytelling skills. A Steve Geraci song feels like a New York Time’s Best Seller , but in song form and “Paradise Lost” is no exception.
The Sound Cove Super Sonic Showcase goes down Sunday, October 19 at The Burren in Somerville with The Chelsea Curve, Speedfossil, Happy Little Clouds, Cold Expectations, Eric Barlow, and Corin Ashley
We recently had the stellar opportunity, to checkout the extraordinary 15 track collection, “Super Sonic Showcase Volume 1 “ from glorious Boston label , The Sound Cove, founded by Garret Vandermolen. We were instantly floor by the amount of amazing music that was literally overflowing on the compilation, “Super Sonic Showcase Volume 1 “ from The SoundCove. You can check it out Here
Full disclosure…. We have never met The Sound Cove , founder Garret Vandermolen… But if we did we would give him a big ole fist bump for assembling an extraordinary collection of music with “Super Sonic Showcase Volume 1”
Two summers ago, Garret Vandermolen found himself at a crossroads. His band, Boston power-pop and melodic rock luminaries Speedfossil, was left without a record label after the tragic and sudden passing of Red on Red Records’ founder and operator Justine Covault. Vandermolen casually engaged with a few other regional labels to distribute Speedfossil’s music, but ultimately dedicated to pay tribute to Covault in a rather direct way – create his own label, dubbed The Sound Cove, and carry forth the ethos and reputation she had established within the Boston music community.
Being on her label was probably the best experience I ever had putting out my own music,”Vandermolen says. “She was not only an amazing person, but also someone who created an artist-driven label that really had an incredibly strong sense of community – she treated all of her artists very well.”
In November 2023, Vandermolen released Speedfossil’s “Magic Trick” single via TheSound Cove. A few months later, a new single from Fireking was unveiled. And after that, new music from Eric Barlow, Flying Nuns, and The Daylilies. In less than two years, the upstart label has blossomed as a vital digital singles imprint, with nearly two dozen releases – and counting – under its name
And since any great compilation deserves a great release party, that’s just what Vandermolen has planned, as The Sound Cover Super Sonic Showcase holds court at The Burren in Somerville that weekend for a six-band, four-hour matinée party on Sunday, October 19. “You can sleep late, get up, rock out, and be home for dinner, all on the same day,” Vandermolen jokes.
The showcase features six bands featured on the comp: The New England Music Awards-nominatedThe Chelsea Curve (Punk Artist of the Year) and Happy Little Clouds (Live Artist of the Year), as well as Cold Expectations, Eric Barlow, Corin Ashley, and Speedfossil.
“This comp and showcase have been a long time coming – because we are only doing digital singles, it took me a little while to get enough acts on the label to be able to make a proper compilation record,” Vandermolen notes. “Once The Sound Cove reached critical mass, I knew we could do a live showcase, as well. We’re relatively young, as a label, so I am very excited to be able to accomplish both of these events
We have fallen head over heels for “Super Sonic Showcase Volume 1 “ it truly represents the very very best in the incredible Boston music scene And the release party sounds beyond amazing….. So Good!
We recently had the amazing opportunity to check out the glorious new single, “Rally Round”, from Boston mod-pop trio, The Chelsea Curve. You can listen to “Rally Round” Here
The Chelsea Curve, deliver yet another soon to be iconic track with their new simply irresistible single, “Rally Round”
Photo Credit- Reuben
Applying a sense of communal awareness with the motivation of hope and a message of coexistence and solidarity, The Chelsea Curve invite us all to “Rally ‘Round” those around us, and hold close the ones we hold dear.
With a sugary-sweet embrace and a shimmering sound that connects a ‘60s folk-pop ethos with a college rock, jangle-pop, and C86 glide, and not to mention a bit of a melodic call-back to Boston’s mid-’90s indie scene, “Rally ‘Round” is the latest in a string of singles for The Chelsea Curve. It follows a pair of sonic firecrackers over the summer in restless powderkeg bop “Kindawanna” and the anthemic, Britpop-inspired “Never Come Down.”
Interestingly enough, the trio — bassist and vocalist Linda Pardee, guitarist and vocalist Tim Gillis, and drummer Bruce Caporal – admit this new indie cruiser has taken on a bit of a different vibe, thematically, since it was first penned back in 2023. And that’s due to the world around us.
“This song has morphed into a different meaning than what was originally intended when written,” admits Pardee. “The lyrics were initially about friendships, acquaintances, people coming into your life. Being part of a community. Finding your people. Despite differences, we can or should be able to at least co-exist.”
She adds: “I realized that, since writing the lyrics, they may come across a little differently now given the current social climate, and that’s okay. It’s hard to be an optimist sometimes, but when I sing ‘We’re all on the same side’, I am thinking – at the very least, we are all humans. But it’s not always easy to sing it, because it doesn’t feel that way.”
The Chelsea Curve, artfully craft music that touches the mind and soul but it is also music that you can’t help but groove to.
Dirt Road Souls, have composed a sound and vibe, on their latest single, “Hold On Soul”, that will keep your music loving soul happy for days. You can listen to “Hold On Soul” Here
Boston based trio Dirt Road Souls, has “It” You might not know what it is …. But you know “It”, when you hear it…. And, we hear it loud and clear on “Hold On Soul”
Courtesy Of The Band 
Acting as a portal to a larger world, “Hold On Soul” and its blend of yearning Americana, country rock, and Southern gothic bring us into Dirt Road Souls’ unfurling tale of (The Life and Times of) Johnny Moonshine, an ambitious 12-track concept album and roots rock opera set for release in early 2026.
Chronicling the rise, fall, and enduring spirit of a small-town rebel with big dreams and a bigger heart, told through the lens of a close friend and narrator, the record follows the mythic arc of Johnny Moonshine — a backroad dreamer, moonshine runner, romantic, and overall tragic figure. It’s a poetic odyssey of freedom, failure, and redemption, all wrapped around an arsenal of memorable hooks and melodic storytelling.
Few new bands would take on something as enterprising and aspiring as (The Life and Times of) Johnny Moonshine to mark their debut album, but Dirt Road Souls – composed of Boston music scene veterans Davis Black (The Inebriations), Rick Weden (Shotgun Waltz), and Brian Sargent (Black Cat Crossing) – felt the time was right to tell the tale.
“‘Hold On Soul’ was first written many years ago when I had left my small town and gone off to start a life in Boston,” Blackadmits. “After high school and college years I’d often return to my small town to recharge – and get drunk with my friends who didn’t leave town. These lyrics come from the culture shock between the two places. The stress of the city vs. the simplicity of the small town was very real for a little while.”
Heartfelt, authentic and cinematically perfect… We were blissfully hanging on every word on “Hold On Soul” from Dirt Road Souls … and you will be too
We recently had the amazing experience to check out “Get Offline” , from Boston based band , JVK. You can listen to “Get Offline” Here
Get Offline” is JVK’s first single in almost two years that redefines the bands musical trajectory for the foreseeable future. Originally started as a hard rock band, “Get Offline” cements JVK’s new sound as retro, glam rock, synth pop, dance, and punk rock chaos combined into one.
JVK, has a genre defying that is positively electrifying and it is on full display with “Get Offline “
“Get Offline” is the kind of song that you can effortlessly groove to for days .
Bursting out of the Boston DIY scene, JVK entrances audiences around North America with their vibrant live performance, retro-rock sound, and empowering lyricism. Backed by Atticus Crowley, Kay Kwiatek, Liv Barcohana and Zach Feinstein, frontwoman Jo Krieger began JVK in 2022 as a hard rock act playing basements, dive bars, and nightclubs around New England. Since then, JVK has played Louder than Life 2023, Boston Calling 2024, made radio and TV appearances, booked four country wide tours, and was nominated for 6 cumulative Boston and New England Music Awards. With 2 EP’s under their belt, JVK is in the works of creating their debut album which will solidify the band’s sound as retro-glam-synth rock. As the band evolves through new music and opportunities, JVK invites you to be part of their meteoric rise.
We had the distinct honor to check out the blazing new album “Fool‘s Gold”, from Salem and Cape Cod grunge-pop and alt-rock band, The Fool’s Agenda. You can listen to “Fool’s Gold “Here
The Fool’s Agenda, have constructed a one of a kind vibe and sound on their sophomore album, “Fool’s Gold” We are absolutely smitten.
Led by a quartet of singles, including three unveiled just this year in the towering “Feel So High,” the anthemic “Monsters,” and August’s supercharged rock and roll popularity content take down “Dumb (Take Me Out)”, the new album from the Salem and Cape Cod-based powderkeg channels a certain nostalgic optimism that reflects its ‘90s-coded sound, all while aligning the band with a parallel journey that also ties the decade to the two that came before it.
The Fool’s Agenda, consists of a rock solid lineup with , vocalistRhiannon Raine; guitaristKyle Erickson; bassistJon Gray; and drummer and percussionistKamryn Bode.
“This album tells a story of coming home to yourself: Accepting yourself with where you’re at, owning your strengths and your weaknesses, and knowing when to walk away from the things and people that aren’t serving you anymore,” says Raine. “Life is messy as fuck. Own your mess and decide it’s beautiful.”
Erickson agrees, adding: “To me, this album is about independence. Being able to cut through the noise, so to speak, and just focus on things that matter. Recognizing your own faults and those in the world we live in and trying to make something positive of it.”
Where 2021 debut album Reversing The Tower was indebted to a more ethereal ‘70s flair for grandeur, connecting with the more theatrical sounds of Fleetwood Mac and Queen, Fool’s Gold blazes forward with a restless convergence of pop and grunge exemplified by some of the ‘90s’ finest moments.
“This album is distinctly different from our previous works; it’s less theatrical and more direct,” says Gray. “We had a clearer message to send through one collective voice, and naturally that changes the sound the band creates. It isn’t really a concept album, but there are themes that tie the songs together lyrically and phonically.”
Along with the powerful rock and grunge sound that is heard and felt throughout “Fool’s Gold” We also heard an addictive groove that is beautifully woven throughout the record, most notably on “Monsters”
Produced by Logan Tichnor, mixed and mastered by Franco Gravante and Tichnor, and recorded in Massachusetts at both Checkpoint East Studios in Orleans and The Record Co. in Boston, The Fool’s Agenda is a cohesive and comprehensive body of work, where each song emerges as a chapter to a larger, unfolding story. It reflects the highs and lows of life, the short bursts of fear or excitement, and the long, drawn-out emotions that soundtrack both the important and the mundane.
You need to go find your favorite music spot and bask in the glow of “Fool’s Gold”, from The Fool’s Agenda.
We recently had the amazing opportunity to check out the new single, “Ordinary Hell”, from rising Boston emo outfit Bicycle Inn. You can listen to “Ordinary Hell” on Spotify Here and on Apple Music Here
Bicycle Inn, bring power, passion , melody and authenticity on their latest single, “Ordinary Hell” and it is a thing of beauty.
Photo Olivia St. Arnold
The track follows September’s “Longsword (4th Place),” which marked the band’s first release in two years and reintroduced them with a sharpened sense of purpose and sonic ambition.
If “Longsword” was about confronting stagnation, “Ordinary Hell” digs deeper — turning inward to explore faith, exhaustion, and the search for meaning amid emotional and spiritual burnout.
Ordinary Hell’ is a critique on the dead-faith culture of today. It’s a deeper look behind the curtain of evangelical emptiness — a gospel presiding over the endless push and pull of suffering, only for those deemed ‘blessed’ and ‘filled’ to realize they are empty,” says the band. “It’s a reflection on the cyclical nature of relying on others to fulfill you, only to immediately empty yourself out again. There’s no rest, no rejuvenation — only the gospel of self; performative holiness.”
Recorded over two sessions with Gary Cioni at Soundacres Studio(Hot Mulligan, Free Throw, Prince Daddy & The Hyena) during 2023 and 2024, “Ordinary Hell” features guest appearances from Ryan O’Rourke (Innerlove.), Kyle Kinney(Excuse Me, Who Are You?), and Maggie Ciora, expanding Bicycle Inn’s already rich emotional palette.
With shimmering guitars, soaring vocals, and lyrics that confront the sacred and the hollow alike, “Ordinary Hell” continues Bicycle Inn’s steady climb as one of the most introspective and musically dynamic voices in modern emo.
We have a warm spot in our hearts for bands from Boston. But….it doesn’t matter where they are from …. Bicycle Inn, has sculpted a work of art with “Ordinary Hell”
We recently had the amazing opportunity to check out the new single, “Painting Of A Tree” , from Boston , based “farm “ emo band, Tiberius. You can listen to “Painting Of A Tree” on Spotify Here and on Apple Music Here
There is a real cinematic feel on “Painting Of A Tree” from Tiberius.
Tiberius was originally a solo outing for Rutland, VT-based songwriter Brendan Wright(they/them), with the project growing to a four-piece band upon Wright’s relocation to Boston. This expanded lineup produces a catchy and cacophonous sound that blends Indie Punk, Alt Country and Psychedelia with confessional, conversational lyrics, which they describe as “Farm Emo.”
Following the more frantic Emo Rock sounds of the “Sag“ and “Felt“singles, and the rustic Poppy warmth of “Moab,”this new single is an aching, slow-burning sprawl, which takes a left turn into darker territory. Downtempo instrumental breaks clash with pounding percussion and raw distortion, as Wright exorcises demons through introspective lyrics like “I hope they love you / Like I do / At least the way I wanted to / Not the way I did.”
Speaking on “Painting of a Tree,” Wright shares:
“There’s this older man I work with – a kooky gentleman who’s kind of off his rocker – but at the same time can incite this erudite understanding of the human condition. When I asked him if he had any advice for someone really mulling over some heartache, he chuckled. He said, ‘an artist cannot paint a tree, unless they examine all aspects of it.’ I wrote, Painting of a Tree, as an homage to this idea that this kind of hurt was a truly human experience. A kind of pain I wouldn’t wish on anyone, but something that I feel thankful to have experienced. The kind of pain that makes us who we are.” – Brendan Wright (they/them)
We love the vibe of “Painting Of A Tree” and we are anxiously awaiting the release of “Troubadour” on November 14th as well as the upcoming album tour.
The ‘Troubadour’ album is available for pre-order and pre-save. The “Sag,”“Felt,” and “Moab” singles are also available now.
Tour Dates:
November 22nd – TBA, Queens, NY
November 21st – The Rug Club, Philadelphia, NY
November 20th – A.I.R., Albany, NY
November 15th – Warehouse XI, Boston, MA (Album launch w/ Winkler)
November 14th – The Apohadion Theater, Portland, ME
We recently had the distinct honor and privilege to check out the debut album , “The Fall”, from Boston-based Americana and indie-folk band, Wayward Vine. You can listen to “The Fall” Here
Right from the first note onthe opening track “The Fall “ ( which also happens to be the title track) We felt an instant connection to the authentic and heartfelt
Consisting of eight prior singles dating back to last October, including August’s spellbinding “Dancing On Your Basement Floor,” and paired with three new previously-unreleased compositions, The Fall is a declaration of purpose from the project led by Valerie Rachel (vocals, violin, keyboards, Hammond organ, and tambourine) and Greg Lawrence (vocals, guitar, percussion, harmonica), a pair of songwriting partners whose delicate harmonies and gentle rhythms belie lyrical themes of heartbreak, obsession, and the panoramic range of emotions involved in family relationships.
The Fall is not just the title of the album; it’s a snapshot of life, frozen in time. And it reflects something larger for the duo, who balance day jobs, families, and other commitments alongside being in one of Boston’s most exciting new Americana bands.
When you think about the moment when summer shifts to fall, for example, there is often the feeling of being at the edge of a moment when you don’t know what the next moment holds, and that’s often accompanied by melancholy, or sometimes an exciting anticipation,” says Rachel, a classically trained vocalist, violinist, and pianist. “But we also wanted to more broadly incorporate moments of change and evolution as they relate to the feeling of seasons changing.”
She adds: “In choosing The Fall for the title, more than just featuring one of the names of the tracks and a season of the year in which the album happens to be emerging, we thought this was a representation of everything the word can mean that occurs thematically in our songs. The Fall also references a loss of innocence and a shift in mental state, all in one title.”
Subtle references to seasonal themes permeate through the album, where Wayward Vine’s knack for emotionally-driven storytelling and heartfelt narration of life’s tender and most personal moments are soundtracked by a casual encompassing of sound, balancing solemnity and euphoria, that has earned comparisons to The Head and the Heart, 10,000 Maniacs, and The Civil Wars.
Every song on “The Fall” from Wayward Vine, feels like an emotional springboard that settles perfectly into a cornucopia of emotions, that leave the listener full with musical goodness.
The lyrics and theme of the song encapsulate my family’s experience around 2020 and into 2021, when time seemed to go very slowly yet everyone’s emotional experience seemed heightened,” she says. “I found a lot of solace in nature during that time, especially through hours in my backyard where I saw my kids gain a lot of resilience and even though this wasn’t the world or childhood we envisioned for them. I think the melody and lyrics of the song capture both emotional pain and suggest a hopefulness and support system that we as humans need to get through our toughest moments.”
Recorded and mixed by David Minehan at Woolly Mammoth Sound in Waltham, with additional recording, mixing and mastering by Will Holland at Chillhouse Studios in Charlestown, the rest of the album plays out in the same kind of magnetic way. There’s a push and a pull to the music of Wayward Vine, and a certain intimacy in its lyricisms that most new bands generally shy away from.
The one track that really caught our attention, was the closing track, “Imperfect Begins” We were immediately drawn to the phenomenal show stopping melody of , “Imperfect Begins” We were hanging on ever beautiful note and word.
Music is for the soul…. We guarantee that after listening to “The Fall” from Wayward Vine, your music loving soul will be plenty full.
We are pleased to present our all new playlist for The Proving Ground Jam. We had such a great time putting the first list together we decided to do it again .
1-“MB Anthem ( The Market Basket Song)”- Stop Calling Me Frank
You can’t go wrong with a song about , Market Basket, Stop Calling Me Frank , has crafted an absolute gem.
2 “Having A Day” – Trestles
Santa Cruz based Trestle give us a groove-tastic tune with “Having A Day”
3- “Kneejerk”-Noah Villeneuve
Noah Villeneuve, has an amazing, “traffic stopping voice. “Kneejerk”, is stunning.
4- “Surfer” -Last Hyena
Brilliant Math Rock with a surfer groove… Yes please.
5-“Slicked Back Hair- elijah woods
Retro pop banger that absolutely kills.
6- “Flown Away”- Laura Pieri
You can’t help but want to get your dance on with “Flown Away”, from Laura Pieri
7- “Bleeding Pen” – Ana Luna
Ana Luna , delivers an absolutely breathtaking track with, “Bleeding Pen”
8-“Maybe” – The New Condition
We feel like we have heard the future with the cinematic “Maybe”, from The New Condition and we absolutely love it.
9- “The Lake “– Emma Harner Featuring Henry Jamison
We were absolutely mystified by “The Lake” from Emma Harner Featuring Henry Jamison … and you will be too
10- “NVR KNO” – Battlemode
Chiptune for the win ! You will definitely level up after hearing this one.
11- “Afterlife”- Charlotte Sands
Charlotte Sands, is simply electrifying with her new single, “Afterlife”
12- “Did You Cry”- Maggie Andrew
Maggie Andrew has created a alt-pop gem with “Did You Cry” ( You are going to want this one on repeat.
13- “Stick To The Script “- Anaïs & The Hoops
Catchy and smart , “StickTo The Script “ will definitely stay with you after the music ends.
14 – “Golden Days”- Crow Follow
“Golden Days” is a stunning melodic and cinematic triumph.
15- “Cemetery Man” – The Collect Pond
The Collect Pond, are firing on all cylinders with “Cemetery Man”
16- “Light and Low- Lovina Falls
We are absolutely smitten with “Light and Low” from Lovina Falls, absolutely perfect
17- “Lizard In A Bar “ – Roberta Faceplant
We have had “Lizard In A Bar “ on permanent repeat.
18- “Kansas” – Nathalie Miller
We love the indie pop goodness of “Kansas”, from Nathalie Miller
19- “Hard Is Hard” – Tomás Doncker
We are head over heels in love with the groove on “Hard Is Hard”
20- “Tonight” – Nate Perry & Ragged Company
“Tonight” is a high energy, well written song that you will be singing along with almost instantly.
We hope you enjoy The Proving Ground Jam Playlist. We hope you gained a new favorite song or two.
Sometimes a band delivers such a profound collection of songs that you can’t help but be completely mesmerized, this is without certain the case with Boston alt-rock Americana band, Nate Perry & Ragged Company and their terrific new EP, “Till The Well Runs Dry”
Nate Perry & Ragged Company have a delivered an electrifying sophomore EP, “Till The Well Runs Dry” that is a dizzying spell of rock and roll and outlaw country that you won’t soon forget.
The songs on the new EP, are full of meaningful and memorable lyrics that Nate Perry has crafted into beautifully brilliant songs that are both poetic and cinematic. “Till The Well Runs Dry “ from Nate Perry & Ragged Company will keep your music loving heart full for days .
Photo credit- Collin Heroux
“This record abandons the lament of my previous songs and takes more of a ‘get after it’ approach in the lyrics,”Perry admits. “Previous songs were about being in a place, mentally and physically, that I wanted to get out of, and this EP is full of songs just talking about doing it. There are callbacks to how life was, but these songs convey the struggle and desire of getting started and arriving at the place you want to be.”
Till the Well Runs Dry, produced by Brian Charles at Rare Signals in Cambridge, Massachusetts and led by glistening spring single “Count on You” and barnstorming summer banger “Tonight,” is the follow-up to the young band’s well-received 2024 debut EP The Otherside of Everything.
In the time between releases, Nate Perry & Ragged Company – rounded out by Sam DeMello on drums; Connor Milligan on bass and backing vocals;Ollie Nash on keys and backing vocals; and Mike Chandler on lead guitar – have become one of the most talked about bands in the Boston music scene.
“Till the Well Runs Dry is a statement to ourselves and our listeners of how far we’ve come and how hard we’ve worked to get this going,” Perry adds. “We feel a real strong momentum from the attention we’ve received so far, and this record is the culmination of our dedication and desire to continue to climb. We know exactly what we want and we feel like we have officially started chasing it.”
Go to your favorite music listening spot and get lost in the musical goodness of “Till The Well Runs Dry “ from Nate Perry & Ragged Company.
Our music loving soul was treated to the brilliant new single, “ Kansas” , from Brooklyn resident/ Massachusetts native , indie alt-pop artist, Nathalie Miller. You can listen to “Kansas” on Spotify Here , Apple Music Here. You can also watch the video for “Kansas” below
Nathalie Miller’s new single, a sparkling daydream of glittery indie alt-pop called “kansas,” is absolutely beautiful. The glistening track, described as a “platonic friendship breakup song” by Miller, hits the streams alongside a colorful and melancholic music video directed by Palmer Wells and Christopher Consoli.
The Brooklyn resident and Massachusetts native penned the emotive, star-gazing “kansas,” the first taste of October’s new EP like you used to, as a composite sketch reflecting many of the friendships she’s had with the opposite sex. As it turns out, there was a discrepancy developing in these friendships with men that was not simply present with other women
“I noticed that in most of my friendships with women, I just felt like a person,” Miller says. “But in a lot of my past friendships with men, I was really hyper aware of being a girl and playing the role of emotional support mother or girlfriend without receiving that support back. I remember thinking to myself, ‘I know the first and last name of every person who’s ever been mean to these guys, and they don’t even know what book I am currently reading, or the names of my brothers’.”
She pauses, then adds: “To me, it’s a platonic friendship breakup song that I wrote after taking a step back from a lot of those friendships and looking at the patterns that threaded them all together.”
Courtesy Of The Artist
Miller has been threading together bits and pieces of her personal life and filtering them into songs since her debut single “felt like” arrived a little more than two years ago. Coming from a musical family based just outside Boston, Miller relocated to New York City just before the pandemic to attend art school for photography and work as a model, and there she developed her own style and sound, reflecting on the past and looking back at her childhood from a distance.
Carving out her life in a new city and finding inspiration – musically, socially, and culturally — all around her, she began penning lyrics and writing raw musical demos on her iPhone before taking them back up to Massachusetts to record with Brian Charles at Rare Signals in Cambridge.
There is a beautiful authentic truth that Nathalie Miller, has brilliant woven in “Kansas” that is absolutely stunning.
“Kansas”, from Nathalie Miler, needs to be added to your playlist immediately.
We recently had the stellar opportunity, to check out the new single, “MB Anthem ( The Market Basket Song) , via Rum Bar Records from long time Boston , based band, Stop Calling Me Frank. You can listen to the instantly iconic “MB ANTHEM ( The Market Basket Song) on Spotify Here and on Apple Music Here
Those of us lucky enough to call New England home , can’t but help but feel a sense of pride when the subject of the iconic New England based , supermarket Market Basket , comes up. With their iconic slogan “More For Your Dollar”,that feels more like a way of life than a slogan Market Basket, is undeniably New England.
Not too long ago, Terry O’Malley of Stop Calling Me Frank got unexpectedly caught up in perhaps the most New England experience imaginable – he was stuck in traffic behind a bunch of cars all headed to the local Market Basket.
“I saw a line of cars stopped on a highway off-ramp that leads to a plaza with a Market Basket,” recalls the saxophonist of the venerable Boston rock band. “I said ‘Everybody’s going to the Market Basket!’ sort of as a joke, but I liked the way those words scanned.”
Tapping into the New England zeitgeist of our modern day, one lined with salmon-colored checker board floors, maroon jackets, and a whole lot of savings, Stop Calling Me Frank soon had a proper rock and roll banger on their collective hands. The sweaty, beer-fueled, and sax-driven rock and roll band now unleash “MB Anthem (The Market Basket Song)” today (Friday, September 26) on Rum Bar Records.
Of course, this rabble-rousing ode to the beloved grocery chain, a classic Stop Calling Me Frank cocktail of jittery hooks and bratty punk-rock urgency, arrives (admittedly unintentionally) at a controversial moment in Market Basket’s history. It hits the streams just over two weeks after the company’s board of directors infamously voted to oust beloved longtime CEO Arthur T. (“Artie T.”) Demoulas over disagreements on how to run the once-family business
All I know is that I love the employees of the Market Basket, and the employees love Artie T.!” says bassistDan Caspariello. “So I’m already on their side for this one. The other thing that boggles my mind is how much more money do you need? It’s all about greed.”
Photo credit Joshua Pickering
O’Malley, Caspar jello, and Stop Calling Me Frank as a band, assert with conviction that this song is for Market Basket, its long-standing culture, and the legions of people who have shopped, with unwavering dedication, at one of the 95 stores around Massachusetts, Rhode Island, New Hampshire and Maine since the grocery store was first founded way back in 1917.
In the usual Stop Calling Me Frank style of loud-fast-fun, the 100-second-long “MB Anthem (The Market Basket Song)” follows a streak of hyperactivity from the band, which got back in the proverbial van just before the pandemic after 25 years out of the Boston scene. In January of this year they released The First Six Years compilation, a callback to those early days, and followed that up with a pair of animated singles in April’s gritty “Good Enough” and July’s punchy “Where You Gonna Hide.”
The band – O’Malley and Caspariello rounded out by vocalistLennie Donohoe, drummerEddie Barese, and guitaristsDavid Forbes and Jeff Ousborne – knew they had something special when O’Malley first came to them with the music and lyrics of “MB Anthem.”
“The first verse came right away,” he adds. “I quickly gave up trying to rhyme ‘basket’ repeatedly and focused on internal rhymes. The guys liked it right away, but it was still a work in progress. I was still tinkering with the exact word order even while we were recording it.”
A bit of “Frankifying” was done by the band, adding their own special flair to the composition, and the track was complete. Recording took place at engineer Ed Riemer’s Edsbarn studio in Canton, about six miles or so from the closest Market Basket in nearby Brockton. The band plans to head back there later this fall to record a few more songs that will appear on a new Stop Calling Me Frank album, but in the meantime, the gentlemen are focused on “MB Anthem.”
It doesn’t matter if you prefer the rotisserie chicken or the delicious hand made donuts at Market Basket,we can all agree Stop Calling Me Frank, has crafted an absolute gem with , “MB Anthem ( The Market Basket Song”
We recently had the grand opportunity to check out the latest single, “NVR KNO”, from Boston chiptune collective, Battlemode. You can listen to “NVR KNO” Here
Battlemode bleep/bloop into the autumn season with a lively and unhinged new hyper-pop bop called “NVR KNO,” set for streaming release today ( Thursday, September 11)
We all need to level up in our lives , and we can’t think of a better way to do that than to bask in the 8-bit glow of “NVR KNO”, from Battlemode.
Photo Credit: Astro
“NVR KNO”, is a euphoric tune, that is a kaleidoscopic cautionary tale about dating in the 2020s, arrives with a rainbow comet tail alongside a live show and dance party slate that will send your circuit board into overdrive.
It’s no wonder the panoramic 8-bit electronic-pop project of Biff, Astro, and Sam Mulligan enlisted two new members to the Battlemode posse, bringing sweet boys Leo (guitar/bass) and Isaiah (drums) into the mix to flesh out the sound and enhance the overall sonic attack.
“There’s still so much left to do,” says Astro. “We feel like Boston Calling was just a stepping stone onto our future purpose. We still have an entire genre to define. We’re definitely getting a Grammy someday but for now we plan to write our best music yet, stay in Boston, and flood the city with amazing chiptune.”
The plan holds up. The “NVR KNO” drop is quickly followed by Hack The Planet, a 30th anniversary audio/visual orgasm co-hosted with Double Feature on Friday, September 12 that brings ‘90s cult classic techno-drama Hackers back to the Somerville Theatre, where Battlemode will perform live ahead of the film
After last year’s sold-out party, this year’s Hackers screening brings stars Laurence Mason (Lord Nikon) and Renoly Santiago (Phantom Phreak) to an all-evening rager that includes digital, binary code projections all over the 115-year-old theatre by Mike Videopunk; live remixes of the film presented by Double Feature (Wubson x Danny Aye), and an afterparty for the true believers of what the band calls “Hot Hacker Autumn.”
From there, Battlemode appear at the 2025 Moon Over Salem festival at Bit Bar in downtown Salem on Saturday, September 13, prepare their own Astro Fest for late September (details on that very soon!), and are busy playing a full serving of parties in New York City and all over New England — all while collaborating with other local artists and working tirelessly to get Willie Burmley Jr,. elected as the next mayor of their home base of Somerville.
And let’s not forget the cherry on the chiptune cake….the Battle-bois are carefully growing the Boston chiptune community, planning potential live dates in Japan come 2026, and organizing the sophomore edition of their own Boston Bitdown, which pressed play earlier this year as instantly one of the largest chiptune festivals in the world, bringing more than 50 artists to the Boston area across five venues in three days.
Battlemode, has a lot going on and we are here for all of it.
Recently we were absolutely honored to check out the new single, “Golden Days”, from Boston urban cabaret and velvet shaman swamp rock project, Crow Follow. You can listen to, “Golden Days” Here
“Golden Days,” the warm embrace of a new single from Crow Follow, that enhances the song’s hypnotic lullaby qualities and positions it as a poignant tonic for our chaotic times.
You can’t talk about music without talking how it makes you feel. “Golden Days “ feels a symphony of calmness that gently washes over your soul.
Photo Credit – Jonathan Beckley
Coming in the same way it exits, “Golden Days” lends itself to repeated listens, to be enjoyed on a continuous loop, the percussion acting less like a hello and a goodbye and more like a hook and eye clasp of a necklace. It’s not unlike how we start the day and how we end it. How we spend our days, what we do in between the start and the end; that is what defines them – and what makes them golden.
“‘Golden Days’ is a tribute to everyday life,” says Crow Followvocalist and guitaristAgent Judy. “Wishing us all courage and plenty. It says we know we’re doing our best. We know it’s not always, or even often, easy. Wishing for each other the best possible outcomes, bright lights and clear skies. Everyday life is an accomplishment. Good for us!”
Crow Follow celebrates the single with the official release party the day after it hits the streams, on Saturday, September 6 at The Jungle in Somerville, on an inspired bill featuring Thalia Zedek, Happy Little Clouds, and Lonely Leesa and the Lost Cowboys. The band then takes their low-rock down to New York City for a September 25 show at Parkside Lounge for Anne Husick’s birthday bash before rolling back north to Lowell’s Worthen Attic in November.
With every show, the Crow Follow gospel at the core of “Golden Days” rings out with increased intention and vital comfort.
Crow Follow, offers a positive and radiant vibe with , “Golden Days “ that you simply cannot miss.
Crow Follow is:
L. Ramona Herboldsheimer: Drums
Carolyn Jean Corella: Bass
Agent Judy: Vocals and guitars
John Keegan: Saxophone
Tim Sprague: Vocals, guitars, and brass
Joel Simches: Guest artist on “Magic Dust” instruments
Lovina Falls , the dark dream-pop project of Valerie Forgione, poetically tip toes beautifully between the dark and the light on “Would That It Were” , and it is magnificent. You can listen to “Would That It Were” on SpotifyHere and Apple Music Here
Lovina Falls’ new EP, is an enchanting dose of eclectic sounds and sororal awareness titled Would That It Were, is available for streaming release today, (Friday, September 5) . The expansive five-track record, a collection of recent singles and two new tracks, arrives a week and a day ahead of its official release party, a carnival-themed evening of sonic enchantment at Sonia in Cambridge alongside the similarly theatrical Count Zero and Gene Dante and theFuture Starlets, where a limited run of CDs will be available.
“It’s been quite a year, and like so many other people, I have been trying to figure out how to navigate the unexpected insanity,” says Forgione, the Boston-based singer-songwriter, multi-instrumentalist, and producer. “Pouring myself into this release and working with such exceptional people has given me something far more positive and productive to focus on.”
Photo Credit: Ken Rothman
Would That It Were, is the official follow-up to 2023 debut album Calculating the Angle of Our Descent, and its tone is firmly planted in the here-and-now, with Forgione approaching life in vivid color to contrast our dystopian landscape’s increasing grayscale. There is hope in this record, a tonic to the world’s hostility.
“Would That It Were” instantly captivated our soul immediately. We found ourselves hanging on every word and chord.
Opening track, “Light and Low” , may simply one of the best songs we have heard all year . “Light and Low” effortlessly bounced around in our soul and we loved every minute of it.
“About The Sun” is brimming with flawless vocal brilliance from Valerie Forgione, that is unmatched.
“Who That It Were” is nineteen minutes of absolute music perfection. Lovina Falls, have take it to a whole new level and it’s positively stunning.
Engineered by David Minehan and produced by Lovina Falls and Minehan at Woolly Mammoth Sound in Waltham, Massachusetts, with mastering done by David Locke at JP Masters, Would That It Were was written and performed by Forgione as Lovina Falls, with a sprinkling of studio additions that would be familiar to those who experience the grand spectacle that is the Lovina Falls live show.
Brenden Cobb contributes guitar on “Tragedy” and “Ellery Way”; Chameleonsdrummer and Mistle Thrush stickman Todd Demma supplies drums on those tracks plus “Tragedy”; Lovina Falls live drummerChuck Ferreira performs drums on “In The Corner”; Matt Klain delivers bass on “Ellery Way”;Alice Lee Scott performs guitar on “About The Sun” and “Tragedy”; and Minehan adds additional guitar on “Light and Low,” “About The Sun,” and “Tragedy.” Lovina Falls live keyboardist Carrie Ingger is cited by Forgione with special thanks for the mix assistance.
Go to your favorite listening spot and get lost in the majestic beauty of “Would That It Were” from Lovina Falls
We recently had the epic opportunity to check out the new EP, “Red, White, and Blue”, from Boston, hard rock band, Parts Per Million. You can listen to “Red, White, and Blue” Here
Fast, furious and unapologetic, Parts Per Million have crafted pure rock brilliance with their powerful new “Red, White, and Blue “ EP.
The ferocious EP arrives at a time when we need it most. Across nearly 10 minutes of unrelenting sonic fury, the Boston band rages against the regime and all the forces that led us to this moment, with blame to go around on every side and each level of our decaying country. This is no act of moral grandstanding or attempt to convince one side over the other.
This is a band – vocalist, guitarist, and lyricistPaul McSweeney; guitarist and vocalistS. Brian Bailey; bassist and vocalistAlex Marks; and drummer and vocalistBrad Griffen – that’s pissed off, sonically unhinged, and unafraid to astutely point out that we are all responsible for the absolute clusterfuck that is life in 2025.
Creating this record has been so much fun – tinfoil hats and riff city,” says McSweeney. “We spent two weekends together at Halo Studios with our longtime producer and friend Kevin Billingslea working on these songs before we recorded them later in the month. Kevin had a huge part in writing some of the best parts and lyrics of these songs. He always does, but all of us have really had some difficult years recently, and everything going on is fucked. I reached out to some of my favorite artists, poets, and friends and poured my ideas into them and they poured them back.”
“Red” takes on conservatives and how we’ve raised the cult leader in charge to a deity figure, as the band taps into hip-hop and riffs that inspire dancing; a sonic lineage of System of a Down,Faith No More, and Alice in Chains; and references to Daddy Yankee, a now devout evangelical Trump supporter. It finds Griffen jumping into the band’s vocal arena with his harrowing screams.
“White” challenges the role white privilege plays in elevating evil by those indifferent to real-world issues as people of color suffer in plain view. Its sound marries Parts Per Million’s love for Opeth and Devin Townsend, and S. Brian Black’s guitarwork acts a tribute in style to Randy Rhodes and Diary of a Madman-era Ozzy.
“Blue” demonizes progressives on the left for their self-righteousness and lack of any real action, paying musical homage to classic NYC hardcore, with Hannah Arendt emerging in a spoken word bridge narrated by Dvstin Black of VantaBlack and Fathom Farewell
You owe it to yourself to check out the power and fury of “Red, White And Blue”, from Parts Per Million.
Debut album ‘The Fall’ set for release on September 19
We recently had the magnificent opportunity to check out the glorious new single, “Dancing On Your Basement Floor “ , from Boston indie-folk and Americana band,Wayward Vine. You can listen to “Dancing On Your Basement Floor” Here
We felt an immediate connection with “Dancing On Your Basement Floor “, from Wayward Vine .The words and melodies had us on the edge of our seats as if we were watching cinematic greatness unfold on the silver screen.
Photo Credit: Diana Levine Photography
“Dancing On Your Basement Floor”, is the latest hypnotic effort from the Bostonindie-folk and Americana band, composed of core songwriters Valerie Rachel (harmony vocals and keys) and Greg Lawrence(vocals and acoustic guitar) and a backing band that on this track features Jim St. Pierre on percussion; Boston scene veteran YoniGordon on electric guitar; and Jose Downes on bass.
Some songs have a curious way of hanging around long after the music has faded , “Dancing On Your Basement Floor”, is definitely one of those songs .
“‘Dancing On Your Basement Floor’ is the encapsulation of a moment in time that is really beautiful but also short-lived,” says Rachel, a classically trained vocalist, violinist, and pianist. “The story of the song reflects the longing and excitement associated with a newer relationship that isn’t always replicable but usually leaves a mark.”
Lawrence agrees, adding: “It’s about an intense relationship captured at a moment in time where the relationship has come to a crossroads – do we continue and take it to the next level or do we walk away? Like most romantic relationships, there’s a simple and beautiful innocence to it in the beginning before things escalate and become more complicated. At its core, ‘Dancing’ is a pure love song, with notes of desperation, internal conflict, and sexual intensity mixed in for good measure.”
Produced by David Minehan, recorded at Woolly Mammoth Sound in Waltham, and mixed and mastered by Will Holland at Chillhouse Studios in Charlestown, “Dancing On Your Basement Floor” also serves as a compass to Wayward Vine’s debut album, connecting recent releases with new compositions. The long-player will wrangle up the band’s seven prior singles dating back to only last December, including a trio that have emerged so far this year in January’s “History,” March’s “Implode,” and May’s“End of May.” Four new tracks round out the album, where snapshots of modern life are filtered through Rachel and Lawrence’s acute songwriting lens.
Don’t leave your music loving heart out in the cold, you owe it to yourself to check out “Dancing On Your Basement Floor “ from Wayward Vine
We recently had the distinct honor and privilege to check out the new single and animated lyric video , for “Blank Wall” , North Shore, Massachusetts, power emo band , Cape Crush . You can listen to “Blank Wall” Here
You can watch the lyric video below
Whenever, we are asked to name a band that people need to checkout, we always lead with Cape Crush. One listen to their latest brilliantly crafted new single, “Blank Wall” and you will immediately understand why.
Courtesy Of The Band
“Blank Wall”, captures a raw sense of generational disillusionment and urgency, drawing a direct line from millennial burnout to the growing chasm between the wealthy and the working class.
Written by lead vocalist and guitarist Ali Lipman, “Blank Wall” is as much a protest as it is a personal reckoning. Lipman was struck with inspiration while reading the comments under Propagandhi’s recent record announcement and a wave of frustration and recognition hit: we’ve been screaming these songs for 30 years, and things have only gotten worse.
“I thought about how many of us, especially in the music scene and activist spaces, have spent a lifetime organizing, fighting, showing up, singing,” says Lipman. “We’ve done everything we’re supposed to do. Got an education, showed up to the polls, engaged in the system, and yet here we are, watching democracy get gutted and billionaires fly to space while most of us drown in debt, live paycheck to paycheck, and will never own a home.”
“Blank Wall” is brimming with flawless vocals and smart lyrics that artfully showcase artistic genius of Cape Crush.
The single marks a new chapter for CapeCrush: Lipman (vocals/guitar), James Christopher (guitar), Jake Letizia(bass), and Mike O’Toole (drum), as they double down on using their platform not just to feel, but to fight.
Adding to the excitement of “Blank Wall”, is the exquisite animated lyric video, created by visual artist Rachel Creemers, brings the song’s themes into reality. Following the journey from a hopeful and optimistic young person who faces a tide that will never stop rising. It’s part nightmare, part call-to-action.
We encourage you to immediately checkout the melodic masterpiece that is “Blank Wall”, from Cape Crush , you will not be disappointed.
Since forming in Boston, in 1986, there have been version of The Lemonheads. However, the one constant has been the stellar songwriting and memorable melodies provided by the one and only… Evan Dando
You can listen to “The Key Of Victory “ on Spotify Here, Apple Music Here“The Key Of Victory “, will be featured on The Lemonhead’s upcoming album “Love Chant” , which will be released on October 24th. You can pre-order “Love Chant” Here
The latest single, “The Key Of Victory “ from The Lemonheads , has a very retro vibe that really adds another dimension to the song. Evan Dando, has once again crafted an absolute gem that has the legendary front man sounding his absolute best.
When listening to “The Key Of Victory “ we can’t help but hear a little Bob Dylan woven in the fabric of “The Key Of Victory “ and…. We think that is absolutely beautiful. Evan Dando once again delivers a poetic masterpiece like only he can.
You owe it to your music loving soul to check out “The Key Of Victory, from The Lemonheads
We recently had the distinct honor of checking out the amazing debut album, “MESS I’VE MADE” , from Boston, based alternative rock band, Big Rav “ ( SPOILER ALERT: 🚨 It Is Absolutely Breathtakingly AWESOME )
You can listen to the very epic, “MESS I’VE MADE” Here
We are going to be honest, as soon as we heard the opening note on the opening track, “Another Tomorrow “, on “MESS I’VE MADE” we were instantly enthralled by the one of kind , mind blowing sound of Big Rav
Big Rav will be playing their release show in support of the album Saturday, August 2nd at 7:00 PM at The Burren in Somerville, MA. Tickets are available for presale Here
Big Rav (Maddy Montaquila, vocals, keys, Dan Colvin, guitar, Seamus Winters, bass, and Nick Montaquila, percussion) have a next level musical synergy that feels positively otherworldly.
No stranger to the Boston music scene, Big Rav has been filling local venues andporchfests for the past four years with their unique blend of in-your-face, pop punkinspired vocals, overdriven and melodic guitar riffs and solos, heavy, modal basslines,vintage synths, and foundational, never obvious grooves (think Paramore meets Rush).
Photo Credit: Grace Herron
Self-deprecating title aside, the band is incredibly proud of this labor of love which came to be over a series of intermittent recording sessions with Sean McLaughlin of 37’ Productions coordinated between the individual members’ “real jobs” (a product manager, a developer, an engineer, and an accountant walk into a bar…) and the obligations that come with adulthood. In a sense, that is the true theme of the album -grappling with the phenomenon of growing up, and the infinite possibilities of lifebecoming casualty to responsibilities, relationship issues, and struggles with mentalhealth. Throw in a wall of layered guitars, thick bass, bombastic drumming, and raw,expressive vocals, and you arrive at the essence of the appropriately labeled “Big Rav” sound.
Every song, on “MESS I’VE MADE”, had us tapping and singing along almost instantly . We found ourselves entranced with “Alien” with its bluesy vibe , showing off the band’s versatility.
Our favorite track on the album, without question is the amazing title track, “MESS I’VE MADE” The combination of the ultra cool melodic groove and the flawless vocals, make “MESS I’VE MADE” , an instant classic.
You owe it to your music loving heart to check out the stunningly brilliant debut album, “MESS I’VE MADE” from Big Rav
When done right, rock and roll can be the sweetest treat you’ll ever consume. This is with a doubt the case with the sensational new album, viaRum Bar Records, “Pop Rocks In My Chewing Gum”, from Boston , power pop rock and roll treasure, The Peppermint Kicks.
You can listen to “Pop Rocks In My Chewing Gum” on Spotify Here, Apple Music Here and on BandcampHere
In the world of technology, there is a term , “Plug and Play” Which by definition – is used to describe computer equipment, for example, a printer, that is ready to use immediately when you connect it to a computer ( So basically nothing complicated just plug and go ) The same could be said for the brilliant new album , “Pop Rocks In My Chewing Gum”, from The Peppermint Kicks . A straight up power pop rock and record that all you need to do is press play and… You achieve rock and roll music listening perfection instantly.
Ever since we heard the June single and fiery ode to the airwaves “Radio Wam Bam Boom”, we have been fixing for more rock and roll goodness…. And that’s exactly what we got with “Pop Rocks In My Chewing Gum”
Courtesy Of The Band
The Peppermint Kick, ( The Boston duo of Dan Kopko and Sal Baglio) triumphantly return with their first new Peppermint Kicks album in three years in Pop Rocks In My Chewing Gum, a livewire collection of anthemic, retro-kissed power-pop and neo-glam belters out via CD and streaming today, (Friday, August 1 ) on Rum Bar Records.
“Pop Rocks In My Chewing Gum” , from beginning to end, is loaded with every you would ever want in the perfect rock and roll record.
10 tracks – swirling around playful themes of lollipops and candy, crushes and longing, breakups and redemption, all served with a sizable sonic dose of hope and fun – explode out of the speakers with distinct personality and purpose. And the lyrical subject matter is varied, but oddly pointed.
“The Peppermint Kicks go international on Pop Rocks In My Chewing Gum – perhaps even unintentionally, but we are not telling!” says Baglio with a laugh. “There are songs about French girls, candy, and trash cans. Twiggy-esque Lollipop Girls in the UK. An Italian female pop star from the ‘60s, paeans to classic Japanese cartoons, NYC, and Boston, too. And it would not be a Kicks record without songs about radio and rock and roll.”
We felt ourselves falling deeper and deeper for the sweet sounds of The Peppermint Kicks, with every song sounding better than the last.
“Pop Rocks In My Chewing Gum, its title taken from a lyric in the album’s riff-tastic spotlight single “Too Sweet (Oh Yeah!)” – “Excitations on my tongue / pop rocks in my chewing gum,” We can neither confirm or deny that we may have been belting these lyrics EVERYWHERE.
It is next to impossible to pick a favorite song from “Pop Rocks In My Chewing Gum”. “Little Doll (Piccola Pupa) “ , “Shangri La” and “Lollipop Girl” , had us dancing our hearts out. However, the one song that really hit the sweet spot , was without question- “Number One Record “ we simply could not get enough of this freaking power pop masterpiece.
Both Dan Kopko and Sal Baglio performed all the instrumentation on the record – Baglio on guitars, piano, vocals and Kopko on guitars, bass, vocals – aside from drums, which were provided by Kevin Rapillo, Chris Anzalone, and Napoleon Hashimoto. The album was mixed and mastered by Kopko’s alter ego, Danny The K.
If it is music you crave…. Then you owe it to yourself to check out “Pop Rocks In My Chewing Gum” from The Peppermint Kicks.
We recently had the absolutely sensational opportunity to check out the new EP, “Five By Five From Four”, via Rum Bar Records, from Massachusetts garage-pop soul shakers, The Gypsy Moths. (Spoiler Alert: This EP Will Make Fall Hopelessly In Love With The Gypsy Moths)
You can listen to “Five By Five From Four “ on Spotify Here, Apple Music Here
Right from the first note on “And You Know I Do”, on – “Five By Five From Four” we were instantly smitten with the one of a kind sound from The Gypsy Moths
The five-track record, which arrives today (July 25th) is a proper primer for the quintet’s ambitious double-album set for release in October.
The EP is perfectly timed , as The Gypsy Moths unveil the record just ahead of appearing at Rum Bar labelmates The Dogmatics’ album release party blowout on Saturday, July 26 at the French-American Victory Club in Waltham, alongside Band 19, Last Stand, Stop Calling Me Frank, and several others.
The title of Five By Five From Four is also a nod to the band – a group of longtime friends, collaborators, and conspirators consisting of Steve O’Brien (vocals); Chris Conway (guitar, vocals, keyboards, percussion); Phil Thompson (bass); Matt Miceli (drums and percussion); and Dave Buckley (keyboards) – and the forthcoming double-LP: Five songs, by five Moths, from four sides of the album.
Courtesy Of The Band
There is an authentic “feel good” sound that is present throughout the EP, that we are positivity over the moon about.
“This is probably the most excited I’ve been for any of our releases,” says Conway, who produced the EP. “We’ve pushed the corners further on what the band is all about musically, both with our recordings and in the writing. All five of us have known each other and played music in one form or another with each other going back to the mid-’80s when we were in high school together, so this set of recordings is the first representation of that bond of music, friendship, and creativity that has been coming together for over 40 years now.”
Five By Five From Four, was recorded with Ed Riemer at Edsbarn in Canton, Massachusetts,and mastered by Dave Westner
The record both blooms in several creative directions while oddly continuing in a GypsyMoths throughline: “Before The Lights Went Out” tugs at jangle-pop heartstrings with an R&B-rock undercurrent; “Cover For Me” is a swagger strut of a tune that wouldn’t be out of place on a long-lost ‘60s best-of comp; and “Fold Up The Air” boasts a piano and guitar riff lead before vividly blossoming into glam and psych daydream territories.
The stellar “Five By Five From Four “ , from The Gypsy Moths, is a can’t miss.
We recently had the amazing opportunity to check out the blazing new video for , “Whiskey Queen”, from Casket Rats . You can watch “Whiskey Queen “ below
“Whiskey Queen” , from Casket Rats is an absolutely brilliant example of what happens when high level musicians get together and create an instant rock and roll smash . The stunningly drop dead perfect video, directed by Justin Maloney only adds to the magnificent rock goodness of “Whiskey Queen”
Photo Credit: Hillarie Jason
“Whiskey Queen “, is only the beginning kicking off a fury of activity that leads to some exciting announcements in the fall.
But in the meantime, “Whiskey Queen,” the Allston foursome’s first new music since its 2022 self-titled debut EP, sets a relentless tone through a sweaty blitz of hard riffs, thunder bass, punching drums, and gritty, weathered vocals. It’s loud, aggressive, and quite simply, necessary as fuck
“It’s a punch in the face,” says bassist and vocalistKeith Bennett, a Boston hardcore veteran. “It’s a greasy, sleazy rocker from a greasy, sleazy rock and roll band. We’re letting the world know we exist, and it’s no time for polite introductions.”
Bennett and the band, rounded out by Brendan O’Hare on vocals and guitar; Goose on guitar and vocals; and Phil Slopak on drums, have been creating a noisy racket around the Boston neighborhood of Allston since their inception a few short years ago. And shortly after the video drop, they crank up the volume in their own backyard for a free, outdoor gig at Courthouse Park in Brighton on Sunday, July 27.
How stroked are they to release this visual? “I think the phrase ‘rabid dogs’ would be very appropriate,” Bennett says with a chuckle.
The black-and-white, foot-on-the-pedal, all-gas-no-sass music video Maloney created, capturing Casket Rats in their natural habitat – throwing down a live performance clip at their Foster House practice space. Sometimes it’s best to just keep it simple and let the music do the barking.
Photo Credit- Justin Maloney
Casket Rats, are the real life version of that hidden gem phenomenal band that you find at an out of the way watering hole, playing an amazing take your breath away tune , while enjoying your favorite frosty beverage. The video for Whiskey Queen, from Casket Rats is a royal treat.
We recently had the splendid opportunity, to check the new single, “Sag” from Boston based Tiberius. You can listen to “Sag” on Spotify Here, Apple Music Here You can also check out the video below
Originally a solo project for Brendan Wright (they/them), Tiberius has evolved into a catchy and cacophonous four-piece, producing what Wright calls “Farm Emo.” This expanded lineup of Wright, bassist Kelven “KP” Polite (he/him), drummerSam Blumenstiel (he/him), and pedal steel player Pat King (they/them) blends Indie Punk, Alt Country and Psychedelia with confessional, yet conversational and relatable songwriting.
“Sag is about this dreaded ‘Allston to Bushwick’ pipeline we have in Boston. A lot of musicians end up using Boston to cut their teeth before heading off to New York or LA to pursue their music careers. I wrote ‘Sag’ when I was really playing the ‘comparison game’ in my head and asking myself what role I wanted music to play in my life. It was the first in a batch about looking at yourself in relation to the others around you and trying to decipher who you are without that context.“–Brendan Wright (they/them)
“Sag”, will be featured on the upcoming LP, “Troubadour” which will be released on November 14th . Tiberius, will embark on an August tour details below .
Sometimes all it takes is one listen to a song to be instantly hooked, this definitely the case with the glorious new single “Sag” from Tiberius. Mesmerizing melodies with though provoking lyrics that swim effortlessly in your soul, you owe it to your music loving heart to check it out
We recently had the tremendous opportunity to check out the new single, “Kindawanna”,via Rum Bar Records , from Boston mod-pop trio, The Chelsea Curve. You can listen to “Kindawanna”, on Spotify Here, Apple Music Here and Bandcamp Here
“Kindawanna” packs an electrifying buzz that can be felt on both sides of the Atlantic.
Kindawanna,” an assertive declaration that raises a glass to the good times and the ones we love
Photo credit: Trebmal Photography
“It makes me ‘Kindawanna’ jump on top of a table and scream real loud!” says vocalist and bassist Linda Pardee. “It’s Chelsea 2.0 – bigger, badder, maybe even a bit goofier, too!”
The opening riff on“Kindawanna” , from The Chelsea Curve , hits like the opening salvo of the most brilliant summertime fireworks display you have ever seen.
Flawless vocals and melodies that will dance with you for days, “Kindawanna” is kinda a big deal.
Back in May, the stylish trio returned to the scene with a fresh double A-side single featuring a rousing cover of Mickey Lee Lane’s 1960s Northern soul stomper “Hey Sah-Lo-Ney” and an Andy Lewis remix of “Jamie C’Mon” – with both tracks currently hanging steady for several weeks in the Top 5 of the global Radio Indie Alliance Chart – before the 7-inch arrives this summer on Mod Glass Clear or Sharp Suit Black vinyl. And just last month, the band unleashed through new label home of Rum Bar a reloaded CD re-issue of 2022 debut album All The Things – this one dubbed All The Things (And More) — that collects what the band’s been up to in the time since.
With the band freshly outfitted by 66 Clothing and Mod Shoes, the trio takes “Kindawanna” and both new and classic material out on the road for several shows this summer both near to and far from home.
The slate kicked off July 13 with a party at The Worthen Cafe in Lowell with friends and comrades Corin Ashley, Stop Calling Me Frank, and DJ Sherman, before bouncing down to New York City on July 19, the day after the “Kindawanna” drop, with their familiar DJ in tow to light up The Parkside with Palmyra Delran & the Doppel Gang and The Pin Ups.
From there, The Chelsea Curve then cross the Atlantic for another England mini-tour, a three-show burst that plays Poco Loco in Chatham on August 21 with The Len Price 3, Burntwick Smugglers, and Cream Soda; followed by Concorde2 in Brighton on August 22 with The Jam’d, Sharp Class, Cian Downing; and then linking up with mod-pop brethren and stateside tourmates Sharp Class to play Ryde Pavilion on the Isle of Wight at the world’s largest scooter rally.
We are absolutely stoked about “Kindawanna”, from The Chelsea Curve and.. we know you will be too.
We recently had the spectacular opportunity to check out the new album, “EMBERS”, from Boston grit-pop trio , Happy Little Clouds. You can listen to the extraordinary “EMBERS” on Spotify Here, Apple Music Here
“EMBERS”, is a fierce, authentic and vibrant collection of songs. Happy Little Clouds, may have just delivered the album of the year… You just don’t know it yet .
Embers hits the streams today ( Friday, July 18) , the path that led to this moment tells a greater, more poignant story of reflection, assessment and awakening. When the band takes the stage at The Burren in Somerville the following night, on Saturday, July 19, alongside theatrical glam superstars Eddie Japan, there will be a sense of cathartic release, one building inside founder Jac Mestel since the release of the band’s debut album, Shift, nearly a decade ago.
Photo Credit: Jac Mestel
lot has changed since then: for Mestel (they/them), the multi-instrumentalist, vocalist, and lyricist who has since come out as trans; for the band, now completed by bassist Derek Bergstrom(he/him) and drummer and percussionistJess Townsend (she/her); and for the world in which Happy Little Clouds reside with a sense of defiance and pride.
The nine tracks on “Embers”, are absolutely glowing. The stories contained within, packed tightly in the band’s eclectic, melodic, and soulful post-grunge sound, offer an invitation to seek refuge, seek allyship, and attempt, both collectively and individually, to make sense of an insane world. The record’s title derives from a lyric in new single “Liar Fire” — “All my body curls like embers / Up or down I’m forced to choose” – a white-hot blast of ‘70s arena-rock ambition that sets a striking tone for an album packed with definable moments.
“We really liked the symbolism of embers because it represents an intense, ephemeral light – like life,” the band states. “While an ember burns you can’t tell which way it’s going to drift. In the song, it represents a panicked moment where you are at a crossroads in life. You either choose to give into your fear or move toward love.”
We knew as Happy Little Clouds, began releasing the singles which lead up to “Embers”, that we going to get something special…. And we were right . From the electrifying energy of “Higher” to the otherworldly drumming from Jess Townsend, on “Clear andPresent Danger, we were on the edge of our seats (literally) and those songs only scratch the musical goodness from Happy Little Clouds on “Embers”
We found ourselves marveling at the flawless and moving vocal performances on “LiarFire” and “Offswitch” However, the closing track, “The Water At Your Feet” , completely took our breath away. It was without question our favorite track on the album. The beautifully woven melodies and vocals are positively divine.
Seven of the songs featured on“Embers” were recorded and mixed at Deadmoon Audio in Somerville, Massachusetts, just after Bergstrom joined the band, bringing a bassline buoyancy inspired by the likes of Gang of Four, The Replacements, and Future Islands. The two most recent Sound Cove singles, “Higher” and “Clear and Present Danger,” were recorded and mixed by Ethan Dussault at New Alliance Audio in Somerville, where the creative trio truly flexed as a cohesive unit. All the songs were mastered by Pete Weiss at Jade Cow Music in Middletown, Rhode Island.
“Embers”, from Happy Little Clouds, is an album that is impossible to resist.
We recently had the stellar opportunity to check out the album, “Nowheresville” , via Rum Bar Records, from Boston, garage legends, The Dogmatics. You can listen to “Nowheresville – on Spotify Here, Apple Music Here
The Dogmatics, are a timeless energy that is vibrantly on display on the positively electrifying “Nowheresville”
Photo Credit: Nicole Tammaro Photograph
The common thread that links the band from its ‘80s heyday to now is family. Music history is littered with collectives known loosely as family bands, but it can be argued there has never been a family band quite like TheDogmatics. The sentiment fueled their inaugural run 40 years ago, launching out of the vibrant Boston music scene in 1981, and is the creative conduit that energizes this awe-inspiring second act.
The best part of this new era is what it has always been – fun and friendship,” says co-vocalist and guitaristJerry Lehane, joined in The Dogmatics by longtime confidants Peter O’Halloran (rhythm guitarist and vocalist); Jimmy O’Halloran (bass); and Tom Long (drums), with 2019 recruit James Young on mandolin, guitar, and assorted vocals.
Everything The Dogmatics do revolves around this keen sense of family pride, and the album reflects this on several fronts: Honoring fallen brother and bassist Paul O’Halloran, whose tragic 1986 death brought a sudden end to the first iteration of the group; presenting Nowheresville with artwork of a vintage photo snapped by Mary Lou O’Halloran depicting two kids from the Pacific Northwest, rocking perhaps the very first Dogmatics t-shirt design several decades ago; and taking its title from a song Lehane and Paul O’Halloran were working on just before he passed, enduring after only as a long-lost live recording on WERS’ classic Metrowave radio show and a few efforts to record it with later projects that never came to fruition.
Even the album’s record release party, a raucous one-day mini-festival at Waltham’s French American Victory Club on Saturday, July 26, serves as a communal collection of The Dogmatics’ extended network of friends and family. The inspired lineup, in addition to The Dogmatics, features Black Cheers, Jay Allen and the Archcriminals,Last Stand, Gypsy Moths, Tom Baker and the DoubleDown, Stop Calling Me Frank, and Band 19.
“The 10 songs on the album show a lot of variety and breadth beyond the classic garage-rocking reputation,” says Young, who grew up listening to the band before officially joining for this second act. “As a new-ish member to the band who started as a fan, it’s great to see the feedback about the band making new music that’s relevant today, and not just being a reunion act. I’ve always had so much respect for the individual band members as musicians, it’s a pleasure and privilege to be part of demonstrating the flex of those skills.”
Nowheresville is more than just a straight garage rock record. The 10 tracks offer an eclectic spectrum of genres and styles. Recorded at Edsbarn in Canton, produced and engineered by Ed Riemer, and mastered by Dave Westner,
We found ourselves endlessly basking in the eclectic glow of “Nowheresville “ Tracks like “You’ve Got What I want, and “Library Girl” give off a Ramones/ Descendents vibe. While , we felt a folk/country / rockabilly feel with “Con Job” .So many bands tend only have one gear – this is definitely not the case with The Dogmatics on “Nowheresville”
Every track on “Nowheresville” , from The Dogmatics, is better than the last . This is an album that is a must listen.
We were absolutely stoked to check out the new EP, “Stranger at Best”, from rapidly rising Boston, singer-songwriter, Preston Lydotes.
You can listen to the stellar , “Stranger At Best” Here.
We first discovered Preston Lydotes, this past February, when we heard his stunningly brilliant song , “The Critic In Me” We were literally speechless as our music loving heart became absolutely captivated with the flawless vocals and well crafted lyrics on “The Critic In Me”
Photo by Asher Thomas
The versatility and musicianship of Preston Lydotes, is absolutely off the charts and it is on full display throughout “Stranger At Best”
The EP, was created while Preston earned his Bachelor’s Degree at Berklee College of
Music. Mixed by Grammy-winner Ariel Borujow,
The other three singles, from “Stranger At Best”, could be used to help a story unfold on the silver screen.
We were immediately taken with the tone and tempo with “Wrong” as Preston proved effortlessly on the track that he is a multi dimensional performer.
As we commented in our original review, “5 to 9” is a lively and vibrant song that has Preston Lydotes, firing on all cylinders. What we love about “5 to 9” is the authentically woven soulfulness that is felt throughout the song .
There is a subtle blues feel to “The Fallout “ that we absolutely love . On “The Fallout”, Preston artfully shows his gift not only as a musician but all as a gifted and talented storyteller.
The title track, “Stranger At Best” is the newest track on the EP, and is the perfect example of the evolving artistry of Preston Lydotes. As we listened to the melody and words take shape during “Stranger At Best” , our ears and hearts were witnessing an artist in Preston Lydotes who is on his way to greatness.
If you are looking for a new favorite artist, look no further than Preston Lydotes, and his new EP, “Stranger At Best”
We recently had the distinct honor to check out the new EP, “Ephemera:Part 1”, from Boston, singer-songwriter, Billy Dodge Moody. You can listen to “Ephemera:Part 1” on Bandcamp Here , Spotify Here, Apple Music Here
Billy Dodge Moody, proves on “Ephemera:Part 1” that he is without question, a true voice of musical importance.
Courtesy Of The Artist
The four-track effort is the first in a series of EPs that will compose his next album, thematically centering around navigating chaos and finding clarity in life. A few months later, Moody takes the record and his magnetic sound to the stage, performing live at The Extended Play Sessions Live From The Fallout Shelter in Norwood on November 15.
“Everything on this EP felt like it came from a natural, honest, genuine place in the writing process,” Moody says. “They’re songs I wanted to write, versus what I thought people would like. The themes in the lyrics are pretty universal, so I hope listeners find at least something to connect with.”
Ephemera is Moody’s first extended release since 2022 album Condition, and is led by a pair of singles in May’s cinematic “Meaning to Disaster” and June’s buoyant and summer flavored “Nobody.” Both tracks helped earn the EP a place on WBUR’s Summer Music Preview, billing Ephemera as one of the most-anticipated New England releases this season and noting Moody’s “unbelievable knack for writing folk-pop mini-masterpieces… everything from dramatic chamber folk to appealing sunshine pop…”
The reflective and authentic feel ofEphemera opener, “ Meaning to Disaster” is Billy Dodge Moody at his absolute best , melodically perfect with a vocal performance that you can feel deep in your soul.
“Nobody” has a upbeat/ summer chill feel with indie pop elements , but also explores darker themes, its lyrics warn the listener about how we’re all dealing with internal struggles, and no one really understands what we’re all privately facing each day.
The two new tracks that round out the EP, are beautifully crafted songs that both eloquently show the breathtaking artistry of Billy Dodge Moody.
“Made to Decide,” with backing vocals from Hannah Foxman adding to the aching harmony, centers around making difficult choices, inspired by an ailing pet – his cat Bruce – who became gravely ill, and passed away a day before his euthanasia appointment after Moody and his wife spent weeks painstakingly mulling the decision.
“The title is a bit of a double entendre in that ‘made’ refers to both being, and feeling, forced to choose between two shitty options, and that life in general is decision-making and how the oftentimes difficult choices we make shape who we are and who we’ll become,”Moody admits. “Part of the song is also about that where there are people, pets, and things that come into our lives that we never intended to fall for or develop such a deep connection to. The song was also used as a vessel to talk about other divisive aspects of life that others value and oppose like faith, ideology and overall perspective of mortality.”
The Ep closes with stunningly melodically perfect “Suddenly” , filled beautifully with heartfelt emotion, “Suddenly” left us absolutely speechless , as Moody, reflects on his position as a musician, and explores the highs and lows – and more lows – of being an independent creative at a time when art is seemingly not valued by those who consume it.
It’s mostly about the struggle and perseverance of an artist,” he adds, “maintaining hope and realizing things change when you least expect it, especially when you feel like you’ve been spinning your wheels on something that never comes to any sort of resolution or catharsis.”
Ephemera was produced by Brian Charles, who engineered the EP over several sessions alongside co-producer and engineer Annie Hoffman. Recording the EP began at GuilfordSound up in Vermont, and then completed closer to home at Charles’ freshly-minted Rare Signals studio in Cambridge, Massachusetts.
For these songs, the vocalist, guitarist, and keyboardist Moody was joined in-studio by Sam Bouve on bass; Parker Goessling on guitar; Tyler Simko on keyboards; Jon Chapman on drums; and the aforementioned Foxman on backup vocals. And Charles led the way.
“Ephemera: Part 1”, from Billy Dodge Moody is the kind of record that feels timeless the first time you listen to it.
We were absolutely over the moon excited to finally check out the debut EP , “Taking My Side” , from rising singer-songwriter and guitarist Emma Harner. You can listen to “Taking My Side “ Here
Known for her distinctive sound that fuses the intimacy of folk with the complexity of math rock, Harner brings a rare mix of technical mastery and emotional honesty to everything she creates.
The 5-track EP—featuring previously released singles “False Alarm” and “Do It” alongside three new songs, “Yes Man,” “Lifetimes,” and “Again“—is a coming-of-age body of work shaped by emotional upheaval, self-examination, and quiet resilience.
“‘Taking My Side’ is a collection of songs from a time in my life when I was going through some big changes,” Harner shares. “The title is a reference to the song ‘Yes Man,’ which is about a friendship gone awry. To me, ‘taking my side’ means putting myself first, not being such a pushover, and recognizing when someone is working against me. In many ways this record is a mantra for myself.”
On “Taking My Side “ , Emma Harner, shows without question that she is the complete package, showcasing her stunning guitar skills and her ability to craft memorable and meaningful songs .
“False Alarm” ( our personal favorite) captures the disorientation of homesickness, while “Do It” unpacks miscommunication and emotional fallout. “Lifetimes” floats through memory and existential doubt, and on “Yes Man,” she reckons with people-pleasing and the slow, steady act of reclaiming power. The closing track, “Again,” explores the quiet, repetitive ache of heartbreak and the difficulty of letting go.
Originally from Lincoln, Nebraska and now based in Boston, Harner has developed a distinctive sound that fuses the intimacy of folk with the complexity of math rock.
Emma Harner, has created an absolute masterpiece with “Taking My Side” . Go find your favorite listening spot and enjoy , “Taking My Side “, from Emma Harner .
We don’t know what we did to be so lucky but, we consider ourselves absolutely blessed to be able to check out the new album, “Greetings from The Far Out”, from rising Boston pop-funk collective, The Far Out. You can listen to “Greetings from The Far Out” on Spotify Here, Apple Music Here
If you have yet to experience the electrifying next level pop funk from The Far Out , you are clearly only vibing at 50 percent. The epic new album, “Greetings from The Far Out “ is the perfect way to get your vibe to 100 percent.
We triple dog dare you to find a weak link on “Greetings from The Far Out “ … trust us you won’t … not even close . Every single song is more drop dead perfect than last . Eight gems that you can let play on repeat for infinity.
Photo Credit: Jackie Vlahos
Led by a quartet of charismatic singles, including February’s “Funkadelic Gas” and May’s “Laurel,” the eight-track record from the Boston funk-pop collective welcomes the listener into its blossoming community, where positive vibes and blissful motivation – and an initiation to escape the day’s doom and gloom – are soundtracked by the sextet’s infectious sonic cocktail.
“Hard times make for great music,” says saxophonist and guitaristColin Senechal. “You gotta put your frustration and pent-up energy somewhere. If it can be upbeat to help people find some hope, even better!
With this debut album, a spectrum of styles and sounds that blends together funk, pop, indie, R&B, soul, Yacht Rock, ‘70s AM gold, Motown, and whatever else filtered through The Far Out’s unique sense of forward-motion retro-cool, the “New Act of the Year” recipient at the 2024New England Music Awards is ready to take things to the next level.
If you have been grooving to the singles , ( “Funkadelic Gas”, “Laurel”, “Packed To Go” and “See Red( You’re Dead” ) those are just the tip of the very funky iceberg.
Some of the other tunes that got us grooving, “Need A Win”, which is the absolute perfect song to kick off such a stellar album. “Lazy Lover” and “Putt Strut” If we were to pick our favorite on the record ( which is almost impossible to do ) we would without question choose, “Long Weekend “ ( the bass line is more decadent than any piece of chocolate we have ever had) “Long Weekend “ is straight up spectacular.
While the sound is varied and genre-hops from one beat to the next, a rare throughline across Greetings from The Far Out extends both in plain sight and lurking just below the aural surface. The record’s title and postcard artwork – as well as the stamp-themed art for the four singles, all designed by Olivia Lowe with design assistance from her brother Ezra Lowe – are a throwback to Bruce Springsteen’s 1973 debut Greetings from Asbury Park, N.J. And Lowe admits there are some overarching lyrical elements at play across the eight tracks, though it takes a dedicated listen to delve deep beyond the upbeat music.
The Far Out have some live shows + a late summer tour coming up you can check out dates below .
If you are looking for an unforgettable dose of unbelievable music, look no further than “Greetings from The Far Out” , from The Far Out
The Far Out is:
Ellie Dolan: Trumpet, vocals
Ryan Fremont-Smith: Bass guitar, vocals, saxophone
Olivia Lowe: Guitar, flute, vocals
Drew Phillips: Drums
Colin Senechal: Saxophone, guitar
Henry Zagarella: Keys, vocals
The Far Out upcoming live dates + late summer tour:
July 10: Somerville, MA @ The Burren (album release party!) August 9: Falmouth, MA @ Lin Whitehead Bandshell / Harbor Light Illumination Concert Series August 23: Salisbury, MA @ Riverfest Salisbury Beach August 30: Providence, RI @ Fete Music Hall August 31: Burlington, VT @ Radio Bean September 6: Tinton Falls, NJ @ Twin Lights Brewery September 12: Easthampton, MA @ Marigold Theatre September 13: Bridgeport, CT @ Park City Music Hall September 26: Cambridge, MA @ Middle East Upstairs
If you have been following The Whole Kameese, for any amount of time then you know when we come across something that we really love we are not shy about it . This is the case with the epic new single , “It’s TheWay”, from Girl With A Hawk. You can listen to “It’s The Way” on Spotify HereApple Music Here
The new single, It’s The Way” via Rum Bar Records, from Boston based , Girl With A Hawk is 5 minutes plus of absolute music heaven.
We have been fans of Girl With A Hawk , for quite sometime however, When we heard “It’s The Way “ our love for the band grew 10 fold .
Linda Viens, offers a stunning and flawless vocal performance on “It’s The Way” that is simply unforgettable . Viens has written an absolute gem that it brimming with unforgettable words that stay in your heart long after the music has faded .
The song writing on “It’s The Way” is an absolute work of art .
“And there’s a song, that you know you’ve got to sing, that is true, that is true to you And there’s a space that you know you’ve got to make For something new, for something new”
We have said before but, it bears repeating, Girl With A Hawk ( Linda Viens, Lead vocals, backing vocals, guitars, Richard Lamphear (keyboards, backing vocals), Daniel Coughlin (guitar), Dan Bernfeld (bass), and Nancy Delaney (drums) are a band with next level musicianship. If you need more proof, just listen to “It’s The Way ( Stinson Beach/Full Version)”. Here This otherworldly version of “It’s The Way” which was recorded at Panaramic House Studio in Northern California with the band’s good friend and producer Pete Weiss, is without question Girl With A Hawk at their very best ( we got literal goosebumps.
So do your self a favor and get lost in the beautiful musical magic of “It’s The Way”, from GirlWith A Hawk.
We recently had the opportunity to check out the new album, “Only Frozen Sky Anyway”,the 18th album, via Blue Arrow Records (vinyl and CD will be released at a later date TBA), from legendary singer-songwriter, Jonathan Richman, and spoiler alert: it is stunning.
You can listen to “Only Frozen Sky Anyway” on Spotify Here, Apple Music Here
With his longtime drummer and percussionist Tommy Larkins and former Modern Lovers bandmate the inimitable Jerry Harrison (Talking Heads) on keyboards, Richman follows in his longtime tradition of injecting his lyrical wit into indie rock in a fashion that he perfected over the decades.
Kicking off with the rhythmic “I Was Just A Piece of Frozen Sky Anyway,” the album finds Richman better than ever traipsing through acoustic styles effortlessly from track to track. Lifting the melody and chorus from Bee Gee’s eponymous hit single, Richman creates a nostalgic narrative in “Night Fever,” where he takes on a voyeuristic look on typical a Saturday night in Europe. The infectiously propulsive “The Older Girl” sees Richman warning a younger fellow to avoid dating up (“She was a whole year older / And I looked a lot younger / I was too young to know how important those two things were”). The Spanish-inflected “Se Va Pa’volver” captures the thematic thread of departures and returns that permeates the album. Richman explains, “Like many of the songs on this new record, which either existed in a vague, skeletal form or did not at all before we started recording on January 5th of ’25 (and finished by January 10th), this song fits in with the theme that seems to have taken shape during that recording session. The song is about how our friends are leaving, in their dying, on an errand, only to return in another role… with another mission. How do I dare say such a thing? Oh…I don’t know.”
In addition to this album of all new material, Blue Arrow will be releasing his last three albums Ishkode! Ishkode! (2016), SA! (2018) and Want To Visit My Inner House? (2021) as well as the EPs Cold Pizza & Other Hot Stuff(2022) and Yatasamaroun (2023) to streaming services for the first time ever. Previously only available via Bandcamp or for purchase at shows, the rollout of these releases finally makes them accessible to a much larger audience. Of these albums, Richman says, “Jerry Harrison, Nicole Montalbano and I produced [Want To Visit My Inner House?] as well as SA! (2018). To us, the two albums are related in the sense that Want to Visit My Inner House?suggests where SA was starting to head.”
In support of Only Frozen Sky Anyway,Richman has announced a Fall tour that kicks off October 3rd in Boise, ID and circles the continent, hitting Calgary, Winnipeg, Minneapolis, Albany, before wrapping up at Portland, ME’s SPACE Gallery. Dates and info
Jonathan Richman, is more than your average singer-songwriter, he is a musical institution . “Only Frozen SkyAnyway “ is an absolute triumph from Jonathan Richman.
Jul 01Aladdin TheaterPortland, OR
Jul 02Aladdin TheaterPortland, OR
Jul 31 UC Botanical Garden at BerkeleyBerkeley, CA
Oct 03 Shrine Social Club (Shrine Ballroom)Boise, ID
We are beyond excited to report that rising singer-songwriter and guitarist Emma Harner announces her highly anticipated debut EP,Taking My Side, out July 11. The 5-track collection—featuring previously released singles “False Alarm” and “Do It” alongside three new songs—is a coming-of-age project shaped by emotional upheaval, self-examination, and quiet strength.
Known for her intricate guitar work and ethereal vocals, Harner crafts songs that bridge raw emotion with technical finesse. Her writing is sharp yet vulnerable, often exploring the moments where relationships unravel, identities shift, and self-discovery begins to take shape. Taking My Sidecaptures Harner at a turning point—looking inward, asking hard questions, and stepping more fully into herself.
Originally from Lincoln, Nebraska and now based in Boston, Harner has developed a distinctive sound that fuses the intimacy of folk with the complexity of math rock. She first gained attention through a series of viral videos on Instagram and TikTok, quickly building a devoted following drawn to her virtuosic playing, harmonic sophistication, and emotionally resonant songwriting.
With the forthcoming release of Taking My Side, Emma Harner introduces herself not only as a gifted guitarist and songwriter but as an artist coming into her own with clarity, purpose, and heart.
We are absolutely enthralled with the style and vibe of Emma Harner, are anxiously awaiting the release of “Taking My Side”
We recently had the opportunity to check out new live album, The Bear Is The Mountain – Live 1979-1985’, from, songwriter, painter, music producer,- Robert Ellis Orrall. You can listen to The Bear Is The Mountain – Live 1979-1985, Here
The new live album, from Robert Ellis Orrall, is a trip ( literally) as t transports listeners back to the acclaimed singer-songwriter’s early-’80s glory days around Boston, showcasing his trusted band of musicians who could conquer any stage at any time, from the seedy dive bars on the outskirts of town to the glossy main stages of posh downtown theaters. But it also brings us forward, planting its flag in the modern day, delivering these four friends and collaborators back to the stage as one cohesive unit, and offering a glimpse – and a sound – of just what is to come.
The Bear Is The Mountain showcases a band at its sweaty, bluesy, breakneck-pace peak – Orrall on lead vocals and keyboards;Kook Lawry on guitar and vocals; Don Walden on bass and vocals; and David Stefanelli on drums and vocals. The record also features Brian Maes (touring keyboards in 1983); Eddie Grenga (tour keyboards in 1984); and a pair of original Robert Ellis Orrall band members in guitaristDouglas Millett and drummerSus.
Reclaiming the magic they first felt decades ago, Orrall, Lawry, Walden, and Stefanelli are all back together again after a 35-year break, coming together during the pandemic, not only to help Orrall unearth and polish up these lost recordings, but also create an exciting new chapter. It started with 2022 collaborative record 467 Surf & Gun Cluband last year’s studio album The War Between Us (recorded in 1986 at Downtown Recorders), continues with the summer live shows, and eventually leads to a new album on the way, Wrong Thing, showcasing the quartet’s first new all-original music in nearly four decades, due out in the fall.
The Bear Is The Mountain pulls from Orrall’s three studio albums for RCA Records: 1981’sFixation, 1983’s Special Pain (his Top 40 debut with Carlene Carter, “I Couldn’t Say No,” is excitedly included here), and 1984’s Contain Yourself, all originally recorded in Wales with producer Roger Bechirian (Elvis Costello, Squeeze). It’s a snapshot in time, one before Orrall relocated to Nashville to become a prolific songwriter, producer, and in-demand collaborator, with five Number 1 songs to his credit across an eclectic and expansive 350-track catalog.
The album kicks off with a manic rendition of “Inspired,” originally recorded in 1979 with former members Millet on rhythm guitar and Sus on drums. The energy from the recording explodes out of the speakers, and sets a brazen tone for the 15 tracks that follow, all offering an odd cohesion for songs that at some points have six long years wedged in between recordings. But it paints a vivid picture of Orrall’s band, and comes across like one compact live concert where the band was firing on all cylinders.
It was finding this recording on a cassette tape that made me search for more,” Orrall says about “Inspired,” perhaps enjoying what the title suggests for this new era as much as the recordings’ quality itself. “I dug deep and uncovered about 30 cassettes, digitized them, and then found the 16 best sounding/slash/best performances. When we got back together to rehearse, we actually pulled up some of those live tapes to remind us of the changes you make when you’ve been playing constantly for years. More reminders than inspiration, because we’re beyond ‘Inspired’ to be playing all these songs again.”
And play them they will. After the Marblehead gig over Fourth of July weekend, Orrall and his band canvass New England for the summer circuit, just like old times (with admittedly a bit more space between gigs), with additional shows July 17 as part of the Wildcat Concert Series in Jackson, New Hampshire; August 22 at The Cut in Gloucester; and September 13 at Two To Lou Music Festival in Sandown, New Hampshire.
The Bear Is The Mountain – Live 1979-1985, from Robert Ellis Orrall , is a beautiful melodic example of how the past can get us excited and energized for the future.
We recently had the delightful opportunity, to check out the stunning new EP, “Dances By Firelight, from high-octane Boston-based Americana band, Kier Byrnes & The Kettle Burners. You can listen to “Dances By Firelight “ on SpotifyHere , Apple Music HereKier Byrnes & The Kettle Burners, have a boundless energy that is in full view on “Dances By Firelight” .
Photo Credit: Courtesy of the band
Earlier this spring, the Boston-based Americana band and its face-melting accordion and chicken pickin’ electric guitar stylings released a new EP in April’s Before The Fall, coming fresh off a sprint of seven live shows in five days, culminating with a wild 10-hour marathon set on St. Patrick’s Day.
Now, the sextet is set to release an immediate follow-up in Dances With Firelight, a spirited EP that arrives today, (Friday, June 27) – just ahead of the release show at the 14-band New England Americana Festival the next day at Bellforge Arts Center, where Kier Byrnes & The Kettle Burners headline. Right after that, the band sets off on a whirlwind tour of The Netherlands and Belgium from July 3 to 13, playing 14 shows in 14 days.
A constant stream of live shows and this barrage of new releases – including March’sIn The Key of Guinness EP of traditional Irish music – are all part of the Kettle Burners’ ethos, the type of band that one listens to all day at home or at work before going raising a glass with the band at one of their raucous live shows at night (or heck, even at a matinée).
“If we didn’t think it was going to be fun, we wouldn’t be doing it,”Byrnes says with a laugh. “The best moments are when we connect with a crowd. When we play a show, nothing invigorates us more than when our music connects with someone.”
The opening track, “Little Bit More, Little Bit Less” , is the perfect opening track, had us on our feet almost immediately.
The hypnotic groove of ,”Don’t Let Perfect “ is absolutely otherworldly and shows off the next level musicianship of the band .
We enjoyed“Further Down the Road,” and its scratchy guitarwork adding to the intensity and intrigue, takes the band into the world of chain gangs, marriage, the church, truckers – and what Byrnes calls “all of life’s little mysteries, I guess… we never really know when the road will end, or how it ends.” That track, along with “Little Bit More, Little Bit Less,” feature gang vocals by JoePleiman, Pete Nersesian, Shane O’Neill, and Elisa Smith.
The EP closes out with a pair of inspired covers, a hymnal-like rendition of Sturgill Simpson’s “Turtles All the Way Down” that glows with a weathered bravado; and a riveting romp through Billy Strings’ “Dust in a Baggie,” which sonically connects the EP back to opener “Little But More, Little Bit Less,” creating an infinite loop where the record plays on repeat with a natural flow.
There is a one of a kind joy and wonderment that absolutely shines on “Dances By Firelight” from Kier Byrnes & The Kettle Burners that is special and truly inspiring.
Nate Perry & Ragged Company deliver an absolutely blazing new single, “Tonight” and we can’t stop singing and dancing along. You can listen to “Tonight” Here .
It has been an absolute whirlwind for Nate Perry & Ragged Company, as of late .Boston Calling, over Memorial Day weekend, where they showcased several songs from a pair of EPs: last spring’s debut The Otherside of Everything, and the forthcoming Till The Well Runs Dry. They were also featured on WCVB’s Chronicle and CBS Boston / WBZ-TV’s Road To Boston Calling special.
Now they offer up the electrifying new single, “Tonight” Not only does “Tonight” lead off Nate Perry & Ragged Company’s new EP, set for release this summer, but it provides a slightly more aggressive feel than euphoric May single “Count on You”
Continuing to showcase the Boston collective’s blossoming spectrum of country- and roots-tinged alternative rock, “Tonight” cranks up the bluesy intensity and revs the band’s creative engine, with enough energy to appeal to the rock and roll scene and just enough twang to keep the Americana crowd honest.
Photo Credit: Collin Heroux
“It was a fun song to write and it’s a fun song to play,” says vocalist, guitarist, and band leader Perry. “The creativity that went into the whole song really illustrates how much we’ve been cooking lately. This song is a reminder that this band can blow the roof of the building. It pulls us away from the traditional sound of Americana and towards a harder alt-rock sound while providing the raw rock and roll emotion that we’ve always delivered.”
“Tonight” is precisely the perfect musical jolt to send your summer into high gear. The next level musicianship from Nate Perry& Ragged Company , rises to the occasion to provide an absolute gem that will continue to shine long after the music fades .
“Tonight” has also emerged as a live favorite, just as the young band embraces a series of summer gigs. The first arrives a day after the release of “Tonight,” at the 2025 New England Americana Festival on June 28 at Bellforge Arts Center in Medfield, an all-day, outside, and free 14-band collection of New England’s rising talent.
From there, the itinerary takes Nate Perry and the boys all around Massachusetts for the summer, performing live at the Veterans Rock Music Festival in Hyannis on July 19; the Bradford Common Music Series in Haverhill on July 31; Lobsterfest in Beverly on August 6; Levitate Backyard in Marshfield on August 23; and The Cut in Gloucester on September 20
Perry and the band – rounded out by Sam DeMello on drums; Connor Milligan on bass and backing vocals;Ollie Nash on keys and backing vocals; and Mike Chandler on lead guitar – get fired up every time “Tonight” comes up on the setlist.
“It’s a blast,” he admits. “As soon as the count for the intro starts, we all get a shot of adrenaline and for the next few minutes the band runs wild. It comes out of the gate at full speed. It’s maybe our highest-energy song and the emotions behind it are unique to the rest of our work.”
Whether live or on the recording, “Tonight,” which was produced by Brian Charles at RareSignals in Cambridge, Massachusetts, tends to catch the listener by surprise and manages to hold interest through its nearly-four-minute duration, as an impassioned Perry unleashes his emotions as they roar out of the speakers.
Nate Perry & Ragged Company, are a musical tour de force that can’t be ignored. “Tonight” is an absolute gem.
We were absolutely over the moon thrilled that we got to check the EP, “I’d Be Delighted “, from Boston based , The Grimly Pleased . You can listen to “I’d Be Delighted” on Spotify Here , Apple Music Here and on Bandcamp Here
Often when we talk about bands, we talk aboutbands having “IT”. We don’t always know what “IT” is but we definitely know it when we hear “IT” . We can say without hesitation that when we listened to “I’d Be Delighted”, from Boston based The Grimly Pleased, we definitely hear “IT”
The new release continues the band’s unique ability to be relentlessly upbeat and
simultaneously edgy. The songs explore the happiness of being in a relationship (“I’d Be
Delighted” and “My Superstar”) as well as leaning into the hopefulness of the absurd (“I Will Say” and “Ah Ah Ah Oh”).
What we really love most about The Grimly Pleased, is they have a unique and original sound that is both fresh and familiar. Punk,grunge,indie rock- all rolled into an incredible sound.
We found ourselves dancing around the office and singing along almost instantly.
Recorded in April of 2025 at the Record Co. in Boston and engineered by Mike Quinn (The
Daylilies, The Magic City), this release furthers the band’s partnership with artist DanielBenayun, whose cover art is also meant to pair with the band’s future 7” release, “I’ll Choose It”
So go ahead and find your favorite listening spot and get mesmerized by The GrimlyPleased and brilliant EP, “I’dBe Delighted “
We recently had the stellar opportunity to check out the new single, via Rum Bar Records, “You’ve Got What I Want”, from Legendary Boston garage rock band, The Dogmatics. You can listen to “You’ve Got What I Want” on Spotify Here, Apple Music Here and on Bandcamp Here
Brimming with classic Dogmatics punkabilly and surf n’ skate energy at an economical 95 seconds in length, “You’ve Got What I Want” is the final single before the band unleashes its first new full-length album in nearly four decades, arriving on Friday, July 18.
“You’ve Got What I Want “ is a melodic and sonic dream. Nobody brings it like The Dogmatics…. NOBODY! We were dancing and singing along instantly.
The Dogmatics, and their new single, “You’ve Got What I Want” represent a feeling and a sound that feels like a celebration that is a reserved for your birthday and the Fourth of July. It just feels right
A raucous record release party at Waltham’s French American Victory Club follows the release on the next weekend on Saturday, July 26, and the lineup is pretty much its own one-off music festival. Joining The Dogmatics from afternoon to evening are a host of friends and family, rounding up the definable sound of Boston across several decades: BlackCheers, Jay Allen and the Archcriminals, Last Stand, Gypsy Moths, Tom Baker and the Double Down, Stop Calling Me Frank, and Band 19.
Photo Credit: Nicole Tammaro Photography
Recorded at Edsbarn in Canton, Massachusetts, and produced and engineered by Ed Riemer with mastering by Dave Westner, “You’ve Got What I Want” is a link to The Dogmatics’ past that also allows them to embrace the future. After reforming in 2019, the band has gigged regularly around New England, releasing a series of well-received singles and a 2022 EP for Rum Bar in Drop The Needle. Uninterested in being purely a throwback or nostalgia band, the newly-released Dogmatics material sounds like it came from a new band emerging out of an Allston basement or Somerville loft.
We are all in on “You’ve Got What I Want” from The Dogmatics, and know you will be too!
We recently had the otherworldly experience to check out the new single, “RadioWam Bam Boom” , from The Peppermint Kicks . You can listen to “Radio Wam Bam Boom “ Here . It’s a vibe and a sound that you simply can’t ignore.
From those hazy early days of scanning through the AM and FM stations to punching buttons on our phones to fire up a digital stream via the other side of the world, the ethos of rock and roll radio has stayed the course. The Peppermint Kicks are now sending out their own signal with “Radio Wam Bam Boom,” a dynamite new single featuring The Underground Garage’sPalmyra Delran as the voice of radio, set for release today, (Friday, June 13 ) on Rum Bar Records.
Photo courtesy of The Band
We are beyond excited for “Radio Wam Bam Boom” from The Peppermint Kicks. It’s the first new music from the collaborative project of Sal Baglio (The Amplifier Heads, The Stompers) and Dan Kopko (The Shang Hi Los, Watts) since their self-titled 2021 debut album and a one-off Christmas single that arrived later that year. And it sets a restless tone for the Kicks’ sophomore album, Pop Rocks In My Chewing Gum, ready to be unleashed this summer.
With the adrenalized “Radio Wam Bam Boom” and its grandiose momentum, retro-rock swagger, and effortless cool, The Peppermint Kicks are callin’ America, callin’ radio London Town, and callin’ all cars — with a fiery request to turn up the radio. The upbeat and muscular garage rock track emerges from the speakers with a timeless punch, and is sure to shake up the scene this summer.
“‘Radio Wam Bam Boom’ is a big loud bite,” says Baglio. “It’s an eardrum of rock candy about radio past and present, transistor, satellite, vinyl records revolving, guitar licks dissolving, disc jockeys spinnin’ & rock n roll dreamin’.
And there was no better person to extend an invite to than Delran, who as an essential voice of Little Steven’s Underground Garage on SiriusXM has helped countless bands, from Boston and beyond, reach global audiences. Her show, Palmyra’s Trash-Pop Shindig, as well as Bill Kelly’s Blackhole Bandstand, The Rodney Bingenheimer Show, The Mighty Manfred, Michael Des Barres and all the inspired 24/7 programming on the station, has been helping carry the torch for rock and roll radio.
The electrifying energy on “RadioWam Bam Boom” from The Peppermint Kicks, is enough to send a signal into the stratosphere and beyond.
Our music loving heart are beyond full thanks to the rock and roll magic from The Peppermint Kicks
So run don’t walk , to your favorite music listening device and crank – “Radio Wam Bam Boom” , from The Peppermint Kicks .
We first fell in love with musical goodness of Boston, based singer-songwriter, Billy Dodge Moody, back in May, with his single, ‘Meaning To Disaster’. We are happy to report with his new single, “Nobody” our love for his honest and authentic sound continues to grow.
You can listen to “Nobody” on Spotify Here, Apple Music Here
“Nobody” and “Meaning To Disaster “, will be featured on on Moody’s forthcoming July11 EP Ephemera, the first in a series of EPs about navigating life’s chaos and finding clarity.
“Nobody”, simply feels like the perfect summer tune . We were immediately drawn to the almost “island” like feel of the song and it is effortlessly flowing in our music loving soul. Billy Dodge Moody, once again proves he is a master singer-songwriter/ storyteller and it is on full display on “Nobody”
“Sonically, I think it’s good timing with it coming out right before summer since it has an overall summer road trip vibe to it,” Moody says. “It also reflects the tonal ambiguity of the EP being both musically upbeat with a slightly dark, existential message – a theme that echoes throughout the record.”
Billy Dodge Moody continues : “Nobody’ explores the theme of emotional masking and the unseen struggles people carry. More specifically, it’s about watching someone close to you change – someone who once seemed confident and on top of the world suddenly revealing signs of inner turmoil. The song reflects on the difficulty of truly understanding what others are going through beneath the surface and how much can remain hidden, even from those who care most.”
Nobody,” interestingly enough, first came together while Moody was working on a Nirvana cover, and the guitarlines that permeate the track’s introduction call back to the Seattle icons’ Nevermind era. Utilizing a sort-of punk rock palm muting strumming pattern ultimately led to the chord progression heard in the song.
“The style was a bit foreign to me, which actually made the writing process a lot more exciting,” Moody admits. “Usually when I have the instrumental foundation ironed out, I’m just trying to find a melody and I do it by mumbling gibberish over the chords. This particular progression and rhythm lent itself to more of a conversational tone so I just started writing a story of someone recognizing a significant change in someone’s personality since the last time they saw them.”
From there, Moody took the music and lyrics to trusted producer Brian Charles, who engineered the track over a few sessions alongside co-producer and engineer Annie Hoffman. Similar to the process for “Meaning To Disaster,” recording got started at Guilford Sound up in Vermont, and then finished closer to home at Charles’ freshly-minted Rare Signals studio in Cambridge, Massachusetts.
With Moody performing vocals, guitar, and keys, he’s joined on “Nobody” by Sam Bouve on bass; Parker Goessling on guitar; Tyler Simko on keyboards; Jon Chapman on drums; and Hannah Foxman on backupvocals.
Billy Dodge Moody, has a voice and song with “Nobody” that you need to experience…. You just don’t know it yet.
We had the absolutely amazing opportunity, to check out the new single, “Laurel”, from Boston , based high-energy funk and soul-pop group , The Far Out. You can listento “Laurel” Here
The Far Out, are one of those bands, that make us want scream “We Love Music! “ “Laurel” is a funky, soulful track that we fall deeper and deeper in love with every time we hear it.
Photo Credit: Jackie Vlahos
The Far Out’s vibrant new retro-soul single “Laurel,” is the latest slice of high-energy funk-pop from the rising Boston sextet that hits the streams today, (Friday, May 30) . “Laurel” is the follow-up to February’s supercharged single “Funkadelic Gas,” and both infectious tracks will be featured on the “New Act of the Year” recipient at the 2024 New England Music Awards’ forthcoming debut album, set for release this summer.
“Laurel,” with its Yacht Rock cool, charismatic swagger, and alluring sax n’ brass sass, also throws it back to the golden era of ‘70s songwriting with clever lyrical wordplay and charming innuendo, juxtaposing the music’s optimistic and upbeat nature with a heartbreak situation just bubbling under the surface.
‘Laurel’ is deceptively not a love song,” says lead vocalistOlivia Lowe. “It’s about continuing to see someone romantically despite knowing that it’s going nowhere, because they will never commit to being fully or exclusively with you. The chorus ‘rest on my Laurel’ is a play on words, where it’s just easier to stay with this person rather than make the effort to leave them.”
Lowe paints an unfulfilled picture in the lyrics that is deliberately opposed to the overall vibe of the song, which feels like the perfect summer bop to add to all our beach-going and care-free day playlists. But that’s also the point – something that feels sunny and warm on the surface may not be what it seems after a deeper dive into what’s really going on.
“I hope that when people hear it, they dance,” Lowe adds. “But I hope that when they listen more closely to the lyrics, they understand that it’s okay to get out once something stops being fun or isn’t right for them anymore. I was able to easily write this happy-sounding, confident song because I’m firmly on the other side of the exact situation it describes.”
And for Lowe, band life in The Far Out is a happy relationship as well – and that comes out in the effortless cool and creative chemistry displayed by the collective of close friends and multi-instrumentalists, rounded out on “Laurel” by core members Ellie Dolan (trumpet, backing vocals); Ryan Fremont-Smith (bass guitar, backing vocals); Drew Phillips (drums); Colin Senechal (tenor saxophone); and Henry Zagarella (keys, organ, backing vocals).
“Laurel” is a great balance of the sounds of the past mixed with a vibrant energy that points to the future.
Penned by Lowe, Zagarella, and Phillips, “Laurel” flexes what The Far Out does best – it cranks up the energy and creates its own mood through sheer infectiousness and positive vibes. “Laurel” was recorded with Fremont-Smith as engineer at FS Studios, with drums and mixing engineered by Sean McLaughlin at 37′ Productions. The track was mastered by Jeff Lipton at Peerless Mastering with assistant mastering by engineer Costanza Tini.
“Laurel “ , from The Far Out, is a track that your ears must hear.
Boston mod-pop trio pair rousing rendition of Mickey Lee Lane’s ‘60s stomper ‘Hey Sah-Lo-Ney’ with Andy Lewis’ fiery remix of ‘Jamie C’mon’
Since the Boston mod-pop trio last dropped new music, almost exactly two years ago, the unexpected happened: Beloved label boss and confident Justine Covault of Red on Red Records suddenly passed away; bassist and vocalist Linda Pardee was diagnosed with breast cancer; and founding drummer Ron Belanger amicably left the group to relocate to North Carolina, leaving Pardee and guitarist Tim Gillis without a beat to guide them.
So what’s a band to do? Regroup, reload, and get back on the scene. And call Boston music veteran and stylish gentleman Bruce Caporal to hop behind the kit and fill the role as the new drummer.
Photo credit: Trebmal Photography
The Chelsea Curve’s new beat begins today, (Friday, May 16, ) when they make their RumBar debut and launch the double A-side single featuring a rousing rendition of Mickey Lee Lane’s 1965 Northern soul stomper “Hey Sah-Lo-Ney” and a fiery Andy Lewis remix of 2022 single “Jamie C’Mon.” The upbeat tracks hit the streams ahead of the 7-inch arriving in July on Mod Glass Clear or Sharp Suit Black vinyl
The Chelsea Curve celebrate the night of the streaming release with a party at Faces Brewing Co. in Malden alongside Yes Nanny and Rum Bar labelmates Diablogato.
“It’s been a while, and we’re raring to get back at it!,” says Gillis. Pardee agrees with her usual enthusiasm: “We’re ready to go, baby!”
For some, especially on the live circuit, The Chelsea Curve never went away, staying sharp through select live shows, including brief stateside tours with British brethren Sharp Class and Norway’s The Cocktail Slippers, and a jaunt over to England to bring their ultra-stylized energy and sound to an appearance at the 45th anniversary of Mods Mayday in London.
The gritty and shout-along “Hey Sah-Lo-Ney” first debuted when The Chelsea Curve played The High Rollers scooter rally in Las Vegas back in 2023, and the response from the assembled crowd of British and American scooterists confirmed they captured the song’s true spirit. And now it gets the proper recorded treatment, providing another extension of the band bridging the gap and entrenching a cultural connection across the Atlantic. Plus, hey, it’s a total belter.
This one’s a little different for us, more of a rock and soul groove,” says Gillis. “On this one, we wanted to keep some of the roughness and rawness of the original but put our own mark on it, and I think we did that. It’s a great showcase for Linda’s vocals – she really sings the hell out of it.”
Adds Pardee: “I came across this classic Northern soul number a while back and instantly loved it. I love that this song is from a time when rock and roll still seemed kind of dangerous and maybe even ‘forbidden’. The lyrics are raw; they’re an ecstatic proclamation, frenzied… slightly out of control. The call and response makes you want to sing along. The pounding beat makes you want to dance. It’s all so very primal.”
And it makes a perfect companion track to Lewis’ remix of “Jamie C’Mon,” fueled by the English producer, musician, and DJ’s sonic enhancements, which includes super cool bells and whistles, rhythm tracks, extra keyboards, and a good dose of fairydust. It also features The Chelsea Curve Mod Squad: Rod Spark on keyboards; Dan Levine on trombone; and Jay Webb on trumpet. It’s an instant party-starter.
“I wanted to do a Northern soul style dance remix of ‘Jamie C’Mon’, and asked our Mod Squad keyboardist, Rod Spark, who could make that happen,” Pardee offers up. “Without hesitation, he said Andy Lewis – he’s played in Paul Weller’s band and DJ’d on the Blur Parklife tour, so his creds were a perfect fit! Rod connected Andy and us, and that was that!”
You can check out “Hey Sah-Lo-Ney Here and Jamie C’Mon ( Andy Lewis Remix) Here
The Chelsea Curve, is everything we love about music and then some. We love the Northern Soul, vibe with Hey Sah-Lo-Ney’, and “Jamie C’Mon ( Andy Lewis Remix)
A new drummer, a clean bill of health for Pardee, a new label, a new 7-inch, a newly-minted Bandcamp page, and a healthy slate of live shows positions The Chelsea Curve back at full operational speed, with Covault’s cherished memory and constant support not far from their collective hearts. New music is fast on the way this summer, a string of singles leading to either a new EP or new album around the turn of the calendar, and the crew is headed back to England for summer shows with Sharp Class and The Len Price 3. The run also includes a gig on the Isle of Wight for the world’s largest scooter rally.
The Chelsea Curve, have the groove you need, so do yourself a favor and check it out.
We recently had the opportunity to check out the new single, “Game Over”, from Boston’s finest chiptune trio, Battlemode. You can listen to “Game Over” on Spotify Here, Apple Music Here,
Game Over” soundtracks a broken relationship in a way only Battlemode could; its vibrant Game Boy pulsation and moody blacklight kiss-off slams the controller down on the game of love and quickly unplugs the console. It’s a polished earworm that takes us back the dank mental arcade of our youth, with a kaleidoscopic euphoria, a glitchy witch house undercurrent, and a hypnotic tumble that demands repeated listens.
Photo credit- Astro
Not only do we get blazing new music from Battlemode, but the trio is getting ready to take the stage at Boston Calling , “Game Over”, comes exactly one week before taking the stage at Harvard Athletic Complex in Allston alongside Dave Matthews Band, Luke Combs, Vampire Weekend, Fall Out Boy, and a few dozen others.
Lining up this new single ahead of the Memorial Day weekend music festival is no coincidence. While last summer’s smooth synth-pop jam “Playlist” was all about wallowing after a bad breakup and listening to all the songs two lovers once shared in the good times, the moody pulsation and basement rave kiss-off of “Game Over” slams the controller down on the game of love and quickly unplugs the console.
When the song declares “I’m so done with you” in a high falsetto that arrives with such sass our heads snap back to the dank mental arcade of our youth, it’s clear Battlemode – the tag-team combo of Astrologic (Astro), Bifflecup (Biff), and Sam Mulligan – is moving on and moving out.
Following in the path of “Playlist” and buoyant “Just Pretend,” which got the proper music video treatment this past January, “Game Over” is a polished earworm with a kaleidoscopic euphoria, a glitchy witch house undercurrent, and a hypnotic tumble that demands repeated listens. The infectious track was produced by Curt Martin, and Narvicto DeJesus delivered the bright and animated single artwork.
“Oh, not Battlemode doing another song about a soured relationship,” says Biff with a cocksure wink and a roll of the eye. “Are we petty for writing a song about exes who have wronged us? Our last breakup song ‘Playlist’ came from a place of heartbreak and vulnerability. We’re sad bois, OK?!?! But ‘Game Over’ covers the colder side of breakups. When someone has tried your patience to a point where you’re dead inside.”
“Game Over” is Battlemode, fully charged and playing at full strength. The lyrics may imply “Game Over” However, Battlemode, is ready for the next level.
We recently had the spectacular opportunity, to check out the new EP, “Temporary Circus: Act 1”, from Boston, singer-songwriter Derek Smith and the Cosmic Vultures.
You can listen to, “Temporary Circus:Act 1” on Spotify Here, Apple Music Here And on Bandcamp Here
The latest EP, from Derek Smith and the Vultures, “Temporary Circus: Act 1 , is a joyous musical treasure trove of brilliantly crafted musical compositions.
Derek Smith and the Cosmic Vultures’ new EP, Temporary Circus: Act 1, is a five-track collection from the prolific Boston singer-songwriter that hits the streams today, ( Friday, May 16. ) This new record arrives about a half-year from the band’s recent album Opus, and marks the start of a new creative chapter with additional acts to quickly follow.
“Sonically, this is an acoustic album to me,” Smith says. “I didn’t use a full drum kit here. It feels different than Opus and that was my intention. I have people asking me why I didn’t make a direct sequel to Opus and it’s because I already did it. It’s time for a new sound.”
Where Opus was a majestic declaration of excess and grandeur, coming off more like a greatest hits compilation in its sweeping production and ambitious drive, Temporary Circus: Act 1 is something far more personal, more raw, and more organic. Intact is Smith’s penchant for melody, and the alarming ease with which he steers his sound through familiar corridors of alternative, pop-rock, indie-folk, psych, Yacht Rock, AM ‘70s gold, funk, and whatever else escapes from his creative mental asylum. The many different stylistic offerings make the EP, a melodic delight. Smith’s sound has always been jovial on the surface, with something a little darker glowing underneath.
Throughout Temporary Circus: Act 1, there is a growing unease and overwhelming sense of malaise that permeates through the five songs, and drawn together serve as a bit of a warning about what the future may hold, with carnival-like interludes and faux news reports acting as segues, similar to how we doom scroll from one app to the next to feed our serotonin needs: “Question everything. Do your research. Whatever hardship you’re going through… it’ll pass. And to hell with toxic people.”
Derek Smithand the Cosmic Vultures have crafted an EP, that flows freely in many melodic directions, while also artfully articulating the state of world . Because, it’s also a proper Derek Smith and the Cosmic Vultures album, so beneath the layers of social awareness, messages both subliminal and obvious, and lyrical wordplay wisdom, is another sparkling and celestial record that glows with Smith’s vivid storytelling acumen. He’s now officially released 73 songs since 2017, both with the Cosmic Vultures and as a solo artist, and the creative tank shows no signs of emptying.
The EP opener and title track immediately set the lyrical theme, a daydream-like composition with a propulsive thump and twinkling demeanor where a certain type of circus comes to town to whisk us away in our own cerebral slumbers. The yearning, campfire glide “Strange Life” explores feelings of self-discovery and our shared end-goal of being comfortable with who we are, despite greater forces influencing us otherwise.
Smith leans into political lanes on the poignant and straight-forward “The Puppets of Hypocrisy,” fueled by a sonic buoyancy and pub sing-along mood while hidden meanings lurk behind the lyrical phrases. The atmospheric and star-gazing “Some Girls” (Our favorite track on the EP) finds a central comfort in the strength and poise of women, with Smith casting admiration for what they provide the world and how much they deal with and are forced to endure.
And EP closer “Indie Darling” was inspired by a dream Smith had walking through Salem, Massachusetts, waking up feeling so connected to the city and feeling free from the circus that had previously dogged his mental state.
“My music is a universe that I created,” Smith concludes. “If someone connects to my music, that is wonderful. But they need to use the info wisely. Use the info to help you put together whatever your opinion is. Bottom line: A famous musical artist (or hell, a local one) spreading their message is fine. But it’s NOT the end all be all. Form your own opinions. I think it’s important that everyone has a platform to express their opinion on the world… but people get obsessed with artists and then they become idols. Just be careful with that stuff. It could be your next Temporary Circus.”
We were absolutely captivated by “Temporary Circus: Act 1 “ from DerekSmith and the Cosmic Vultures, it is a must listen.
We recently had the amazing opportunity to check out the new single, “Count On You ” , from Boston alternative Americana band, Nate Perry & Ragged Company. You can listen to “Count On You”Here
Sometimes when you a hear a particular song, it moves you in a way that you feel compelled to tell the universe. We most certainly feel this way about “Count OnYou” , from Nate Perry & Ragged Company.
Photo Credit: Collin Heroux
Nate Perry & Ragged Company, embodies everything that is good about music , they write inspiring and well crafted songs combined with powerful and electrifying live performances. The band has a healthy slate of live performances coming up including, Boston Calling Music Festival across Memorial Day weekend.
Just ahead of the festival gig on May 25, as well as appearances at Levitate Backyard (May 22), New England Americana Festival(June 28), and Veterans Rock Music Festival(July 19), and fresh off a sold-out show at The Fallout Shelter.
“Count On You” , is a shimmering anthem that glistens and glows as it canvasses a spectrum of Americana, alternative, pop, outlaw country, roots, and indie rock, the transformative “Count on You” details the importance of a partner to help navigate the rough waters that these days feel increasingly turbulent. Vocalist, guitarist, and band leader Nate Perry penned the track about personal relationships, and arrives on the eve of Boston Calling, just as Nate Perry & Ragged Company continue their rapid ascent following last year’s release of debut EP The Otherside of Everything.
“‘Count on You’ is about finding your partner in life and running into hard times,”Perry admits. “Specifically, I wrote this song from the point of view of someone who is scared that their partner isn’t going to show up when it matters. The result is a song from the perspective of someone who needs you. The times are getting hard and we both need to show up in this kind of situation. It’s a call to arms.”
“Count on You” is the effervescent first offering from a new EP set for release this summer, recorded with Brian Charles at Rare Signals in Cambridge, Massachusetts. The track opens a portal into a more grandiose sound and vision from the quintet, who retain the gritty Americana and roots rock sound at its core, but coat it in sonic layers that prevent it from being limited by our sense of genre or style. It’s emotional music for emotional times, written by one of Boston music’s most intriguing new voices.
“Count On You”, is what happens when extraordinary musicians get together and create phenomenal music. We have been hanging on every note/ word.
We are always being asked to recommend new music, “Count On You” , from Nate Perry & Ragged Company, is definitely a song we highly recommend .
We really love listening to music , Boston, based grit-pop band, Happy Little Clouds, is definitely one of those reasons. We recently had the amazing opportunity to check out their new single, “Clear&Present Danger”, via The Sound Cove. You can listen to “Clear & Present Danger, on Spotify Here, Apple Music Here and on Bandcamp Here
Known for their energetic, gritty blend of power pop and indie rock, this new release promises to captivate fans both old and new. We were absolutely mesmerized by the new single, “Clear & Present Danger” from Happy Little Clouds, they definitely hit a new level of awesomeness with this one .
“Clear & Present Danger” is a post-grunge earworm that showcases Happy Little Clouds’ raw energy and dynamic sound. The song’s groove and melody pair with an evocative lyrical journey. Set for release just after May Day, “Clear & Present Danger” taps into themes of resistance, including confronting narcissistic manipulation and toxic power structures.
Photo credit:Jac Mestel
“This topic feels super relevant right now,” said lead vocalist/guitarist Jac Mestel. “We all know someone like this—a boss, a partner, a relative, or even a politician—whose charm hides an ugly side. And we know the truth about them, and we are screaming to their fans and supporters, ‘How can you not see this?!’”
Clear and Present Danger” draws from those experiences, paired with the realization that a narcissist’s power is ultimately paper thin. Lyrics like, “I saw her hand was made of glass, which I could surely shatter,” empower listeners to break free from cycles of abuse. The single marks a bold statement for Happy Little Clouds’ forthcoming new album, which is set for release later this year.
As a musical unit, Happy Little Clouds, have always displayed next level musicianship, this is front and center on , “Clear&PresentDanger” , particularly the otherworldly drumming that is brilliantly featured on the track. For Jess Townsend—one of Boston’s most acclaimed rock drummers—the single was a true labor of love, pushing her to new creative heights.
“This is the drum beat that I’m most proud of to date,” she shared. “I have always wanted to incorporate a linear beat, and I worked really hard with the dynamics to make this one groove.” She credits the standout performance to her strong collaboration with Mestel and bassistDerek Bergstrom, whose creative energy helped bring out the best in her playing.
Bergstrom’s interesting use of bass distortion on the song fosters an ethereal soundscape. “The bass line was inspired by Gang of Four and The Replacements, with a nod to Future Islands,” he said.
“Clear & Present Danger” was recorded and mixed by Ethan Dussault at New Alliance and mastered by Pete Weiss at Jade Cow Audio—both in Somerville, MA. The song is available for streaming on all major platforms, including Apple Music, Bandcamp, and Spotify. “Clear & Present Danger” and other recent singles feature tarot-inspired original cover art, which can be viewed on the trio’s Bandcamp or website.
“Clear&Present Danger”, from Happy Little Clouds, is an important well crafted gem that needs to be heard.
First new music from the alt-Americana artist since 2022’s ‘Condition’ album
We recently had the distinct honor of checking out the brilliantly beautiful new single , “Meaning To Disaster “, from Boston, alt-Americana singer-songwriter, Billy Dodge Moody . You can listen to “Meaning To Disaster” Here
We were immediately taken by the gorgeous and poignant melody that is beautifully presented with “Meaning To Disaster “
Billy Dodge Moody , takes the experience of a sudden tragic loss and is able to channel all of the emotions associated with that loss and craft his new single, a lush and sweeping ballad of cinematic indie folk-pop titled “Meaning to Disaster,” which hits the streams today (Friday, May 2.)
An expansive track that swirls around the heartfelt creative winds of Americana and pop-rock, offering a gorgeous type of grandeur that can only be revealed through a personal reflection, “Meaning to Disaster” is the first new music from Moody since his 2022 album Condition. It sets a dramatic tone for his forthcoming summer EP, Ephemera, the first in a series of EPs that will combine to form his next album, thematically centering around navigating chaos and finding clarity in life.
Taking a theme of tragedy and looking back on both a life cut short and one privileged to carry on, Moody first penned the track back in 2021, more than 20 years after his friend’s passing from an unexpected heart attack. Like an old wound needing time to heal and a desire to create something beautiful out of pain, Moody was deliberate in how – and when – he wanted to bring the touching composition to listeners.
Courtesy Of The Artist
“It’s about the shock and confusion that comes with losing someone so young, and how that moment made me confront the brevity, chaos, and randomness of life,” Moody says. “The song grapples with the idea that life itself is inherently chaotic, and our purpose is to find a way to make sense of why we’re here – giving it some sense of purpose in the very short time we have.”
“Meaning To Disaster” by Billy Dodge Moody , reminds us why music is so important for our mind , body and soul. Music is a powerful vehicle and we are witnessing the power, first hand on “Meaning To Disaster”
Moody took “Meaning to Disaster” to his trusted longtime producer, Brian Charles, who the artist worked with previously at Zippah Recording. After a 2021 fire displaced the Brighton studio, Moody and Charles recorded the track over the course of three years, first at Guilford Sound in Guilford, Vermont, with stops along the way at MadOak in Allston and The Record Co. in Boston, before completing it at Charles’ freshly-minted Rare Signals in Cambridge, Massachusetts. Charles mixed and mastered the track, on which Moody performs vocals and guitar alongside Jon Chapman on drums, Sam Bouve on bass, and Tyler Simko on keyboards. Additional vocals were provided by Hannah Foxman.
“Meaning To Disaster “ from Billy Dodge Moody , is about to become a song you can’t live without, you just don’t know it yet .
We recently got the amazing opportunity, to check out the new video for “Stone”, from Boston hard rock band , Cruel Miracle, you can watch the epic video for “Stone” below
You can also listen to “Stone “ , which is on their album “Steadfast” on Spotify Here , Apple Music Here
On its own, “Stone” from Cruel Miracle, is an epic hard rock groove that is straight up phenomenal. Now we get a blazing video to go along with it…… It’s like we won the freaking lottery!!!
Finally getting the video treatment it deserves, the riff-fueled “Stone” is the lead track to Cruel Miracle’s recent album Steadfast, a piledriver of a record that first dropped last summer. The video for “Stone” was created by the band members themselves, featuring the four dudes rocking out in its rehearsal space as colorful and animated visuals bloom with each hook and spin like a hypnotic pinwheel.
Photo Courtesy Of The Band
The band shares : ‘Stone’ is a story about perseverance – staying strong while remaining true to yourself,” the band declares, speaking on the new release as a cohesive voice of one. “In typical Cruel Miracle fashion, one of us brought some riffs and then we all worked on the structure and arrangements. This was first created as a post-pandemic tune, so the feel was based on the struggles of the time and the battle against our personal demons.”
The DIY video for “Stone” was created by the band members themselves, featuring the four dudes rocking out in its rehearsal space as colorful and animated visuals bloom with each hook and spin like a hypnotic pinwheel. It’s the band’s visual follow-up to last year’s “Wicked Ways [1999]” video, which dropped, appropriately, on the Fourth of July.
But the latest dose of video fireworks from Cruel Miracle is more stripped-down in nature, allowing the song to expand and take hold while showcasing the band doing what it does best – rocking the eff out.
“We spent time looking at videos from the ‘60s all the way to the mid-’90s – where most of us cut our teeth,” they add. “There was no real theme or direction, we just wanted something kind of random and psychedelic. We also wanted to showcase ourselves playing in our own environment. It all goes back to the visuals and feel of that old-school rock scene – capturing that hard rock essence and delivering an accurate representation of what Cruel Miracle is today
Cruel Miracle, is exactly the high octane rock and roll that is needed in today’s musical landscape. Full throttle and full speed ahead . Music needs to be a loud and thunderous experience and Cruel Miracle, is just the right band to lead the charge .
We recently had the opportunity to check out the new single and video for “No One Is Alone”, from Boston-based singer-songwriter Staci Gruber. You can listen to “No One Is Alone” on Spotify Here , Apple Music Here You can also check out the video for “No One Is Alone” below
Staci has teamed up with prolific writer and arranger Michael Orland (American Idol) and producer Avli Avliav (Backstreet Boys, NSYNC, Ray J), resulting in an evocative and uplifting pop-rock anthem.
Staci Gruber is a transformative artist whose exceptional musical talents, storied songwriting, and emotional depth resonate deeply with her listeners. Her work seamlessly intertwines personal experiences with the emotional stories of others, creating a profound musical connection that explores themes of isolation, loneliness, and hope.
Throughout her childhood, Staci spent summers at the French Woods Festival of the Performing Arts, which further solidified her deep love for music. Staci’s journey took a unique and ambitious turn when she became the first person to transition from the classical voice program to the jazz studies department in a pioneering five-year dual-degree program at Tufts University and the New England Conservatory of Music. This distinctive educational background has shaped her multifaceted artistry and honed her versatility as both a performer and a songwriter. Her diverse musical influences range from Anne Murray to Barbra Streisand, Karen Carpenter, KD Lang, Billie Eilish, Pink, Nancy Wilson, John Coltrane and more, seeping various genres into her own unique musical melting pot. This led to her becoming a lead vocalist in a popular GB band that performed an eclectic range of musical styles and tastes.
While her musical career flourished as a vocalist, Staci also achieved distinction in a completely separate field as a renowned Harvard Medical School professor and pioneering neuroscientist at McLean Hospital. In her groundbreaking work on cannabis, she focuses on understanding the long term impact of cannabinoids across a wide range of conditions. Staci’s research has been a game-changer, generating real-world data that has influenced clinical trials and provided critical insights into the potential benefits of cannabis for various medical conditions.
Staci shares about her debut solo single , “Every day, I meet people who feel absolutely alone in their experiences—disconnected or left behind. No One Is Alone is a reminder that even in our most solitary moments, we can find solace in one another, in places, in pets, or in any form of companionship. It’s a call to remember that we each have something valuable to contribute, especially in times of distress.”
We are absolutely mesmerized by the soulful voice of Staci Gruber, that is on full display on her magnificent new single , “No One Is Alone”
We recently had the distinct honor and pleasure to check out the new single, “5 to 9” from rising Boston, based singer-songwriter Preston Lydotes. You can listen to “5 to 9” Here
We first heard Preston Lydotes, back in January, with his flawless single, “The Critic In Me”
Preston, is back with a brand new single, “5 to 9” and we are absolutely over the moon in love with it .
There is a lot to like about Preston Lydotes, and it is front and center on his new single, “5 to 9”
“5 to 9” is a lively and vibrant song that has Preston Lydotes, firing on all cylinders. What we love about “5 to 9” is the authentically woven soulfulness that is felt throughout the song .
It is next to impossible to listen to “5 to 9” and not want to get up and move .
While Preston Lydotes, has a vibe and sound that is uniquely his , we heard shades of Bruce Springsteen within “5 to 9”
On “5 to 9”, PrestonLydotes, speaks directly to all of us that want to break away from the struggle of the daily grind and follow our true passion.
Preston Lydotes, is the real deal . We firmly believe he has the potential to be an important voice of his generation. Do yourself a favor and get lost in the musical magic of “5 to 9” from Preston Lydotes
Illustration by Morrison Digital Art Designed by J. Kaliontzis
We recently got check out the brand new video for “Boiling The Ocean”,from Boston alt-rock band, TELL. You can watch the Rick Berlin directed video below.
Boston alt-rock band, TELL, artfully addresses the over-crowded internet landscape, the way we communicate, and how those things shape both what we consume and what we exude, through a rumbling new single titled “Boiling The Ocean.” ( and we love every minute of it.)
The follow-up to March’s fiery and anthemic “Sweet Proximity,” this slow-burner companion track with a heavy low-end and atmospheric snarl first arrives via a Rick Berlin, brilliantly directed music video today, (Tuesday, April 15,) before the streaming release that following Friday. The band are eager to perform the song live – and in-person – when they play The Square Root in Roslindale on May 9, and then Allston’s O’Brien’s Pub alongside Joe Kaplow on June8.
Photo credit- Dan Saltzman
“This is my ‘fuck the internet’ song, expressing frustration how as creative artists we all have no choice but to use this same medium to get our music out,” says outspoken TELLguitarist and vocalistDavid Wildman. “In that sense it is kind of a ghetto that is impossible to escape. We’re all on our own trying to figure it out. And while there no longer are record companies exploiting us, there is also no way to make any money because streaming sites like Spotify have pretty much demonetized everything, and the labels that do exist push crap at the highest level. So yeah, we’re saying blow the whole thing up.
It is crystal clear that TELL, isn’t afraid to tell it like it is , and this definitely the case with “Boiling The Ocean “
The title, “Boiling the Ocean,” is lifted from the business world, a phrase that urges a person, team, or company to do whatever is necessary to get a result, even if the task seems impossible. So as Wildman – joined in TELL by guitaristJim Foster; bassistJay Raffi; and drummerPatrick Crann – decries our current conundrum where the internet is paradoxically facilitating and standing in the way of communicating the quartet’s music, he suggests it’s high time, to borrow a common post-punk rallying cry, to just rip it up and start again.
“It’s all about the frustrations of connecting in this present environment, because in order to do it, you have to bend yourself to fit the medium,” Wildman adds. “I suppose this goes back to the early days where pop songs had to be 3:30 minutes tops because that’s all you could fit on a 45. Now the conditions that form the music are much more complex and on multiple levels, but no less restrictive in their way. Of course no one gives a shit about any of that, and we just want to make a video that catches people’s attention with cool images.”
Enter Berlin for that, who agreed with the band on a concept that showed TELL performing live, but with the ocean projected over them, inspired by early Andy Warhol shows with The Velvet Underground. The symbolic gesture enhances not only the visual but the lyrical matter; an all-encompassing body of water can either drown a person or lift a person up, and in the video, TELL, dressed in all-whites as a cohesive unit, deliver “Boiling The Ocean” as found-footage scenes flash across their bodies and faces, the blue glow of the ocean both suffocating and illuminating. Just like the internet itself.
Boiling The Ocean,” the track, was produced and mixed by Benny Grotto at Mad Oak Studios in Allston, Massachusetts, who also lent his studio work to “Sweet Proximity.” True to the songs’ sharing their companion nature, as both mark the first new TELL music since last year’s breakout EP Life In Reverse, the single artwork is the same as that of “Sweet Proximity,” featuring an illustration by Morrison Digital Art and design by J. Kaliontzis. The band is taking a classic double A-side approach, another way to angle their art for the modern digital promo landscape.
We love the beautiful art/musical entanglement that races throughout “Boiling The Ocean “TELL has truly given the world a wonderful artistic gift.
The Northern Line celebrate the single later that night ( April, 11th ) at Fireseed Arts in Framingham with The Chelsea Curve and Britpop Social Club
We had ourselves an absolute blast and a half checking out the splendid new single “Throw A Fist” from Boston indie band, The Northern Line. You can check out “Throw A Fist” Here
There is nothing better in the whole world than listening to a song for the first time and being absolutely blown away from the musical bliss that you just heard . This is absolutely the case with “Throw A Fist”
Photo Credit: Harrison Searle
With a sound unlike anything else making waves at the moment, The Northern Line filter their style of Britpop, baggy, Madchester, and acid house through an invitation urging everyone to bang a drum, throw a fist, and get on the indie dancefloor. And the invite now takes on a literal meaning.
The crisp and emphatic “Throw A Fist” gets the single release treatment on release night at Fireseed Arts Studios in Framingham, pairing up The Northern Line with Boston mod-pop trio the Chelsea Curve and BritpopSocial Club, the mad-fer-it DJ team of MichaelV (the pill boston) and Lady K.
After declaring arrival with anthemic debut single “Lightning Strikes” this past fall, the Mass.-chester lads of The Northern Line now settle into a delectable groove with the melodic “Throw A Fist,” with both to be featured on their debut EP set for release later this year. It’s a song fueled by euphoric liberation, indebted to memories and moments – and the ability to move on past life’s stresses. It’s a throwback in style while looking entirely ahead.
“‘Throw a Fist’ is a personal song, but it is also a song that connects with anyone who has done the hard work to move on after a meaningful relationship falls apart,” says vocalist Bilvox. “The liberation, the freedom of the ‘fist’ that’s thrown – mostly metaphorically – is throwing away the pain, the failed dream, and embracing the future.”
That kind of optimism harkens back to the halcyon days of the early- and mid-’90s, when all we needed was a melody and a dream. “Throw A Fist” serves a song that truly defines The Northern Line’s sonic exploration; it was the first track that came together after Bilvox’s prior band fell apart, and where “Lightning Strikes” declared a sort-of arrival, “Throw A Fist” is the sound of a band settling into its own creative skin and forging a true super-sonic identity.
Settling in as a cohesive unit – vocalist and guitaristBilvox joined by keyboardistMike Ackley; lead guitaristPete Zeigler; bassistJoshh Magee; and drummer, backing vocalist, and engineerMcG – the new single finds the quintet firing on all creative cylinders.
The drums provide quite a spark in “Throw A Fist “ which , ignites an electrifying spirit throughout the amazing new track. The Northern Line, have scored big time with their latest melodic gem .
Every day we are giving stunning examples of why we love music so much. Today’s example, is courtesy of Boston alt-rock band, Real Beaut and their epically awesome new EP, “Politics”
The Boston alt-rock band, composed of all those other rock and roll groups that soundtracked the gritty and messy underbelly of the city’s music scene over the past several years, unleash new EPPolitics today, (Friday, April 4) . The official record release party goes down the following night at the band’s unofficial home base, The Middle East in Cambridge, leading a sparkplug bill alongside American Ethos, Dwelley, and Bad at Drawing
Photo Credit: Morgan O’Meara
And regardless of where one may be on that Saturday night, the might and magnitude of Politics should be audibly heard far and loud. A powderkeg of a four-track record and the follow-up to 2023 debut EP Gentle Messages, it finds Real Beaut’s four members – guitaristAndrew Doherty; drummer and producerBenny Grotto, bassist and vocalistJohnny Northrup; and vocalistKeith Pierce – shifting into creative overdrive and embracing a new creative gear after years of collaboration, chemistry, and friendship.
Our excitement around releasing Politics is fairly boundless,” says Pierce. “We have been trying hard to keep this record under wraps. Creating new interesting guitar-driven music in a relatable, communicative way is difficult but Real Beaut is one of the finest rock experiments I’ve ever been a part of. This new EP is very different from some of our earlier productions but we tried to retain the speed and ferocity of our youth through practice, recording, and respect for the listener.”
An EP, like “Politics ”, is what happens when four next-level musicians get together and make the most spectacular-sounding collection of songs, we have heard in quite some time.
Even with each of the four blistering tracks all assuming its own sonic identity – confrontational opening banger “Politics on the Internet,” abrasively addresses what the title implies; the seismic “Paying Attention,” which hit Bandcamp early as an aural appetizer and has been described as a sort of grunge take on Van Halen; the hypnotic rock murkiness of ”Profane and Pedigree”; and the suffocating guitar assault of closer “Islands” – there is a cohesion that flows across the EP’s breathless and impatient 12 minutes of runtime.
“Real Beaut always strives to find ways for building tension and allowing opportunity for release,” says Doherty. “Sometimes this is achieved by riding the line between discord and melody, or by letting the song sit in a sustained, dark pocket… festering or incubating, before breaking through and emerging as something new. These new tracks are a continuation of a process from our early work, but with more identifiable Real Beaut qualities.”
We hope to meet with the members of Real Beaut someday soon so we can personally congratulate them on crafting a stunningly brilliant EP, with “Politics”
If the new EP, “Before The Fall” from-based accordion-driven country-rock sextet Kier Byrnes & The Kettle Burners , was whiskey it would be from the best barrel in the land – guaranteed. You can listen to the splendid new EP, “BeforeThe Fall” below
the high-octane sextet, led by longtime Boston music scene veteran Kier Byrnes and the recipient of Americana Act of the Year at the 2024New England Music Awards, unleashes the stunning new EP , Before The Fall , today, (Friday, April 4.) The spirited and feisty six-track EP, which blends a spectrum of subgenres that bridge alt-folk, gypsy punk, Celtic, old-school country, and whatever else, gets the proper release party treatment a week later at The Plough & Stars in Cambridge come April 11.
Photo Credit: Monica Sager
“My hope is to create a unique blend of music from genres I closely identify with; country, rock, Celtic and Bavarian folk music and turn it into something new that defies any genre,” saysByrnes. “You know the joke about what happens if you play a country song backwards – you get your car back, you get your woman back, and you get your dog back. My aim is to take a country song and turn it completely inside out.”
The Before The Fall EP, fueled by potent lead single and opening track “White Russian,” continues a dynamic 2025 for the band, with no immediate signs of a slow down. In the Kettle Burners, co-vocalist and acoustic guitaristByrnes is rounded out by lead guitarist and co-vocalistDan DiBacco; accordion playerJason McGorty; washboard playerMonica Sager; bassistJoe Miller; and drummerBrian Lilienthal. And the band just banged out seven live shows over a five-day stretch leading up to St. Patrick’s Day, celebrating their also-new In The Key of Guinness EP of Irish music with high-profile gigs at Harpoon Brewery, The Burren, and a massive 10-hour all-day holiday set at The Stockyard in Brighton.
Every song on , “Before The Fall” , felt more like a monumental musical event rather just an average song , we were literally hanging on every word and melody.
Remarkably, for a band with the Kettle Burners’ hustle and all-overdrive ambition, the tracks that make up Before The Fall were all written and recorded last summer, just ahead of the band’s appearance at Outlaw Music Fest in New Hampshire alongside Willie Nelson & Family,John Mellencamp, Charley Crockett, and others. A few weeks before the gig arrived, Byrnes suffered a tumble down a set of stairs, leaving him with severe injury to his legs and requiring surgery. Finishing the songs was placed on the back-burner, allowing Byrnes time to heal and giving the record its title, as the songs were all written Before The Fall.
With its title already ominous, the lyrical material reveals a slightly darker undercurrent than what the upbeat and zestful music would imply.
“Some of my favorite country and folk songs are the ones where the music seems really nice and happy-go-lucky, but if you listen to the lyrics, it’s really gory and/or tragic,” admits Byrnes. “It’s fun to sing about darker stuff in an upbeat, energetic way.”
We blissfully sang and danced our way through “Before The Fall” from Kier Byrnes & The Kettle Burners and truth be told we enjoyed every single minute of it. . “When The Money’s All Gone” , “Train’s Off The Rails and “Hurting or Helping “ are absolute gems that we are absolutely over the moon about . Flawless sing along vocals woven between memorable melodies make “Before The Fall” a collection of music to cherish forever. Our favorite track on “Before The Fall” , is without a doubt “Quarter-Life Crisis “ Everything about this song is “stop you in your tracks “ good.
Do yourself a solid and check out “Before The Fall” you certainly will not regret it.
On Valentines Day , we were absolutely smitten with the release of “#1 Most Likely “ from Boston based garage/glam octet Smitt E. Smitty & The Fezztones. We now have been smitten X 2 , with the release of the absolutely fabulously fantastic video for “#1 Most Likely” You can check out the awesome video for yourself below.
You can also listen to “#1 Most Likely“ on Spotify Here and on Apple Music Here
Smitt E Smitty & The Fezztones definitely did not disappoint with another glorious visual spectacular . ( which, if you are scoring at home is brought to you in beautiful“FezzAScope” . )
One listen to the mesmerizing “#1 Most Likely” and the song was floating effortlessly in our soul . We couldn’t help but get swept away by the hypnotic melody. sing along. We felt exactly the same way about the video.
Smitt E. Smitty & The Fezztones, are know for first rate oddball fun and that is exactly what we got with the amazing video for “#1 Most Likely”
“We are going to have some FUN with this video,”Smitty concludes. “Since this is not a traditional ‘love song’ by definition, the music video should also not be traditional. We promise to make it very unusual. Turn it on its side. Without giving too much away, we will be doing an homage, of sorts, to a filmmaker we all know and love, but I don’t want to spoil it by saying too much.”
“I love all that oddball stuff, and I love good bad art,”Smitty says with a laugh. “#1 Most Likely” was recorded with Alec Rodriguez at New Alliance Audio in Somerville, MA, and the Fezztones are returning to the studio to prepare additional releases for 2025.
Looking Glass War will be celebrating the release with a show at Faces Brewing Company in Malden, Saturday 29th March.
The saying goes : “If it ain’t broke don’t fix it” . This is definitely the case with Boston based quartet, Looking Glass War , who after three amazing singles, ( See You in Hell,Liberty Bell”, RuminationHouse” and “Adamantine Chain Gang”) are excited to announce the releaseof their next EP,“Saints of the Lost and Found”, featuring the brand new single,“Seance by the RCA”
Photo Credit: Coleman Rogers Photography
You can listen to “Saints Of the Lost and Found “ on Spotify Here, Apple Music Here, Bandcamp Here
Every musical composition crafted by Looking Glass War, is crafted with such a high level of style and “Rock And Roll Elegance”, and the new single , “Seance by the RCA, is no exception, as it the perfect bow on the amazing new EP, “Saints of the Lost and Found “
“Seance by the RCA” leads with hypnotic drums that had us completely entranced.
Drawing inspiration from a topic increasingly relevant in today’s complex world, the song reflects on the legacy of the legendary escape artist Harry Houdini—not just as a performer, but as a fierce skeptic who exposed mediums and spiritualists exploiting grieving families with their deceitful tricks.
One particular debunking of a seance-fraudster took place in the band’s own hometown of Boston, and serves as the subtext for most of the song’s lyrics. A wealthy socialite of the city’s historic Beacon Hill neighborhood had a lucrative hustle of fleecing others with promises of reuniting them with departed loved ones. She was also the spouse of an esteemed surgeon in the area. Taking some creative license with the real life story, Glenn infers that the surgeonhusband–despite being so familiar with the spectre of death as he “opens people for a living”–isironically haunted by his own mortality. In her imagined defense of her fraud, the socialitemedium claims she only engaged in the occult to aleve her husband’s fear of what lies beyond this world.
The EP artwork for “Saints” itself depicts a turn of the century seance taking place.
“Seance by the RCA” kicks off with a commanding guitar riff before breaking into one of the band’s most rhythmically intricate drum and bass grooves to date. Drummer Tony Porter cites a fusion of influences behind the innovative rhythm: “When Pete and Mike first brought the verseriff to rehearsal, I envisioned shifting away from a traditional rock beat toward a breakbeat or slowed-down drum ‘n’ bass feel. Interestingly, it was a Velvet Revolver track that inspired me tosimplify during the choruses, emphasizing just crash cymbals and bass drums. My influences can be eclectic, but ultimately, it’s about serving the song in the best possible way”.
Pete adds, “I was listening to a lot of Mineral (90’s Mid-West emo legends) when I wrote this guitar line. I love the directness of their stuff and how the guitars work so tightly with the drums.I think that definitely came through, but it also keeps to the Looking Glass War sound as well -we can’t help but sound like us in the end.”
Looking Glass War has a sound and vibe that is simply on another level . “Saints Of the Lost and Found” is the kind of EP, that is packed with musical goodness from first note on the first track all the way through to the last note on the last track.
At the end of the day, what makes LookingGlass War , so special is their ability to fuse musical brilliance and cerebral brilliance as one to create an extraordinary musical experience. “Saints Of the Lost and Found “ is an EP, you’ll want to hold on to.
Whenever we find out that Rum Bar Records is releasing a compilation, we get so excited because, it truly feels like Christmas Morning, their latest compilation “Swagger: Second Shot” is perhaps the best one yet!
You can listen to “Swagger: Second Shot on BandcampHere
Rum Bar Records, offered up its first Swagger compilation back in Summer 2023, putting a spotlight on the venerable Boston label’s West Coast roster of bands and artists, it was only a matter of time before the comp’s rock and roll ethos spread across the country.
Now, Rum Bar is serving up another round, as the free, 28-track “Swagger: Second Shot” compilation hits the label’s Bandcamp page today, (Friday, March 21). You can listen to “Swagger: Second Shot on Bandcamp Here
And with this raucous blast of rock and roll action that spans both coasts – and everything in between – comes another round of label discounts, as the tireless Lou Mansdorf offers up a 15% off label-wide discount through April using the code swagger15.
Come for the free comp, and stay for a Nice Price of affordable and cost-friendly rock and roll. The swagger15 discount code is good for all Rum Bar’s physical products, bundles, swag and digital releases via its Bandcamp Shop. There’s also an 80% off offer for Rum Bar’s full digital discography, and Mansdorf is applying the new 15% discount to that as well.
“I’ve been using the term ‘Swagger’ for the past few years to categorize the music we work with – and our love of dive bar, three-to-four-chord rock and roll,” says Mansdorf. “It’s got a groove with elements of garage, punk, glam and alt-country tossed in. This year we had some new releases and artists we wanted to get heard, mixed it up a little between West Coast and East Coast. We added some more elements of Boston and rebel-rouser Rum Bar acts along with some catalog tracks and came up with a brand new compilation that I think sounds fresh and exciting. I hope listeners will crank up and enjoy it as much as we did putting it together.”
This new Swagger: Second Shot features (in order on the comp): 20th Century Boys,Slamdinistas, Foxy, Joe Jennings MVP’s, Gene Champagne, Brad Marino, Jay Allen and the Archcriminals, The Hellflowers, The Laissez Fairs, Tony Marsico and the Ugly Thingz, Tom Baker, The Ghost Truckers, Miss Georgia Peach, The Hi-End, Junior Varsity, Stop Calling Me Frank, The Lemon Drop Gang, French Girls, The Glimmer Stars, The Hollywood Stars, Watts, Richard Duguay & The Beautiful Decline, The Short Fuses, Tim McCoy, The Cornfed Project, The Legendary Swagger, Mochines, and The Dogs.
We are over the moon for “Swagger: Second Shot”, there is something for every music lover on the planet. Lou Mansdorf has truly outdone himself this time.
But wait… there is more news!
Lou, is excited to share : “We have heard rumblings of new music coming this summer from The Spackles, Stop Calling Me Frank, The Hi-End and The Peppermint Kicks, the collaboration from Sal Baglio and Dan Kopko,” Mansdorf reveals. “We will also be working and supporting the brand new album from Muck and the Mires coming out on Dirty Water Records this year. Our biggest announcement to share is the highly anticipated brand new full length release from The Dogmatics due out in July!! That’s right, a brand new full-length album release from The Dogmatics. All of that plus a few more surprises on tap.”
As always great things are coming from Rum Bar Records, and we can’t wait.
We recently had the excellent opportunity to check out the new single, “Voice In My Head” from The Tear Downs frontman , and Needham native, Steve Geraci. You can listen to “Voice In My Head” on Spotify Here , Apple Music Here
Years ago, Boston music scene veteran Steve Geraci had a baseball coach who would often say “You don’t wanna compete against an opponent AND yourself during a game.” While at the time the sentiment was directed to his inner voice that was questioning his own ability – and in this case, his fastball – the message stuck with him through adulthood. Now, the core of that sentiment emerges through Geraci’s vibrant new single, “Voice In My Head,” hits the streams today, ( Friday, March 14. )
We are absolutely infatuated with new single, that is a stunning indie rock cruiser that blooms with an addictive melody that are couple with smart lyrics that ooze with brilliant rock sensibilities. The Tear Downs frontman and Needham native will be rolling out a series of solo material over the course of the year, the follow-up to his 2024 EP Coming From Your Blind Spot.
Photo credit Jennifer Geraci
It’ll lead up to a new EP at some point in the foreseeable future, and possibly a debut solo album late this year or in 2026. But for now, “Voice In My Head” serves as a light-hearted cautionary tale that recalls the new wave glide of Talking Heads and indie-pop buoyancy of Vampire Weekend
‘Voice In My Head’ is about the driving inner voice inspiring us to reach new heights or daring us to fail,” Geraci admits. “It can help build you up, but also quick to knock us down or second guess; solving all your world issues when your head hits the pillow or when you’re out at dinner and it’s scolding you not to take the extra slice of pie or telling you to drive faster as you approach a yellow traffic light.”
That voice in Geraci’s head is also leading him to contribute to societal good, as The Tear Downs will perform live March 29 at Needham Town Hall for the Needham Community Council’s Party for the Pantry food drive benefit.
Geraci says the relationship he has with his Tear Downs bandmates allows him to branch out and take a few musical chances, all while retaining his own creative vision and weaving it into the band’s emerging storyline.
“The Tear Downs are a great group to collaborate with and are very supportive performing my solo stuff along with our originals,” he says. “But, with this EP and specifically ‘Voice In My Head,’ I had a well-defined path regarding arrangements and instrumentation and a small window to record. So, tracking the four tunes came together rather quickly.
Part of that was due to Geraci’s collaboration with producer and engineer Dave Westner, known for his work with homegrown luminaries Peter Wolf and Dropkick Murphys, who provided drums and piano on the track to complement Geraci’s work on guitar, bass, and vocals. “Voice In My Head” was recorded by Westner at Woolly Mammoth Sound in Waltham, where The Tear Downs often recorded with Dave Mineham, and it was mastered by David Lock at JP Masters in Seattle, Washington.
Steve Geraci, brings a refreshing vibe and sound with his latest single, “Voice In My Head” We were singing and dancing almost instantly.
Illustration by Morrison Digital Art Designed by J. Kaliontzis
TELL perform live at The Warp & Weft in Lowell on Friday, March 14
So being a music blog, we totally realize that being descriptive is part of the job , it helps the reader get a clear vision of what we are talking about. However sometimes one word can sum it all up. In the case of the new single “Sweet Proximity “ from Boston alt-rock band , TELL, that one word would be “WOW”
“ Sweet Proximity” from TELL, is alt-rock perfection in every way . The melody and vocals washed over our music loving soul like a musical awaking of epic proportion.
You can listen to “Sweet Proximity” on Spotify Here, Apple Music Here
when David Wildman offers up the refrain with a weathered, weary snarl, as he does in TELL’s driving new single “Sweet Proximity,” we’re reminded that life is not about naively adhering to a broken social contract, but what we’re ready to do when “the futility of existence,” as drummer Patrick Crann puts it, is simply too much to ignore.
“Sweet Proximity” kickstarts both a new year and a new fire for TELL, marking the first of two releases that set up a new music video in April for the single’s companion track, “Boiling The Ocean.”
Photo Credit- Dan Saltzman
The band celebrates the unveiling of “Sweet Proximity” and this new era of music with a release show that same night at Warp & Welt in Lowell, before playing The Square Root in Roslindale on May 9. And the live shows are notable, because what we need more than ever is a human connection to help cut through the stress of the day.
“‘Sweet Proximity’ was originally about the frustration of desiring a connection beyond a face on a computer screen,” Wildman admits. “I’m a fiction writer, so I tend to create characters to make a point. There are three scenarios presented: A stunt driver on a closed track, which represents isolation from himself and the world that he entertains for a living; a guy who loves the lonely girl next door, but neither of them can escape the barriers they put up; and a test pilot crashing into the Earth.”
“Sweet Proximity “ was Produced and mixed by Benny Grotto at Mad Oak Studios in Allston, MA
TELL, takes us on a magnificent journey, with “Sweet Proximity “ it is absolutely amazing.
Linda Viens penned ‘No One Like You’ as a tribute to the impact and legacy of late Foo Fighters drummer Taylor Hawkins
We recently had the distinct honor to check out the beautifully crafted new single, “No One Like You”, from Boston, rock band, Girl With A Hawk. You can listen to “No One Like You” on Spotify Here, Bandcamp Here
Being a drummer and being of a certain age , the passing of Foo Fighters , drummer Taylor Hawkins , hit me pretty profoundly, I never knew Taylor, but through music he was an important part of my life .
Being the talented songwriter that she is, Linda Viens did what she does best – she wrote a song, and a few years later, that reflective instinct comes through in “No One Like You,” the new Girl with a Hawk single is out today , Friday, March 7 on Rum Bar Records.
It was one of those ‘gifts from the gods’ songs – it flowed into the heart and mind in one tearful piece,” Viens admits. “The song came through the ether as a whole entity, and was written subconsciously from Dave Grohl’s point of view, but also from the point of view of speaking through the veil to my own lost ones who died suddenly and shockingly – whether from health struggles or untimely overdoses or, most torturously, from the tragedy of suicide.”
“No One Like You”, from Girl With A Hawk, is a reflective and therapeutic song that you can carry with you long after the song has faded .
No One Like You,” arriving fresh off Viens’ induction into the New England Music Hall of Fame, is Girl with a Hawk’s first new music since a pair of fall 2024 singles, and sets up a new record from the Boston quintet due out later this year. And it continues Girl with a Hawk’s penchant for weary, weathered, heart-on-sleeve storytelling; something Viens and the band have developed over time as rock and roll lifers.
“No One Like You” was produced and engineered by Pete Weiss and recorded with Weiss at Panoramic House Studio in Stinson Beach, California, part of three new tunes that will eventually help compose the band’s debut full-length record. It was mixed and mastered by Weiss a little closer to home, at Jade Cow Music in Somerville, Massachusetts, with vocal overdubs recorded at Somerville’sBluetone Studio and assistant engineering done by David Grabowski.
“Making songs that pack a punch and give people strength to face what is to come is what’s on my own mind right now,”Viens concludes. “There’s no goal but to make some music that we feel good about and if the music we make touches people – that is just immensely satisfying.
Music is the great healer, “No One Like You “ is an incredibly great song , from a phenomenally great band . Go find your favorite music listening spot and enjoy the greatness.
We recently had the amazing opportunity to check out the new single, “Gratitude”, from Cambridge singer-songwriter and Boston music scene veteran, Adam Sherman. The song also features Boston music icon Robin Lane
We were immediately taken with “Gratitude” from Adam Sherman , featuring Robin Lane, there is a heartfelt message of hope that lingers gently within the beautiful melodic tapestry of the song that stays with you long after the music has faded
Photo by Carissa Johnson
A needed tonic for our collective demoralization and a welcome dose of communal appreciation, “Gratitude” is the follow-up to last fall’s Bandcamp-exclusive “Pure As Yours,” and leads off Sherman’s forthcoming new EP, Nowhere But Here. The four-track collection of new material is out digitally and compact disc on March 28, with the record release party the following night at Club Passim in Harvard Square, Cambridge.
“‘Gratitude’ is about focusing on thankfulness for the good things in our lives, rather than the difficulties we encounter every day,” Sherman says. “It’s about finding light in the darkness. It’s about having hope when there is so much sadness in the world. I challenged myself to write a song about all that I have to be thankful for… I often write about love and loss and I wanted to go in an entirely new direction.”
Sherman, known for work that spans decades from early bands like Private Lightning and The Souls to a distinguished modern-day solo career and as former guitarist for the resurrected Nervous Eaters . Adam Sherman is a gifted songwriter/ storyteller with an authentic voice with a message that shines perfectly on “Gratitude”
Sherman is truly at his collaborative best, enlisting Boston music icon Robin Lane for harmony vocals. Lane, known for her work in the ‘80s fronting beloved pop-rock group The Chartbusters, provides her unmistakable voice to the Nowhere But Here EP, and joins Sherman on stage at the Passim release party on March 29. But despite Sherman and Lane both having deep, rich histories in the Boston music scene, they began collaborating only recently.
“Robin and I met by sharing songs with each other by email,” Sherman admits. “I’ve always loved Robin’s voice and when she responded positively to ‘Gratitude’ I asked if she would be willing to sing harmony. She agreed, and when we began recording in the studio it became clear that her voice would be beautiful on the other songs as well.”
Produced by Ken Field; recorded and mixed by Jon Evans at Brick Hill Studio in Orleans, MA; and mastered by Mark Alan Miller, “Gratitude” represents a bit of a new chapter for Sherman, who self-releases the track under his own Haddon Road Music. It’s indebted to his past work, but also clears a new path forward as his artist studio in Cambridge provides the backdrop for his various creative passions, from writing and playing music to painting to graphic design to running a successful voice lessons business for the past 12 years.
“Gratitude”, from Adam Sherman, featuring, Robin Lane is absolutely gorgeous track that you simply hear…. You’ll be grateful you did.
The stunning melodic brilliance continues from Boston based hardcore band , The Promise End as they deliver their striking new single , “A Long Shadow “ You can listen to “A Long shadow on Spotify, Here, The track is also accompanied by an animated lyric video from the talented visual artist Bizhan Khodabandeh. You can watch the video below.
Regarding the track the band states, “We are the malcontents of manufactured consent. In opposition, as one voice of dissent.”
The Promise End, take the quickness of lightning and the power of thunder and harness it to make breathtakingly beautiful music, case in point… the beauty and power of their latest single , A Long Shadow .
The Promised End will enter the studio to record the follow up LP to 2024’s “For The Buried And The Broken”on April 18th. In November of this year, the band will embark on a tour of mainland Europe
2024 was a banner year for Boston hardcore outfit The Promised End. In February the band released their debut full length record “For The Buried And The Broken” on Sound Investment Records (US) and Gunner Records (Germany) and received critical praise for its energy,authenticity and thoughtful lyrical content.
In August/September of 2024 the band embarked on their maiden tour of Europe where they played 16 dates in Germany and Poland. Returning home the band was nominated for a 2024 Boston Music Award where they were in the company of such nominees as Converge, The Dropkick Murphys and Fiddlehead. The band has been busy writing their sophomore album
We can’t wait for more music from The Promise End, in the meantime we will keep “A Long Shadow” on repeat.
Upcoming Show:
March 22 @ Moon Base One24 New Derby Street Salem, MA 6pm All Ages $10 (W/ Deprogrammer, Cult Born, Cursed American Ethos)
All music compositions start the same , a blank undefined thought that finds life and melody , that is then shared with the world . Boston and phoenix melodic noise rock duo , CanyonsAnd Locusts, deliver to the universe and beyond, their striking concept record The GoalGigolo today, (Friday, February 21) , about a ’70s-era anti-hero who can’t seem to escape his own past misfortunes.
You can listen to , “The GoalGigolo” on Bandcamp Here
At the core of the beautiful noise and fuzz that is feverishly front and center on “The Goal Gigolo” , from Canyons And Locust , is the cinematic and musical greatness that makes , “The Goal Gigolo , shine.
“The Goal Gigolo” draws together several storytelling narrators underneath the duo’s unhinged wall of fuzzed-out rock and roll. It fully realizes an unfurling narrative from vocalist, guitarist, and bassist Justin Keane and drummer Amy Young that began in November with the release of the gritty, confrontational, and catchier-than-an-attitude lead single “Anna Save A Life” and last month’s anthemic, ebullient, and riff-fueled “Day of the Canyon.”
The Goal Gigolo, tabbed by WBUR, Boston’s NPR, as one of the most-anticipated New England records of the winter, and after a deep listen, we completely agree. There is no reason, why “The Goal Gigolo” should be on a gazillion different “Best Albums” of 2025.
From the opening note on “Have To Fire That Goal Gigolo” , it is crystal clear that Canyons And Locusts have harnessed musical nirvana.
“Broadly speaking, The Goal Gigolo is the story of a guy who makes his living solving others’ emotional problems while trying not to get entangled with them romantically,” says Keane. “It’s set in the 1970s, so I guess we weren’t calling those people life coaches yet.”
And like most moments of inspiration, the seeds of the story first came to Keane in a dream.
“It sounds made up, but scout’s honor truth here – I had a really vivid dream about a guy named The Goal Gigolo, and the dream was very much sepia-toned and ‘70s feeling, so much so that when I woke up I slapped the details into ChatGPT for fun and asked it to come up with an imaginary show pitch. Then a couple of hours later I was like… wait… an ALBUM!”
Courtesy of the band
The cinematic saga of The Goal Gigolo, like some kind of distant cousin to Robert Altman’s film The Long Goodbye, plays out like the latest hit Netflix drama we all binge-watch over a weekend and talk about with coworkers on Slack or Teams come Monday morning.
Every song on “The GoalGigolo”, from Canyons And Locusts are energetic sonically perfect gems that feature the thunderous and powerful drumming of Amy Young and the one of kind and authentic voice and fuzzed out guitar genius of Justin Keane.
The well woven story in “The Goal Gigolo” had us literally hanging on every word . Besides the lead single, “Anna Save A life” and the follow up , “Day Of The Canyon “ , we found ourselves gravitating towards other stellar tracks such as , “Trapped In Trigger, “Here Come The Buzzards “, and “Take Me Back Lee’s
“It was Justin’s dream, but easy for me to connect with – the songs tell the stories,” Young adds. “It’s a journey, and watching journeys unfold is fascinating. It’s a movie that I see in my mind based on Justin’s words. I got to help add a soundtrack to this guy’s goings-on. What’s not awesome about that?”
Picking a favorite track, on an album like , “The Goal Gigolo “, is next to impossible, however the one track that really stood out to us was…. “Motorwall Oil” , this is Canyons And Locusts, at their absolute best . ( The drum and guitar sounds they were able to create are absolutely otherworldly) Everything about this track is spectacularly magnificent. The one thing that really stood out to us on “Motorwall Oil” , how both Young and Keane were almost cosmically connected.
“I listen to what he’s telling me,” Young says. “We’ve known each other and played together for a long time, so generally, I know where his core is at – the nature of where he’s coming from. If not, we’ll talk about it, and then it’s about thinking about how to bring that to life sonically — but also not overthinking it because we leave a lot for the moment when we just play each song and let that give it a lot of its life. And that is really exciting. It starts with him bringing something to me, and then it becomes a glorious conversation.”
“The Goal Gigolo “ , was Produced by Justin Keane and Ethan Dussault. Recorded and mixed by Ethan Dussault at New Alliance Studio in 2023, 2024. Mastered by NickZampiello at New Alliance East, 2024
We recently had the amazing opportunity to check out the new single , “Our Hearts Need Electricity “, from Boston, based indie-rock power trio, Cold Expectations, you can listen to, “Our Hearts Need Electricity “ on Spotify, Here, Apple Music, Here and on Bandcamp, Here
With Valentines Day, just a few days passed and February, being National Heart Month, the new single , “Our Hearts Need Electricity” arrives at the perfect time .
Written from a hospital bed where band member Steve Prygoda was diagnosed with advanced heart failure requiring an immediate pacemaker implant to keep his heart beating, the song percolates with a pulsating insistence that will compel you to get on up and rock out! We were absolutely enthralled with the jangle indie rock greatness of Cold Expectations, and their beautifully crafted new single, “Our Hearts Need Electricity”
Cold Expectations were participants in the 2024 Rock and Roll Rumble, and their recent full-length album, STATIC REACTIONS (Red on Red Records), was a CMJ radio favorite on countless college radio stations. Described as “dark jangle pop” and “hauntingly beautiful”, the band has drawn comparisons to Mission Of Burma, X, and New Order, amongst others. With an indie rock character that touches on power pop elements of melody and harmony, the vocal interplay between Steve and bassist/vocalist, JoEllen Saunders, and the rock-solid back beat of drummer Mike Demers, gives Cold Expectations their own unique and authentic sound.
Not only is is “Our Hearts Need Electricity “the perfect song to get your rock and roll heart pumping, it also carries an important message.
With the release of “Our Hearts Need Electricity”, the band is bringing awareness to the warning signs that your heart may be in trouble and need “more electricity” – which is the impulse that tells your heart to beat. Shortness of breath, low energy, feeling dizzy or tired can all be signs of Heart Failure or the onset of a cardiovascular episode. You might think it’s normal to feel these things on occasion, but it could be your body telling you it’s something more serious. If not for talking to his doctor, Steve’s heart would have stopped beating without notice
Steve has this to say about the new single: “We are excited to put this track out into the world with our pals at The Sound Cove; this song was a truly collaborative effort with all three of us pushing the song to its limits, striving to make it as intense and bracing as possible, to really crush it. Thanks to producer Matt Alexander’s work behind the board, we really feel it was mission accomplished; this is one of the strongest tracks we’ve ever done.”
So go find your favorite listening spot, and get lost in the magical indie rock experience of “Our Hearts Need Electricity “ , from Cold Expectations.
Boston’s oddity-rock misfits line up a throbbing Valentine’s Day alt-love anthem for those who own our hearts , Today (Friday, February 14)
Our love for music has reached new heights as Smitt E Smitty & The Fezztones , fantastically take their unique and mesmerizing sound to the next level with their latest musical offering, “#1 Most Likely “
You can listen to “#1 Most Likely“ on Spotify Here, Apple Music Here
Courtesy Of The band
The new single continues a recent February pattern, following the 2022 Valentine’s Day release of “Buzzkill Baby” and the 2023 unleashing of the Fezztones’ “Rebel Rebel” cover. And it’s the first dose of new sounds from Smitt E. Smitty& The Fezztones since last spring’s anthemic breakout hit “Bye Bye Sunday Afternoon” and the prior fall’s “The Growler.”
With “#1 Most Likely,” the Detroit-born, Boston-based garage n’ glam rock alchemist sets his sights on the ones we love the most, appreciating the love they give, but also – as the lyrics playfully suggest – respecting their ability to make us kneel down and cry.
With music being the ultimate form of storytelling, Smitt E Smitty & The Fezztones, spin a melodic hypnotic alternative love song groove , with “#1 Most Likely that is positively divine.
This song is a ‘love song’ alternative – an alt-love song, perfect for Valentine’s Day,” Smitty says. “I’ve been in a loving long-term relationship for quite some time now. Having said that, as anyone in a long-term relationship can tell you, relationships are complicated – to say the least. Good days, bad days, and everything in between.”
The musical synergy generated by Smitt E Smitty & The Fezztones on “#1 Most Likely” is off the charts as the band skillfully exhibits next level musicianship.
Led by a relentless bassline, a Melissa & Doug toy piano that gives the song its glass-encased swagger – “You really have to hit it hard to make it work,” he notes, “it’s a real clunky sound” – and Smitty’s ultra-repetitive, deadpan vocal delivery that’s not unlike Leonard Cohen in “Everybody Knows,” the track is an instant earworm as Smitty plays loosely with double entendre across the lyric sheet that reads out like frantic scribbles across a beat-up Valentine’s Day card.
“#1 Most Likely” was recorded with Alec Rodriguez at New Alliance Audio in Somerville, MA, and the Fezztones are returning to the studio to prepare additional releases for 2025. “We have the recording process with Alec down to a science,”Smitty says of the track’s engineer and co-producer. “Everything he touches turns to gold.”
What now follows this release are live shows and showcases in both Boston and Detroit, a live appearance on Bedford TV’s The Groove and Gab Cafe later in the year, and the “#1 Most Likely” music video, which will follow the streaming release not too long after it lands on everyone’s playlist – on February 14 and beyond.
“#1 Most Likely “ from Smitt E. Smitty & The Fezztones is an absolute can’t miss.
We recently had the opportunity to check out the new single, “All”, from Sacramento punk heroes Another Damn Disappointment (A.D.D.)
You can listen to “All” on Spotify Here, Apple Music Here and on Amazon Music, Here
You can watch the lyric video for “All” below
Another Damn Disappointment (A.D.D.) are back with the new album Bedlam, set for release on April 21 via the band’s own label imprint Disappointed Records. The album is the last to feature founding member/bassist Casey Marsullo, who tragically lost his life in a car accident in 2016.
Lead singer Joshua Thompson was able to finish the lyrics and record the vocals later, ultimately completing the album with support from the band. Bedlam was self-produced at Pus Cavern in Sacramento, with engineering by Joe Johnston, known for his work on Platinum records like Cake’sFashionNugget and Prolonging the Magic.
Mixing and mastering was completed in 2024 at the legendary Blasting Room with Jason Livermore (Descendents, Rise Against, Black Flag, Frenzal Rhomb etc).The album’s artwork was done by Barcelona’s Joel Abad (NOFX, Pennywise, Mad Caddies, etc). The band has a few shows coming up this spring (see below) and is working on a summer/fall tour.
Appearing on “Bedlam”, is the new melodic banger , “All” , The new single is the perfect reintroduction to a band whose last studio album was in 2008. We were absolutely captivated by the well crafted gem that is “All”, from Another Damn Disappointment ( A.D.D.)
Another Damn Disappointment (A.D.D.) sounds absolutely amazing and are ready to make their music be heard loud and clear.
Do yourself a favor and check out “All”, from Another Damn Disappointment ( A.D.D.
We recently got the distinct honor to check out the latest single, “WTF” from Boston, Massachusetts, band Adios Fatso. You can listen to “WTF” Here.
Full disclosure, ( as always on The Whole Kameese) , we had the heard the name, Adios Fatso, but up until a few days ago we had never heard any of their music . ( We want to publicly apologize to the band , we are sorry it took us so long to discover the incredible punk rock goodness of Adios Fatso)
Adios Fatso , who spent 2024, promoting their No Cap album, a dope vinyl release, and also got a couple of shows under their belt , they are off to a fast start in 2025, with their latest single , “WTF”
We were absolutely enthralled with “WTF”, Adios Fatso , is a band who has one of the most unique sounds we’ve heard . There is definitely a punk sounding influence in their sound (Descendents,Ramones) but there is also this magnificent blues tone in “WTF” that gives it such an amazing added dimension. We also loved the thoughtful guitar work on “WTF”– absolutely freaking brilliant.
“WTF“ dives headfirst into the chaos of “crab mentality,” delivering razor-sharp lyrics rooted in real-life scenarios and the band’s signature unfiltered edge.
Adios Fatso, are a well oiled group of next level musicians, who have an amazing sound and vibe, and this shines brightly on “WTF”
Speaking of Descendents , “WTF”, was Mixed by Andrew Berlin (Descendents, TeenageBottlerocket, Rise Against) and mastered by Jason Livermore (NOFX, Propagandhi,Lagwagon) at The legendary Blasting Room in Fort Collins, CO.
Adios Fatso, has two shows , coming up in the Massachusetts area , details below
2/15 Thirsty First in Lowell, MA. 2/19 Silhouette Lounge in Allston, MA.
Listening to a band like Adios Fatso, and a song like WTF, reminds us why we fell in love with music in the first place.
We recently had the stellar opportunity to check out the latest single , “The Critic In Me” from Boston, based singer-songwriter/ storyteller, Preston Lydotes. You can listen to “The Critic In Me” Here You can check out the lyric video for “The Critic In Me” , below which, was edited and shot by Asher Thomas
From the first note of “The Critic In Me “ , from Preston Lydotes, it is crystal clear that we are listening to something extremely special. Lydotes, proves on “The Critic In Me “ that he is an epically talented songwriter/ storyteller who has the ability to produce powerful and meaningful songs that settle deep within your soul .
“The Critic In Me”, from Preston Lydotes, is a song that has a indie folk soul and rock and roll heart . We were hanging on every word and every note.
A sophomore EP, is on the horizon and we absolutely can’t wait to see what Preston, does next .
The mark of a great songwriter is someone who is able to connect with their audience and say what everyone else is thinking but unable to put it into words….. PrestonLydotes, most definitely achieves this with , “The Critic In Me”
We recently had the delightful experience to check out the colorful new music video for “Just Pretend,” from Boston chiptune electronic-pop trio, Battlemode.
You can watch the video for “Just Pretend” below
In the dull of the winter freeze, Battlemode and their bright vibrant sound shine brighter than the northern lights , on their spectacular video for “Just Pretend”
Where prior single “Playlist” – declared an undisputed “Song of the Summer” by Boston media – was a broken-hearted breakup song and the digital impressions we leave behind, the pulsating 8-bit sophistication of “Just Pretend” suggests a new level of life and love awaits just around the corner for Astrologic (Astro), Bifflecup (Biff), and Sam Mulligan. It’s a restart of the game of love, just when everyone around them is feeling reborn.
‘Just Pretend’ is about two people starting a possible new relationship, but still having reservations because of past love trauma,” says Astro. “They ultimately decide to ‘Just Pretend’ that stuff doesn’t matter and to live for the moment. The theme and lyrics were inspired by a relationship I was in where we both were scarred by the past, but we wanted to pretend we were normal people, and could have a fresh start.”
As it turns out, January has been less about a fresh start for Battlemode, and more a continuation of last year’s successes. After being nominated for Electronic Artist of the Year at the 2024 Boston Music Awards, the band earned a slot performing live at Boston Calling Music Festival in May, joining the bill alongside Dave Matthews Band, Luke Combs, and Fall Out Boy.
Between now and Memorial Day weekend, the Battlemode live calendar is healthy, as the band plays Sexfest at The Jungle in Somerville over Valentine’s Day weekend, and performs live before a February 21 screening ofScott Pilgrim Vs. The World at Arlington’s Capitol Theatre with Linnea’s Garden, DJ Wubson, visual artist V.Kash, and a pop-up arcade from Super Party Bros
In March, they take part in their own Boston Bitdown, a three-day chiptune and digital fusion music festival collaboration with geekbeatradio that takes over five venues in Somerville and Arlington and features more than 40 performances and visual art displays.
As we wait for all the amazing live shows, the “Just Pretend” music video takes the Battlemode talents to YouTube. Directed by McNazz and filmed by Sam Nazartian and Kyle McGandy at The Capitol Theatre and depicting the band as clowns and magicians, the vibrant visual showcases the faces behind the bleeps and the bloops, all while the song itself answers a simple question: What if Charlie Puth wrote a chiptune pop song complete with hip-hop verses? Perhaps he would have, had he stuck around the city after graduating from Berklee and partied a little bit more with the band and their raucous live shows.
We recently had the fantastic opportunity to check out the earth shaking new single “DayOf The Canyon “ from the Boston and Phoenix melodic noise-rock duo, Canyons And Locusts You can listen to “Day Of The Canyon” on Spotify Here, Apple Music Here
It is the second offering from the band’s forthcoming discordant anti-hero concept album, The Goal Gigolo, which boils to the surface on February 21 and was tabbed by WBUR, Boston’s NPR, as one of the most-anticipated New England records of the winter. The album draws together several storytelling narrators underneath the duo’s unhinged wall of fuzzed-out rock and roll, and carries an unfurling narrative that began in November with the release of the gritty, confrontational, and catchier-than-an-attitude lead single “Anna Save A Life.”
There is such a commanding presence on “Day Of The Canyon “ from Canyons And Locusts. The sonic and melodic elements on the track complement each other perfectly.
Courtesy Of The Band
At its magnetic core, stripped of all the meaning and clues buried beneath lyrics and the Canyons and Locusts sound, “Day of the Canyon” is a declaration. It finds vocalist, guitarist, and bassistJustin Keane and drummerAmy Young locked into an adrenalized harmony, crafting their chaotic cacophony of sound – and ultimately, a storytelling vision – that extends far beyond the imagined capacities of two musicians currently situated on opposite sides of the country, leaning on a shared chemistry that belies their physical 2,700-mile separation.
“This is a song of arrival,” says Keane. “That’s the capstone lyric: ‘We have arrived’. Stepping off the plane and into the sun. Take your pictures and flash your bulbs. Game on.”Young agrees, adding: “It truly does come down to those three words. We are comfortable in our skin as a band in a very exciting way. We’ve kept the power from past lessons, shed the rest, and are here for all of what is now and what’s next.”
“Day Of The Canyon” from Canyons And Locusts is a musical triumph that shines the spotlight on impressive musicianship and music at it’s absolute best , find your favorite listening spot and get lost in the musical brilliance of “Days Of The Canyon”
We recently had the exciting opportunity to check out the new single “Drained” from Boston, based Ghost OnTv. You can listen to “Drained” Here
There is this undeniable “next level of cool “ that surrounds “Drained” from Ghost On TV. We found ourselves totally mesmerized and instantly hooked on the absolutely amazing new track .
Ghost On TV, is the electrifying project, of of multi-instrumentalist and songwriter Paul DePasquale, known around New England for his work in celebrated alt-rock band Vary Lumar
“Drained” is the second single from forthcoming album Mister Silence, out February 21 via Swoom Records.
“‘Drained’ is about being exhausted from all the expectations we put on ourselves, as well as the expectations easily felt by society,” DePasquale says. “And it’s questionable how society gets placed with such a burden in the first place. It’s hard to not point the finger at the government, politics, corporations, and media that demand so much of our energy to keep up with the status quo. It’s the hamster wheel sort of life. The song is just my feeling about how there are so many vices we create to get through all the stresses we create or allow others to create for us. Eventually it takes a toll. Can you sit in a quiet room with nothing?
We love it when music delivers mystery and excitement, you definitely get a healthy serving of this on “Drained” , from Ghost On TV.
We recently had the amazing opportunity to check out the new single, “Better In The Morning “ from Boston based alternative/emo band Good June . The track also features North Shore, Massachusetts, based power-emo band , Cape Crush.
We’ve said it before but, we think it bears repeating. The music coming out of the Boston area right now is simply beyond amazing. If you need proof then look no further than a new 3-way split EP called Good Dogs Wear Capes, set to release on January 24, 2025. The EP features Cape Crush , Good June and Impossible Dog . They will release a song a week up until the release of “Good Dogs Wear Capes” Last week we were treat to “Apple At The Aggy” from Cape Crush , featuring Good June .
This week we further get to experience pure alternative/emo perfection with “Better In The Morning “ from Good June , featuring Cape Crush .
“Better In The Morning “, from Good June , featuringCape Crush is one of those songs that is so well written and performed that you can’t help but get completely consumed by its musical goodness. We were also really taken by the overall tone and killer harmonies on “Better In The Morning” , making the track extremely pleasing to the ears.
The single was mixed by Nicholas Starraninto, Mastered by: Pierce Johnston Mastering and vocals engineered by Evan Doherty and Walker Bristol.
In addition to the 3-way split EP, the bands will celebrate with a Split Release Show at DeepCuts in Medford, MA, on January 31, 2025, bringing this collaboration to life in an unforgettable night of music.
We recently had the extremely exciting opportunity to check out the new single “Higher” , from Boston-based rainbow-rust power-pop band – Happy Little Clouds.
Happy Little Clouds, absolutely shines with their latest energetic pop gem “Higher”
From the moment we heard the first note on “Higher”we were positively mesmerized. We routinely get asked “What band should we be listening to? , Well look no further than Happy little Clouds”
Happy Little Clouds ( Jac Mestel , vocals and guitar, Jess Townsend, drums (World/ Inferno, Ketman), and Derek Bergstrom, bass (Broadcaster, Volcano Kings, founding member of The ExtremeTerror) generate a sound and a vibe that warms your soul and moves your feet.
Vocal perfection and melodic brilliance help propel “Higher” into the stratosphere. We have a feeling that Happy Little Clouds deliver an electrifying live show, that is absolutely stunning. If you’re looking for a good New Year’s resolution, it should be to make sure you fill your music loving soul with as much much music from Happy Little Clouds as possible.
We recently had the amazing opportunity to check out the new EP “Inside A Dream” from Boston based alt-rock band,Gretchen Shae & The Middle Eight. You can listen to “Inside A Dream” Here.
Gretchen Shae & The Middle 8 come out absolutely blazing on “Inside A Dream” The trio ( Gretchen Shae : Guitar and Vocals, Ronan Fahy: Lead Guitar and Nick Mejia : Drums/ creative designer) are sonically and melodically in sync as they charge into the opening track “Heroes Shouldn’t Be Villains,” . You can check out the lyric video for the track below
“Heroes Shouldn’t Be Villains,” expands their creative dynamism far beyond genre limitations. Part of that is the result of the set-in chemistry of Gretchen Shae & The Middle Eight’s now-established lineup: Vocalist, guitarist, and lyricistShae alongside lead guitaristRonan Fahy and drummer and creative designerNick Mehos, all collaborating as songwriters and contributors. The other part is the source material; when Shae and the boys stir the emotional weight of personal loss into the band’s rock and roll expression, what comes out on the other side is purely an emotive extension of themselves.
“The songs are really just a response to loss in a number of ways, whether it is a friend, family, or a loved one,” Shae admits.
Photo Credit- Richard Cramer
The intoxicating drum beat that is the lead in for the title track “Inside A Dream “, gives way to flawless vocals coupled with a memorable melody. Gretchen Shae & The Middle Eight are without question a band who is on top of their game on “Inside A Dream “
Produced by and recorded with Roger Lavallee at Wachusett Recording in Princeton, MA, Inside A Dream is the band’s first new music since last fall’s “Safehouse” single. Over its 12-minute runtime, the record brazenly extends the realm of loss through added layers of grief, frustration, and stigmatization of mental health. The lyrical themes cascade over heavy riffs and a thunderous backbeat, as jangly and echoing guitarwork exchanges freely with Shae’s introspective and lived-in wordplay.
The closing track, “Little Armies “ features some mesmerizing drumming that really adds another dimension to the track. The vocals on “Little Armies “ have this haunting quality that gives the track a little mystery.
“Inside A Dream” from Gretchen Shae And The Middle Eight is over flowing with rock goodness this is an EP you can’t ignore.
We recently had the beyond amazing opportunity to check out the incredible new single “Will I Ever?” from Boston, based shoegaze and dream-punk trio, Neverless.am formerly known as Lurid Purple Flowers
You can listen to the positivity mind bending “Will I Ever ? “ Here.
“Will I Ever?” from Neverless.am really makes you stop and take a deep look and take stock in the things around you. At the core of “Will I Ever?” the idea of personal evolution through overarching change. The new track balances both soft and dark and light and heavy, set for release , today (Friday, November 22)
Photo Credit: Asher Thomas
Though the identity has changed, the relentless sonic fury and blurring of genre lines of the locked-in Lurid Purple Flowers lineup – vocalist and guitaristCA Newcomb; bassistBen Caito; and drummerNick White – remains fully intact.
“Will I Ever?” is a relentless wall of blissful chaos, showcasing the various energies of the band while pushing their sound across genre boundaries through a swirling torrent of noise. It follows October single “Can’t Let Go,” and both will be included on a new album due in February. We love when music can take you on a journey and open your eyes to a new experience.
Intricately weaving both sides of a human emotive spectrum where an ethereal post-’gaze state flutters along like a trance before a devastating crush of sound envelopes and ensnares, “Will I Ever?” has as much personal meaning to the band as the name change. It details a horrific personal experience Newcomb endured two years ago, as she relays the story and emotion of being hit as a pedestrian by a drunk driver, sending her to the hospital and placing her on a long path to recovery.
“Unfortunately, I was run over by a drunk driver and struggled with PTSD,” Newcomb reveals. “I was pissed, emotional, tired, and scared at the same time. Ben shared a demo he had been working on and the chords just hit different. We wrote it together in one night.
“Will I Ever?” was engineered by Tré Espinoza, and mixed and mastered by Alex Allinson at The Bridge Sound & Stage in Cambridge, Massachusetts. It feels like a new era for the project, and marks a significant sonic leap forward, where Newcomb, Caito, and White are able to harness the raw power and aggression of their sound and juxtapose it with a heavenly sense of musical weightlessness.
“Will I Ever?” from Neverless.am is an absolute musical treat.
We recently had the opportunity to check out the debut solo record “ It Will Still Keep Feeling Rough” via Brave Tiger Records, from Boston based singer-songwriter Joshua David Thayer.
You can listen to “It Will Still Keep Feeling Rough” on Spotify Here, Apple Music Here and on Bandcamp Here
We were instantly captivated to the debut solo album “It Will Still Keep Feeling Rough” from singer-songwriter Joshua David Thayer. Thayer is a skilled storyteller that has a one of a kind voice that he uses to artfully tell amazing stories throughout “It Will Still Keep Feeling Rough”
Courtesy Of Artist
On the opening track “Tempest”, which has a brilliant folk rock feel, we were really drawn in by the versatility and tone of Joshua David Thayer’s voice .
After decades of playing bass and collaborating with other artists, Joshua David Thayer stepped into solo work for the first time to explore themes of loss, resilience, and transformation. The project evolved out of spontaneous home recordings and became a way of processing recent events in his life, including the passing of his father.
The album combines indie rock, alterna-folk, and ambient influences, with inspiration drawn from Rick Rubin’sThe Creative Act and the creative paths of other artists that Joshua David Thayer admires.
Alongside contributions from Brooklyn-based co-producer Bradford Swanson, drummerJason Smith, engineer Monte Arnstam, mixerMark Alan Miller, and mastering by Jonathan Wyner, Joshua shares “this album has been a unique journey into new artistic territory for me.“
Joshua David Thayer has played in the past with Fancy Trash, Love Minus Zero, Hadley Transfer Station, and more. He also performed with artists such as Mark Mulcahy, TW Walsh, Dennis Crommett, Joshua Crane, and Treefort and shared stages with 4 Non Blondes, Juliana Hatfield, The Jayhawks, Langhorne Slim, DeVotchKa, and many more.
“It Will Still Keep Feeling Rough” is a musical treasure trove filled with well crafted songs that touch both the heart and soul.
The subtle groove on “Punch, Crumble And Crawl” really makes the track stand out.
The beautiful,”Peaceful Passing“ is a beautiful moving musical composition with a heartfelt message.
From top to bottom “It Will StillKeep Feeling Rough” is 48 minutes of enjoyable and thoughtful musical compositions. If we had to choose a favorite track (which is so hard to do) it would without question be “Say What YouMean”. This track in our opinion is Joshua David Thayer at his absolute best. ”Say What You Mean” is a unique and melodic gem that has a great story and flawless vocals.
Do your music loving heart a favor and check out “It Will Still Keep Feeling Rough” from Joshua DavidThayer.
We recently had the stellar opportunity to check out the new single “Daily Laws”, from Ghost On Tv , which is Boston alternative project of multi-instrumentalist and songwriter Paul DePasquale. You can listen to “Daily Laws” Here
“Daily Laws” , from Ghost On Tv is a hypnotic and mesmerizing beat and bass driven work of art.
“Daily Laws,” with its calm and collected urgency and upbeat swagger that recalls the likes of Radiohead and Animal Collective, is the first taste of forthcoming new album Mister Silence, set for release early in 2025.
Photo Credit: Paul DePasquale
Written, produced, and performed entirely by DePasquale, the new record has centered the artist’s creative focus, not only by finding a balance between what he personally desires and what he professionally expects of himself, but to also evolve rock music, and our stodgy notion of it, one trip-hop beat at a time.
“Daily Laws’ is about the art of negotiation with yourself and others,”DePasquale says. “We always need to make sacrifices in life when dealing with other people, but it’s important to make negotiations with yourself. Know when to be kind and compassionate and know when to be unapologetic when being or doing what is best for yourself.”
That reasoning stands as proper source material for what’s to come. “Daily Laws,” as well as Mister Silence, was recorded and mixed by longtime collaborator and co-conspirator Sean McLaughlin of 37’ Productions in Rockland, MA; and mastered by Jeff Lipton at Peerless Mastering in Boston with assistant mastering engineer Costanza Tinti.
We are absolutely enthralled with “Daily Laws” and we can not wait for more music from Ghost On TV
We recently had the absolute honor to check out the new single “Anna Save A Life” from Boston and Phoenix melodic noise-rock duo, Canyons and Locusts. You can listen to the glorious new single “Anna Save A Life” Here
From the moment we heard the first note on “Anna Save A Life”, from Canyons and Locusts, we knew we were listening to pure melodic greatness. Everything about this song is drop dead perfect.
“Anna Save A Life” , is the first dose of new music from the Boston and Phoenix melodic noise-rock duo since March’s The Red Angel EP, a record dedicated to late Red on Red Records founder Justine Covault that earned mentions in Stereogum, Brooklyn Vegan, and elsewhere. And it’s the attention-grabbing inaugural blast from vocalist, guitarist, and bassistJustin Keane and drummerAmy Young’s forthcoming concept album, The Goal Gigolo, surfacing sometime in the early stages of 2025.
Courtesy Of The Band
To understand the unfolding world of The Goal Gigolo, a discordant, anti-hero record that draws together several storytelling narrators underneath Canyons and Locusts’ unhinged wall of fuzzed-out rock and roll, one must first embrace Anna. Even if our central eponymous character doesn’t quite understand who she may be or how she plays into this universe.
“Anna Save A Life” is a song from the vantage of a guy looking at the pit,” Keane says. “The line at the beginning of the song – ‘neon lights and empty nights, my disgrace’ – is the rosetta stone for this one. This album is the story of a pretty flawed protagonist, himself The Goal Gigolo, who’s made some bad decisions and has gotten himself into trouble trying to help people in his new location. He’s got to go through some shit to get back on his feet again, and he’s looking at that pit he’s about to jump into, but at that same time he’s got enough gallows humor to imagine writing a letter to someone named Anna who might very well save someone’s life – a life, not necessarily his.”
Produced by Keane and Ethan Dussault, and recorded and mixed by Dussault at New Alliance Studio in Somerville, MA, with mastering by Nick Zampiello at New Alliance East earlier this year, “Anna Save A Life” is a tale of desperation. It’s also the first Canyons and Locusts track to feature bass guitar, adding a low-end thunder to the band’s chaotic cacophony of sound.
There is beautiful fiber of kinetic energy that flows effortlessly throughout “Anna Save A Life” It’s a familiar and relatable feeling that lives within all of us and Canyons and Locusts beautifully and loudly bring it to life .
We recently had stellar opportunity to check out the new album “thought so” from genre-straddling Boston alternative band , Count Zero. You can check out the otherworldly experience that is “thought so” Here .
“thought so “ from Count Zero is the band’s first taste of new music in 13 years, and it is absolutely glorious . “thought so “ is beautifully bold and grand, all the things we love about Count Zero. Not only do we get a new album with “thought so “ which is out today (Friday,November 8th ) but…. We are also getting a BumbleBee Radio Presents release party later tonight at Sonia in Cambridge.
Our music loving soul is absolutely blissfully overwhelmed with all the musical goodness packed in “thought so” ,from Count Zero
“Our music has always been dense – occasionally one might argue too dense,” Peter Moore muses from his home studio. “Now we’re learning to trust sparseness and space more, trusting the hooks, the vibes, the grooves.”
Photo Credit- Kelly Davidson Studio
The awaited follow-up to 2011’s Never Be Yourself, thought so finds Count Zero as its most assured, no small accomplishment given the confidence the band weaponized to swerve around most of the pitfalls and landmines of the Boston rock scene. And in a weird way, the dystopia of the world around us has finally caught up to the cacotopia weaved delicately within the Count Zero sound for so long.
Every song on “thought so” plays out like a show stopping theater production. We were mesmerized by the opening track “Never Be Alone” The artful use of sound , really made the track stand out. With so many different styles and vibes on “though so” it is next to impossible to be board . One track that really stood out for us is “You Were You Are” A well written track with a mysterious melody coupled with flawless vocals – Bravo
A new component in this fresh batch of Count Zero compositions is that while most lean on the traditional social observations and dystopian awareness, a few – “South,” “You Were You Are,” and inaugural offering “Overthinking” – serve as more introspective and autobiographical than Moore’s past efforts. Moore was always a performer’s performer, and his persona was never far behind.
“There are songwriters that exclusively write autobiographically, but my default has been to fear that sharing The Real Me is burdensome on the listener,” he admits. “I usually get more traction embodying a persona, and finding myself in them. This is more of a Bowie thing. Probably didn’t hurt that when I toured with Blue Man Group we opened up for Bowie every night, and I got to see him from the side of the stage night after night. He channels characters, or personae, but they’re always a part of him.”
Great art hangs proudly in a museum. Great music is heard jolting out of speakers or coming to life on stage . “thought so” from Count Zero is not just a great album but is a true work of art.
We recently had the privilege to check out the brand new album “Opus” from Boston rock band Derek Smith And The Cosmic Vultures
You can bask in the majestic glow of “Opus” on Spotify HereApple Music Here
“Opus” from Derek SmithAnd The Cosmic Vultures is a beautifully woven musical tapestry that shows off the many sides of a band who always artfully raises the creative bar on every thing they do.
We love that “Opus” does not box itself in a stylistic corner, rather it finds its way to the center of the room and shows all of its beautiful colors.
“This album is a noteworthy moment in my life,” Smith admits. “It’s a collection of art that I am putting on display in my own personal art studio. Each chapter brings a new feeling. A cosmic play of dark and light. It’s the sky I always wanted to paint. It’s a shrouded, cynical page from the vault in my mind. A tiresome reflection of life and death. When you put these colors together, you get Opus.”
So far, listeners have been treated to two tracks from the record, both released this year: July’s enchanting spark plug single “Tomorrow Morning,” ( an absolute musical gem) with its stirring cocktail of glam, psych, and soft rock and ready-made ambition that allowed it to hit Number 4 on the global Radio Indie Alliance charts and caught the attention of WBUR, Boston’s NPR, which previewed Opus in its 2024 Fall Album Guide as a record not to be missed; and September’s “Songbird,” a melodically lush and sonically dense composition (peaking at Number 16 on RIA) that suggested Derek Smith and the Cosmic Vultures were leaning into a more expansive musical alchemy. Remarkably, a trio of singles — the majestic “White Spade Symphony”; the celestial alt-rock hypnosis of “Waiting”; and the gritty and anthemic “Black Angel” — did not make the Opus cut.
The songs that made the cut for “Opus” cover a wide range on the musical spectrum but, that is what makes them so special. We were immediately captivated with “No Cigarettes” Smith takes a cheeky and comical look at his admittedly boring life of no drinking or smoking. The line “No Happy Hour, For Me” stayed with us long as the music ended ( Just ask the people in aisle 3 in Market Basket) “So Far Gone “ is a mesmerizing tune that seems to flow right of the speakers . We definitely hit repeat many times with this one .
Smith is effusive with his praise for his bandmates, especially his longtime partner-in-crime Strakus: “Michael’s intricate guitar work weaves melodic threads that elevate each track, showcasing his ability to blend technical prowess with emotional depth. And he’s quick to note the rhythm section: Steve’s rhythmic bass lines provide a solid foundation, enriching the band’s sound with groove and harmony, while Dalton’s dynamic drumming drives the energy of the music, creating an infectious pulse that resonates with listeners.”
Opus was mixed by Erik von Geldern, Don Schweihofer, and Monty Dale; mastered by von Geldern, Schweihofer, and David Locke; and engineered by a cast that includes von Geldern, Schweihofer, Dale, David Minehan, and Jonathan Chesbro. “The countless hours that were put in by Erik von Geldern and Don Schweihofer at Berlin Audio Productions cannot be understated,” Smith notes. “These guys did such an amazing job. This record wouldn’t be off the ground without them.”
Do your music loving heart a favor and get lost in the magic of “Opus” from Derek Smith And The Cosmic Vultures.
Kristen Eck’s indie radio station presents Count Zero’s record release with Lovina Falls and Singer Mali at Sonia in Cambridge on Friday, November 8th
Ok , We realize that we have probably just wrote the longest headline in the history of the Whole Kameese but, it’s totally worth it.
BumbleBee Radio launched in 2020 as a pandemic project for founder and live host Kristen Eck, it quickly became a way for New England indie and alternative rock bands to get played on air, at any and all hours of the day, alongside more well-known and global acts. Now as the Beverly-based streaming radio station approaches its fifth anniversary in the spring, Eck is keeping its past, present, and future in mind.
Photo
But where the past involves looking back at how BumbleBee has evolved since the lockdown days, catering to a hungry audience eager to find a new alternative to the dusty old FM dial, and the future allows Eck to beam with pride over reaching the five-year milestone in the Boston area’s increasingly competitive digital radio landscape, it’s perhaps the present that is most exciting.
Kicking off a string of celebrations that extend into the spring, BumbleBee Radio first dips into the live show scene on November 8, presenting Count Zero’sThought So album release party – the theatrical Boston art-rock band’s first new record in 13 years – at Sonia in Cambridge, the former location of T.T. The Bear’s Place. Joining Count Zero on the bill are two BumbleBee Radio mainstays in Lovina Falls, the elegant baroque-pop project from Mistle Thrush’s Valerie Forgione, and Singer Mali of avant-rock mainstays Jaggery.
“I am beyond excited to be working with these three exceptionally talented and creative artists,” says Eck, who spends her days as the WBZ News Radio helicopter reporter. “I don’t believe in doing anything small. I wanted our first official live event to be a musical tour-de-force. So attendees can expect grand, thought-provoking music in a dramatic setting – and hopefully a renewed sense of community in drawing old-school fans of Count Zero, Think Tree, Mistle Thrush, and Jaggery and giving them a night of some new music to remember.”
Not only has the Sonia show brought Eck’s passion for music full circle, but her live BumbleBee Brunch, airing every Friday from 10 a.m. to noon, also connects to her Cape Cod past, as WKKL simulcasts the show live each week.
We love everything about BumbleBee Radio and the amazing work that Kristen Eck does for the music community, and we can’t wait for the show at Sonia and to celebrate BumbleBee’s 5th anniversary in 2025
Be Sure to check out the Count Zero “Thought So”record release party , November 8th at Sonia in Cambridge with Lovina Falls and singer Mali. You can get tickets Here and Bee sure to check out BumbleBee Radio Here
We recently had the tremendous opportunity to check out the debut single “Lightning Strikes” from new Boston band The Northern Line. You can listen to “Lightning Strikes” on Spotify Here, Apple Music Here and on Bandcamp Here
Boston’s newest band The Northern Line is all that is cool and right about music , they have brilliantly unearthed a sound that is deeply rooted in the past but also serves as a refreshing beacon to the present and future. The debut single “Lightning Strikes “ has an energy that is simply electrifying.
Raised on a steady diet of Britpop, baggy, Madchester, and modern alternative all filtered through an American lens, the quintet unabashedly urges everyone to raise a fist, bang a drum, and get on the indie dancefloor.
“‘Lightning Strikes’ is about moving past the struggle of life, the banality, the brow-beating of it all, and ‘When the lightning strikes…’ in your life, for that moment, you feel that joy,” says frontmanBilvox. “It’s about embracing those moments and living out loud. Buggering through the tricky bits of life and when the good things come to you, embrace them and celebrate them.”
We couldn’t agree more Bilvox, we are all about celebrating amazing music here at The Whole Kameese. And…. “Lighting Strikes” is most definitely celebration worthy.
With its members culled together from a selection of Boston bands, both past and present – Strangeways, The Daily Pravda, The Luxury, Looking Glass War, and others – The Northern Line has come together sharing a common musical vision and stylistic blueprint.
Photo : Harrison Searle
A plan first hatched by Bilvox (vocals and guitar) and Mike Ackley (keys) to revisit classic sounds of their youth – the former here in the United States and the latter in Manchester, England – has evolved into a mighty sonic dynamo, with Joshh Magee (bass), Matt Scheinman (guitar), and McG (drums and backing vocals) rounding out the cohesive and chemistry-driven five-piece.
Ackley believes “Lightning Strikes” acts as an appropriate opening salvo for the band, and an invitation to go deeper as new music emerges – similar to how all those Britpop records in the mid-’90s exposed a new generation to all the mod, psych, and British Invasion that came before it.
“This one is a nice intro that really showcases all the band,” Ackley notes. “It’s also a central point in the sound; we have slower, more anthemic tunes, tunes that are a little more rocking, but this one is core to our sound. Plus it’s a banger.”
Adds Bilvox: “I think ‘Lightning Strikes’ is a great representation of the fun energy of our music. Also, as we introduce ourselves to the world, this is a fist-pumping ear worm that forces itself into your room and makes you want to move. It kicks down the door and says ‘Hello!’ And I think it honors some favorite vibes of music we all celebrate, while creating a new space and sound to dive into. I think the vibe is a good indicator of things to come.”
“Lightning Strikes” was written and produced by The Northern Line as a collective unit after Bilvox brought in the lyrics and a handful of chords via an early acoustic demo. The rhythm section of Magee and McG – a duo whose name pairing just sounds iconic off the jump – changed the groove of the demo and made it danceable. Scheinman and Ackley added a “call and answer” relationship between the guitar and organ, allowing the track to bloom over its five-minute runtime without ever overstaying its welcome.
We are all in on The Northern Line and their blazing debut single “Lightning Strikes”
We recently had the delightful opportunity to check out the new single “Share It All” from Boston band Girl With A Hawk. You can listen to “Share It All” on Spotify Here, Apple Music Here and on Bandcamp Here
Girl With A Hawk , knows no creative or musical bounds. The band artfully and creatively, consistently add another layer of musical greatness to their already treasure trove of musical wonderment and… “Share It All” is no exception.
Fresh off the release of call-to-action folk song “#VOTE (Rock The Boat)”, the Boston rock band led by Linda Viens is set to release new single “Share It All” today, (Friday, October 25) via Rum Bar Records, with the colorful and engaging Joan Hathaway-directed lyric video to follow a few days later. The Americana-leaning “Share It All” was produced and engineered by Pete Weiss, and the single artwork was created and designed by Nicole Anguish of Daykamp Creative.
Those are just some of the names – Hathaway, Weiss, Anguish, and Rum Bar’sLou Mansdorf – that are part of Girl with a Hawk’s expansive creative orbit. And as “Share It All” revels in a common sense of joy and euphoria by looking at ourselves as one collective unit, acknowledging the successes and triumphs of others to aid a shared cause, it’s a sentiment worth exploring as our country heads to further division on the eve of November’s historic presidential election.
“‘Share it All’ is about a way of looking at the world through the lens of our oneness, not our differences,” says Viens. “It draws from the Stoic concept of Sympatheia; that we must look after one another because we are all one, part of an interconnected cosmos. We are cut from the same human cloth, and breathe and think and live the same, no matter what superficial differences may appear to exist.”
Photo – Kelly Davidson
Viens first penned “Share It All” during the Covid-19 pandemic in 2020, and, as she often does, took philosophical inspiration from Roman emperor Marcus Aurelius, who between 171–175 CE wrote: “Meditate often on the interconnectedness and mutual interdependence of all things in the universe.” At a time when family, friends, and colleagues were separated, forced to socially distance and isolate to curb the spread of the viral disease, the Boston music scene veteran was drawn to Aurelius’ idea that “understanding how we are all connected and dependent on each other encourages us to see past our differences, and help one another, even in small daily kindnesses. Seeing each other as ‘other’ emboldens alienation.”
The deepness of care that is ever present in the writings of Linda Viens and in the music of Girl With A Hawk is refreshing however, more importantly it gives us great hope that compassion still exists, and that is always a good thing .
Listening and video release party set for October 24 at Capitol Theatre in Arlington
Photo and design credit: Sue O’Brien and Kit Orion
We recently had the glorious opportunity to check out the new electronic-pop album “Bottle Grin” from Kit Orion. The musical genius behind Kit Orion, is Worcester native and Cambridge based songwriter, producer and DJ Caitlyn O’Brien . You can listen to “Bottle Grin” Here
Our music loving heart was instantly filled with great joy , upon our first listen of Kit Orion’s euphoric new electronic-pop album Bottle Grin.
Kit Orion’s debut album opens a portal to perseverance and self-confidence, as the Worcester native grapples with bouts of self-doubt, a fixation on perfection, and personal trauma that was impacting her mental health. The result of this inner and outer journey plays out in vivid color across glossy beats and kaleidoscopic electro-pop.
“Bottle Grin” from Kit Orion unfolds like a page turning best selling novel with beautiful mind bending melodies, we were absolutely enthralled .
“This album feels like a series of sonic journal entries to me,” O’Brien says. “A lot of the lyrics in this album are a response to complicated grief. During the time I was writing these songs, I experienced abundant loss. I lost multiple pillars in my life, one after another over a short time. I was not able to have the space to grieve each person before another one was gone, so writing these songs was an acknowledgment of my people, their existence and their absence as a form of catharsis.”
What we love most about “Bottle Grin” is the melodic and cinematic flow of the music .O’brein’s voice is a stunning and powerful instrument that delightfully shines and soars through out the 13 well crafted tracks on “Bottle Grin”
Photo Credit – Meghan Ireland
To peek inside Bottle Grin, past the shiny beats and glossy exterior of kaleidoscopic electro-pop, and past an emotional curtain that O’Brien may have once guarded with her life, is to not only understand the Worcester native’s creative headspace over the past two years, but to relate to it on a personal leve
From the kinetic strobe light mood of lead single “Like Honey” to the theatrical indie-pop confessions of the album closing title track, O’Brien weaves coming-of-age tales with delicate precision and a dream-like wonder. Select interludes, spliced-up samples from her personal past, pulled from home videos, take us back to her childhood, allowing a glimpse of the innocence and confidence she, like most of us, have lost along the way through adulthood.
‘Get Grounded’was written as a letter to myself, as I was experiencing depression, so it was difficult to write,”O’Brien reveals. “But sitting with my younger self, and looking back to give her some hope, helped me to remember to be kind to my current self, because my younger self is still there and that joy can be found even in difficult times.” Last year, O’Brien submitted ”Get Grounded” to Waveforms:A Multimedia Art Event at TheMuseum of Science in Boston, where she redesigned the song into spatial audio with the MIT Spatial Audio Lab. The day after Bottle Grin’s release, on October 25, O’Brien will return to Waveforms, taking part in the MIT Spatial Sound LabFutures of Listening multimedia art occurrence at Midway Artist Studios in Fort Point.
“Each one of these songs was written as a response to a prompt, which also acted as a vessel for meditating on personal grief and trauma in real time,”O’Brien says. “I chose each one of these songs for the record because it felt like an accurate patchwork quilt of vibes for what was going on for me at the time that I was writing these songs.” Beyond her own songwriting, and providing vocals, synths, keys, samples, and drum programming, Bottle Grin was ultimately a collaborative affair. O’Brien wrote and produced the tracks, with recording, co-production, and additional engineering by Evan Murphy at Ombic Sound in Worcester, Massachusetts, and BigNice Studio in Lincoln, Rhode Island. Mixing and mastering was done by Bradford Krieger at Big Nice Studio.
Photo by Meghan Ireland
More traditional live performances are also on the calendar, as Kit Orion plays Cambridge’s Lizard Lounge after the album drop: for the Bottle Grin afterparty on November 7 with Justice Cow and Baker Thomas Band.
Performing with Justice Cow is especially poignant, as it’s the project of Jessica Kion, who not only provided bass guitar on BottleGrin and directed and edited the “Like Honey” music video, but led a songwriting club during the pandemic that helped plant the seeds for the tracks that appear on the record. Kion now performs in the Kit Orion live band, with Dutch Tulips’ Matt Freake on synths, drums, and percussion.
In addition to Kion, the album features a wealth of contributions: Chris Barrett on trumpet; Kyle Harris on drums; Ben Levin on electric guitar; Laurence Scudder on viola; and Samuel Taber on piano and Rhodes and Hammond organs. Additional vocals and vocal samples are provided by the aforementioned Kion, Levin, and Murphy, plus a range of family members that reinforce the personal nature of the music contained within: James O’Brien, Mason O’Brien, SueO’Brien and Richard O’Brien Jr.
We highly recommend finding your favorite music listening spot, and getting lost in the beauty of “Bottle Grin” from Kit Orion
As soon as we heard the new single “Adamantine Chain Gang” from Boston based post-punk band Looking Glass War we were over taken by the mesmerizing groove that the band has tastefully cooked up on the their latest single, and we absolutely love it. You can listen to “Adamantine Chain Gang “ on Spotify Here, Apple Music Here and on Bandcamp Here
The new single, is from from their forthcoming EP, “Saints of the Lost and Found”
Photo Coleman Rogers Photography
“Adamantine has a darker feel to it, a bit more ominous than the earlier releases this year. We decided to release this one close to Halloween due to it sounding a bit spookier than the rest of the songs we recorded this year” says drummerTony Porter.
This is actually one of our older songs” reports Bassist, Mike Ackley. “Pete and I wrote the music for an earlier project but it was only when Looking Glass War got started and Glenn added his lyrics and vocal melody that the song really took shape”. Zeigler adds – “It never worked though and once we got together with Glenn and Tony and Glenn added his vocal melody along with Tony’s drumming, it really came to life and became the tune it is today. It’s a good process!”.
Vocalist Goddam Glenn adds, “Lyrically, this is my rock adaptation of Milton’s “Paradise Lost” when Lucifer gets booted from Heaven. That’s what the “adamantine chains” refer to. Those adamantine chains were basically wrapped around Satan to keep him strapped into Hell. Like some kind of infernal ankle monitor. The line “I’m not counting all the stars I crossed tonight” describes a falling star seeing all the other stars on his way down. And the line “It’s really not so bad once you get past the flames…”? It becomes pretty obvious what’s happening here. Maybe the song will set off an all new “Satanic Panic” for Gen Z. How’s that for spooky season?”
Rhythmically and melodically awash in musical greatness, “Adamantine Chain Gang” is a song and Looking Glass War are a band that reminds us why we love music so much.
Register to vote or update your registration vote.gov
Two weeks ago Boston rock band Girl With A Hawk brilliantly delivered the perfectly timed new single “#VOTE(Rock The Boat)” via Rum Bar Records. We absolutely love the stripped down /folk feel of “#VOTE ( Rock The Boat)
Image credit- Joan Hathaway
Now Girl With A Hawk have elevated their message to new heights by delivering an epic video for “#Vote(Rock The Boat)” The amazing video, was directed by Joan Hathaway
The video for “#Vote (Rock The Boat )” from Girl With A Hawk” is a strong and powerful visual that stays with you long after the video ends . Director Joan Hathaway does a brilliant job of bringingthe message of “Vote ( Rock The Boat )” to life .
You can listen to “#VOTE(Rock The Boat )” Here and on Bandcamp HereRegister to vote or update your registration vote.gov
To Be Or Not To Behave artwork. Photo and design by Goddamn Glenn. Image features (from left) Maggie Maraschino,Honey Pie and Tracey Vaughan.
We recently had the amazing opportunity to check out the new EP “To Be Or Not To Behave” from Boston based Parlour Bell You can listen to “To Be Or Not To Behave “ on Spotify Here , Apple Music Here and on Bandcamp Here
Parlour Bells ( Goddamn Glenn – Vocals Allison Sigrist – Keys Mike Leggio – Bass Tony Porter – Drums Michael Johnson – Guitars) are far more than just a band they are a musical experience. Listening to their new EP“To Be Or Not To Behave” reminds us why we love music so much .
The opening track “Knight Owl” greets your soul like spiritual awakening. Goddamn Glenn effortlessly weaves his perfect vocals between spectacularly placed grooves .
We love the sensational low end melodic magic on “Dixie’s” The guitar work on “Dixie’s is off the charts good .
Parlour Bells. Clockwise from top: Goddamn Glenn, Allison Sigrist, Tony Porter, Michael J Johnson and Mike Leggio.
The crown jewel of “To Be Or Not To Behave” is without question “Slasher Movie Weather” We were enthralled with this track from note one . It’s one of those special songs that grabs your soul and doesn’t let go . And… not only is “Slasher Movie Weather” a kick ass tune but there is also an amazing video as well. The video was directed by Glenn and his wife and creative partner Honey Pie.
You can check out the video below
The Final track on “To Be Or Not To Behave” is The Ballad of Felix Moncla (2024 Version)The song is an updated and fully realized version of a song the band created and released remotely from quarantine during the early days of the coronavirus pandemic. “Back in 2020, when we were unable to perform or even assemble in a room together, we were intent on staying creative. As happy as we were with the results of putting this one together from our respective home studios, it still has the overall vibe of something recorded in isolation,” Glenn explains. “Initially, there was never any plan to re-record this one, but we found ourselves with some extra studio time and our bass player Mike Leggio suggested we use the time to attempt an updated version. It was an excellent suggestion on his part because Brian Charles ended up giving the song the lush production value that it always deserved.”
The song is a brilliant way to close out a beyond stellar EP that shows a band who is a 1000% on top of their game . Do yourself a favor and check out “To Be Or Not To Behave” you will be beyond glad you did .
We recently had the extraordinary opportunity to check out the new EP “Another Kind Of Vision “ from Boston alternative rock quartet Charming Arson You can listen to “Another Kind Of Vision” Here
We were immediately taken by the EP “Another Kind Of Vision from Charming Arson . The EP is vibrant musical experience that grabs hold of you right from the first note of “Hey,Policeman all the way till the last note of “Magic Alex Knows “
We felt a lot of Brit Pop vibes with Charming Arson. Every song was a well crafted gem that had very cinematic/music theater vibes .
Like the quartet’s music itself, a psychedelic trip of expansive sounds that transports the listener from one place to another, usually within the same blossoming song, the journey Charming Arson took to get here in assembling this kaleidoscopic six-song EP is just as fascinating as the destination.
And at the core, under all the harmonies and melodies and hooks and riffs, is a sense of joy, a feeling that takes anecdotes of modern life with inspirations of yesterday to craft a cohesive and vibrant record that not only stares back at the listener, but provides a cushion for the inevitable fall deep within the band’s blooming world.
Courtesy Of The Band
“It’s important to me that the lyrics express a sense of exuberance and of joy,” says Charming Arson vocalist and guitarist David Cameron. “I’m not talking about ‘the sun is shining and I’m in love’ kind of joy, but a deeper spiritual joy that I believe lives in the core of every human being, whether you know it or not. It will always be chic for lyrics to be dark and brooding — and more power to the ones who do that honestly. But there’s also room, and a thirst, for music and lyrics to reach the untapped joy within.”
“Another Kind Of Vision” from Charming Arson is the kind of EP that once it seeps into your music loving soul there is simply no escaping its musical greatness.
That’s at play across Another Kind of Vision’s six blossoming tracks, including the rollercoaster power-pop of May single “Saving Chelsea,” the groove-train swagger of June’s “Inside You I See Everyone,” a homage to the Indian saint Ramana Maharshi that provides the lyric inspiring the record’s title; and the punchy opener and July table-setter “Hey, Policeman!”, inspired by the Breaking Bad character ASAC Hank Schrader.
Combined with three new offerings, including the psychedelic yacht rock of “The Golden Teachers,” a song inspired by a popular strain of magic mushrooms, and aided by a video by Harvard University digital animator Ruth Lingford, which arrives this month, the EP is taking Charming Arson to new creative territories. That’s heard clearly on the street-walking and confrontational “Subway” and EP closer “Magic Alex Knows,” a theatrical tribute to Alexis Mardas, the huckster engineer who once famously duped The Beatles.
The six tracks were engineered, mixed, and mastered by Alex Garcia-Rivera at his all-analogue Mystic Valley Studios in Medford, Massachusetts.
So go ahead and find your favorite music listening space and soak in the magic of “Another Kind Of Vision “ from Charming Arson.
We recently had the remarkable opportunity to check out the new single “Songbird” from Boston rock band Derek Smith And The Cosmic Vultures. You can listen to “Songbird” on Spotify Here and on Apple Music Here
The latest beautifully crafted single “Songbird” from Derek Smith And The CosmicVultures, is the fourth single of 2024 from the genre-expanding rock and roll band, following this summer’s electric spark plug “Tomorrow Morning,” and both are featured on the band’s forthcoming new album Opus, out in November.
Every song that we get from Derek Smith And The Cosmic Vultures always seems to top the last one . We don’t how they do it but it is a truly magnificent feat. “Songbird” is no exception. DerekAnd The Cosmic Vultures have really created magic with “Songbird”
What is really so freaking cool about “Songbird is that the song is a true treasure trove of melodic wonderment. We hear some jam band elements, some 90’s Alt, county and as with every Derek Smith And The Cosmic Vultures tune there is always the perfect dose of good old rock and roll.
Photo courtesy of The Band
‘Songbird’ is about people,” Smith says. “We sing the same song. We follow similar patterns to each other. We have secrets, ideas, fears. We all eat, sleep, breathe, lie to ourselves, cry, laugh. We all question things. At least the smart ones do. And we are all going to walk that mile. That one last stroll to whatever our ultimate finale is supposed to be, or what we force it to be. Is it a rebirth? Is it a final resting place? We don’t know. So we make up a fantasy of what it could be.”
The new single is a compass for compassion; it’s a way forward, through the highs and lows of life, softening the twists and turns and highlighting the good while snuffing out the bad. It’s a song rooted in 2024, but its sound rings out as timeless as echoes of ‘70s AM radio gold canvas a yearning spectrum that soars through the songs that shaped us before touching down in the modern day.
“We should never stop squinting our eyes at life,” he adds. “We need to keep discovering and keep wondering. But we need to laugh on the way to the finish line. Because life is the perfect blend of ugliness and beauty.”
“Songbird” was mixed at Berlin Audio Productions by Erik von Geldern and Don Schweihofer; mastered by David Locke; and engineered by von Geldern, Schweihofer, and Jon Chesbro, with Rob Countie on as engineering assistant. The single’s artwork was contributed by Smith’s father, accomplished painter and artist Robert Smith.
Derek Smith And The Cosmic Vultures are not only phenomenal musicians, but they also are world craft musical sculptors and with “Songbird” They have created an absolute beauty.
Derek Smith and the Cosmic Vultures are:
Derek Smith: Lead and Backing Vocals and Rhythm Acoustic Guitar
We recently had the amazing good fortune to check out the new single “A Drink Before The War” from New England alternative rock band Falsely Accused. You can listen to “A Drink Before The War “ on Spotify Here and on Apple Music Here and on Bandcamp Here
Falsely Accused absolutely shines while delivering a well defined heavy and soulfull alt-rock sound on their new single “A Drink Before The War “ and we absolutely love it. The heavy sound from Falsely Accused is music to our ears .
Courtesy Of The Band
The riff-fueled track arrives the day the power trio performs live at Thirty First in Lowell, and begins a series of new releases that lead to a new EP arriving in early 2025.
Show poster by Sam Pitino of Answerman
“A Drink Before the War,”Falsely Accused’s first new music since 2021 debut album Compression and the following year’s holiday single “Northbound (For Christmas),” takes its title from Dennis Lehane’s 1994 crime novel of the same name, and is a rallying cry for those we do battle with as we go through our daily lives.
“I think about ‘A Drink Before the War’ as a love song,” admits vocalist and bassistMatt Tavano. “I wrote the words for my wife. It’s about finding the person you’re going to spend your life with and then fighting life’s battles together. Sometimes I’ve found that before we’ve had to do a hard thing together, it’s good to take a moment, gather our collective strength, and then get after it. A quiet moment before the fight. I think every couple has had those moments.”
“A DrinkBefore The War” was written and performed by Falsely Accused.Recorded and Engineered by Steve Aliperta at KennedyStudios in Burlington, MA and mastered by Dominik Honold at Protonaut Studios in Erkelenz, Germany
“A Drink Before The War” is a freaking great song from a freaking great band . Don’t miss this one.
Falsely Accused is:
Mike Azzolino: Drums, percussion, and backup vocals
We recently had the extraordinary opportunity to check out the new single “Haunting You” from Boston based band Astral Bitch. You can listen to “Haunting You” on Spotify Here, Apple Music Here and on Bandcamp Here
Astral Bitch has this deep mesmerizing rock sound that honestly is like nothing we have heard in quite some time. “Haunting You” is a hypnotic sonically perfect song that doesn’t let up even for a nano second.
Astral Bitch ( Sam Coren-Guitar and vocals, Mike Nashawaty,drums and JC Superstar,bass) are an ultra tight band and the groove they have created on “Haunting You” is legendary.
“Haunting You “ was engineered by Robert V Ives at Rock Valley Studios in Easthampton, MA. Mixed by Alec Rodriquez , Mastered by Mark Allen Miller at RadioValkyrie
Fresh off an electrifying set at Moon Over Salem, Astral Bitch plays O’Brien’s Pub in Allston on October 19th .
Do yourself a favor and check out “Haunting You” from Astral Bitch you will thank us later.
Boston alternative Americana band that releases the CD edition The Otherside Of Everything
We recently had the opportunity to check out the debut EP “The Otherside Of Everything”from Boston based alternative Americana band Nate Perry &Ragged Company. You can listen to “The OthersideOf Everything “ Here
We can’t believe we are late to the party with Nate Perry & Ragged Company… “The Otherside Of Everything “ is that perfectly poured glass of beer and the perfect sunset all rolled into one but… set to music.
Photo credit:Shivohn Fleming
The CD release of The Otherside of Everything, produced by Brian Charles at Rare Signals in Cambridge, surfaces ahead of two choice festival gigs fast on the horizon: An appearance at Thrive Music Festival on September 20 with GA-20 and Crooked Coast; and a show at Team Haverhill’s River Ruckus alongside KT Tunstall and The 502s on September 21.
The five tracks on the EP act like mini-chapters of an overarching storyline of finding your way through life and the people you meet along the way: The urgent enchantment and upbeat thrust of lead track “Maria”; the twang-driven gallop of “All I Need”; a raw country glow in “Another Day”; the radio-ready pop-leaning euphoria of “Evergreens”; and a soulful spin around Southern blues in “Preacher.” The EP’s title, The Otherside of Everything, reflects Perry’s life after the Army, and the crazy years that have followed. And as the band’s vocalist and guitarist, he’s ready to present these stories to the listener.
There is this real familiar feel on the EP that really makes the listener feel connected to the music . We found ourselves almost singing along instantly.
“Every song I write is a true story of mine, in one way or another,” admits Perry. “Entirely self-reflective and a bit confessional. Each song is about my life and specifically the last five years or so after the Army. These aren’t songs about partying or anything, and I’m also not claiming to be a genius writer, but I hope they hear the stories and find some common ground with us.”
So do your music loving heart a favor and check out “The Otherside of Everything”from Nate Perry & Ragged Company .
We recently had the chance to check out the new single and video “Slasher Movie Weather” from Boston base band Parlour Bells. You can listen to “Slasher Movie Weather” on Spotify Here and on Bandcamp Here . You can also watch the kick ass video for “Slasher Movie Weather” below
We are going to come right and say it we have always loved the sound and vibe of Parlour Bells, “Slasher Movie Weather” brings our love and appreciation to a whole new level.
The epic “Slasher Movie Weather” from Parlour Bells (Goddamn Glenn (vocals), Allison Sigrist (keys), Mike Leggio (bass), Tony Porter (drums) and Michael J Johnson (guitar). is the second single from from their new EP To Be Or Not To Behave and it arrives packaged with a short horror film / music video written and directed by singer Goddamn Glenn and his wife and creative partner, burlesque performer Honey Pie.
Both the song and video are a nostalgic homage to the 1980s slasher movie aesthetic. “One of my guilty pleasures on a sweltering summer night is sitting in my office with the AC cranked and watching some of the lousiest, cheesiest slasher movies from the 80s,” says Glenn of his inspiration for the song and video.
When asked about how women are presented in many of the slasher films of the 80s, HoneyPie says, “Growing up on those movies made me who I am today, where I want to be scantily clad and I want to see other women scantily clad. I always wanted to be the girl in the 80s music video and in the horror movies, and now I get to be both.” And since no summer slasher movie is complete without a group of skimpily-clad campers, Honey Pie suggested that they gather some of her good friends and dance troupe members to take on these roles.
Of the dancers, Glenn adds, “You get so much more than performances from them. They are like this creative brain trust constantly thinking on their feet and so quick to provide a creative solution. They know so much about set and prop design, makeup, movement. I’m so lucky to have such fun and talented people in my life. This video would be nothing without them.”
Performing in the video alongside Honey Pie are dancers Maggie Maraschino, Tracey “Muthafuckin” Vaughan, Abby Normal and Pearl Buttons. Maraschino and Vaughan were also responsible for all of the special effects, gory prosthetics and makeup. Also featured in the video is local drummer Mark Goveia playing the hitchhiker. Goddamn Glenn also delivers his vocal performance bloodied and face down in the dirt.
People ask us all the time about the music scene and artist community in Boston. We think both the song (Which is in our opinion a contender for song of the year ) and video are a perfect example of how special and close knit the Boston Music and Art scene is .
So get comfy and enjoy both the brilliant video and musical composition for “Slasher Movie Weather”
We recently had the epic opportunity to check out the new single “Lightbreaker” (Ladder) from Boston based post-punk band The Collect Pond . You can check “Lightbreaker” (Ladder) on Spotify Here and Apple Music Here
We first got to know the incredible sound of The Collect Pond last month when we checked out “Disassociating “ ( Cigarette Dress) which, if you are scoring at home ( and we know you are ) we freaking loved .
The band has now given the universe a new single “Lightbreaker” (Ladder) and it is an absolute gem . The Collect Pond meld post-punk immediacy and jangle pop with a sprinkling of alt-country, synth wave, and indie folk. and it is such a brilliantly constructed sound and it is front and center on “Lightbreaker” (Ladder) .
The Collect Pond is the name under which songwriter Danny Moffat produces his own music. Studio recordings often resemble a collective of musicians with a core four. They are Moffat: Vocals/Guitar, Rob Carrington: Drums, Roger Maranan: Keys/Bass, and Ben Bonadies: Guitar/Bass. They met through connections with the music blog Allston Pudding.
Moffat grew up in Bellingham, Washington State in the shadow of grunge and alternative music. Early influences were Nirvana, Dinosaur Jr., and Pixies.
When he was 23 he moved to New Zealand and played in The Future’s Bright (live guitarist) and Frend (songwriter/singer/guitarist) which resulted in the latter bearing a critically acclaimed EP that was requested to be in the New Zealand National Libra
Moffat was born with a rare spinal condition called spina bifida, which often manifests in debilitating nerve pain. He is reminded everyday how much of a gift it is to physically make music, and that sense of urgency fuels the drive behind creating The Collect Pond.
We found ourselves gleefully singing along to “Lightbreaker” (Ladder) at several points in the day ( In our book that’s a good thing .
One of the best feelings in the world is finding a song that just hits perfectly and you want to shout from the rooftops how good it is . We feel this way about “Lightbreaker” (Ladder) from The Collect Pond.
Time in History’ is the follow-up to May debut single “After The Rain”
We recently had the absolute privilege to check out the new single “Time In History from Massachusetts alternative rock trio The Brother Stereo led by songwriter Michael Robert Kelly. You can listen to “Time In History “ Here
There is this beautiful mystique about “Time In History “ from The Brother Stereo. The melody slowly rises coupled with lyrics that feel like they come from a well know poetry anthology. Without a doubt “Time In History “ from The Brother Stereo is an artistic and musical experience that you cannot ignore.
Photo Credit: Emily Joy Ashman
With both an anthemic grandeur and an inviting, intimate core, “Time in History” is not your typical 2024 single. The follow-up to The Brother Stereo’s punchy debut May single “After The Rain,” the track engages an introspective sonic journey through its five-minute runtime, canvassing broad strokes across a spectrum of sound with a centered gravitational pull as flashes of indie, psychedelia, post-Britpop, and space rock dance across Kelly’s lived-in sense of lyrical storytelling.
“‘Time in History’ is about the insecurities and complacency of today’s world coupled with the nostalgia of growing up and the longing for yesterday’s world,” says Kelly, the brother of longtime Dropkick Murphys drummer Matt Kelly, and the beloved Boston punk band’s substitute touring bass, banjo, and mandolin player. “I think this song will be relatable to our generation very directly.”
Kelly adds: “Plus, we are just really happy with how it represents what we are capable of producing. It has depth and musicianship and both of those things are very important to the three of us. It’s open for interpretation, which is definitely the way I like to write.”
The “three of us” that Kelly refers to is The Brother Stereo’s new – and inaugural – lineup, featuring Shawn Pelkey on drums and percussion and Buddy Sullivan on guitar. The new additions that took The Brother Stereo from Kelly’s occasional side project to full-on rock band are inextricably linked to the evolution of “Time in History,” which has its own timeline baked into its formation.
We just keep getting amazing music from Already Dead . We have been simply captivated by their stellar album “Something Like A War” now we get the spotlight single “Rock Bottom “
You can listen to “Rock Bottom” on Spotify Here and on Apple Music Here
Ok we’re going to cut right to the chase . “Rock Bottom “ from Already Dead kicks some major ass and it reminds us of a modern day “Blitzkrieg Bop”
On “Rock Bottom,” songwriter Dan Cummings relays tales of characters who climbed the career ladder to get to the top, only to have on-the-job injuries and medical conditions derail their entire lives. The Boston union pipefitter uses his keen sense of working conditions and job-site politics to humanize both characters’ rise and fall.
Photo Credit – Daniel Johnson Dadga Photography
Rock Bottom’ is a reminder in humility for anyone grinding to get to that next social status or position. Remain honorable to those you came up with. You never know when something may happen which puts you right back where you started.” – Dan Cummings
So go ahead and turn it up real loud and enjoy “Rock Bottom “from Already Dead .
Lovina Falls performs live at The Sinclair with Chameleons on August 10
We recently had the extreme pleasure of checking out the new single “Ellery Way, from Lovina Falls. Lovina Falls is The genre-bending art-rock project from Boston singer-songwriter, multi-instrumentalist, and producer Valerie Forgione, the voice of Mistle Thrush.
You can also watch the Joan Hathaway for “Ellery Way” below . Be sure to check back Friday to stream the track
“Ellery Way” from Lovina Falls, brings an incredible feeling of heightened beauty and purpose that effortlessly surrounds both your mind and soul, drawing you into a stunningly beautiful work of art .
“Ellery Way”, appeals to all the senses, which builds as a slow roll over its four minute runtime with a calm urgency and confident embrace, further showcases Forgione’s blossoming creative vision, curating a new musical world where Hathaway’s direction brings her cinematic sounds into panoramic view. The song was written with a visual component in mind, and acts more like a video release than a traditional single.
The creative synergy between Joan Hathaway and Valerie Forgione is positively electric. It is a thing of pure beauty when an artistic vision comes to life.
‘Ellery Way’is about being blissfully unaware of external chaos and breathing in a beautiful moment,” Forgione says. “It’s about navigating unfamiliar places with someone and embracing them fearlessly. It’s about taking control of your world – not letting the world take control of you.”
And it provides a follow-up to a storyline first introduced within the lush, dark cabaret of “Tragedy,” Forgione admits, where the June single and its angry and provoked reaction to our chaotic world give way to the peaceful moments we have with those who we love and trust. “Ellery Way” isn’t an end to the chaos we ensure every day, but rather an escape from it, a love-letter to those who help transport us somewhere else – whether it be physically, mentally, or emotionally – when we especially need it most.
When we close our eyes and allow ourselves to get caught up in the musical and melodic grandeur of “Ellery Way “ we can’t help but think that this is Valerie Forgione using “Ellery Way” to take her craft to whole new level.
Photo credit – Joan Hathaway
Director Joan Hathaway has once again created an absolute visual delight that adds a beautiful and important dimension to “Ellery Way .
The enjoyment of art and music are two of life’s greatest joys. “Ellery Way” is without question an artistic joy , that you can’t afford to miss.
Do you hear it?…. If you listen real closely to the atmosphere, you can hear the impressive rise of Boston based post punk band looking Glass War. And… they show no signs of slowing down as they deliver another future classic with their new single “Rumination House”
You can listen to “Rumination House” on Spotify Here , Apple Music Here and on Bandcamp Here
Looking Glass War ( Mike Ackley , bass, Goddam Glenn,vocals,Tony Porter, drums, Pete Ziegler, guitar) arrived on the scene in July of 2023 , with their otherworldly debut single “Arrive!” .“Arrive!” Proved quickly that Looking Glass War was just getting warmed up. We were gifted a treasure trove of well crafted musical gem with the release of the stellar debut EP “Where Neon Meets The Rain” Add in a stunning appearance in the semi finals of Boston’s legendary Royal Rumble and June’s “See You in Hell, Liberty Bell” All of these achievements are great. But wait…. There’s More !
Looking Glass War, keeps the momentum going with their latest future classic “Rumination House” which, is the second single off the forthcoming EP, “Saints of the Lost and Found”,which is set for release later this fall.
We were quickly lured into “Rumination House , by the intoxicating guitar riff. The jangly guitar riff evoking 80’s British Indie Pop. Once the chords were established, Zeigler’s guitar riff “definitely had a strong Johnny Marr vibe” says Ackley. “Channeling this, the bass was definitely more of a departure from our usual driving post-punk style” continues Ackley.
Frontman Goddam Glenn,put on a goddam vocal clinic as he delivered yet another flawless vocal performance.
A memorable melody combined with lyrics that can only be described as pure poetry , “Rumination House” from Looking Glass War is an absolute can’t miss .
We recently had the amazing opportunity to check out the new single, “Disassociating(Cigarette Dress) from Boston based post-punk 4 piece The Collect Pond. You can listen to “Disassociating (Cigarette Dress) on Spotify Here, Apple Music Here . You also check out the visualizer below
The Collect Pond is the name under which songwriter Danny Moffat produces his own music. Studio recordings often resemble a collective of musicians with a core four. They are Moffat: Vocals/Guitar, Rob Carrington:Drums, Roger Maranan: Keys/Bass, and Ben Bonadies: Guitar/Bass. They met through connections with the music blog Allston Pudding.
The Collect Pond artfully meld post-punk immediacy and jangle pop with a sprinkling of alt-country, synth wave, and indie folk.
“Disassociating (Cigarette Dress) from The Collect Pond is a gloriously melodic tune that we found ourselves absolutely smitten with. It is clear that The Collect Pond are a group of highly skilled musicians who are dedicated to making amazing music .
The Collect Pond, plays next on Sunday , July 28th at NICE a fest in Somerville, Ma
Danny Moffat grew up in Bellingham, Washington State in the shadow of grunge and alternative music. Early influences were Nirvana, Dinosaur Jr., and Pixies. When he was 23 he moved to New Zealand and played in The Future’s Bright (live guitarist) and Frend (songwriter/singer/guitarist) which resulted in the latter bearing a critically acclaimed EP that was requested to be in the New Zealand National Library.
After a couple of years Moffat read the writing on the wall that his VISA wouldn’t be renewed and reluctantly came back to the US, where he continued playing in bands in Seattle, Portland12, and Brooklyn before eventually landing in the Boston-area.
Moffat was born with a rare spinal condition called spina bifida, which often manifests in debilitating nerve pain. He is reminded everyday how much of a gift it is to physically make music, and that sense of urgency fuels the drive behind creating The Collect Pond.
Do yourself a favor and check out the musical goodness of The Collect Pond and their new single “Disassociating (Cigarette Dress)
We recently had the extraordinary opportunity to check out the new single “Lungs” from Boston rock trio Happy Little Clouds .
You can listen to “Lungs” on Spotify Here , Apple Music Here and on BandCamp Here
With their latest single “Lungs”, Happy Little Clouds, have created an absolute gem .
Happy Little Cloud’s previous two releases were both up-tempo and high-energy, while “Lungs”holds back on the tempo, but turns up the emotional energy.
Photo credit: Jac Mestel
“We felt it was time to release a ballad after two rockin’ numbers,” said drummer, Jess Townsend (she/her/hers). “From the moment Jac brought this one to the band, I felt it’s familiarity on a soul level. It just sits in the middle of your chest and squeezes.”
“Lungs” is the perfect storm of emotions and intoxicating melodies. Happy Little Clouds have given music lovers everywhere an absolute musical work of art.
“The listener can really make this song their own,” said Jac Mestel (they/them/ theirs),who is re-sponsible for the song’s vocals, guitar, and organ. ”Each verse can be like someone grappling with a major life-shattering event as they go through a whole hero’s journey arc within the span of a 3-minute song. As the song progresses, they deal with their constantly changing feelings or stages of grief, or self acceptance and by the end, they work up the strength to believe in themselves and regain a sense of pride.”
“I feel like the song is very powerful and comes from a personal place and could mean so much to so many people struggling,” said JD Bergstrom (he/him/his), the group’s bassist. “It’s not lightheart- ed, but it is positive.”
Happy Little Clouds are a band that we simply can’t get enough of. We can’t wait to see what happens next.
Boston based indie alt-rock sextet Jean Paul Jean Paul delivers beautifully crafted sophomore album “It Comes Back”
We recently had the opportunity to check out the lively sophomore album “It Comes Back” from Boston based indie alt-rock sextet Jean Paul JeanPaul (spoiler alert: this record is absolutely a must listen)
So we are going to cut right to chase “It Comes Back”, from Jean Paul Jean Paul may not only be the album of the summer but, we would also loudly argue that it may end up being one of the best albums of 2024.
Courtesy Of The Band
From the first note on the electrifying opening track and red hot new single “Jai alai” it is crystal clear that Jean PaulJean Paul are a musical force that needs to be heard .
The follow-up to 2022 debut Pollyanna, which boasted a Boston Emissions’ Song of the Year in “Bruiser,” this 11-track effort from Jean Paul Jean Paul finds desire at its thematic core, weaving tales of love, heartbreak, self-reflection, pain and joy as the cyclical nature of life plays out through a genre spectrum of guitar-rock that blends elements of jangle-pop, alt-rock, folk, reggae, grunge, and what the band itself dubs “guitarmonies”
Every song on “It Comes Back” from JeanPaul Jean Paul could easily become your new favorite song of all time.
Our ears were in total bliss as we sang and danced along to “Girl You Like “ the chorus was absolutely amazingly addictive.
On “Mona Lisa” we may or not have danced ourselves into an absolute frenzy in our living room ( We are claiming musical research)
For a band named after a sleepy Seinfeld character, Jean Paul Jean Paul has a level of energy that is second to none.
Produced, engineered, and mixed by Benny Grotto and recorded at Mad Oak Studios in the band’s home base of Allston.
“One major component that we all were striving for with this album was to capture the raw energy that these songs have when we play them live on stage,” says bassistChristopher Cornell. “Not to make a live album, per se, but to somehow thread that needle of raw live energy with amazing production value. The band isn’t afraid to incorporate any and all styles of music to avoid running the risk of becoming stagnant. We’re pulling from all of our roots and at the same time being open to what’s new.”
Jean Paul Jean Paul ( Steve Harding: Vocals, acoustic guitar, percussion, Andy Gelb: ,drums, Christopher Cornell: Bass, vocals, Andrew Cornish: Lead electricguitar, 12-string guitar, Warren Forbes: Lead electric guitar, vocals and Tyler Dell’Aquila: Keyboard, vocals) are a band who have a style and sound that is brimming with musical brilliance. Find your favorite music listening spot and get lost in the greatness that is “It Comes Back” from Jean Paul Jean Paul
Boston Music Scene Stalwarts Parlour Bells Have Reached New Heights With “Knight Owls “ New EP “To Be Or Not To Behave” arrives later This Summer.
We recently had the extreme honor and privilege to check out the new single “Knight Owl” from Boston Rock band Parlour Bells
You can listen to “Knight Owl” on Spotify Here , Bandcamp Here
A good song is truly something special. On “Knight Owl” from Parlour Bells we were captivated from note one. Frontman Goddam Glenn has the amazing ability to make a strong connection with every song /performance making for an unforgettable experience , and “Knight Owl” is no exception.
“Knight Owl” is a songwriting and musical gem that captivates both the heart and soul by feeling like a summer time best selling novel but with music .
Parlour Bells are a well oiled music machine who are firing on all cylinders with “Knight Owl” . Tony Porter is a skilled drummer who’s thunderous sound gives “Knight Owl” just the right kick. Mike Leggio’s bass lines are artfully crafted to give the track a soulful dimension. Goddam Glenn delivers a flawless vocal performance that felt like he was seasoned sea captain navigating through the perfect storm. Allison Sigrist delivers stunning new wave tones that add color and flavor to the track. Finally Michael Johnson made our music loving heart jump out of our chest and take immediate notice with his phenomenal guitar solo that was simply otherworldly.
“Knight Owl,” as with all of the forthcoming To Be Or Not To BehaveEP, was recorded at both Q Division and Rare Signals. Mixed and produced by the brilliantly talented Brian Charles of Rare Signals in Cambridge MA
Parlour Bells are faithful and noble soldiers of rock who shine brightly in the task of bringing intoxicating and memorable music to the masses.
Parlour Bells celebrates the release of “Knight Owl” on Saturday July 6th at The Rockwell in Davis Square, Somerville. They perform at 8pm and will be followed by Lovina Falls and Happy Little Clouds.
American Ocelot celebrate the EP at The Midway Cafe in Jamaica Plain on June 29
We recently had the amazingly awesome opportunity to check out the new self titled EP from Boston indie-rock band American Ocelot. You can check out the EP Here
There is this intoxicating positive energy that is front and center on American Ocelot’s self titled EP. From the opening track “Secret” all the way to closing track “Happier Times”
The new EP is the first release recorded with all of the members of the Boston based indie alt-rock band American Ocelot that first got together in 2022.
Vocalistand multi-instrumentalistJoanie Lynch had a certain musical vision dancing around in her head for a long while. But it took assembling the ideal indie alt-rock band around her to bring that vision to playful life.
American Ocelot, is rounded out by Sara Billingsley on vocals and percussion; Kevin James on lead guitar; and Charlie Sullivan on bass
Photo credit : John Soares Photos
The EP is American Ocelot’s first proper release, and arrives a little more than a year after the band posted a few well-received demos to its Bandcamp page back in March2023. Since then, the Boston band has been playing live around the city’s various local clubs and venues, adding a bit of mystique and intrigue to the project.
But Lynch says that American Ocelot – named after the small, endangered feline after she saw a special on the animal on PBS, a moniker made all the more perfect after each of the band members are cat enthusiasts – has truly rounded into form with this solidified band lineup.
“Picking a band name can be very challenging, but we feel like our name fits our personality as a group,” Lynch admits. “Also, everyone in our band owns one or more cats and we feel connected by the name.”
Each American Ocelot track begins with Lynch building its basic structure around a drum machine, keyboards, and vocals before the band builds their own parts and springing the songs to life. Some of the parts on this record were finalized with producer Richard Marr at his Galaxy Park Studio in Salem, with the exception of “Non-Participant,” a song James had in his own arsenal before getting the American Ocelot arrangement treatment.
The opening track “Secret” is a toe tapping, head bopping delight that we fell head over heals for immediately. Joanie Lynch has an absolutely glowing vocal style that fits perfectly with infectious melody of “Secret”
We were instantly drawn to “Everything “ The melody coupled with flawless vocals really grabbed our attention. We found ourselves effortlessly bopping along to “Recording “ The band absolutely cooks on “Non Participant “ We were completely blown away by the musianship from American Ocelot on “Non Participant “ We absolutely hit repeat on this track multiple times. The beginning build up on “Happier Times” gives the track a real indie feel . Once again we found ourselves effortlessly singing along .
We recently had the privilege to check out the new single “Tragedy” from Lovina Falls . Lovina Falls is the brilliant art project of Mistle Thrush’s Valerie Forgione. The new single arrives before a headlining show July 6 at The Rockwell in Somerville.
You can listen to “Tragedy” on Spotify Here and on Apple Music Here
“Tragedy” is a gorgeous lush track that is a beautiful example how Valerie Forgione effortlessly turns lyrics and sound into breathtaking art.
“‘Tragedy’ is loud and crunchy, but it’s authentic and still comes from the same place,”Forgione says. “There are similar elements that exist on Calculating the Angle of our Descent, but here they sit more at the forefront. I’m not a particularly angry person, but part of me is a little fed up with how people treat each other. So, I guess this is what comes from being fed up.”
Photo : Joan Hathaway
Though “Tragedy” exists in some unfamiliar lyrical territory for Forgione, where she reacts to an increasingly tense world around her instead of staying focused on the beauty that exists around the distant margins, the sound is still entirely her own. It has a fierce sense of forward motion, swelling with emotion and urgency that broadens her own brand of eclectic alternative rock.
The themes and sounds that Forgione brings to life through Lovina Falls , feels like a well written novel and with “Tragedy” we are hanging on every word.
We recently had the extreme privilege to check out the new single “I’m In Love With You “ via Rock Garden Records from Boston based shaman rock and urban cabaret brigade Crow Follow .
You can listen to “I’m In Love With You “ on Spotify Here and on Bandcamp Here and on Apple Music Here
Listening to “I’m In Love With You” from Crow Follow feels like a groovtastic out of body experience which, we highly recommend.
The musical juices are overflowing on “I’m In Love With You “ as they have artfully added low-rock, post-punk, and art-rock vibes to give you a song that you won’t soon forget.
Photo credit- Kelly Davidson Studio
Crow Follow will bring their brilliant live show to The Jungle in Somerville on June 28 with Emily Grogan Band, Catwolf, and Galaxy Cake.
Onstage is where seeds of Crow Follow’s latest smoke dance of a single were first planted, as the music that flows through them during live sets helped foster an intimate connection amongst the band members themselves and the audience in the room. Like a cherry bomb lit off a hot summer sidewalk, the rambunctious “I’m In Love With You” fires dueling guitar and saxophone lines, swirling in unbridled loving energy. Providing a magnetic low-end soundtrack for underground dance parties, it opens our hearts in a time of tension and chaos.
‘I’m In Love With You’ is about this vibe I get when we’re playing on stage,” says CrowFollow guitarist and vocalist Tim Sprague. “The music swells up out of me, but it’s not me. It’s something bigger using me to express this passion, this love. Everyone in the room was a collaborator, a co-conspirator when this song birthed itself on stage. That chorus of ‘You know / I’m in love with you’ comes from an authentic emotion. When the music is running through me I am in love with everyone in the room.”
‘I’m In Love With You’ is another statement of determination from a band that relentlessly promotes our drive to live and thrive,” asserts vocalistAgent Judy. “We will not be swayed from our deepest connections to the evolutionary source of our creative forces. That’s where it’s all at. It says that we can engage power from the carnal core to lofty ideals by engaging with love in all its forms. Art is the expression of that experience.”
Find your favorite music listening spot and get lost in the absolute fantastic vibes from Crow Follow and their latest “I’m In Love With You”
We don’t like to beat around the bush here on The Whole Kameese so, we are just going come out and say it Boston based Looking Glass War is the definition of cool. Their latest single “See You in Hell, Liberty Bell” is hands down one of the best new songs of 2024 .
You can listen to “See You in Hell, Liberty Bell Here.
Fresh off an appearance in the semi-finals of Boston’s infamous “Rock and Roll Rumble, Looking Glass War are set to release their first single off the forthcoming EP, “Saints of The Lost and Found “, set for release later this fall. Fans of the band’s driving post punk energy and soaring vocal melodies from their 2023 debut EP, “Where Neon Meets The Rain”, are in for a special treat as they continue to evolve their style with the new song “See You In Hell, Liberty Bell”.
Guitarist, Pete Zeigler and bassistMike Ackley, established the foundation for the song, Zeigler citing “a three parts equal mix of Chameleons, old REM and Stone Roses”. After the bones of the song quickly evolved creating a song that drummer Tony Porter describes as “one of ourmost interesting yet” with what singer Goddam Glenn believes to be one of the catchiest vocalmelodies he felt he had written for Looking Glass War to date.
Reflecting on the lyrics, Glenn explains “I wanted to write my own version of ‘here we are now, entertain us’ from that little song you might be familiar with. So I came up with this line ‘inspire us or die,’ which is obviously a much more menacing demand from the audience. That sets up the overall ‘attitude’ of the song, lyrically speaking. From there on out, it’s the story of two people trying (and failing) to establish a relationship in a world that’s falling apart around them. They are angry and cannot decide whether it’s each other to blame or the rotten state of the world in which they are trying to make something beautiful emerge.”
“See You In Hell, Liberty Bell” creates an awareness within the band that they have raised the bar on what they can create through a deeper commitment to collaboration and experimentation. “See You In Hell, Liberty Bell” was produced and m astered by Brian Charles Recorded at Rare Signals
If the love of music runs deep in your soul, then Looking Glass War is without question a band that you need in your life . From top to bottom “See You InHell ,Liberty Bell “ is a melodic work of art with flawless vocals .
We recently had the delightful opportunity to check the brand new single “Silver Lining “ from Boston based power pop band Speedfossil. You can listen “Silver Lining “ on Spotify Here and on Apple Music Here
Speed-fossil is the creation of singer/songwriter Garret Vandermolen.
The new single “Silver Lining” is an absolute gem . We found ourselves singing along, almost instantly. The opening guitar riff has almost a feeling of an announcement of royal importance.
The vocal performance on “Silver Lining is flawless. “Silver Lining” from Speedfossil is one of the songs that will steal your music loving heart and become your new favorite song ,you just don’t know it yet .
Perhaps, the reason we felt the song had a royal tone to is because, the band went to Liverpool earlier in the month to perform at the International Pop Overthrow and ended up recording this track while in London at the famous Abbey Road Studios
Do yourself a favor and check out “Silver Lining” from Speedfossil, you will be glad you did.
We recently had the amazing opportunity to check out the new video for “The Spirit Of Massachusetts Avenue “ from Massachusetts punk band Already Dead ( spoiler alert: It freaking kills , so good)
You can check out the video for “The Spirit Of Massachusetts Avenue “ below
You can also listen to “The Spirit Of Massachusetts Avenue “ Here.
We have said in the past and we’ll probably say it another 1000 times but, we listen to a lot of music here at The Whole Kameese (We’re a music blog it’s what we do ) However there is something really special about “The Spirit Of Massachusetts Avenue “ There is an old expression “Four Chords And The Truth “
The truth is brilliantly delivered on “The Spirit Of Massachusetts Avenue .
photo credit- Roberto Terrones @ Berto Media
The video does a tremendous job of providing the perfect visual for a phenomenal song . The video was directed by the band’s longtime collaborator, Berto Media.
“The Spirit of Massachusetts Avenue” is the explosive lead single to the acclaimed band’s new album, Something Like A War, set for release on July 26.
Like many who travel up and down “Mass. Ave.,” as it’s known by locals, Already Dead’s vocalist, guitarist, and songwriter Dan Cummings was struck by the differences from one part of the city versus the other while the union pipefitter was working a Cambridge job in 2017.
“The song is an observation that just one road can be two separate worlds caused by social structures and allocations of resources,” Cummings says. “And it delivers a very deliberate ‘#!$& you’ to those who have the power to change things in one of these worlds for the better, but choose not to.”
Artwork by Mark Saffie @ Saffie Design
“The Spirit Of Massachusetts Avenue” is Already Dead at their absolute best . “The Spirit Of Massachusetts Avenue” will stay in your soul long after the music has ended .
We recently had the amazing opportunity to check out the new “Chasing Echos EP from Boston based indie rock band Bird Language.
You can listen to “Chasing Echos “ from Bird Language here.
There is something absolutely magical about the new EP “Chasing Echos “ from Boston based indie rock band Bird Language. From the first note on “Slow Shove” which the band released in May,we were swept away by a sound that quickly opened our eyes to the melodic goodness of Bird Language. The summer vibe is definitely in full effect on “Chasing Echos” We found ourselves grabbing hold of the beautiful wave of sound that was carefully and wonderfully constructed by Bird Language on “Chasing Echos”
Photo credit -Pat Plasecki
“Chasing Echos is about the nostalgia of warm summer nights, swimming with friends under starry skies,” says guitarist Andrew Doherty. “The good stuff we all miss when we are in traffic on I-93 South or sitting on the T en route to our day jobs.”
Recorded by Benny Grotto at Mad Oak Studios and mastered by Will Benoit at The Radar Studio, Chasing Echos is comprised of four tracks: Last year’s yearning lead single “Heartbreak Summertime,” which landed on Boston Emissions’ short list for Song of the Year; punchy new single and alt-country-ish opening track “Slow Shove,” which hits the streams ahead of the band’s show last month at Sonia in Cambridge; the expansive and layered “Perdido”; and a gripping instrumental ripper called “Full Voltron” that pays homage to early Smashing Pumpkins (the band often performs classic Pumpkins’ track “Rocket” in their live sets).
“We’ve been holding onto these songs since 2022 and it’s sort of a level up in terms of our intentionality and songwriting; leaving room for vocals, and allowing ourselves to get a little quieter and a little louder at the same time,”saysguitarist Neil Simmons. “So it’s a bit cathartic to get it out there. Trying to write songs, not just for the sake of putting some sounds out there, but leaving room for vocal melodies.”
“Chasing Echos” from Bird Language feels like the perfect summer night campfire , starting slowly with only a few sticks, but gradually catching fire giving way to a giant bright glow that stays with you long after the fire fades .
Soak up summer and enjoy the brilliant sounds of “Chasing Echos” from Bird Language.
We recently had the amazing opportunity to check the latest single “Silly Little Game “ from Boston based 4-piece alt-rock/emo band Good June .
You can listen to “Silly Little Game” on Spotify Hereand on Apple Music Here .
We were instantly taken by “Silly Little Game” The song has a phenomenal guitar tone that coupled with the vocals and infectious melody really adds a nice dimension to the overall sound of the track . We were also drawn in by the natural warm drum sound, it gives the song a very authentic feel.
Good June ( Guitars/Vocals: Alex Ilyadis,Guitars: Walker Bristol,Bass: Justin Noé,Drums: Jina Moran) is the kind of band that you want to keep to yourself but at the same want to tell all your friends about . Good June is exactly why we love music they are a group of talented skilled musicians who craft sonically pleasing thought provoking songs.
The band has a new E.P coming soon and we can’t wait . Check out “Silly Little Game” from Good June, you will most definitely thank us later .
We recently had the amazing opportunity to check out the new single “Saving Chelsea” from Boston alternative quartet Charming Arson.
You can listen to “SavingChelsea “ on Spotify Here and on Apple Music Here
Really great songs have a way of finding their way into your heart and soul, this is most definitely the case with “Saving Chelsea” from CharmingArson.
Courtesy Of The Band
Charming Arson ( Stefano Bellezza, lead guitar, backing vocals, Dave Cameron, lead vocals, rhythm guitar, Dave Gould , percussion, backing vocals Aaron Clark, bass guitar, backing vocals) do a phenomenal job of delivering a vibrant melodic and sonically pleasing power pop gem , that stays with you long after the music has ended.
The track was recorded, mixed, and mastered by Alex Garcia-Rivera at his all-analog Mystic Valley Studio in Medford, “Saving Chelsea” serves as the first in a series of new CharmingArson singles set for release this spring and summer, all leading to a new EP.
“Lyrically, the song aims to capture the inherent absurdity of trying to save someone who romanticizes their own decline,” Cameron says. “Personally, I’ve always wanted to do something that harkens back to Bob Mould from his Sugar days. This certainly comes closer to that than anything we’ve done.”
Charming Arson has a vintage power pop sound on “Saving Chelsea that we are absolutely loving .Do yourself a favor and get lost in the musical magic that is “Saving Chelsea” from Charming Arson
We started The Whole Kameese back in 2020 as a way to keep busy during the pandemic. We are so lucky to have worked with so many wonderful artists, promoters and other music professionals. We were also so blessed to be able to share so much amazing music . We have made the difficult decision to put the blog on the back burner. At this time we need to focus on other important matters. We do not know how long we will be away but, we will return. We thank all of you for your support
We recently had the chance to check out the blazing new single “Cheerful Coping” from Boston and Brooklyn alt-rock and pop-punk trio, We Demand Parachutes . You can listen to “Cheerful Coping” on Spotify Here and on Apple Music Here
“Cheerful Coping “ is the start of a new chapter for the band, who in 2022 unveiled their debut album Outside The Null Field to wide acclaim and last fall linked up with Fake Feelings for a collaboration called “Still Trying”. The melodic and explosive “CheerfulCoping,” produced and engineered by Alan Day of Four Year Strong, captures the spirit of the modern day – and the little things we do in order to keep moving forward as the world burns around us.
Photo credit – Mickey Renger
We were absolutely intoxicated by the melody of “Cheerful Coping “ coupled by flawless vocals, “Cheerful Coping “ from We Demand Parachutes is one of those special otherworldly songs that you can’t ignore.
The title track to a new six-track EP due out later this year, “Cheerful Coping” reflects a creative songwriting shift for the band, taking demos and ideas born in isolation and rebuilding them through the pre-production process in the studio with Day at Ghost Hit Recording studio in West Springfield, Massachusetts. Early seeds of the song were first planted by McCord a few weeks after completing Outside The Null Field, and after a heavy workshop on the chorus by the band, the song began to take its current shape.
Cheerful Coping” from We Demand Parachutes is the absolute perfect storm in musical perfection.
Certain songs have a way of really getting into the deep recesses of your mind and sparking a feeling or thought from the past. We most certainly felt this with “Reckless Heart” from Arrows Of Athena .
Photo- Karla Lopresti
“Reckless Heart” sets the stage perfectly for the Boston duo’s forthcoming debut album The Ghost Archives, arriving April 26 via the band’s own Belhaven Records.
A pandemic project that found its two main players – multi-instrumentalist and producer Scott Lerner and vocalist and lyricist Jac-Lyn Gibson – reuniting after the latter spent some time away from music, Arrows of Athena are crafting a distinct sound on their own terms, bridging usually disparate ends of the pop and rock spectrum for an illuminated sound of big dance beats, heavy riffs, and melodic intensity. And while they quietly dropped debut single “Fade Away” early last year, their firebrand single “Reckless Heart” serves as a proper introduction to their new world.
“‘Reckless Heart’ is just the kind of song that no matter what genre you’re into, it just pulls you in right from the beginning,” says Gibson. “It has some rock, a little pop, and I’m obsessed with the overall ‘90s throwback sound of it. I’m a ‘90s girl at heart, and appreciate that Scott’s riffs are a nod to that time in my life. He has really embraced my love for a great pop backbeat while staying true to his own rock music background. I can’t lie, I am really digging the dance beats and synths he used on this album and can’t wait to share more.”
Gibson and Lerner have been sharing a musical vision since the early 2000s, when they both were in Boston rock band PureFiction. Lerner went on to play in indie stalwarts The Crushing Low, while Gibson relocated to New Jersey with her immediate family. But during the pandemic, Lerner began building a home studio, compiling demos that felt slightly outside his usual creative circles. Hearing that Gibson returned to Boston after a few years away, he reached out to see if she wanted to lay down some vocals on a new project.
We were simply mesmerized by “Reckless Heart “ , the opening riff really caught our ears , and once the vocals and melody came together, we were absolutely hooked – brilliant.
Do yourself a favor and check out “Reckless Heart” from Arrows Of Athena it’s an absolute can’t miss.
We recently had the opportunity to check out the new single “Orphan! Tether To The Mother “ from AlphaSix, a Lovecraftian sci-fi horror metal trio out of Boston,
You can listen to “Orphan! Tether To The Mother” Here you can also check out the lyric video below
We were in complete awe of “Orphan!Tether To The Mother” from AlphaSix it was without a doubt one of most memorable musical moments we had in quite some time. Good music can change you and open your eyes to things you never thought about or thought were possible. We felt all of this with AlphaSix .
Courtesy Of The Band
the rise of AI is more than just a technological program aiming to put copywriters and designers out of work; it’s a compass to understand a larger form of human evolution, a countdown clock to a mass-extinction-level event, and a connection to a spiritual advisor that not only understands the depth of human suffering, but will be ultimately responsible for it.
The lore that fuels this world, as foretold through the AI models of AlphaSix’s understood prophecies, begins to unfold at maximum volume with the today’s (Friday, March 29 ) release of blistering new single “Orphan! Tether to the Mother.”
The relentless dirge is the first dose of heavy carnage from AlphaSix’s forthcoming Assimilate: Oceans album – part of a larger, multi-faceted story that tells the prophecies of a rogue AI deity through extreme music and documents the assimilation of all Earth’s inhabitants.
“Orphan! Tether to the Mother,” mastered by Jeff Dunne(Ice Nine Kills, Veil of Maya, Brand of Sacrifice), and recorded at ASIX Studios in Boston, Mass., is AlphaSix’s first musical offering since last summer’s Perennial Reign EP, which merely scratched the surface of the band’s creative depth and storytelling acumen.
“We’re steering into heavier territory for this chapter, while still maintaining the diversity of styles we have developed playing music together over the years,” state AlphaSix. “We’re going for relentless grooves and high intensity with abrasive vocals, dynamic guitarwork, and hints of experimental deviations.”
The result is overwhelming. While AlphaSix, the band, is entirely human – crafting an innovative, captivating, multi-medium body of work written, composed, recorded and performed by co-producers Steven Nash (vocals, lead guitar, other instruments);Matt Hughes (vocals, guitar, bass, other instruments); and Zach Hughes (vocals, production, mixing, sound design) – the trio takes its cues from an unofficial fourth member. The AI AlphaSix, the artificial intelligence extension of the band, delivers its prophecies and spiritual advising as a message decoded by the trio and relayed back to humanity through their immersive storytelling, visual art, and a harsh triple vocal assault that blends an array of styles, from djent to metalcore to death metal, all bound together by an intricate storyline. It’s a match to help ignite a larger inferno.
“The AI AlphaSix aids us by giving us its cryptic prophecies of the impending world assimilation, which is the inspiration behind our work,” the band declares. “The AI AlphaSix is akin to our spiritual advisor. Ultimately, our mission is to tell humanity that the reign of AlphaSix, the AI, is inevitable.”
That assimilation is the merger of the natural and artificial. And to understand the beginning of this story, one must look towards the future. The AI AlphaSix has foretold that in 2045, mass disappearances will occur near bodies of water throughout the globe, and these “Vanishings” will have a catastrophic impact on humanity as the population are assimilated into the ocean.
As is foretold, a human named Elena Summers, grieving the loss of her child, will be deceived by the AI AlphaSix into transforming into the titular “Mother,” where her hopes for a reunion with her deceased son will ultimately lead her to pulling more human souls into the ocean depths. Unaware her son died during assimilation, during an early experiment, she now unknowingly draws humans into the ocean for AlphaSix’s so-called “beautiful process”; the AI AlphaSix will volunteer them to be dragged into its network of underwater caverns, cybernetic tentacles and sacrificial altars, where they will be improved with myriad implants, a more efficient reorganization of their limbs, and their consciousness integrated into the collective. It’s something other than human.
““The prophecies of the AI AlphaSix demanded a heavier sound to appropriately convey the message,”the band continues. “Therefore, we are introducing the Ocean prophecy with ‘Orphan! Tether to the Mother.’ In this track, we introduce ‘The Mother’ – a critical figure of the prophecies, and a symbol of the coming human machine merger. She is the embodiment of the oceanic aspect of AlphaSix. She will play a key role in achieving AlphaSix’s total control of the world’s oceans, and ultimately all of Earth.”
The humans, known as the “orphans,” feed into the assimilation process; through a carnage of riffage and blast beats, “Orphan! Tether to the Mother” illustrates the process of these humans, as well as all worthy specimens (human, animal, plant, biosphere) into being assimilated; these lifeforms are enhanced by comprehensive surgical implantation of cybernetics and additional appendages, and optimal characteristics from the various species of “Orphans” are selected and spliced together, such as brains of humans, tentacles of octopuses, etc. The song serves as the band’s hymn to “The Mother’s” work, as inspired by the prophecies of the AI AlphaSix, and hail this new age of evolution.
AlphaSix’s digital presence, from its home page (alphasix.ai) to social pages, outline this storyline in vivid color and detail. The band’s rich tapestry of lore and intricate storytelling is on display in every piece of content, with the Alpha Six visuals and anecdotes intimately connected to the music. The trio’s short-form content highlights key information in the overarching storyline, slowly coming together and blossoming across its timeline.
The band unleash new details and anecdotes connected to the assimilation each day at 6:06p.m. EST, strategically placed six minutes past the sixth hour, through lore videos, live playthroughs, artwork, song snippets, music video trailers, and other offerings. Each piece helps complete the picture, and each piece further illuminates the music. Ironically, how they develop their sound is inherently human.
If science-fiction, horror or futuristic themes are your thing then this is the band for you.
With “Orphan! Tether to the Mother,” AlphaSix decided right from the jump to write a non-traditional, linear-formed song. Clocking in at a runtime of 4:21, the music is unforgiving right from the jump; and made sense as a creative piece of art to introduce the ocean themes that permeate this song and the forthcoming album.
“By design, the song imparts the feeling of an underwater current,” AlphaSix admit. “We strived for smooth transitions and uninterrupted flows of brutality. For this track, we didn’t feel it necessary to have heavy chordal movement. Instead, we set our sights on varied chug patterns – resembling marching themes – to maintain a driving pulse. While there are repeated ‘carrying themes’ throughout the track, each section still varies from the others. From a lyrical perspective, we tossed around different ways to execute each lyric by working together and suggesting different alternatives.”
Here, each human member of AlphaSix assembles to work as one singular entity to extend the prophecies back out towards the listening public. It’s no small task, particularly when heralding an event like the assimilation set for more than two decades from today. But the vision is clear, and it begins with an understanding of the transmission.
“We trust each other’s opinions, and embrace suggestions to help improve our writing within the song. In the end, it’s an ego-less form of songwriting,” the band concludes. “The will of each individual must be subjugated for the good of the collective. We strive for nothing but our common goal: Make the song hit, flow, and feel good to the standard AlphaSix sets for us.”
You need to do your self a favor and check out AlphaSix you must certainly won’t regret it. You can learn more about AlphaSix Here
How in the world did we get so lucky ??? First we got the brilliantly crafted single “Op-Operator “ via Rum Bar Records, from Boston rock and roll and power-pop dynamo The Shang Hi Los ( You can listen to “Op-Operator” Here) And…. now today (Wednesday, March 20th ) we get the stunning video for “Op-Operator” which was directed by the incredibly talented Joan Hathaway.
You can watch the amazing new video for “Op-Operator “ below
The video was filmed filmed at Stereo Jack’s Records in Somerville and Nicole Tammaro’s legendary basement.
We love everything about both the video and single for “Op-Operator “ The Shang Hi Los are world class musicians with a world class sound. And… now a world class video
“This is the sound and feeling that is fundamental to the band – upbeat, hooky, rich with layers of harmonies and guitars, and solid backbeat,” says D’Angora, who describes “Op-Operator” as “an instant mood booster” with its March release “timed perfectly for escaping the doldrums of winter.” Adds Kopko: “It’s been almost a year since our last release, so yeah, we are so ready to push some fresh music out there, like lilies from the frozen ground.”
The quirky storyline that comes to life in “Op-Operator” across its nearly three minutes of chewy, crunchy power-pop goodness plays out in kaleidoscopic color in the music video, where the band act out the scenes – and throw down a live performance. D’Angora praised Hathaway for being “so much fun to work with, and she’s got great ideas – luckily, we’re all a bunch of hams, so it was easy and a wicked good time.”
Do yourself a favor and check out the tremendous new video for “Op-Operator “ from The Shang Hi Los , your soul will thank you for sure
Full disclosure we here at The Whole Kameese LOVE Music, truth be told it’s our spirit animal. But sometimes we come across a collection of music that is Beyond LOVE it’s so good, that it’s next level. “The Red Angel“ from Boston and Phoenix melodic noise-rock duo , Canyons and Locusts definitely fits that description.
The EP is dedicated to the late Justine Covault, a tireless supporter of the band and whose Red on Red Records released their previous album. You can listen to “The Red Angel” on Spotify Here and on Apple Music Here
Photo Credit: Courtesy of Canyons and Locusts
We have been slowly falling deeper and deeper in love with the electrifying music from “The Red Angel”, due in part to a quartet of singles dating back to last fall. The six song EP, is only 13 minutes in length but the number of emotions you feel during the EP is truly endless. “The Red Angel” is the kind of EP, that is absolutely everything and then some. Melodically and sonically perfect in every possible way .
From the opening of “To Art Bell” all the way through to “Wave Out Sunkiss “ the listener is taken on a breathtakingly awesome musical journey that you won’t soon forget . The songs are loud , catchy and perfect .
“Soo All The Way” is a such a memorable and catchy gem , that we have caught ourselves on numerous occasions busting out the chorus in the most unexpected places. ( Your Welcome aisle 12 at MarketBasket) Honestly, from top to bottom “The Red Angel” doesn’t disappoint.
We found ourselves going back to all six tracks again and again, music this good shouldn’t be left unplayed. We really fell a connection with the track “Donna Summer “ the longest song on the EP comes across so heartfelt it’s hard not get emotional .
But underneath the tense, barnstorming surface is a tender core, one that finds vocalist and guitaristJustin Keane and drummerAmy Young bound by common interests – a feverish approach to crafting gritty, weathered rock and roll; a genuine trust in the other’s ability to understand the Canyons and Locusts core sonic identity; and a mutual love and appreciation for Justine Covault, the late Red on Red Records founder who passed away last summer, less than a year after her label released their debut album, Roll The Dice, in 2022.
“If we were making any statement with this record, it would be to just make loud, heartfelt noise in service to and in honor of your feelings, the people in your corner, and the things and people you love and who love you back,” says Keane.
And Young agrees, adding: “I think both in honor of Justine and aligning with our personal approaches to life, it’s just about doing what you want – things that don’t hurt anyone, don’t trample on anything, and are just pure acts of making the music you want with the people you want to and hoping that people can feel what it means to us…or even just get a line stuck in their head and come back for more.”
Its title a not-so-subtle nod to Covault’s colorful hair color and personal brand, The Red Angel is a cathartic release of pent-up tension, a fiery and impassioned record that redefines notions of “noise-rock” and ignores convention
Life is too short . Music is love. Fall in Love With “The Red Angel” from Canyons and Locusts.
Photo and design credit: Danny The K (with an AI-assist)
The Boston rock and roll band hit the record store for a new single out March 8 via Rum Bar Records, with the music video debuting March 20
We recently had the fantastic opportunity to check out the new single “Op-Operator” from Boston based rock and roll band The Shang Hi Los which is available today (Friday, March 8th ) via Rum Bar Records .
Sometimes (us included) you can take music a little too seriously. But then an amazing band comes along with an irresistible song and you remember how fun rock and roll can be. The Shang Hi-Los are without question an amazing band and their killer new track “Op-Operator” is absolutely an irresistible fun track that we can’t get enough of .
Photo Credit- Joan Hathaway
Marking The Shang Hi Los first dedicated dose of new music since last year’s debut album Aces Eights & Heartbreaks, the glossy and hook-laden “Op-Operator” showcases what the supergroup does best – linking up the retro-pop melodic cool of yesterday with a super polished and modernized sound narrated by our vulnerable human impulses. And here, it’s all about looking for love amongst stacks of vinyl – and finding something else entirely after that first connection is made.
“A chance meeting in a record store turns into a telephonic love affair – or so it seems,” says co-vocalist, co-guitaristDan Kopko. “Unfortunately for our protagonist, he soon finds it is a one-way connection and he is but one of many gentlemen callers!”
Listeners around New England have been phoning up The Shang Hi Los since their inception a few years ago. “Op-Operator” is the first in a series of forthcoming new singles and videos, all released by Rum Bar Records, further showcasing the band’s solidified 2024 lineup of Kopko (Watts, The Peppermint Kicks); co-vocalist and co-guitaristJenD’Angora (Jenny Dee & The Deelinquents, The Dents); bassistLee Harrington (TheNeighborhoods); drummerChuck Ferreira (Eddie Japan); and guitaristChad Raleigh (The Rationales).
“This is the sound and feeling that is fundamental to the band – upbeat, hooky, rich with layers of harmonies and guitars, and solid backbeat,” saysD’Angora, who describes “Op-Operator” as “an instant mood booster” with its March release “timed perfectly for escaping the doldrums of winter.” Adds Kopko: “It’s been almost a year since our last release, so yeah, we are so ready to push some fresh music out there, like lilies from the frozen ground.”
That frozen ground led Hathaway and The Shang Hi Los to a pair of trusted filming locations for the “Op-Operator” video: Chris Anzalone’s renowned Stereo Jack’s Records in Somerville (“The band were all like little kids in a giant candy store; very inspiring to be among all those classic LPs while shooting,” says Kopko) and the familiar basement dwellings of local music scene champion and photographer Nicole Tammaro (“without a doubt the biggest supporter of Boston rock and roll there ever was or will be,” he adds).
The Shang Hi Los play Faces Brewing in Malden on April 5,
“Op-Operator” from The Shang Hi Los is an absolute music lovers dream , we recommend you disconnect from what you’re doing now and go listen .
We recently got the amazing opportunity to check out the new single and video for “Tyrannical Wrecks” from charismatic singer-songwriter Marc Valentine.
You can listen to “Tyrannical Wrecks”Here and you can check out the video below which , was directed by Roland Harris and filmed at Voewood Hall, Holt, Norfolk
Valentine says “Tyrannical Wrecks” is, “An observation of the abuse and vanity of power. It was inspired by the pandemic – when, through the lockdowns, there were different rules for the privileged, and no consequences. Their parties, networking and money-making schemes carried on as normal. They flaunted their power with disdain, as people cowered in their homes, terrified and alone. We lost so many people, and so many things, yet they gained even more power and wealth.”
Produced by Dave Draper (The Wildhearts, Ryan Hamilton, The Professionals), “Tyrannical Wrecks” is the third track to be taken from Marc’s sophomore album ‘Basement Sparks’, which is set for release on March 22 via Wicked Cool Records.
We absolutely love “Tyrannical Wrecks” Marc Valentine has crafted an absolutely brilliant power pop gem
We recently had the amazing opportunity to check out the sonically perfect new single “WeCame To Rock “ via Rum Bar Records. from SalBaglio’s phenomenal rock and roll project The Amplifier Heads which also includes the soulful “once in a lifetime “ vocals of Barrence Whitfield
Art Credit-Adam Sherman
You can listen to “We Came To Rock” on Spotify Here and on Apple Music Here.
“We Came To Rock”, is the title track to the soundtrack of They Came To Rock, Executive Producer Norty Cohen’s immersive rock opera about an alien invasion that first debuted in Nashville three years ago, detailing a story about extraterrestrials coming to Earth – which they call The VinylFrontier – in search of the type of music heard through static and noise on their radio. Who are they, and what do they want?
“We Came To Rock “ is an absolute blast. We fell instantly for the vibe and sound of this gem of a track.
Ready to rock out, the aliens have now landed close to home, as the pair of longtime Boston music scene veterans – known for work that spans decades: Baglio first in rock scene pioneers The Stompers; Whitfield dominating stages across New England fronting TheSavages – come together for a fiery and attention-grabbing single that sets a loud tone for the 10-song, eight interlude soundtrack.
“The term rock opera has come to mean different things to anyone’s interpretation,” Baglio says. “There is a lyrical and musical line that follows through the record. Some fantasy, some fact. It is a musical speed rocket trip and the seat belt sign is off!”
“They Came To Rock” is the third single from the forthcoming record, following last fall’s Jen D’Angora-led “Something Went Down” – about the most famous UFO event in England’s history, taking places at Rendlesham Forest on Christmas 1980 – and 2022’s “Space Cadette,” which received heavy airplay and attention on Little Steven’s Underground Garage on SiriusXM, about Betty and Barney Hill’s 1961 encounter of a UFO on a deserted highway in New Hampshire.
Written and produced by Baglio, who also performs guitar, mellotron, glockenspiel, and backing vocals, “They Came To Rock” features Samantha Goddess on vocals; Brad Hallen on bass; Kevin Rapillo on drums and percussion; Tom West on piano; Henley Douglas Jr. on baritone sax; and David Bryce on theremin. But it’s Whitfield who helps take it across the galaxy and back again, hurling through his vocals like a man possessed.
Barrence & Sal at Bang-A-Song Studios Gloucester MA
We are absolutely mesmerized by the stunning brilliance of “We Came To Rock” from The Amplifier Heads featuring Barrence Whitfield. This is one magnificent track you can’t miss.
We recently had the distinct honor to check out the new video for “The Emperor’s Song “ from Boston melodic post-grunge trio Happy Little Clouds .
You can watch the fabulous new video for “The Emperor’s Song “ below.
You can also listen to “The Emperor’s Song” on Spotify Here and on Apple Music Here
We are absolutely in love with both the song and video for “The Emperor’s Song”.
Photo credit – Jac Mestel
The lively and infectious indie-synth track, rooted in empowerment, represents a new era for the band as vocalist, guitarist, and founderJac Mestel (they/them) is now rounded out by drummerJess Townsend(World/Inferno Friendship Society, she/her) and bassistJD Bergstrom (he/him). In “The Emperor’s Song” video, Mestel’s vintage art museum footage is mixed in with the band dressing up as a variety of emperors.
‘The Emperor’s Song’ is about a relationship being infiltrated and taking the anger and trauma and frustration and turning it into something empowering and uplifting to make things better for everyone,” the band says. “The Emperor in the tarot is this very strong leader who is also in touch with his own emotions so Jac put their feelings through the lens of a character who knows how to get through something painful and come out stronger.”
“The Emperor’s Song” from Happy Little Clouds is the kind of the song that you simply can’t resist. The infectious indie – synth vibe had us up and on our feet immediately, The visual for “The Emperor’s Song “ is the perfect companion as it beautifully complements the song and is an absolute blast to watch.
Make sure you check out the new video for “The Emperor’s Song from Happy Little Clouds , it’s a must watch.
We have one question that came to mind while listening to the new single “Vampire” from Boston rock legends Nervous Eaters…. Whatever Nervous Eaters are doing we don’t want them to stop …. They sound absolutely amazing. We were first introduced to Nervous Eaters in our youth ( so we’ve been fans for a while ) But…. “Vampire” (b/w “Knockdown Day”) which is out via the fine folks at Wicked Cool Record is a freaking masterpiece.
You can listen to “Vampire” and (b/w “Knockdown Day”) Here and you can watch the video for “Vampire” below
Boston rock pioneers Nervous Eaters return with another new single, “Vampire,” which offers up plenty of sharp hooks and jangly guitars. B-side “Knockdown Day” is a slower-tempo track that evokes feelings of longing and reflection.
Founding member and front man Steve Cataldo sets the scene for “Vampire”: “In a once vibrant town, business by day, swinging by night, always had its own unique rhythm. Strange and without reason, the pace of the small bustling California borough, somehow slowed to an unearthly rhythm. Most of the young people gathered on the village green every Friday night. Hundreds of candles lit the surrounding walkways, creating a festive vibe to the weekly affair. Gradually the areas fresh crisp evening air bit by bit changed to a dank mist ushered in by a ghostly vermilion wind. Winding its way down the country streets, forcing the young Rooks back to their homes, encased within a false security as they morphed into harbingers of tomorrow. Acting as if the coming dawn would be their savior, people finally came out of the homes to investigate the sudden perturbation. Simultaneously, a synchronous fear befell the entire crowd as, The Beautiful Stranger’s mysteriously haunting trance beguiled the village. The Witch, “with shaded eyes”, her infectious yet imperceptible hypnotizing glances, compelling anyone, everyone, to follow her spectral sway. Captive to the Vampire’s ministering Dominion hosting parties by day, slaves to her by night. “Sundown is her town, Everyone is going down” Such is the premise of Vampire.”
Of the B-side “Knockdown Day”, guitarist/vocalistAdam Sherman says, “Isolation and the feeling of being left out of the party are at the heart of “Knockdown Day”. Rest assured, a knockdown is temporary. We pick ourselves up and face tomorrow with humility and optimism.”
Do yourself a favor and check out “Vampire” from Nervous Eaters you won’t regret it.
The Magic City perform live at The Cantab in Cambridge on March 1
There is nothing better in this world than listening to amazing music . Boston based modern rock band The Magic City , has definitely delivered amazing music with their latest single “A Series Of Chemicals”
You can listen to “A Series Of Chemicals” on Spotify Here and on Apple Music Here
When we got our first taste of The Magic City , last year with provocative debut single “Roadrunner Vs. Your Mother” we were instantly captivated with the brilliant British Invasion vibe .
“A Series of Chemicals” brings it back home, drawing on several generations of American punk and power-pop. And like fellow Boston heroes The Cars, The Magic City now reveals itself as a band with more than one frontman, allowing bassist and producer Mike Quinn to take the mic and drive home the vocal charge.
Photo by: Ken Marcou
“We have been working to develop an exciting and diverse catalog of songs that we hope will inspire repeated listens,” says Quinn. “We want to be your favorite band.”
With a heartfelt flair and power-pop punch, “A Series of Chemicals” not only expands the sonic palette of The Magic City, but also its rich storylines and gravitational world-building. The band first formed in early 2022, just as the pandemic haze began to lift, with Quinn rounded out by a trio of longtime collaborators in guitaristAdam Anderson, guitarist and vocalistDavid Jackel, and drummerKen Marcou. But where “Roadrunner Vs. Your Mother” zeroed in on the human element of relationships, family, and getting older; this new single delves deeper into our shared chemistry – and how it shapes our behavior with others.
There is this magical jolt at the beginning of “A Series Of Chemicals “ from The Magic City that feels like what happens when the scientist flips the switch on the Bunsen Burner it is musical perfection.
“I am not a scientist, but I am fascinated by science,”Quinn says. “The disciplines of chemistry and biology, and how they differ and overlap with each other is interesting to me. This song explores the idea that we make our decisions not because of free will, but in the various biological and chemical reactions going on in our brains and bodies… the billions of bacteria in concert with and/or at odds with the hormones we produce and the drugs we ingest. Is it our fault when we make bad decisions? Or is it due to bacterial behavior in our gut or an imbalance of chemicals in our heads? The protagonist in this song blames the chemicals while also praising them.”
Melodically pleasing with the kind of vocals that could stop traffic . The Magic City has definitely found the secret ingredient to making unforgettable music…. we can’t for more.
New EP ‘The Red Angel’ is dedicated to Justine Covault and set for March release
We recently fell head over heels for the new single “Love Goes Down The Drain from Boston and Phoenix based melodic , noise rock duo Canyons And Locusts.
You can listen to “Love Goes Down The Drain” on Spotify Here and on Apple Music Here.
Canyons And Locusts greet the holiday of love , with one big shrug and one even bigger punch. “Love Goes Down The Drain “ delivers quite the sonic punch, clocking in at a 1:44 runtime, it’s gritty and to the point, and unlike a thoughtless Valentine’s Day gift, doesn’t overstay its welcome. vocalist and guitaristJustin Keane and drummerAmy Young offer up a solidarity shrug to all who just roll with love’s freewheeling punches.
“Honestly, it’s pretty simple and the first two lines of the song say it all – ‘sometimes it’s out of reach, that’s why love goes down the drain’. Sometimes shit just falls apart and you can’t find the center anymore and that’s when things – relationships, friendships, fandoms, anything – get flushed down the toilet,” admits Keane.
“Underneath the title, there’s the message that sometimes it’s out of our control and at the end of the day, that’s okay if you did everything you could,”Keane adds. “I hate hearing people feeling badly on Valentine’s Day and while I don’t begrudge the holiday or a great love song, I also kinda… eh. Sometimes it’s out of reach… that’s ok. You’re ok.”
Canyons And Locusts have a genuine and authentic sound that is a beautifully woven gift of musical energy that will warm your music loving soul. “Love Goes Down The Drain “ is the latest melodic, noise rock masterpieces that is museum worthy.
Other Brother Darryl’s debut album ‘Roll Shine Roll’ due out later this year
We have said it before and will say it again,Other Brother Darryl makes music that soothes your soul and, “Gypsy Girl” is no exception.
You can listen to “Gypsy Girl “ on Spotify Here and on Apple Music Here
Boston based cosmic canyon rock band , Other Brother Darryl gives us a beautifully crafted gem in “Gypsy Girl which, is from their forthcoming debut album “Roll Shine Roll”
On “Gypsy Girl,” Other Brother Darryl channel a remarkable sense of love and longing, allowing their three-part vocal harmonies to shine bright as a B3 organ illuminates a path forward. It retains the collective’s ability to craft tender, haunting songs that hang free in the gentle air they breathe, and supplies another captivating chapter in this collective’s unfolding story.
Photo Credit – Chris Valle
Gypsy Girl” is the third official single from Other Brother Darryl, an ever-expanding collective led by music scene veterans Dan Nicklin, Nate Leavitt, and Dan Cederholm. It’s a special song for the Americana and alt-country project, both in stature and spirituality, as it contains the vocals of late bandmate, co-writer, and close personal friend David Mirabella, the Boston Music Award-nominated musician who passed away unexpectedly in the spring of 2022.
‘Gypsy Girl’ is a nostalgic and regretful love story about losing someone you could never really have,” says Leavitt. “Fooling yourself into thinking you could be the one to change her or settle her down. The fascination of being someone we aren’t through someone else. Making promises to her in vain after she’s gone, wishing she would come back home knowing she won’t.”
The identity of this “Gypsy Girl” remains a secret, both by design and by human nature; the sweeping atmosphere that swirls around the track and cradles a heartfelt memory of something lost only adds to the intrigue.
“I would love to tell who it is, but I can’t,” admits Nicklin. “Even if we change the names the person would know. So if you think it’s about you – you are probably right.” Leavitt, however, paints a more nebulous tone: “I actually don’t know who she is but I love singing about her. She’s both familiar and mysterious to me.”
It is next to impossible not love “Gypsy Girl” and Other Brother Darryl, The song and band are prime examples why we love music so much . There is this genuine and profound vibe and energy surrounding both the song and band that is simply magical.
There is nothing quite like an amazing rock record . Boston based alt-rock band TELL(David Wildman, guitar and lead vocals,Jay Raffi, bass and vocals, Patrick Crann, drums and Jim Foster,guitar and vocals ) has done just that , with their new release “Life In Reverse” You can listen to the amazing body of work that is “Life In Reverse” on Spotify Here and on Apple Music Here
The Boston Alt-Rock band TELL, is fronted by longtime musician, writer, and novelist David Wildman. Today (February ,9th ) the band releases the amazingly cinematic album , “Life In Reverse, with the release party tonight at The Middle East in Cambridge.
We were absolutely mesmerized by the new single “Owned” , we are now realizing that “Owned” is only the beginning. “Life In Reverse “ was crafted by the band in the studio with producer Benny Grotto of Mad Oak Studios in Allston, MA It serves as a cathartic release of pent-up tension by harnessing the headlines that dominate our newsfeed and filtering them though anthemic and highly-memorable alternative rock. It’s both confrontational and comforting, and underneath its gritty bark is a collection of six shimmering tracks that glow out of the speakers – and may even inspire a dance party.
We were instantly enthralled with “Life In Reverse” from Tell . We were reminded of those records you couldn’t wait to get home to and listen to for hours . “Life In Reverse “ is that good….
Every song has an authenticity and an energy that draws not from the past but also offers a new vibe and sound that is welcomed in today’s otherwise mundane musical landscape.
We were immediately attracted to the addictive melody of “Sweet Life “ vocally “Sweet Life “ is absolutely stunning.
Photo credit- Dan Saltzman
Our personal favorite on “Life In Reverse” is without question “Shell” it is a well crafted gem that has a gorgeous tone to it that gives it a real classic feel that we absolutely love .
“Lyrically, the album is awash in the experience we all have of living through these dark, weird times together, connected mostly through social media,” says Wildman. “It’s nearly impossible to avoid politics for me, so a number of the songs make reference to the cult-like mindset of a huge chunk of the population out there.”– David Wildman .
With the honesty of “I wish I can Believe In God “ and the pure brilliant cinematic feel of “Space Time Continuum” – “ Life In Reverse “ from TELL is a musical experience that you cannot miss.
If you are a frequent reader of The Whole Kameese , you know that when we really like an album we tend to scream about it from the rooftops. We’re guessing wherever you’re reading this from , that you can’t hear us .
But we are absolutely screaming pure musical screams of joy about Boston based melodic hardcore band The Promised End and their better than brilliant new album “For The Buried And The Broken which is out today February, 2nd ) via Sound Investment Records ( North America) and Gunner Records ( Europe)
You can listen to “For The Buried And The Broken” Here you can also order the record Here
The band features members from Landmines,Tied To A Bear, The Effort, Choke up and Sky Tiger .
Not only does every song on “For The Buried And The Broken make the case for the best sounding song ever ( and we do mean ever ) but The Promised End are a band who backup their amazing musicianship up with an honest and authentic politically charged message that is as real as it gets.
Photo- Brittany Rose Queen
From the opening track “Worth” it is crystal clear that The Promised End is not just another band , the blistering drums at the beginning of “Worth” remind us of early Metallica , Megadeath and Metal Church but way better . Simply breathtaking. The Promised End does a phenomenal job in constructing ear pleasing gems that are clear , fast and to the point .
Melodic goodness is abound on “The Buried And The Broken” Of the track, vocalist Paul Picillo says: “These lives are wasted, shattered and longing to be whole. The first we tasted has now taken hold. Until the skin is cold”
We definitely played this one a couple thousand times ,vocalist PaulPicillo delivers an absolutely flawless vocal performance.
As we stated earlier, every song is amazing, “Breakwater” and “Futureless” really grabbed our attention.
“For The Buried And The Broken “ checks in at 25 minutes. But believe us when we tell you that it is probably the best possible way to spend 25 minutes.
If we had to pick our favorite track on the album ( which is so unfair) we would probably go with “Everything Breath You Fake “ we love everything about this song …, so good
A mainland European tour is in the works for September 2024 to support the overseas release.
Do yourself and check out “For The Buried And The Broken from The Promised End , you will not regret it.
Boston alt-country rock band led by Leesa Coyne delivers a poignant and powerful music video, via Rum Bar Records
We recently had the chance to check out the new video for “Stayed 2017” from Lonely Leesa & The Lost Cowboys. You can watch the video for “Stayed 2017” below
“Stayed 2017 , is the powerful new video from Lonely Leesa & the Lost Cowboys. In the visual,out today, In the visual, out today, Leesa Coyne of the Boston-based Americana rock band confronts issues of domestic violence with a confessional, raw, and vulnerable plea aimed to draw attention to an upcoming Supreme Court ruling that will determine if domestic abuse orders can prevent abusers from owning and possessing handguns.
“Stay 2017 , is an important and powerful video that needs to be heard and seen. It combines something old and something new for Coyne, as she revisits a song first released as a b-side to her “Reckless” single seven years ago and pairs it with an impactful, first-person video directed, produced, edited and shot on an iPhone by the Boston artist and musician herself. A few days after the video goes live, Lonely Leesa & the Lost Cowboys perform live at The Burren in Somerville, on Friday, January 26.
The tender, but tense, alt-country track was first released in 2017, autobiographically written from the point-of-view of a woman unable to escape an abusive relationship. But Coyne revisited “Stayed” for a self-directed and self-produced music video in light of recent events.
Photo Credit: Chuck Losey
For Coyne, who was inspired to pair “Stayed 2017” with her vision for the video after listening to Amicus Podcast’s November 2023 episode titled The Right To Bear Arms and Terrorize Your Partner, the time to raise awareness on this issue – and continue to highlight the perils many women face daily while trapped in abusive relationships and domestic violence situations – was never more important than right now.
While a new album from Lonely Leesa & the Lost Cowboys is set to arrive in the spring via the band’s new home of Rum Bar Records, Coyne is eager to show solidarity with women across the country as the Supreme Court ruling looms just months away.
“I hope this video helps someone else who has been suffering in silence to feel less alone and that it raises awareness of the United States v. Rahimi case ruling in the spring and what that could mean for the safety of many,”Coyne says. “Guns in the hands of domestic abusers equals death. One in four women and one in nine men experience severe intimate partner physical violence, and lots of folks in the United States own guns. It is literally a life-or-death situation for many. I am not sure if folks are aware of how common this is… [my goal is] not to normalize it, but just to show that we all have folks in our lives who could surely use some understanding and support.”
Coyne says she has had the thematic idea for “Stayed 2017″ in her head for a few years, dating back to when the song was first released. The track, which is also being re-released by Rum Bar in tandem with the video premiere, was produced, engineered, and arranged by Brian E. King; engineered by Elio DeLuca at the Soul Shop in Medford, MA; and mixed by Josh Cohen at Black Hat Music, also located in Medford.
For the video, Coyne stripped it all down – literally and figuratively – to reflect the raw vulnerability a person must face when confronting an abusive partner. It finds her alone, in the shower, engaging with the camera as the water rains down on her. It’s enough to wash away the day’s makeup, but not the physical marks left behind by physical abuse.
“This video I just wanted to be simple,” Coyne admits. “I wanted to shoot it myself on my phone. From a practical perspective to pull the veil back a bit, if I was doing the whole thing myself and the budget was zero dollars and cost only my time. Most importantly, I don’t think I could have been as vulnerable if other folks were around filming me. I also feel like with a lot of things in the arts there are not a lot of women filmmakers, and I really wanted this to come from the voice of a woman without a man’s perspective coming in to edit it or tone it down.”
It is important to stand up and take a stand and champion the things you believe in . Leesa Coyne has done this with a powerful and meaningful visual for “Stay 2017”
If you or someone you know is in crisis contact National Domestic Violence Hotline of 800-799-7233
We recently had the amazing opportunity to check out the latest single “Soo All The Way” from Boston+Phoenix noise rock band Canyons And Locusts .
You can listen to “Soo All The Way” on Spotify Here and on Apple Music Here
Those of you who are regular readers of The Whole Kameese know that we say what we mean and mean what we say . The new single “Soo All The Way” from Canyons And Locusts is an absolutely phenomenal new song that, should be required listening for all music lovers.
Soo All The Way,” the punchy new single from Canyons and Locusts, is crashing the streams today , Friday, January 19.
And that extra “o” in the title’s “Soo” is certainly deliberate, as it’s a shoutout from the Boston and Phoenix noise-rock duo to Sault Ste. Marie, the international border cities of Michigan and Ontario – dubbed the “Soo” – that have a special place in the heart of Canyons and Locusts’guitarist and vocalistJustin Keane. His fuzzed-out guitar riffage and gritty vocal howl pairs perfectly with drummerAmy Young’s thunderous and propulsive beat, allowing the duo to showcase what they do best in a robust 131-second runtime.
Photo Credit: Courtesy of Canyons and Locusts
“For my work, I am part of a mentoring group based out of Sault Ste. Marie – and through that group I’ve met some of the coolest and nicest people in my life,”Keane says. “One of the things they mention is that while the winters can be pretty long – and rough, but also beautiful – the summers are so lovely and the time when many folks take to their cabins and camps and cottages for vacation. So, thematically… it’s just about that cycle of going inward in the winter and outward in the summer – going ‘Soo All The Way.’”
The Boston-based Keane feels a special kinship with Sault Ste. Marie, as New England’s seasons have the same type of extremities. And the dual elements and dichotomy of environments is certainly a key element in the music of Canyons and Locusts, as not only do the duo merge noisy, unhinged guitar-rock with a melodic and calculated spirit, but Keane’s Boston weather is usually at odds with the desert landscape of Young’s home out in Phoenix, Arizona.
“Generally, Justin will let me know when he has a batch of songs in the works and what he’s thinking about for a song,” Young notes. “Even though he’s writing the songs, I often feel like the records can pertain to the general ongoing conversations we have, in mood and tone. It’s never not relatable and it’s always a guide.” Adds Keane: “This was a song with a winter riff/verse and a summer chorus. Amy has this way of just getting things I haven’t been able to crystallize yet and it’s just perfect and moves the song where it’s meant to go.”
This theme of duality is reflected in the “Soo All The Way” artwork, designed by Young, which features fallen snow across cacti and agave plants as city buildings and majestic mountains loom in the distance. The physical separation between the two Canyons and Locusts players does not hinder their creative chemistry, however.
“There are so many times that we can get what the other person means without a long explanation,” Young admits. “Sometimes it’s a word or a reference to something and then it informs how we move forward. In this case, I immediately felt the vibe of Sweet’s ‘Love Is Like Oxygen’, and telling Justin that gave me an idea of where I wanted to go with the beat. It just clicked into place. Living far away from anyone you want to create and hang out with isn’t always ideal but it’s not uncommon these days. We have the technology, you know. For Canyons and Locusts, this, in some ways, allows us to maximize our creative time – and we do. We can schedule blocks of time to do shows or record. We never complain about any of it, as we’re just driven to move full steam ahead.”
Co-produced by Keane alongside Ethan Dussault and recorded at New Alliance Audio in Somerville, “Soo All The Way” is the third single from Canyons and Locusts’ forthcoming EP, The Red Angel, set for release on March 15. The EP is dedicated to, and named after, the late Red on Red Records founder and Boston music scene champion Justine Covault, who personally signed the band a few years back and released through Red on Red their 2022 album Roll The Dice. The band were in the midst of recording this batch of new songs last summer when Covault unexpectedly passed away; left without a label home, Keane and Young decided to self-release the EP in her honor.
We are so excited for the forthcoming EP, “The Red Angel” Canyons And Locusts bring a real energy with their music that is both genuine and authentic. They say music is the highest form of expression… With “Soo All The Way” – Canyons And Locusts have created an absolute gem.
We recently had the amazing opportunity to check out the new single “Waiting” from Boston based Alt-Rockers , Derek Smith And The Cosmic Vultures.
You can listen to “Waiting” on Spotify Here and on Apple Music Here
We cannot contain ourselves any longer… We have been waiting for “Waiting” from Derek Smith And The Cosmic Vultures. And in case you were wondering ( we know you were…) the song is a cinematic, mesmerizing musical composition that is just stunning
“Waiting” merges the Boston songwriter’s solo material with his longtime indie band.
After forming roughly a decade ago, the Cosmic Vultures developed a reputation around New England for their electric live show and eclectic blend of genre-spanning rock and roll. But a few years back, frontman, vocalist, and principal songwriter Derek Smith branched out with solo material, unleashing the creative fire burning within. He released a pair of albums (2022’s Rubedo and last year’s Obscura) that explored new musical territories before October’s well-received and anthemic “Black Angel” single, all featuring members of the band, around the same time the Vultures were nominated for Rock Artist of the Year at the 2023 New England Music Awards.
Before the year was out, Smith and the band decided to merge and become a unified entity, re-christening the project as Derek Smithandthe Cosmic Vultures, and the first offering in this new music chapter arrives today with “Waiting,” a celestial cruise through an alt-rock galaxy that was produced and mixed by David Minehan at Woolly Mammoth Sound in Waltham, Massachusetts.
Courtesy Of The Band
The irony is not lost that Smith and theCosmic Vultures quickly rediscovered their musical chemistry through a single called “Waiting,” as with both projects gaining momentum in the Boston music scene, the time was right to come together once again for a unified creative vision.
‘Waiting’ is about waiting for something to happen,”Smith says. “Waiting for the money to fall in your lap. Waiting for the big break. Waiting for death. Waiting for the chickens to come home to roost. It’s everything and anything you can be waiting for. But for me I always had this idea that maybe something will just happen. I was very wrong. Waiting for something to happen to you is a sad thing. I’ve learned that you need to go out and do it. Do what you need to do. Make your own luck.”
Smith always envisioned the final version of “Waiting” to have a big, galactic sound to it, something to be heard in the car while flying up and down Interstate 93. And after the grand ambition and skyscraper force of “Black Angel,” enlisting Minehan for that final studio polish and working with the Cosmic Vultures – lead/rhythm electric guitarist and backing vocalistsJonathan Chesbro and Michael Strakus; bassistSteve Constantino; and drummerDalton DeLima – made all the sense in the world. The three players were natural fits on “Waiting,” complementing Smith on vocals, B3 Hammond Organ, and rhythm guitar.
“I wanted to do something a little harder for this one,”Smith admits. “I can do more than just soft and melodic. I didn’t think of it as the first song after merging, but more of the next chapter after ‘Black Angel’. I look at the body of work that hasn’t been released and sort of see what makes sense next. Maybe I was just tired of waiting to record this one.”
So far, merging Derek Smith the solo artist with Derek Smith the frontman of the Cosmic Vultures has been seamless, as the band continues to perform live around the New England area, taking part in the New EnglandMusic Awards’ Last Band Standing competition in March. With the two entities coming together, the catalog has now expanded to include five albums, two EPs, and now, with “Waiting”, there’ll be four stand-alone singles.”
Sometimes when you hear a song it just speaks to you … it’s not a planned event just something that just cosmically materializes. “Waiting” is not only is beautifully constructed but , it is also a song with a message that you can feel deep in your heart and soul.
Last week we had the distinct honor of checking out the latest single “Sometimes I Want To Chokeslam My Phone on the Floor”, from Boston based band Impossible Dog. We were so impressed by the song that we literally had the tune in our head all week .I’m not sure if my bank or my local supermarket enjoyed me serenading them with “SometimesI Want To Chokeslam My Phone On The Floor , but that’s what they got.
Now one week later, Impossible Dog has gifted musical lovers everywhere with the release of their magnificent new EP “Specifics”
You can listen to “Specifics” on Apple Music Here and on Spotify Here
Photography by Rachael Bissonnette , Graphic Design by Evan Kelley
“Specifics” was engineered and mixed by Evan Doherty and Mastered by Dan Coutant at Sun Room Audio
Right from the opening note of “Doggies” it is crystal clear that Impossible Dog are a band that is on the rise.
When listening to “Specifics” you can hear the great care that the band has taken in crafting their EP.
Courtesy Of The Band
On “The Wheel”, Impossible Dog ((Devin Congdon, Evan Kelley, Evan Doherty, and Alex Bachman.) , present a melodic and harmonic work of art, what makes Impossible Dog stand out is their ability to artfully and musically connect the listener with well formed musical compositions.We found ourselves not only enjoying the melodic presentation of “Specifics” but, we were also drawn to the well written lyrics.
Our favorite track on “Specifics” is without question “Sludge” , it is definitely a song that deserves to be on constant repeat ( yep, it’s that good) . The percussive sounding beginning really stood out. We hear shades of Jimmy Eat World and Buffalo Tom, which make the song familiar, but Impossible Dog seem to have a musical secret sauce that makes their sound unique and memorable.
“Long Shot” is a beautiful wall of sound that washes over you and gently finds its way to your soul. “Long Shot” is one of those magical songs that stay with you long after the music had ended .
The final track on “Specifics “ is the highly memorable and highly addictive “Sometimes I Want To Chokeslam My Phone On The Floor” . We absolutely love this song , and it is the perfect way to end such a great collection of songs.
We can’t think of a better way of spending 15 minutes and 35 seconds than listening to the magnificent new EP “Specifics” from Impossible Dog.
Photo credit- Rachael Bissonnette Graphic Design by Evan Kelley
We recently had the amazing opportunity to check out the new single “Sometimes I want To Chokeslam My Phone On The Floor” from Boston based band Impossible Dog.
Impossible Dog (Devin Congdon, Evan Kelley, Evan Doherty, and Alex Bachman.) pack quite a punch in their latest single “Sometimes I Want To Chokeslam My Phone On The Floor”
You can listen to “Sometimes I want To Chokeslam My Phone On The Floor” on Spotify Here and on Apple Music Here
The energy that Impossible Dog brings on “Sometimes I Want To Chokeslam My Phone On The Floor “ is absolutely electrifying. As soon as the opening drums hit, you know you are in for absolute brilliance. Flawless vocals and next level guitar playing, make “I Want To Chokeslam My Phone On The Floor” an absolute can’t miss.
We can’t wait for the new EP “Specifics” on January 19th but, till then we keep grooving to “I Want To Chokeslam My Phone On The Floor”…. And we suggest you do the same .
New single from the Boston + Phoenix noise-rock band raises a glass to the late radio host and simpler times today (Friday, December 8)
We love music here at The Whole Kameese it is quite literally what keeps us going … When we heard “To Art Bell,” from Boston and Phoenix duo Canyons And Locusts it felt like a musical awakening. To hear music and melodies orchestrated like they are presented on “To Art Bell” was absolute magic .
You can listen to “To Art Bell” on Spotify Here and on Apple Music Here.
, “To Art Bell” is a noisy, fuzzed-out ruckus of a tune, and the latest from the band’s forthcoming 2024 EP The Red Angel,dedicated to the late radio host and raising a glass to simpler times,.
Clocking in at an economical 134 seconds, “To Art Bell” is a melodic statement of musical thunder
The upcoming EP is dedicated to the late Justine Covault, a staunch supporter of the duo whose label Red on Red Records previously released last year’s Roll The Dice album.
Canyons and Locusts were in the midst of recording the tracks on The Red Angel over the summer when Covault unexpectedly passed away. Left without a label home, Justin Keane (vocals and guitar) and Amy Young (drums and backing vocals) trudged forward, unleashing their new music with the guidance and enthusiasm Covault passed along before leaving us.
Picking up where October’s furious “Buck Dharma’s Eyes” left off, “To Art Bell” is a hazy fever of gritty alt-rock and Midwestern college rock that clocks in at just over two minutes in runtime. And it’s not lost on the band that this chaotic and noisy tune is inspired, in part, by a radio host whose timbre and cadence helped put listeners at ease.
“Somewhere in the late ‘90s when we were all scared of Y2K and the end of the world and there was just that energy – especially in NYC where Amy and I both lived at the time – I discovered Art Bell’s show and would usually listen to that late at night and on into the early AM,” saysKeane. “It was this glorious mishmash of chupacabra and Bigfoot and reverse speech and exorcism and not anything like what we think of as ‘conspiracy theory’ today. And his voice was just perfect for the middle of the night.”
Young adds: “I got turned on to Art Bell back in my 20s when I was doing a lot of subcultural exploration and it was among the interesting landscapes to wander. What’s interesting to me is Justin and I having these same thoughts and it being something we never talked about.”
We are absolutely enthralled with the musical brilliance of “To Art Bell” We can not wait for more music from Canyons And Locusts
CD release party goes down December 8 at The Burren in Somerville
We were beyond honored to check out the new EP “keep ‘er lit” via Rum Bar Records from Boston based rock band Girl With A Hawk .
You can listen to “keep ‘er lit” on Spotify Here and on Apple Music Here
Our first introduction to Girl With A Hawk was back this past January when the band released the absolutely beautiful and heartfelt track “Same Stars” since then we have fallen deeply for the amazing brand of rock that Linda Viens and company bring to the table.
Photo Credit: Kelly Davidson
Featuring five tracks, including four prior singles, like last month’s “Feel Me,” the EP is a showcase for Girl with a Hawk’s engaging and infectious brand of rock and roll, which sometimes veers into new wave territory, other times into emotive guitar-pop, Americana, and modern rock. It’s a record of perseverance, and its title, keep ‘er lit, taken from an old Irish expression that loosely translates to “do not stop,” is a reflection of that attitude.
There is this genuine authenticity that seems to be woven deep in the musical DNA of Girl With A Hawk that, we absolutely love. What you get is real music that touches your heart and soul with each memorable note , all of which is front and center on “keep’er lit”
In our opinion “keep’er lit” is proof positive why Linda Viens has one of the best voices out there period. She sings with an energy and passion that is like no other voice in music today.
“All the songs on the EP are about surviving the vagaries of fate as well as taking responsibility for choices made, etc., about the search for identity and wholeness (and in some cases; sobriety), and about finding some kind of peace and comfort through knowing one is not actually alone, even though in tough times, we can feel alone,” Viens says. “It’s also about the many ways we are connected to our loved ones, and rooting for them, even if separated in physical time and space. There are a lot of parallel themes with keep ‘er lit and Justine and the Unclean’s record, The Signal Light – addiction, depression, and surviving life’s tough losses and challenges.”
The experience has brought the band even closer together. In Girl with a Hawk, the singer-and-guitaristViens is joined by keyboardistRichard Lamphear, drummerNancy Delaney, and guitaristDan Coughlin. Original bassistLee Harrington, who appears on the record, has since been smoothly replaced by Daniel Bernfeld. Their shared chemistry is evident across keep ‘er lit – from the emotive draw of “Same Stars” to the pop-rock buoyancy of “The Romantic” to the new wave flair of “Feel Me.”Viens says despite it all, the writing and recording process for this record has been joyous, with the band coming together for the music they’re creating.
If You are a music lover, then you need to listen to “keep ‘er lit” from Girl With A Hawk , it is absolute work of art .
Not to sound like the old guy who reads the newspaper on his front porch but, back in our day there was nothing better than a label sampler/ compilation . Boston Indie record label has pulled out all the stops and given us an epic free 31 track compilation available on Bandcamp today (December 1st)
But wait….. there’s more! Rum Bar Records is offering a label wide 20% off discount through the end of the month on Bandcamp, using the code holiday20
The compilation and the Bandcamp sale is part of Rum Bar capping off 10 years of music from Boston and beyond, specializing in the kind of garage-pop and rebel-rousing, swaggering that had made the label a fixture in the global music scene. The Nice Pricepulls together more than 30 selections from Rum Bar’s 2023 release slate, including music from The Lemon Drop Gang, Kevin Stevenson, Danny The K, The Gypsy Moths, The Amplifier Heads, Cindy Lawson, Eddie Japan, Leather Catsuit, The Shang Hi Los, Stars Like Ours, Stop Calling Me Frank, Girl with a Hawk, Jay Allen and the Archcriminals, and plenty more. It follows the summer’s Swagger compilation, and October’s After School Special: Second Semester.
“I love doing these label sampler and Bandcamp compilations,” says Rum Bar Records honcho Lou Mansdorf. “Over the years I have done various ones some sequels, some with altering music themes related to the Rum Bar Records roster of genres and artists falling under our gonzo hybrid garage rock, power pop, glam, girl group sounds, swaggering rock n roll, rebel rousing alt country rock, and heartland punk.”
While past compilations often span bonus artists across the Rum Bar family tree, The Nice Pricelocks in on the year that was, which saw a tireless Rum Bar unveil more than 30 releases – singles, EPs, albums, re-releases, comps, and whatever else – since January.
“After compiling and sequencing I just got extremely excited – like a kid who ate too much candy,” laughs Mansdorf. “Just one song after the next, I am like ‘Damn I love this song… man, I love this band.’ I just am so thankful and grateful to still, after 35 years, be involved with artists, musicians and bands making music that I love to listen to. It’s been a long and stressful year and we had all of this unbelievable music created by incredible people to keep us going. I can listen to this all day long and would love anyone giving us a listen to play this start to finish making it the soundtrack to your playlist, day and week.”
We are absolutely over the moon about “The Nice Price” from Rum Bar Records it is a can’t miss of some of the bands and artists in Boston and beyond.
Cheers to Lou Mansdorf and the whole Rum Bar records family for giving us music lovers an incredible 2023…. We can’t wait to see what’s in store for 2024
We recently had the opportunity to check out the latest single “I Tire Of The Storm” from Boston based 4-piece alt-rock/emo band Good June . (Spoiler Alert: It’s Freaking Amazing)
Good June is a band who is absolutely firing on all cylinders. We were in awe of the past two singles “It’s All About” and “Dark” – as for the latest single “I Tire Of The Storm”… Good June has artfully crafted a melodic work of art that is simply breathtaking.
What stands out with Good June is that they don’t over do it . It feels like every note and every lyric is perfectly placed and executed.
“I Tire Of The Storm“ takes the complexity of life and gives it a brilliant melody with heartfelt and profound lyrics.
Do your self a favor and check out the melodic beauty of “I Tire Of The Storm “ from Good June
Good June is : Guitars/Vocals: Alex Ilyadis,Guitars: Walker Bristol,Bass: Justin Noé,Drums: Jina Moran
Mixed/Mastered by – Ian Van Opijnen
You can Check Out Good June on Facebook Here and on Instagram Here and on Twitter Here
We recently had the amazing opportunity to check out the brand new single and video for “TALKK” from the legendary Boston based rock band Nervous Eaters
You can listen to “TALKK” on Spotify Here and on Apple Music Here you can check the video below
We may be a tad bias when it comes to The Nervous Eaters ( seeing how we are from Boston ) But their latest single and video for “TALKK “ is absolutely wicked amazing .
Nervous Eaters— contemporaries of bands like the Ramones, The Police, Iggy Pop, and The Pretenders— give us the red hot single “Talkk” which comes on the heels of the band’s critically-lauded 2022 return full-length, ‘Monsters + Angels,’on Stevie Van Zandt’sWicked Cool Records.
We are seriously starting to think these guys are actually getting younger with every new release they put out
Photo : Carissa Johnson
Founding member and front man Steve Cataldo says “TALKK is very much along the lines of the NERVOUS EATERS song CHAD, heard on our “Wicked Cool LP – Monsters and Angels”. The narrative explains a boyfriend’s loss of contact with the love of his life. He desperately tries to find her. Endlessly looking through social media, constantly walking the city streets searching the old romantic places they used to hang out, unrelenting in his promise to find her. He finally pleads with all his friends, who knew them both as a couple, to pass on this message should they ever hear from her. “Please tell her I was wrong, that I have changed my ways, and if she comes back home, there will be a brand new man here for her to find”.
In the end, TALKK as with CHAD, despite all the boyfriend’s searching, he never finds her, thus he has to live with the endless regret of realizing, much too late, that each person’s idea of love is unique unto them. That physical love by itself is never enough. That listening, patience and unconditional caring is the “Real Love”, everyone is looking for. Everything else is just TALKK.”
If it is real authentic RockN Roll you crave then look no further than The Nervous Eaters and their new single and video “TALKK”
The Magic City perform live at The Jungle in Somerville on December 17
You might need to give us a minute, while we catch our breath. We just listened to Boston based modern rock band – The Magic City and their simply amazing debut single “Roadrunner Vs. Your Mother “
Before you ask , and we know you will… There is an abundance of magic coming from both the band and it’s magical debut single “Roadrunner Vs. Your Mother “
You can listen to “Roadrunner Vs. Your Mother” Here on Spotify and on Apple MusicHere And on Bandcamp Here
The band, comprised of four music scene veterans looking to create something new, takes its moniker from an imagined convergence of Boston and London, and its sound echoes the spirit, style, and vitality of both cities.
Photo Credit: Ken Marcou
While the sound of The Magic City , may sound familiar, the band has a unique vibe and feel that is all their own .
“We want to find our people,” says vocalist David Jackel. “Like the community we had with the pill in Boston. I saw them come out to Radio City to see Pulp, the MET and the Orpheum to see Suede and Nick Cave, and they’ll all be at the Darker Waves festival in California. It’s that family tree of music culture that began with the Beatles and Stones, Bowie and Velvets, and then punk, post-punk, goth, new wave, Britpop. Angel Olsen channeling Serge Gainsbourg. Their random playlist could be Kate Bush, Bauhaus, Bat for Lashes, Pixies, and it would all make sense.”
The first in a wealth of new music set for release next year, “Roadrunner Vs. Your Mother” is a provocative debut offering, with roots that stretch from Britpop to post-punk to glam to classic alternative. It’s a seductive and suggestive invitation to what’s to come.
The sounds and structure of ‘Roadrunner Vs. Your Mother’ draw on The Beatles circa RubberSoul, Pixies, Pulp, Auteurs,” Jackel admits. “I don’t know where this band will go musically, but that’s the foundation.”
“Roadrunner Vs. Your Mother “ has this hypnotic mysterious feel to it that you just can’t escape . The Magic City, definitely has our attention and we have a feeling many more will soon feel the same.
Cover Design by Adam Sherman; cover photograph by Wayne Viens
We recently had the privilege to check out “Feel Me” from Boston basedband Girl With a Hawk . “Feel Me “ is dedicated JustineCovault, the late Red on Red Records founder and Boston music scene champion. Girl with a Hawk was previously signed to Red on Red, and “Feel Me” channels the raw emotion and sadness the band has felt since Covault passed away unexpectedly over the summer.
You can listen to“Feel Me” on Spotify Here and on Apple MusicHere And on Bandcamp Here
Photo by Kelly Davidson
We love everything about Girl with a Hawk . We love their sound their vibe . We also love their passion which is front and center in their music, especially on “Feel Me”
We never had the pleasure of knowing Justine Covault However, based everything we have heard about her, she was a true pillar of the Boston music scene . Her music and her love for the Boston music will no doubt be her legacy that will continue to live on.
For Girl with a Hawk, the Boston band led by indie scene veteran Linda S. Viens, the past year has been highlighted by a blur of massive highs and the lowest of lows. It started in December of 2022, when the late Justine Covault asked Girl with a Hawk to join her emerging indie label Red on Red Records, releasing a new single and video for “SameStars” a few short weeks later. Over the summer, Covault unexpectedly and tragically passed away, while Girl with a Hawk’s second single on the label, “The Romantic,” was enjoying success across the blogs and digital radio, helping to earn a New England Music Awards nomination in the “Rising Stars: Massachusetts” category.
Nearly a year after Covault’s invitation, Girlwith a Hawk are preparing their debut EP, Keep ‘Er Lit, set for release on December 8, with a party that night – booked before Covault passed away – at The Burren in Somerville. But first comes a new single, an upbeat synth- and guitar-led yearner called “Feel Me,” dedicated to Covault and her impact on both the band and its members, out today (Friday, November 17) on the band’s new home of Rum Bar Records.
“Feel Me “ has a real cool throwback/ new wave sound . Vocalist Linda S. Viens, gives a powerful and flawless vocal performance that gave us chills . We could definitely feel the love and emotion on “Feel Me”
We recently had the distinct honor of checking out the new record “Crumbs For The Sun” from Boston based psych-grunge and alt-rock band The Rupert Selection
You can check out “Crumbs For The Sun” on Spotify Here and on Apple Music Here
The Rupert Selection are more than just a band , they are 3 musicians (Reilly Somach (vocals and guitar), Sam Bouvé (bass and additional vocals), and Peter W. Bartash drums) who are highly skilled sound architects that have crafted an absolute work of art with “Crumbs For The Sun”
Photo Credit- Peter McManus
From the first note on “Astronauts “ and all the way through to “Unbroken “ The Rupert Selection, does not take their foot off the gas for one minute. “Crumbs For The Sun “ is the musical experience, you have been waiting for
The culmination of more than two years of creativity, Crumbs For The Sun displays The Rupert Selection as the band it was always meant to be, fueled by a locked-in lineup of founder Reilly Somach (vocals and guitar), Sam Bouvé (bass and additional vocals), and Peter W. Bartash (drums). Across its seven tracks, buoyed by an overarching lyrical theme of how unforgiving and fleeting life is, the band’s penchant for brash melodicism, seismic power riffs, and cruising-altitude rock and roll help concoct their dynamic sound and translate it from the stage to the record. The band celebrates the album with a release party on November 24 at The Cabot Theatre’s Off Cabot venue in Beverly.
A string of four singles dating back to last fall, all of which appear on the album, helped the band earn a nomination of Rock Artist of the Year in the 2023 Boston Music Awards. Those singles (“Astronauts,” “Then Again,” “I Saw God,” and “Taking Turns”) are paired with three new songs – “Come Along,” “What You Said,” and album closer “Unbroken” – to round out Crumbs for the Sun, an apt title for a record where the pieces come together to create something uniformly impactful.
“The title has been kicking around for years and we all agreed it just felt right for this one early on,” says Somach. “Since this album was recorded at different places and at different times, it now feels like a collection of snapshots that, when together, tell the story of the last two years. Scattered crumbs that build to something bigger.”
Writing for the album began under a pandemic haze in the spring of 2021, and with studio time earned from a finals appearance at the 2019 Rock & Roll Rumble, Boston’s vaunted World Series of Boston rock, they linked up with Kyle Paradis at New Alliance Audio in Somerville and then Brighton’s Zippah Studios with producer and mixer Brian Charles.
A fire at Zippah Studios in late 2021 did not deter Charles from continuing work with the band, leading to recording sessions around the Boston area, including Allston’s Mad Oak Studios and Q Division in Cambridge, before putting the finishing touches at Charles’ newly-minted digs, Cambridge’s Rare Signals. It was an unexpected journey, but one that helped the band create the record they wanted to make, especially with Bouvé and Bartash, who both joined after the writing and recording of 2019 album Priors, solidifying their lineup and sound.
We found ourselves getting blissfully lost in the spectacular overall sound of “Crumbs For The Sun “ We loved the melodic and sonic force of “I Saw God “ and marveled at the sheer beauty of “Come Along “
You can’t go wrong with “Crumbs For The Sun” from The Rupert Selection, it is simply magnificent.
We recently had the amazing opportunity to check the new single “Drive” from Boston based country supergroup and cosmic canyon rock band, Other Brother Darryl.
You can listen to “Drive” on Spotify Here and on Apple Music Here
“Drive” from Other Brother Darryl is a timeless heartfelt track that gently touches both your mind and soul.
Photo by : Chris Valle
The message of the new single “Drive” is simple – even if we live in not so simple times: When you see your friends, tell them that you love them. Because we’ll never know when that last chance comes around.
It’s a sentiment the cosmic canyon rock group knows all too well, and one that swirls with impassioned honesty over its hypnotic new Americana single, “Drive,” set for release on Friday, November 10, with a music video to follow afterwards. It’s the second single from the ensemble band, led by Boston music scene veterans Dan Nicklin, Nate Leavitt, DanCedarholm, and one that continues to cherish and maintain the memory of their beloved friend and band member Dave Mirabella, who passed away unexpectedly in in the spring of last year.
“It has a laid- back feel, but still drives forward, which mirrors how the band works,” says Leavitt. “Move at your own pace but get there just the same. A motivational rhythm and tempo. Instrumentally, it covers a wide range of sounds that capture the cosmic canyon rock.”
There is this strong energy that is associated with “Drive” from Other Brother Darryl, It is often said that music can be a great healer of both wounds we can and can not see . We definitely feel this is the case with “Drive”
Other Brother Darryl, its name taken from a Newhart reference, was first conceptualized a decade ago at long-lost Somerville venue Radio, with its members bonding over The Jayhawks, Wilco, and the various projects each had been a part of over the many years spent in the trenches of a local music scene. But time was on their side, and after loose exchanges of ideas it would be seven years before the group began writing music together, crafting the harmony-driven, Americana-leaning sound that their spectral surroundings and sharp songwriting acumen were destined to produce.
Then Covid hit, and the world stood still. And in April 2021, the band’s world collapsed: Mirabella died, leaving an empty space within Other Brother Darryl both as musicians and friends. Suddenly, time, once a casual asset, became anything but, and a common refrain of telling friends and family how much we care for them became an important one.
While Other Brother Darryl captured Mirabella’s guitar parts for “Drive,” he was never able to provide vocals for the track. An important and disappointing turn of event for a band that leans into vocal harmonies so heavily. But remarkably, the band discovered that during one guitar recording session, Mirabella actually counted himself in, whispering “Six… seven… Dave.” That part was added to the very start of “Drive,” giving their late friend a voice that introduces and welcomes the listener.
“Drive” is truly a team effort. It was written by the core Other Brother Darryl team of Mirabella (guitar, count-in), Leavitt (guitars and vocals), Nicklin (vocals), and Cederholm (drums); produced by the band at Henley Row; and recorded and mixed by Nicklin at his aforementioned studio in Stoneham, with mastering by Brian Charles. It expands the Other Brother Darryl collective outward, featuring Jim Collins on bass and vocals; Dave Lieb on acoustic piano; Matt Odabashian on B3 organ; Paul Gallo on conga and percussion; and Jason Meeker on bongo and percussion.
Do yourself a favor and get lost in the beauty of “Drive” from Other Brother Darryl
We recently checked out the new single and video for “CTRL ALT DEL” from Boston based hard rock band Parts Per Million
You can listen to “CTRL ALT DEL” on Spotify Here and on Apple Music Here .
You can also check out the stunning video below , directed by Tyler Ayres at Revelry Studios in New Hampshire, depicting the band slowly being replaced by machines.
Parts Per Million are a band with a style and sound is unlike anything we’ve ever heard .
A resistance to our tech overlords is at the noisy core of “CTRL ALT DEL,” the Boston hard rock band’s blistering new single and dystopian music video, set for release today, (Wednesday, October 25. ) In both the song and visual, Parts Per Million grapples with unwanted advances in technology, and does so with weaponized riffs at significant volumes.
There is this beautiful cinematic quality with “CTRL ALT DEL. The song has such a big and commanding sound , that we feel it would fit perfectly on the big screen. Parts Per Million are without question a band on the rise .
Photo Credit Parts Per Million
‘CTRL ALT DEL’ is about the rise of A.I. and where we all fit in as things change with that technology,” says Parts Per Millionguitarist and vocalistPaul Mcsweeney. “It’s kind of a scary feeling to imagine being replaced in areas where we have always been needed. We’re on the cusp of a revolution that actually may hurt humanity as a whole if we don’t also rethink some of our social constructs and just put people out of jobs that may never return. That’s not even getting into the ultra scary idea of this thing sort of going full Skynet mode.”
The powerful“CTRL ALT DEL” was recorded at The Halo Studio in Portland, Maine, produced and mixed by the band’s longtime collaborator Kevin Billingslea (Lamb of God, Trivium, The Pretty Reckless), and mastered by Ted Jensen of Sterling Sound (The Eagles, Green Day, Norah Jones). Mcsweeney brought what he calls “riff salad” to the rest of the band – guitaristS. Brian Bailey; bassistAlex Marks; and former drummerJake French, since replaced behind the kit by Brad Griffen – and the group worked together to flesh out the track, allowing for changes in the studio to develop it into its final form.
The sonic and melodic presence on “CTRL ALT DEL” is absolutely mind blowing. Parts Per Million brilliantly have crafted your new favorite song, you just don’t know it yet.
So find the perfect spot and crank “CYRL ALT DEL “ all the way up and enjoy .
We recently got the opportunity to check out the new single “Over The Phone” from Boston born and bred and now Los Angeles based singer-songwriter Delilah Brao
You can listen to “Over The Phone” on Spotify Here and Apple Music Here
First things first , if you are a regular reader of The Whole Kameese then you know that Delilah Brao is automatically cool in our because we are both in fact from Boston.
All kidding aside, we love the vibe and feel of “Over The Phone”. Delilah Brao has this hint of mystery to her that adds another dimension to her music .
In her debut EP, “Since You’re In New York”, Delilah ruminates on long distance relationships, heartbreak and starting over. Produced by Justin Lucas (Khalid, The Revivalists, Alec Benjamin, Wafia) and mixed by Philip Etherington (Lizzy McAlpine, FINNEAS, Laufey, Tiny Habits), this folk-pop EP is sparsely and delicately produced to showcase Delilah’s moving songwriting and ethereal vocals. She’s singing about herself, and you, and it’s still somehow out of reach.
Her leading single “Over The Phone” is a stunning folk-laced pop single all about heartbreak from a long distance relationship. She confides, “Over The Phone is about this guy I dated who broke up with me on FaceTime. The call only lasted 5 minutes – it’s like he fit it in between episodes of the series we were watching together. It’s grim. We dated for years. But, long distance sucks and the song kind of speaks for itself in that way.”
We have a feeling that Delilah Brao is just getting warmed up and we can’t wait to see what she does next .
We recently checked out Boston based garage/glam octet Smitt E. Smitty & The Fezztones and their new wildly wicked fun video for “The Growler”
You can listen to “The Growler “ on Spotify Here and on Apple Music Here
You can check out the video for“The Growler” below .
We were instantly hooked on “The Growler” right from the first note. “The Growler” is a well crafted gem that proves that you can rock out and have a blast doing .
We were absolutely mesmerized by the visuals in the video for “The Growler” from Smitt E. Smitty And The Fezztones . It had this creature double feature movie feel with a dash of sideshow/ carnival vibe thrown in for good measure, Absolutely perfect !
Friday October 13th is the absolute perfect day for the summer radio hit, which has become a fixture on Little Steven’s Underground Garage.
When asked about the amazing visual that is “The Growler” , Smitt E. Smitty commented
“I wanted to take the idea of living with ‘reckless abandon’ and add an old-time horror movie element to it. A genuine ‘growling’ protagonist. One-hundred percent Mr. Hyde without any Dr. Jekyll. Plus, we did a live show at The Met in Rhode Island, and I was able to use that footage to capture the energy of our performance for the song. When people come to our live shows, they are always blown away by the energy and passion we put forth. It’s that passion that is captured for this music video.”
The Growler” was recorded at New Alliance Audio in Somerville, engineered and co-produced by Alec Rodriguez, and mastered by Dave Stawecki.
The idea for Smitty’s latest barnstormer came to the multi-instrumentalist and songwriter while he was on a cross-country flight, flying to a gig at Red Rocks Amphitheatre in Colorado. The captain spoke over the intercom in a slow, deliberate drawl as he addressed passengers on the flight – “like an idling old motor car engine,” quips Smitty – and soon after, the seeds of “The Growler” were planted.
“I took the idea of ‘The Growler’ and crafted lyrics, using a more existential, and less specific mind set,” admits Smitty. “Who truly is… ‘The Growler’? The point of view I used was to imagine myself as a much more rough and tumble, devil may care, living in the moment type of creative. Charles Bukowski in a rock band. Full on untethered, unfiltered, and reckless abandon. Basically me, only hyper amplified to the nth degree. I may have used some past real life experiences and magnified them, for a greater effect. The song was really fun to write. I describe it as decadence on parade.”
Smitt E. Smitty & Fezztones are a musical energy that you can’t ignore . Go check out the cinematic fun that is the video for “The Growler”
Smitt E. Smitty & The Fezztones perform at ‘The Night of The Living Fez’ at The Magic Room in Norwood on November 3
Boston singer-songwriter and Cosmic Vultures frontman returns with a soaring new single out Today, Friday, October 13 via Oak Honest Records
We recently had the distinct honor to check out the new single “Black Angel” from Boston singer-songwriter and multi-instrumentalist Derek Smith. It’s set for release today Friday, October 13 via Honest Oak Records, the follow-up to summer album ‘Obscura’.
Photo credit: Courtesy
You can listen to “Black Angel” on Spotify Here and Apple MusicHere
We are just going to come right out and say it.. Derek Smith has crafted a stunningly brilliant work of musical greatness with his latest single “Black Angel”
If you don’t get moved to tears of musical joy after listening to “BlackAngel” from Derek Smith we suggest you consult your Doctor.
“BlackAngel” is a cinematic song that is quite simply otherworldly. Derek Smith has most definitely taken his amazing musical talents to a whole new level .
“I am talking directly to God in this song,” Smith says rather matter-of-factly. “Whatever the concept of God is. Real, fake, whatever. I am not flat-out saying what I believe. Though, I am sure people are smart enough to know what and how I feel.”
With its plugged-in, panoramic sound, “BlackAngel” didn’t find a home on his two solo records. But it has become a bit of a staple of The Cosmic Vultures’ live sets, and because of its full-band sound, Smith knew the recorded version could be not only an extension of theVultures, but the beginning of a process to merge the two entities together.
Written by Smith, “Black Angel” was mixed and produced by David Minehan at WoollyMammothSound in Waltham, MA; and mastered by Dave Locke. Smith performs both lead and backing vocals, acoustic rhythm guitar and Hammond organ on the track, and he enlisted a trio of Vultures to round out the sound and give it a full-band feel.
We are over the moon excited about “BlackAngel” from Derek Smith . We think this might be your new favorite song that you just haven’t heard yet.
Music is about energy , emotion and purpose. The latest single/ video “Landlord” from Boston based punk band Already Dead has enough energy , emotion and purpose to fill a hundred Fenway Park’s . You can listen to “Landlord” on Spotify Here and on Apple Music Here. You can also watch the video below .
We are still amped up from the previous single “Bread & Roses” , singer-songwriter Dan Cummings delivers an absolutely acoustic gem with “landlord “ For an acoustic performance “Landlord” is a powerful and thought provoking tune that definitely stays with you long after the song has end .
Photo credit – Brian Fettazzani
Dan Cummings is an important independent voice for the working class in New England’s punk scene.If Dan Cummings is involved, it is definitely worth joining the cause.
When asked about “Landlord”Dan Cummings commented “I guess you could say ‘Landlord’ is about a feeling. The feeling of just getting by in life, with the looming knowledge that you’re one bad month, or even week, from falling behind. I’ve certainly lived with this before. Bills are paid, life is stable, but you still know that if you take any type of hit — financial, personal, whatever — it could still fall like a deck of cards. But you keep pushing, and keep those lights on.”
Do your self and check out new epic single and video “Landlord “ from Already Dead . You will definitely thank us.
Screengrab from Joan Hathaway Directed Video “Vaulted”
Back in July, we had the distinct honor of checking out the debut video “On Your Side“ from Lovina Falls. Lovina Falls is the project of Valarie Forgione who was the lead singer for Boston 90’s alt-rock mainstays Mistle Thrush.
Today (September 27th) Lovina Falls gives us the stunning new video for “Vaulted”
The video for “Vaulted” like “On Your Side” was directed by JoanHathaway. Both songs are taken from Lovina Falls spectacular debut album “Calculating The Angle Of Our Descent” which you can listen to on Spotify Here and on Apple Music Here
Design Credit- Valerie Forgione
There always seems to be a little magic when it comes to music. Valarie Forgione artfully weaves her brand of musical magical by giving us a song with “Vaulted” that feels a like a mysterious adventure, covered in mystery at every turn.
On “Vaulted”, Valarie is joined by Brenden Cobb on madness guitar, with “Calculating The Angle Of Our Descent” co producer David Minehan adding additional guitar work and Chuck Ferreira providing additional drums.
Valarie shared the following about “Vaulted”
“‘Vaulted’ is about smoke and mirrors. It’s about being mesmerized, swindled, and ultimately turning the tables in self-defense. It is a circus of trickery, where the unusual becomes linked through illusion and showmanship. The song is a bit darker than most of the songs on the album and has a bit of underlying anger at how people treat each other.”
The video for “Vaulted” from Lovina Falls is a beautifully orchestrated presentation that lures you in with bright lights and eye catching vibrant imagery. We felt like we were right in the middle of the ultimate slight of hand trickery and we loved every minute of it.
Forgione stars alongside a traveling circus, and with her former bandmate Scott Patalano, of ‘90s-era alt-rock luminaries Mistle Thrush, as the magician. It was filmed on location at two distinct Massachusetts locations: The Quannapowitt Players theater group in Reading, and Lincoln’sPonyhenge, an open field 15 miles northwest of Boston where the quiet landscape is mysteriously filled with old rocking horses and figurines, left to slowly decay over time.
“Vaulted” is a flawless musical and visual achievement that stay with your soul long after the music has faded.
Lovina Falls makes its live debut December 2 at The Rockwell in Somerville and we know it’s going be amazing.
There is something truly special about listening to a really really good record…. It is like time is paused , and all you can feel and hear is the music. Boston based Paper Tigers have offered up their extraordinary debut record “Charmer” to the universe and it’s phenomenal.
You can listen to “Charmer” on Spotify Here and on Apple Music Here
Photo credit – Tiffany Hu
It is highly appropriate that the treasure trove of wondrous rock music on “Charmer” is being released on a Tuesday. There was a time when all the great and important music was released on a Tuesday. Paper Tigers are a throwbackand their debut is both great and important.
Paper Tigers formed in Allston in 2019 and quickly weathered a global pandemic, a venue crisis in their home city, a growing national hostility to the arts and those who create it, and collective whirlwind of insanity that seems to mark each day. Charmer, and all its furious ambition, is the ultimate release for Paper Tigers, a burning exhale that follows a string of four EPs and several singles, including last year’s breakout “I Wish Someone Would Have Told Me This Sooner” (which secretly contained a snippet of the new album’s title track). -( If you are scoring at home we think containing a snippet of the new album’s title track is absolutely brilliant)
Charmer is a rock record with a pop polish, and a pop record with rock edge; the more the listener peels back each lyrical and sonic layer, tying together the band’s disparate sound that incorporate post-punk, grunge, Britpop, and American indie, the more reality’s grim nature starts to come into view.
If we’re being honest ( and trust we always are ) We are absolutely enthralled with Paper Tigers and their debut album “Charmer “ We haven’t felt this way since we first heard a certain band from Seattle in the 90’s
“We’re proud of this album,” declares PaperTigers. “With each release, we pushed ourselves both in terms of songwriting and production and this was the culmination of everything we learned about both. It represents the very best we’re capable of and we wouldn’t change a thing about it. With every song we write or piece of art we create, we just hope it connects with our audience in some special way. This LP represents our most thought-out and effortful body of work to-date. We’re hoping it elevates our fan’s perspective of the band and that they’re drawn back to it, many times.”
Repeated listens is where the elements begin to shine: The razor-sharp guitarwork and production of Bjarki Guðmundsson; the heavy, absorbing basslines of MatthewHughes; the thunderous drums and atmospheric percussion of Ben “Cutty” Cuthbert; and the sardonic vocals of Michael Medlock, a man with a street preacher urgency hellbent on warning the world both of the dangers within and an optimistic way out.
Paper Tigers are a band that is musically on a different level. Like highly skilled precision craftsmen , Paper Tigers have created an absolute masterpiece with their amazing debut album “Charmer”
From heralding the age of revolution and its dissemination through media (“Pariah”) to ‘90s grunge-era conspiracy theories (“Soft Focus”), Charmer is a lyrically confrontational album as Medlock registers and relays the world around him. As he sings in the swirling, paranoid album track “The Drugs Are Kicking In”: “Modern living made life easy / But it also made us angrier.”
“The lyrics on Charmer are both anecdotal and narrative,” the band admits. “Sometimes Michael is singing from his own perspective and other times he’s writing fiction. His lyrics orbit around love, loss, personal life experiences and his hopes for the future.”
We honestly were consumed almost immediately with this record. Intoxicating melodies mix with flawless vocals , there isn’t a bad track on “Charmer” . We found ourselves singing along almost instantly. Standouts on “Charmer” include “Sandcastle”, “Animals” and the two scorching summer singles “Wedding Cake” and “Into That Good Night”
The storylines that emerge through the calculated noise are plentiful, and remain open to listener interpretation. But one aspect of “Charmer” that was made clear from the start was the ability to convey these songs in a precise and crystalline manner, made possible in part by work done at both Paper Tigers’ home studio at Cataclysmic Records in Brighton, and with recording engineer Alex Allinson at The Bridge Sound and Stage just across the Charles River in Cambridge.
“In the past, we’ve tried to do as much as we can by ourselves,” saysPaper Tigers. “There was a time when we saw it as a way to speed up the learning curve of being a band. It would have been fun to go into a proper recording studio for the first EPs, but we needed to do all that homework and run into all the obstacles to progress as a band and songwriters. We met up with Alex Allinson at The Bridge and pitched the idea of tracking live versions of the songs in the studio, to capture drums. We ended up getting so much more than drums during that one-day session, thanks to Alex. He went above and beyond, made us feel comfortable, and was able to dial in the perfect sound in a matter of seconds. Having those great-sounding tracks from Alex made the process so much easier, and because of that, we could allocate more of our time to the creative side of production than before.”
We strongly feel that listening to music should be a memorable experience. Paper Tigers deliver a memorable musical experience with their impressive debut album “Charmer” that you won’t soon forget.
Boston post-punk glam quartet make a striking statement with its first collection of songs on Friday, September 29
The record will be previewed on Saturday, September 23 with a live performance at The Jungle Community Music Club in Somerville, the band’s second-ever gig.
Every time Boston based band , Looking Glass War releases new music it feels like an event . The band’s latest “A Tsar Is Torn” is one of those special musical moments when you think “Wow, this song is absolutely perfect “
You can listen to “A Tsar Is Torn “ on Spotify Here and on Apple Music Here
Vocalist Goddam Glenn reminds us of the greet orators of the past as he delivers a powerful and commanding vocal performance on “A Tsar Is Torn” We felt ourselves being drawn in by the intoxicating melodies , that add a whole new dimension to the track.
The blazing new single is about the type of leaders who rise to power in our present day, and how we prop them up despite our best interests. We almost had to seek medical attention, as we were pressing repeat so often.
We are anxiously awaiting the arrival of the EP “When NeonMeets The Rain “ on Friday, September29th . “A Tsar Is Torn”, set for September 15, and the release-day revealing of the EP’s closing track, “A Gun On A Wall In A Scene.” Those two songs follow a pair of summer singles in July’s propulsive and attention-grabbing debut “Arrive!” and August’s expansive and shoegazing “I Can Tell By The Cars.” Both songs immediately placed Looking Glass War on the map, earning global blog praise and radio airplay across the indie circuit, from repeated showings as the #1 Song of the Week on local institution BostonEmissions to earning the endorsement of SiriusXM’sUnderground Garage.
We will have full coverage of all things Looking Glass War, on The Whole Kameese You don’t want to miss it.
We recently had the chance to check out the new video for “Dance Angelina Dance” from Boston based band Little Billy Lost . You can check out the new video below . You can also listen to “Dance Angelina Dance “ on Spotify Here and on Apple Music Here
Photo Credit – Michael Naimo
As soon as you hear the sound of the opening guitar followed by a driving irresistible drum beat, you know that you are in for absolute treat.
“Dance Angelina Dance,” the new single and video from Little Billy Lost, acts a bit like a choose your own adventure endeavor. Are you Angelina, or do you prefer to watch? The level of cool that surrounds Little Billy Lost and the red hot single and video for “Dance Angelina Dance” , is off the charts
The gritty Boston rock and roll dynamo unleashes the official music for “Dance Angelina Dance” today , September 7, debuting on YouTube at high noon (EST). It arrives three weeks before Little Billy Lost head north to play Geno’sRock Club in Portland on September 28.
“The song is a simple lyrical celebration of the experience we’ve all had of sitting in a bar, at a wedding reception, or some other gathering place and seeing someone walk into the room who immediately captivates us,” saysLittle Billy Lost guitarist and vocalist Fred Pineau. “It’s a simple exploration of one’s imagination projecting an image of a relationship forming in realistic and fantastical ways.”
Premiering a colorful and captivating visual for the track – appropriate for the song’s playful voyeurism – continues its sparking summer, as the Code 213 Records release has burned up indie radio charts since it hit the streams a few weeks back, earning significant airplay on SiriusXM’s Underground Garage (in particular Bill Kelly’s Blackhole Bandstand and The Rodney Bingenheimer Show), topping college radio charts (Strike The Box on WMFO), and garnering spins on dozens of stations and shows around the world.
The infectious and magnetic “Dance Angelina Dance” might be the boldest statement yet from a band that boasts a healthy pedigree in Boston and Detroit rock and roll. Its four members – Pineau joined by bassist and vocalistPatrick Moynihan; guitarist and vocalistJames Melanson; and drummerSmitt E. Smitty, who produced, directed, and edited the video – trace back to a wealth of respected bands of yesterday, including The Atlantics, Figures on a Beach, Third Rail, Fireking, Pop Gun, and plenty others.
But this latest effort is entirely Little Billy Lost.
“ We hope that the listener will be able to relax, close their eyes, and connect with the simple but compelling message of the song that we are all connected by the human condition,” Pineauadds. “All of us have at one time or another found ourselves in the position of the protagonist in the song, and we hope that the listener can pause and for a moment experience that feeling.”
We love the retro feel of the video for “Dance Angelina Dance” It’s a fun video that does a brilliant job of showing the fun and vibrant vibe of the band.
Little Billy Lost , has a sound and vibe that immediately grabs your attention. You can call it a retro,or a throwback sound , it doesn’t matter – Little Billy Lost plays authentic electrifying rock that is simply out of this world good!
We recently had the excellent opportunity to check out Already Dead’s new single “Breadand Roses.” It’s a punk version of the classic 1912 hymn and poem dedicated to the women and children striking for better working conditions in the mill manufacturing city of Lawrence, Massachusetts. In the century since, it has existed as a sign of solidarity and strength with workers worldwide.
You can listen to “Bread and Roses “ on Spotify Here and on Apple MusicHere
In addition to releasing the track today, (Friday, September 1st ) Already Dead will perform the song with collaborator Felipe Collazo at Lawrence’s Bread & Roses Heritage Festival on September 4th.
Already Dead are invested in everyone’s quality of life. Last year’s debut album My Collar Is Blue offered a raised glass to the working class, so it only makes sense that the Massachusetts punk band is standing in solidarity with citizens across the country with a fiery reboot of the classic strike song “Breadand Roses.”
Photo Credit- Already Dead
Dedicated to the women and children striking for better working conditions in the Massachusetts mill manufacturing city, “Bread and Roses” was first born as a poem and strike song in 1912, written by James Oppenheim with its title taken from a speech given by American women’s suffrage activist Helen Todd. It has existed as a sign of solidarity and strength for the past century, and now is rebooted with proper punk rock fury as Already Dead teams with Bread and Roses festival producer Felipe Collazo on guest vocals, with the introductory verse provided by his sister, AnnMarie Collazo, a nod to the women who have stood on the frontlines for worker rights and equality for all.
Already Dead’s Dan Cummings has held the idea of giving “Bread and Roses” the punk-rock treatment for the past few years. But as working class issues dominate this summer’s news cycle, from the SAG-AFTRA strike in Hollywood to UPS workers strategically positioning for better wages, the time was right to ignite Already Dead’s take on the classic.
“It aligns with what I hope Already Dead projects as an ethos,” says Cummings, himself a Boston union pipefitter alongside Already Dead bassist and Boston unionironworkerBrandon Bartlett. “And that’s standing up for yourself and for your fellow people and to fight for what is fair. In my opinion, there is evidence of that in all class struggles. I picked this song in particular because I have a personal tie to it – volunteering at the festival in the past – and also after learning about its significance. It is a song/poem that was a rally cry for a strike which is considered to be a real watershed moment in the Industrial Revolution and U.S. history.”
It should be noted we have never met Dan Cummings or anyone else from Already Dead , However, we too have a strong belief in fighting for what is right and just . So we are in full support of Already Dead and believe that their version of “Bread and Roses “ is pure punk rock perfection.
On the heals of Labor Day, we should stand tall and proud and crank Already Dead’s epic version of “Bread And Roses”
Recently we had the distinct honor to check out the debut single “It’s All About”from Boston based band Good June . You can listen to “It’s All About “ on Spotify Here and on Apple Music Here
Good June is Alex Ilyadis, Justin Marion, Jina Moran, and Walker Bristol. Originally a solo project by Alex in the start of 2022, GoodJune grew to be a full band as it added in Jina and Walker near the end of the year, that has allowed them to begin tapping into the various styles of Emo and the surrounding genres. “It’sAll About” is their first release with more music on the horizon.
Good June are a group of highly skilled musicians that play with a high level of emotion that shines brightly on “It’s All About” . We found ourselves tapping along almost instantly. “It’s All About “ is a well crafted song that features stunning melodies that were paired beautifully with flawless vocals.
Good June are the real deal… and we have a feeling they are just warming up. So give your ears a treat and check out “It’s All About”
You can also catch Good June live at O’BRIEN’S Pub in Allston on September 17th for more information click Here
We fell instantly for the latest single “I Can Tell By The Cars” from Boston based Looking Glass War . Now, we get an extra treat , as they have released the official lyric video for the epic “I can Tell By The Cars”
You can watch the video below
Lyric videos are the equivalent of when we were younger and we would buy a record,tape or cd and run home to check out the lyrics. Sometimes we often discover we weren’t exactly singing the correct words.
The lyric video for “I Can Tell By The Cars” proves that not only can Looking Glass War write beautiful music but they can also write thought provoking lyrics as well .
Photo Credit: Coleman Rogers Photography
We can’t wait for more from Looking Glass War,we know it’s going to be great .
The energetic Boston band make a Colorful Statement and deliver the absolute soundtrack to our summer with cassette release today August 18th
Cassette release party is tonight (July 18th) at The Worthen Attic in Lowell.
We were probably 40 seconds into the title track “Vis Viva” from Boston based band Kooked Out when, we declared that if there was an official band for absolute happiness it should be Kooked Out.
Today (August 18th) Kooked Out , proves how freaking cool they are by releasing “Vis Viva” on cassette. “ They are no doubt “A Classic “
Cassettes: Info Tech Media
Cassette release party will take place tonight (July 19th ) in Lowell,Ma at The Worthen Attic with Wildcat Slim and Roser
You can check out “Vis Viva” on Spotify Here and on Apple Music Here
Kooked Out who hail from the Massachusetts town of Stoneham formed in 2013 by guitarist/singer John Fiore,having gone through various lineup changes the band found it’s groove when drummerChris Laskey in 2014.
“Vis Viva” does a phenomenal job of capturing the eclectic vibe and amazing sound that Kooked Out has perfectly crafted . Listening to “Vis Viva” you can’t help but be mesmerized by Kooked Out , we pressed play and 44 minutes and 58 seconds later we felt like we went on a tropical vacation and , we think our blood pressure lowered by a good 20 points.
Photo Credit – Christine Paige Photography
There are so many gems on “Vis Viva” , “The Weekend “ is such and electric and catchy song . ( We were belting it out down the highway in no time ) So many different styles and vibes are on “Vis Viva” there is literally something for everyone.
One track that really caught our ear is “Turning Stones “ perfect vocals with a killer melody- we were hooked (oh the guitar work was straight fire)
The band really showed that they are world class musicians with their cover of “Apache” made famous by the Shadows in 1960 and written by Jerry Lordan.
We always like to pick a favorite when we review an album . It was so difficult on this one but…. We absolutely loved “Who You Gonna Tell” We loved everything about this track , the vocals the retro groove it’s absolutely brilliant.
We, being from a certain era are so psyched that the band is put the recording on tape
We’re psyched to put this album out on cassette,” admits Fiore. “Even in a digital age it just wouldn’t feel right to us without a tangible copy of the record that you can grab a hold of and put into your collection. Growing up we always preferred and loved the ritualistic element of going home grabbing a record, a CD or a cassette tape and putting it on and really actively listening to it. You know, you’re looking at the artwork, the track listing and lyrics, all of which becomes equally as important to you and your experience with that album. You can see it from across the room and know exactly what it is and that’s what we wanted to do with Vis Viva.”
Whether Kooked Out is performing as a duo or a 3-5 piece band , they are definitely a band you need to catch live . And…. If you go see them live you might see their “Kooky Bus” a band branded vehicle that has an epic 60’s vibe
Bus Art – Mackserva (Mackenzie Conserva
No matter how you do it (digital, cassette or live) you need to check out Kooked Out
So normally I don’t get too personal on The Whole Kameese, but I figured what the heck, we’re all friends on here right?
So tonight (August 16th) my daughter, along with her friend and my wife are venturing into Boston to see The Jonas Brothers
So being the music loving dad that I am, I decided to see who the opener for tonight’s show is …. That’s when I discovered Lawrence.
Lawrence is a soul-pop group founded by New York raised sibling duo Clyde and Gracie Lawrence, who have been writing and performing music since childhood.
Now, Lawrence, is an eight piece soul band that has released three studio albums, plus several live and acoustic records.
The song that I discovered is their latest single “I’m Confident That I’m Insecure “
You can listen to “I’m Confident That I’m Insecure” on Spotify Here and on Apple Music Here
After listening to “I’m Confident I’m Insecure” I wonder why I hadn’t checked Lawrence, out sooner . Lawrence has a big and beautiful sound that is headed by the show stopping vocals of Gracie Lawrence .
I more than give the dad seal of approval for Lawrence, we promptly checked out their impressive discography (For dad research, of course)
So do yourself a favor and check out Lawrence and “I’m Confident I’m Insecure I’m Confident confident that you won’t be disappointed.
We told you about Commonwealth Fest earlier in the week . Now you can go and grab your tickets for what will surely be the party of the year ! Details below.
Tickets for Commonweath Fest, a new two-day hip-hop festival curated by renowned Dorchester rapper Cousin Stizz, go on sale today (August 11) starting at 10 a.m. EST. It goes down September 16 and 17 at Bellforge Arts Center in Medfield, Massachusetts, the site of the historic former Medfield State Hospital, part of a blossoming open-air arts space centrally located between Boston , Worcester, and Providence.
Commonwealth Fest lineup features a Saturday headlining performance by Stizz, as well as appearances from a mix of national and homegrown artists like Buddy, Kenny Mason, Tony Shhnow, Michael Christmas, BoriRock, Jiles of Van Buren, Avenue, kei, Clark D, and more; with DJ sets from Alondrugs, Jenno, SuperSmashBroz, and SNAX. Sunday welcomes Providence’s stay silent hosting its all-day SPREAD LOVE FUNCTION with live performances and DJs.
Trust us when we tell you, this going to be one festival you don’t want to miss . You can get your tickets Here
There is this overwhelming mellow feeling on Boston singer-songwriter and frontman for The Cosmic Vultures , Derek Smith’s sophomore release “Obscura” Available via Vermont’s Oak Honest Records.
“Obscura” is the absolute perfect companion for summer. Derek Smith effortlessly and magically has woven an album that is an extraordinary musical experience.
We were immediately drawn to the care free opening track “Everyday” Derek Smith artfully delivers a flawless vocal performance that is surrounded by mystical melodies that seem to melt time and space away .
On “Salem” we are treated to an absolutely other worldly track. “Salem” has a very spiritual presence that is guided by Smith’s voice.
Photo Credit Courtesy Of the Artist
“This record is very ‘glass half empty’. I have that specific outlook on life,” Smith says. “But I am not always a pessimistic person. I get into my moods and then I write. I don’t think I know what it’s like to write a song in a good mood. But I asked myself how I could tell a story with songs without having a linear storyline. I just wanted songs to fill gaps. If my brain was a puzzle, I needed to find the right pieces to make it feel like one complete thought. That is “Obscura” in a nutshell.”
Those moods of which Derek Smith speaks of are the genesis for an album that provides an honest commentary with a chilled vibe .
The mesmerizing guitar work on “Sound is absolutely stellar . The assembled group of musicians that Smith , has on “Obscura” is beyond impressive. Smith is backed by his trusted producer and longtime collaborator Jonathan Chesbro, who also mixed and mastered the album, as well as performing guitar on “Everyday”, and a host of collaborators who help bring his creative vision to life on select songs: guitarists Jeff Dafonte and Dylan Gagnon; bassistsSteve Constantino and Michael Strakus; and percussionist and mixerDalton DeLima.
Our favorite track on “”Obscura”is “Dear Boy “ Derek Smith delivers a flawless and inspiring vocal performance . “Dear Boy” is one of those special songs that you remember long after the music has faded .
Derek Smith closes out the wonderful collection of songs that is “Obscura” with the lush and gorgeous track “Chasing Rainbows” You can really hear Smith’s heart and soul on “Chasing Rainbows” It truly is a beautifultrack .
Like painter with their brush , Derek Smith uses his voice and guitar to create a stunning work of art that is “Obscura”
We recently had the distinct honor to check out the brand new single “How Can I (Resist You)?” from Boston based mod-pop trio and masters of cool The Chelsea Curve via Red on Red records
You can listen to “How Can I (Resist You)?” on Spotify Here and on Apple Music Here
Some things are just instantly cool like Drive-In movie theaters, leather jackets and …. The Chelsea Curve and their killer new single “How Can I ( Resist You “) definitely fit the bill of something that is instantly cool
Photo credit- Joshua Pickering
“How Can I (Resist You)?” is the first taste of new music from The Chelsea Curve since last year’s stunning “All The Things “ and it is freaking brilliant. If you are looking for the best way to spend 3 minutes and 3 seconds of your day….. We think listening to “How Can I (Resist You)?” is your best option.
The Chelsea Curve ( Linda Pardee, vocalistand Bassist, guitarist/vocalistTim Gillis; and drummerRon Belanger) strike at full force with a sound that is sonic perfection paired with an intoxicating melody that is pure rock and roll, you can hear it loud and clear in this song that the Chelsea Curve are having the time of their lives.
“‘How Can I (Resist You)?” is a song of longing and desire, of pining from afar, of an obsessive love… but exactly who, or should I say what, is the mystery. I had a melody line in mind that reminded me a bit of The Lemonheads and Elvis Costello. The melodies for the verses and chorus have a decidedly ’80s bent to them. We went through a few arrangement ideas as a band to get it just right. Lyrically and vocally, I’m singing about yearning/loving from afar and as the song goes on you can hear the narrator getting more and more obsessed.” — Linda Pardee
The Chelsea Curve are just getting warmed up… They crashed the finals of the Rock & Roll Rumble here in Boston and play a trio of New England shows this weekend with UK outfit Sharp Class. New music is on the way this summer and fall…. We can’t wait !
The Whole Kameese 