This Will Destroy Your Ears Are A Band You Need To Know About…

Photo Credit- Craig Szlatoszlavek

French Noise Rockers Reveal Black Flag Live Session ‘I WANT TO WRITE A GOOD SONG’

Taken From Their 2022 Second Album Everybody Knows Mickey

We recently had the amazing opportunity to check out Hossegor, France-based noise rockers , This Will Destroy Your Ears, as they reveal their prolific Black Flag Live Session, performance of “I Want To Write A Good Song” (Spoiler Alert: This song and band absolutely rock!)

You can watch the performance of “I Want To Write A Good Song” below

You can listen to “I WANT TO WRITE A GOOD SONG “Here

Often times when you hear a particular band or a particular song it feels important, as if the universe is saying “Hey check this out!, this is special” We definitely felt this after watching This Will Destroy Your Ears, perform, “I WANT TO WRITE A GOOD SONG”

We were absolutely captivated by the powerful performance from , This Will Destroy Your Ears, we were literally hanging on every note/word

The session comes ahead of the official announcement of a new album due for release in 2025, with further details to be revealed over the coming months

I WANT TO WRITE A GOOD SONG’ is taken from the band’s second album Everybody Knows Mickey, released in 2022 on respected French label À Tant Rêver Du Roi (FR), Cowboy À La Mode (FR) and Brutalist Records (UK).

The album was produced and recorded by Henri D’Armancourt and TWDYE at pARPAINg, Angresse, mixed by Alex Greaves at Nave Studio, Leeds, and mastered by Carl Saff at Saff Mastering, Chicago.

Conceptually, ‘I WANT TO WRITE A GOOD SONG’ is built around a series of song titles the band would have liked to have written, including 31 influences from the Pixies‘ ‘Debaser‘ to the Talking Heads‘ ‘Psycho Killer‘, not forgetting Johnny Cash‘s ‘Man in Black‘, The Murder Capital‘s ‘Green & Blue’ and IDLES‘ fabulous ‘Colossus‘—a noisy anthem to the artists TWDYE love so much.

Photo Credit- Craig Szlatoszlavek

Filmed by Loula Productions (already responsible for the group’s excellent ‘Coffin For Two’ video on a fishing boat) at the Black Flag in Seignosse in the middle of winter, this live session was conceived as an obvious counterpoint to the exercise. The trio had fun simulating an audition organised by the bar to find a house band for the coming summer, finding themselves in front of a meagre five people who are less than enthused (the zooms on the faces of the protagonists speak for themselves…) while they hammer through the single as if nothing had happened.

If you want to see the band live with more than five people in the room, you can choose between the two French dates in March, or wait until the band announce their Autumn 2025 UK tour dates later this year. 

This Will Destroy Your Ears, is a band that you need to pay attention to. We can’t wait to see what they do next.

Live Dates:

05.03.25 – Bordeaux – Rock School Barbey – Les Inrocks Festival 2025 (w/ Fat White Family) 
07.03.25 – Annecy – Festival Hors-Pistes (w/ Shannon Wright and Quentin Sauvé

Canyons And Locusts Paint An Absolutely Gorgeous Melodic Masterpiece With “The Goal Gigolo”

All music compositions start the same , a blank undefined thought that finds life and melody , that is then shared with the world . Boston and phoenix melodic noise rock duo , Canyons And Locusts, deliver to the universe and beyond, their striking concept record The Goal Gigolo today, (Friday, February 21) , about a ’70s-era anti-hero who can’t seem to escape his own past misfortunes. 

You can listen to , “The Goal Gigolo” on Bandcamp Here

At the core of the beautiful noise and fuzz that is feverishly front and center on “The Goal Gigolo” , from Canyons And Locust , is the cinematic and musical greatness that makes , “The Goal Gigolo , shine.

“The Goal Gigolo” draws together several storytelling narrators underneath the duo’s unhinged wall of fuzzed-out rock and roll. It fully realizes an unfurling narrative from vocalist, guitarist, and bassist Justin Keane and drummer Amy Young that began in November with the release of the gritty, confrontational, and catchier-than-an-attitude lead single “Anna Save A Life” and last month’s anthemic, ebullient, and riff-fueled “Day of the Canyon.”  

The Goal Gigolo, tabbed by WBUR, Boston’s NPR, as one of the most-anticipated New England records of the winter, and after a deep listen, we completely agree. There is no reason, why “The Goal Gigolo” should be on a gazillion different “Best Albums” of 2025.

From the opening note on “Have To Fire That Goal Gigolo” , it is crystal clear that Canyons And Locusts have harnessed musical nirvana.

Broadly speaking, The Goal Gigolo is the story of a guy who makes his living solving others’ emotional problems while trying not to get entangled with them romantically,” says Keane. “It’s set in the 1970s, so I guess we weren’t calling those people life coaches yet.” 

And like most moments of inspiration, the seeds of the story first came to Keane in a dream.

It sounds made up, but scout’s honor truth here – I had a really vivid dream about a guy named The Goal Gigolo, and the dream was very much sepia-toned and ‘70s feeling, so much so that when I woke up I slapped the details into ChatGPT for fun and asked it to come up with an imaginary show pitch. Then a couple of hours later I was like… wait… an ALBUM!” 

Courtesy of the band

The cinematic saga of The Goal Gigolo, like some kind of distant cousin to Robert Altman’s film The Long Goodbye, plays out like the latest hit Netflix drama we all binge-watch over a weekend and talk about with coworkers on Slack or Teams come Monday morning. 

Every song on “The Goal Gigolo”, from Canyons And Locusts are energetic sonically perfect gems that feature the thunderous and powerful drumming of Amy Young and the one of kind and authentic voice and fuzzed out guitar genius of Justin Keane.

The well woven story in “The Goal Gigolo” had us literally hanging on every word . Besides the lead single, “Anna Save A life” and the follow up , “Day Of The Canyon “ , we found ourselves gravitating towards other stellar tracks such as , “Trapped In Trigger, “Here Come The Buzzards “, and “Take Me Back Lee’s

It was Justin’s dream, but easy for me to connect with – the songs tell the stories,” Young adds. “It’s a journey, and watching journeys unfold is fascinating. It’s a movie that I see in my mind based on Justin’s words. I got to help add a soundtrack to this guy’s goings-on. What’s not awesome about that?” 

Picking a favorite track, on an album like , “The Goal Gigolo “, is next to impossible, however the one track that really stood out to us was…. “Motorwall Oil” , this is Canyons And Locusts, at their absolute best . ( The drum and guitar sounds they were able to create are absolutely otherworldly) Everything about this track is spectacularly magnificent. The one thing that really stood out to us on “Motorwall Oil” , how both Young and Keane were almost cosmically connected.

“I listen to what he’s telling me,Young says. “We’ve known each other and played together for a long time, so generally, I know where his core is at – the nature of where he’s coming from. If not, we’ll talk about it, and then it’s about thinking about how to bring that to life sonically — but also not overthinking it because we leave a lot for the moment when we just play each song and let that give it a lot of its life. And that is really exciting. It starts with him bringing something to me, and then it becomes a glorious conversation.”

“The Goal Gigolo “ , was Produced by Justin Keane and Ethan Dussault. Recorded and mixed by Ethan Dussault at New Alliance Studio in 2023, 2024. Mastered by Nick Zampiello at New Alliance East, 2024

Star 99 Is In Full Bloom With New Single, “Pushing Daisies”

We recently got the stellar opportunity to check out the new single, “Pushing Daisies “ , from Bay Area indie punk quintet, Star 99.

“Pushing Daisies”, will be included on Star 99’s upcoming sophomore album, Gaman, which drops March 7 via Lauren Records.

You can listen to “Pushing Daisies“ on Spotify Here , Apple Music Here

Photo by: Ishan Ghoshal

Following the release of lead single “Kill” last month, “Pushing Daisies” tells a story of a phone call gone wrong over the band’s fuzzed-out driving guitars and hooky melodies. “It’s a song about bad communication and losing faith in people,” says Thomas Calvo.

Pushing Daisies “, from Star 99 is a sonic and melodic dream. Star 99, has created an absolute work of art .

Since forming in 2021, Star 99—formed by four best friends Saoirse Alesandro, Chris Gough, Jeremy Romero, and Thomas Calvo—has come a long way since their humble beginnings. Their debut album, Bitch Unlimited (2023), introduced their high-energy sound to a wider audience, earning praise from outlets like Stereogum, BrooklynVegan, and Consequence. With Gaman, the band expands their sonic palette, blending high-energy indie rock with more delicate moments, reflecting on relationships, persistence, and personal growth. 

You owe it to your punk loving heart, to check out “Pushing Daisies“, from Star 99.

STAR 99 TOUR DATES:

  • 3/15 – Chicago, IL @ Subterranean
  • 3/16 – TBA
  • 3/17 – Pittsburgh, PA @ Mr. Roboto Project
  • 3/18 – New York, NY @ Gold Sounds
  • 3/19 – Philadelphia, PA @ Ortliebs
  • 3/20 – Washington, DC @ Quarry House Tavern
  • 3/21 – Raleigh, NC @ The Nest
  • 3/22 – Nashville, TN @ TBA
  • 3/23 – Memphis, TN @ Growlers
  • 3/25 – Denton, TX @ Tom’s Daiquiri
  • 3/26 – Austin, TX @ Chess Club
  • 3/27 – Oklahoma City, OK @ Resonant Head
  • 3/28 – Denver, CO @ Seventh Circle
  • 3/30 – Salt Lake City, UT @ Parker Theater
  • 3/31 – Reno, NV @ Holland Project
  • 4/2 – San Jose, CA @ Open Gallery
  • 4/4 – Berkeley, CA @ 924 Gilman
  • 4/5 – Los Angeles, CA @ GROWING UP IS DUMB

Canyons And Locusts Charge Into The New Year With Powerful Rifftastic , Melodic New Single “ Day Of The Canyon”

We recently had the fantastic opportunity to check out the earth shaking new single “Day Of The Canyon “ from the Boston and Phoenix melodic noise-rock duo, Canyons And Locusts You can listen to “Day Of The Canyon” on Spotify Here, Apple Music Here

It is the second offering from the band’s forthcoming discordant anti-hero concept album, The Goal Gigolo, which boils to the surface on February 21 and was tabbed by WBUR, Boston’s NPR, as one of the most-anticipated New England records of the winter. The album draws together several storytelling narrators underneath the duo’s unhinged wall of fuzzed-out rock and roll, and carries an unfurling narrative that began in November with the release of the gritty, confrontational, and catchier-than-an-attitude lead single “Anna Save A Life.” 

There is such a commanding presence on “Day Of The Canyon “ from Canyons And Locusts. The sonic and melodic elements on the track complement each other perfectly.

Courtesy Of The Band

At its magnetic core, stripped of all the meaning and clues buried beneath lyrics and the Canyons and Locusts sound, “Day of the Canyon” is a declaration. It finds vocalist, guitarist, and bassist Justin Keane and drummer Amy Young locked into an adrenalized harmony, crafting their chaotic cacophony of sound – and ultimately, a storytelling vision – that extends far beyond the imagined capacities of two musicians currently situated on opposite sides of the country, leaning on a shared chemistry that belies their physical 2,700-mile separation. 

“This is a song of arrival,” says Keane. “That’s the capstone lyric: ‘We have arrived’. Stepping off the plane and into the sun. Take your pictures and flash your bulbs. Game on.” Young agrees, adding: “It truly does come down to those three words. We are comfortable in our skin as a band in a very exciting way. We’ve kept the power from past lessons, shed the rest, and are here for all of what is now and what’s next.” 

“Day Of The Canyon” from Canyons And Locusts is a musical triumph that shines the spotlight on impressive musicianship and music at it’s absolute best , find your favorite listening spot and get lost in the musical brilliance of Days Of The Canyon”

meg elsier Delivers Indie-Rock Perfection With Debut Album “spittake”

photo credit: Jacq Justice (artwork & press photo)

We recently had the privilege of checking out the debut album “spittake” from Nashville based indie-rock artist meg elsier

You can listen to “spittake” Here

Rising indie-rock artist meg elsier reveals her highly-anticipated debut album, spittake, and we think it is positively amazing.

Blending elements of grunge, contemporary pop, folk, and indie-rock, spittake showcases meg’s ability to create dynamic, versatile, and effortlessly catchy music. Across the album’s 11 tracks, she delivers musings on love, death, nostalgia, youth, anxiety, depression and everything in between, with a uniquely self-deprecating touch. “spittake” is one of those magical/ special records that stay within your soul.meg elsier has such a beautiful and unique sound that you can’t help but take notice.

photo credit: Jacq Justice (artwork & press photo)

The story isn’t necessarily linear,” she explains. “But the main connection throughout is this unreliable narrator that you as a listener determine your view/trust of. They are incredibly inconsistent with their statements but I believe they think they’re telling the truth.”

All of the songs on spittake were solely written and demoed by meg over the last few years. She later collaborated with Nashville-based producer Ryan McFadden to record the final product while still maintaining the DIY spirit of the album as a whole (the lowercase, uncapitalized song titles are a nod to the original demo names). 

The delicate balance of noise and music was beautifully blended on spittakemeg elsier delivered an absolutely magnificent vocal performance throughout “spittake”

We loved the tenderness of the title track “spittake” and reveled in the beautiful crunchy noise of “iznotreal” One of the highlight tracks is the single “ifshitfuq” where we feel meg absolutely shines . If we had to pick a favorite track ( which is next to impossible to do ) we would choose “youngestchild” The vocals and melody on “youngestchild” are exactly why we love music- Bravo

Many artists tend to craft an album that is one sided however, on “spittake” meg elsier brilliantly makes each track memorable and unique.

Do yourself a favor and check out the debut album “spittake” from meg elsier it is an absolute can’t miss.

Upcoming Tour Dates:
November 6 – Detroit, MI @ Lager House*
November 7 – Toronto, ON @ The Baby G*
November 8 – Montreal, QC @ Cabaret Foufounes* 
November 9 – Burlington, VT @ Radio Bean*
November 11 – Somerville, MA @ The Rockwell*
November 13 – Philadelphia, PA @ Johnny Brenda’s*
November 14 – Brooklyn, NY @ Baby’s All Right*
November 15 – Pittsburgh, PA @ Club Cafe*
*supporting Finom

Mutes Deliver An Absolute Gem With Latest Single “Barely Living Proof “

Barely Living Proof” comes ahead of fourth studio album “…buried where you stand

From tone,style and sound “Barely Living Proof “ from Birmingham (UK) post-punk /noise rockers Mutes . (JamesVocals/GuitarsKeys, Tom HewsonBass and Craig Bainton, Drums)

You can listen to “Barely Living Proof “ Here

 

Mutes are more than a band … they are three highly skilled expert musical craftsmen, who delicately construct breathtaking melodies that are honestly otherworldly. “Barely Living Proof is an absolute gem.

What is remarkable about “Barely Living Proof” and the upcoming album “…buried where you stand” is that the trio recorded almost completely live . The single is a dynamic meandering through existential crisis – a topic the band cover a lot throughout the course of the album, due for release May 17th.

The band comments: Our goal when writing and recording ‘…buried where you stand’ was to capture the essence of our live sound in the most honest manner possible – this meant all tracking in a room together with very little separation between instruments, and minimal overdubs. Our ‘Albini record’, if you will. 

Barely Living Proof, is the 3rd track to come from “…buried where you stand”, and is absolutely stunningly perfect. Treated piano and vocals loops lurk beneath chromatic musings, until the sober tone gives way to a jarring out-and-out post-punk assault, with dual drum kits and dissonant noise bringing the song to its stark conclusion.

We are completely mesmerized by Mutes , they are most certainly a band to keep your eye on .

“SOO All The Way” From Canyons And Locusts Is SOO Wicked Good!

Artwork: Amy Young

We recently had the amazing opportunity to check out the latest single “Soo All The Way” from Boston+Phoenix noise rock band Canyons And Locusts .

You can listen to “Soo All The Way” on Spotify Here and on Apple Music Here

Those of you who are regular readers of The Whole Kameese know that we say what we mean and mean what we say . The new single “Soo All The Way” from Canyons And Locusts is an absolutely phenomenal new song that, should be required listening for all music lovers.

Soo All The Way,” the punchy new single from Canyons and Locusts, is crashing the streams today , Friday, January 19.

And that extra “o” in the title’s “Soo” is certainly deliberate, as it’s a shoutout from the Boston and Phoenix noise-rock duo to Sault Ste. Marie, the international border cities of Michigan and Ontario – dubbed the “Soo” – that have a special place in the heart of Canyons and Locusts’ guitarist and vocalist Justin Keane. His fuzzed-out guitar riffage and gritty vocal howl pairs perfectly with drummer Amy Young’s thunderous and propulsive beat, allowing the duo to showcase what they do best in a robust 131-second runtime.

Photo Credit: Courtesy of Canyons and Locusts

For my work, I am part of a mentoring group based out of Sault Ste. Marie – and through that group I’ve met some of the coolest and nicest people in my life,” Keane says. “One of the things they mention is that while the winters can be pretty long – and rough, but also beautiful – the summers are so lovely and the time when many folks take to their cabins and camps and cottages for vacation. So, thematically… it’s just about that cycle of going inward in the winter and outward in the summer – going ‘Soo All The Way.’”

The Boston-based Keane feels a special kinship with Sault Ste. Marie, as New England’s seasons have the same type of extremities. And the dual elements and dichotomy of environments is certainly a key element in the music of Canyons and Locusts, as not only do the duo merge noisy, unhinged guitar-rock with a melodic and calculated spirit, but Keane’s Boston weather is usually at odds with the desert landscape of Young’s home out in Phoenix, Arizona.

“Generally, Justin will let me know when he has a batch of songs in the works and what he’s thinking about for a song,” Young notes. “Even though he’s writing the songs, I often feel like the records can pertain to the general ongoing conversations we have, in mood and tone. It’s never not relatable and it’s always a guide.” Adds Keane: “This was a song with a winter riff/verse and a summer chorus. Amy has this way of just getting things I haven’t been able to crystallize yet and it’s just perfect and moves the song where it’s meant to go.”

This theme of duality is reflected in the “Soo All The Way” artwork, designed by Young, which features fallen snow across cacti and agave plants as city buildings and majestic mountains loom in the distance. The physical separation between the two Canyons and Locusts players does not hinder their creative chemistry, however.

There are so many times that we can get what the other person means without a long explanation,” Young admits. “Sometimes it’s a word or a reference to something and then it informs how we move forward. In this case, I immediately felt the vibe of Sweet’s ‘Love Is Like Oxygen’, and telling Justin that gave me an idea of where I wanted to go with the beat. It just clicked into place. Living far away from anyone you want to create and hang out with isn’t always ideal but it’s not uncommon these days. We have the technology, you know. For Canyons and Locusts, this, in some ways, allows us to maximize our creative time – and we do. We can schedule blocks of time to do shows or record. We never complain about any of it, as we’re just driven to move full steam ahead.”

Co-produced by Keane alongside Ethan Dussault and recorded at New Alliance Audio in Somerville, “Soo All The Way” is the third single from Canyons and Locusts’ forthcoming EP, The Red Angel, set for release on March 15. The EP is dedicated to, and named after, the late Red on Red Records founder and Boston music scene champion Justine Covault, who personally signed the band a few years back and released through Red on Red their 2022 album Roll The Dice. The band were in the midst of recording this batch of new songs last summer when Covault unexpectedly passed away; left without a label home, Keane and Young decided to self-release the EP in her honor.

We are so excited for the forthcoming EP, “The Red Angel” Canyons And Locusts bring a real energy with their music that is both genuine and authentic. They say music is the highest form of expression… With “Soo All The Way” – Canyons And Locusts have created an absolute gem.

Oslo Norway’s Hammok Release Explosive New Single + Video (“SÉANCE”)

We recently had the opportunity to check out the new single SÉANCE via Thirty Something Records from Oslo, Norway’s – Hammok

You Can listen to “SÉANCE” on Spotify Here

You can also check out the video below

What seemingly sounds like a simple drum and bass track SÉANCE” quickly becomes one of the most explosive tracks we have heard in quite some time .

Hammok presents “Seance”, the latest taste of their upcoming debut album “look how long lasting everything is moving for one”. The single is served up with an explosive one-take music video produced in the childhood home of vocalist Tobias Maxwell Osland.

Seance” shows the band’s most direct side yet. The song barely rounds out two and a half minutes and at that time gives you a masterclass in hardcore chorus flair. The soundscape is controlled by a constantly forward-propelling drum machine and a metallic synth bass where vocalist Tobias Osland is given plenty of room to dominate the listener’s eardrum.shows the band’s most direct side yet. The song barely rounds out two and a half minutes and at that time gives you a masterclass in hardcore chorus flair. The soundscape is controlled by a constantly forward-propelling drum machine and a metallic synth bass where vocalist Tobias Osland is given plenty of room to dominate the listener’s eardrum.

With fragmented images inspired by horror films and occult traditions, “Seance” brings out a deeply dark and disturbing reality where the protagonist finds themselves in their worst nightmare. A feeling of being haunted or persecuted, a life where your reality is terrorized. Where it all began, in a SÉANCE

We are always asked “What’s New and Fresh In Music?…. Look no further than Hammok and “SEANCE”