We recently had the glorious opportunity to check out BIRD and her amazing cover of Bob Dylan’s “Lay Lady Lay”. You can listen to “Lay Lady Lay” Here
Janie Price aka “Bird” is an award winning, half English, half Irish singer/songwriter and multi-instrumentalist.
Known for her ethereal vocals and genre-defying compositions, BIRD builds an immersive soundscape using delicate finger-plucked ukulele and banjo, wrapped in dreamlike cinematic textures and underpinned by her unmistakable voice.
We are absolutely enthralled with the artistry of Bird her inspiring version of Bob Dylan’s, “Lay Lady Lay”
. Her upcoming EP Strange as Folk will roll out throughout the autumn, alongside her directorial debut—a short documentary about Roy Orbison titled You Found A Friend in Elvis. In support of her new music she will be playing dates added to her successful CAFFENERO “artist of the month” UK tour and other UK venues late November /December 25. Then January 2026 she heads to the USA for her first full tour which will include an official showcase for Folk Alliance in New Orleans 21-24 Jan.
You most definitely owe it to your music love to check out the beautiful and flawless cover of Bob Dylan’s“Lay Lady Lay “ from Bird.
Dirt Road Souls, have composed a sound and vibe, on their latest single, “Hold On Soul”, that will keep your music loving soul happy for days. You can listen to “Hold On Soul” Here
Boston based trio Dirt Road Souls, has “It” You might not know what it is …. But you know “It”, when you hear it…. And, we hear it loud and clear on “Hold On Soul”
Courtesy Of The Band 
Acting as a portal to a larger world, “Hold On Soul” and its blend of yearning Americana, country rock, and Southern gothic bring us into Dirt Road Souls’ unfurling tale of (The Life and Times of) Johnny Moonshine, an ambitious 12-track concept album and roots rock opera set for release in early 2026.
Chronicling the rise, fall, and enduring spirit of a small-town rebel with big dreams and a bigger heart, told through the lens of a close friend and narrator, the record follows the mythic arc of Johnny Moonshine — a backroad dreamer, moonshine runner, romantic, and overall tragic figure. It’s a poetic odyssey of freedom, failure, and redemption, all wrapped around an arsenal of memorable hooks and melodic storytelling.
Few new bands would take on something as enterprising and aspiring as (The Life and Times of) Johnny Moonshine to mark their debut album, but Dirt Road Souls – composed of Boston music scene veterans Davis Black (The Inebriations), Rick Weden (Shotgun Waltz), and Brian Sargent (Black Cat Crossing) – felt the time was right to tell the tale.
“‘Hold On Soul’ was first written many years ago when I had left my small town and gone off to start a life in Boston,” Blackadmits. “After high school and college years I’d often return to my small town to recharge – and get drunk with my friends who didn’t leave town. These lyrics come from the culture shock between the two places. The stress of the city vs. the simplicity of the small town was very real for a little while.”
Heartfelt, authentic and cinematically perfect… We were blissfully hanging on every word on “Hold On Soul” from Dirt Road Souls … and you will be too
We recently had the incredible opportunity to check out the new EP, “The Norfkl Tapes “, from British, singer-songwriter , Ben Denny Mo . You can listen to “The Norfkl Tapes” on Spotify Here and on Apple Music Here
Ben’s journey has taken him from the Norfolk countryside to the island of Gozo, where the warmth of the Mediterranean seeps into his music. His sound blends acoustic folk, pop, and soul with a storyteller’s touch — often compared to Jonah Kagen, Dave Matthews Band, and John Martyn.
The Norfkl Tapes is an 8-track collection that captures the highs and lows of relationships, from the thrill of new love to the pain of letting go. The record was shaped by Ben’s experience with dyslexia, which first led him to songwriting as a way to express what words couldn’t.
The eight beautifully crafted songs on “The Norfkl Tapes, shine a deserving light on an artist in Ben Denny Mo, who has a one of a kind sound that simply can’t be ignored.
“The Norfkl Tapes, is the kind of EP, that you can press play and let it run all the way through without skipping a single song.
Thematically, The Norfkl Tapes traces the highs and lows of relationships—love found and lost, the thrill of new romance, and the wreckage of toxic connections. Songs like “In The Breakdown” and “You and I” wrestle with the pain of letting go, while “September” celebrates fleeting love and tender memories, and “Lay Me Down” talks of falling in love, but having to let them go for the good of both of you. Others, like “Asylum”, widen the lens to the struggles of people Ben has observed around him, while the vibrant “Change My Eyes” and myth-inspired “Medusa” bring playful energy to the collection.
The record is shaped by my dyslexia,”Ben shares. “It was the reason I turned to music in the first place. At school, I wasn’t allowed into certain classes because they didn’t understand dyslexia or think I was smart enough. Picking up a guitar showed me that none of that mattered.” The title, The Norfkl Tapes, reflects this part of his story, offering a subtle nod to the misspellings that once defined his struggle, now reclaimed as a source of strength.
When not writing or performing, Ben works as a chef on Gozo, feeding the soul in more ways than one. His story is one of perseverance and self-belief: of turning obstacles into art, and of finding light, rhythm, and connection in the breakdowns.
You owe it to your music loving heart to get lost in the musical goodness of “The Norfkl Tapes” from Ben Denny Mo
We recently had the distinct honor and privilege to check out the debut album , “The Fall”, from Boston-based Americana and indie-folk band, Wayward Vine. You can listen to “The Fall” Here
Right from the first note onthe opening track “The Fall “ ( which also happens to be the title track) We felt an instant connection to the authentic and heartfelt
Consisting of eight prior singles dating back to last October, including August’s spellbinding “Dancing On Your Basement Floor,” and paired with three new previously-unreleased compositions, The Fall is a declaration of purpose from the project led by Valerie Rachel (vocals, violin, keyboards, Hammond organ, and tambourine) and Greg Lawrence (vocals, guitar, percussion, harmonica), a pair of songwriting partners whose delicate harmonies and gentle rhythms belie lyrical themes of heartbreak, obsession, and the panoramic range of emotions involved in family relationships.
The Fall is not just the title of the album; it’s a snapshot of life, frozen in time. And it reflects something larger for the duo, who balance day jobs, families, and other commitments alongside being in one of Boston’s most exciting new Americana bands.
When you think about the moment when summer shifts to fall, for example, there is often the feeling of being at the edge of a moment when you don’t know what the next moment holds, and that’s often accompanied by melancholy, or sometimes an exciting anticipation,” says Rachel, a classically trained vocalist, violinist, and pianist. “But we also wanted to more broadly incorporate moments of change and evolution as they relate to the feeling of seasons changing.”
She adds: “In choosing The Fall for the title, more than just featuring one of the names of the tracks and a season of the year in which the album happens to be emerging, we thought this was a representation of everything the word can mean that occurs thematically in our songs. The Fall also references a loss of innocence and a shift in mental state, all in one title.”
Subtle references to seasonal themes permeate through the album, where Wayward Vine’s knack for emotionally-driven storytelling and heartfelt narration of life’s tender and most personal moments are soundtracked by a casual encompassing of sound, balancing solemnity and euphoria, that has earned comparisons to The Head and the Heart, 10,000 Maniacs, and The Civil Wars.
Every song on “The Fall” from Wayward Vine, feels like an emotional springboard that settles perfectly into a cornucopia of emotions, that leave the listener full with musical goodness.
The lyrics and theme of the song encapsulate my family’s experience around 2020 and into 2021, when time seemed to go very slowly yet everyone’s emotional experience seemed heightened,” she says. “I found a lot of solace in nature during that time, especially through hours in my backyard where I saw my kids gain a lot of resilience and even though this wasn’t the world or childhood we envisioned for them. I think the melody and lyrics of the song capture both emotional pain and suggest a hopefulness and support system that we as humans need to get through our toughest moments.”
Recorded and mixed by David Minehan at Woolly Mammoth Sound in Waltham, with additional recording, mixing and mastering by Will Holland at Chillhouse Studios in Charlestown, the rest of the album plays out in the same kind of magnetic way. There’s a push and a pull to the music of Wayward Vine, and a certain intimacy in its lyricisms that most new bands generally shy away from.
The one track that really caught our attention, was the closing track, “Imperfect Begins” We were immediately drawn to the phenomenal show stopping melody of , “Imperfect Begins” We were hanging on ever beautiful note and word.
Music is for the soul…. We guarantee that after listening to “The Fall” from Wayward Vine, your music loving soul will be plenty full.
We need to be clear … listening to the debut solo single , “Kneejerk”,from Canadian-born, Bristol-bred, London-based singer/songwriter and multi-instrumentalist, Noah Villeneuve is a musical experience that every music lover needs to experience.
Noah Villeneuve, known for his unique brand of melancholic indie-folk, emotive vocal style and achingly honest lyricism.
Villeneuve’s music is marked by a deep vulnerability in his storytelling, crafting melodic earworms and a compelling soundscape that is captivatingly catchy. His acutely introspective yet universally relatable songs blend elements of folk, alt rock, lo-fi pop and emo-americana textures.
With an extensive touring history and many years of experience performing with bands in the UK’s underground music scenes, Villeneuve emerges from a period of quiet, a pause taken to reclaim and focus his personal life, including getting clean and sober, with his first solo project. His forthcoming 2026 album details that journey and the complex lessons learned through intense reflection and personal inventory.
Villeneuve’s writing delves into themes of romanticism, loss, mental health, yearning, memory and self exploration through the lens of codependent modern love. His upcoming debut single ‘Kneejerk’, has been described as ‘beautifully intimate, heartbreaking, mystical, indie-folk brilliance’, reminiscent and clearly inspired by the likes of Cohen, Kozelek, Smith and Berninger.
Describing the lyrical inspiration behind the song, Villeneuve explains, “Have you ever gone through a heartbreak with someone that you shared an arguably unhealthy codependent relationship with? Kneejerk is about grieving those mistakes of the past with a curiosity in the present and hope towards the future. It’s putting a mirror up against some of your wrong footing and acknowledging your flaws. Experiencing deep wonder of where that person is now, what they are doing, and feeling that ‘kneejerk reaction’ to call them or reach out for your phone expecting to see that message that never actually arrives.”
We recently had the delightful experience to check out the new EP, “Growing Pains”, from rising Brooklyn – based artist Anaïs & The Hoops. You can listen to “Growing Pains” Here
We here at The Whole Kameese… love music… We live it, breathe it with every fiber of our being. So when we hear something that moves us, we want to scream it from the rooftops and share it with the universe. This is definitely the case with the stunning new EP, “Growing Pains” from Anaïs & The Hoops.
We were immediately taken by the timeless and fresh vibe of Anaïs & The Hoops.
Anaïs & The Hoops is the project of Brooklyn-based, San Diego-raised singer and songwriter Anaïs Lund. She got her start performing in jazz clubs and restaurants before finding her own musical footing in 2019, when she began writing the songs that would shape her project, Anaïs & The Hoops. With her jazz-inflected vocals, sharp yet vulnerable lyrics, catchy pop melodies, and a captivating retro aesthetic,
On Growing Pains, Anaïs channels her signature fusion of indie-pop, jazz, and folk into a collection that’s nostalgic, playful, and brimming with authenticity.
The six-track EP has been three years in the making for Anaïs. Along the way, she brought in producer Ben Coleman, as well as her bandmates and fellow New York musicians, to give each tack its own collaborative imprint. That spirit of collaboration extended beyond the band, with her mother helping refine the lyrics of her first French-language song, “Passe le temps,” and a poem by her friend Alex Brady becoming part of “Cool.” “It’s been fun to cobble together,” she shares. “Basically, every song was touched by someone in or around the live band.”
Across Growing Pains, Anaïs explores themes of identity, nostalgia, and self-discovery. The songs capture the tension of growing up while still wanting to hold on to the kid you once were. “These songs were some of the first I wrote that truly felt like me,” Anaïs says. “Most of these songs came together after I moved from California to New York, at a time when I was figuring out who I wanted to be. That chapter of my life gave me the chance to embrace the traits and experiences that now define me as both an artist and a person.”
Every song on , “Growing Pains”, from Anaïs & The Hoops is a heartfelt gem that we absolutely cannot get enough of . However, the on song on the EP, that we absolutely are completely head over heels for is … “Stick to the Script”, we honestly can’t say enough about this flawless and melodic work of art … We are completely and utterly smitten.
You owe it to your music loving heart to check out the brilliant new EP, “Growing Pains” from Anaïs & The Hoops.
Debut album ‘The Fall’ set for release on September 19
We recently had the magnificent opportunity to check out the glorious new single, “Dancing On Your Basement Floor “ , from Boston indie-folk and Americana band,Wayward Vine. You can listen to “Dancing On Your Basement Floor” Here
We felt an immediate connection with “Dancing On Your Basement Floor “, from Wayward Vine .The words and melodies had us on the edge of our seats as if we were watching cinematic greatness unfold on the silver screen.
Photo Credit: Diana Levine Photography
“Dancing On Your Basement Floor”, is the latest hypnotic effort from the Bostonindie-folk and Americana band, composed of core songwriters Valerie Rachel (harmony vocals and keys) and Greg Lawrence(vocals and acoustic guitar) and a backing band that on this track features Jim St. Pierre on percussion; Boston scene veteran YoniGordon on electric guitar; and Jose Downes on bass.
Some songs have a curious way of hanging around long after the music has faded , “Dancing On Your Basement Floor”, is definitely one of those songs .
“‘Dancing On Your Basement Floor’ is the encapsulation of a moment in time that is really beautiful but also short-lived,” says Rachel, a classically trained vocalist, violinist, and pianist. “The story of the song reflects the longing and excitement associated with a newer relationship that isn’t always replicable but usually leaves a mark.”
Lawrence agrees, adding: “It’s about an intense relationship captured at a moment in time where the relationship has come to a crossroads – do we continue and take it to the next level or do we walk away? Like most romantic relationships, there’s a simple and beautiful innocence to it in the beginning before things escalate and become more complicated. At its core, ‘Dancing’ is a pure love song, with notes of desperation, internal conflict, and sexual intensity mixed in for good measure.”
Produced by David Minehan, recorded at Woolly Mammoth Sound in Waltham, and mixed and mastered by Will Holland at Chillhouse Studios in Charlestown, “Dancing On Your Basement Floor” also serves as a compass to Wayward Vine’s debut album, connecting recent releases with new compositions. The long-player will wrangle up the band’s seven prior singles dating back to only last December, including a trio that have emerged so far this year in January’s “History,” March’s “Implode,” and May’s“End of May.” Four new tracks round out the album, where snapshots of modern life are filtered through Rachel and Lawrence’s acute songwriting lens.
Don’t leave your music loving heart out in the cold, you owe it to yourself to check out “Dancing On Your Basement Floor “ from Wayward Vine
Last week we had the extreme privilege to check out the debut single. “Candied Ginger”, from rising NYC, based singer-songwriter, Maggie Kane . We felt an instant connection with Maggie’s authentic and genuine vibe that came shinning through on “Candied Ginger”
Now Maggie , has gifted us with a sparkling visual companion for “Candied Ginger” featuring Ariel Arellano . You can watch the video below
The woodsy and waterscape backdrop suites the cinematic “Candied Ginger “ perfectly .
Maggie, who roots are in the theatre. absolutely shined in the video. Kane is the co-creator and lyricist of “this old haunt”, a folk musical and 2025 O’Neill semifinalist. Previously, it has had an academic premiere at Carnegie Mellon University, workshopped through NYU’s Tisch New Theatre, Fort Salem Theatre, as well as participated in the Latiné Musical Theatre Lab and Prospect Theater Company’s New Musical Mixtape concert.
It is clear that Maggie Kane, puts her whole heart in all her artistic endeavors, and the magnificent video for “Candied Ginger” is no exception.
You can listen to “Candied Ginger” on Spotify Here and on Apple Music Here
We were simply over the moon, to check out the new single, “Felt”, from Boston, based farm-emo band, Tiberius. “Felt”, is the second single from the upcoming , ‘Troubadour,’their label debut album, via Audio Antihero. You can listen to “Felt” on Spotify Here, Apple Music Here
The well constructed backbeat on “Felt”, immediately got our attention. Wright’s vocal performance is an absolute thing of beauty , combined with the well formed melodies. Tiberius, have an instant hit on their hands.
Originally a solo project for Brendan Wright (they/them), Tiberius has evolved into a catchy and cacophonous four-piece, producing what Wright calls “Farm Emo.” This expanded lineup of Wright, bassistKelven “KP” Polite (he/him), drummerSam Blumenstiel (he/him), and pedal steel player Pat King (they/them) blends Indie Punk, Alt Country and Psychedelia with confessional, yet conversational and relatable songwriting.
Commenting on the song, Wright shares:
“When I wrote Felt, I was fairly fresh out of a breakup and was spending a lot of time looking for distractions. Instead of tackling some bigger questions and engaging in a healthy recovery, I was tucking away my feelings into compartments and distracting myself with casual dating. I was spending some late nights slipping into the backstories of strangers’ lives – exhilarating, but merely theatrical. It never eased the issue at hand. I was alone, and I was terrified to sit with that.“ – Brendan Wright (they/them)
Photo credit- Zoe Hopper
“Felt”, from Tiberius, is a song that you need to hear.
We were first introduced to the musical wonderment that is Izzy Mahoubi, back in April, with her single , “Wanted” . Izzy has now given us an absolute musical masterpiece, with her glorious new single , “Good” ( SPOILER ALERT: It’s better then “Good” it’s phenomenal)
Folk/Americana artist, Izzy Mahoubi who hails from Phoenix, Arizona, artfully blends influences from The Beatles and Fiona Apple, Izzy creates her own soulful folk sound with elements of classic rock.
Izzy, has a real authentic writing style, that feels like she’s talking to a friend- disclosing deepest insecurities and unafraid to share blunt, sometimes comedic, details.
At just 20, Izzy has built a name for herself the last few years opening for artists around America such as Adam Melchor, Em Beihold, LAUNDRY DAY, Mt Joy, and more.
Listening to Izzy Mahoubi sing is a one of a kind musical experience that is on full display with her powerful new single “Good”
Go find your favorite music listening spot and get lost in the musical goodness of “Good”, from Izzy Mahoubi.
We recently had the stellar opportunity to check out melodically pleasing single, from New York City, based Zack. , which is the solo music project of composer, songwriter, musician, and producer, Zack Schiavetta.
You can listen to “Pictures” on Spotify, Here , Bandcamp, Here
You can also check out the stunning video directed by Andres Ayacedno, below
Zack. has triumphantly rereleased “Pictures” with a new music video directed by Andres Ayacedno.
We found it very easy to fall under the melodic spell of Zack. and their well crafted gem “Pictures”
Zack., meticulously arranges and perfectly places the words and sound that beautifully make up “Pictures” . Zack. is a musical an architect of the highest order.
“Pictures” is a song originally released on the Archimedean Point Christmas Day 2018.
Zack. shares: “The song is about, I think I reckon it may be about relationships. How do we balance them when we feel paranoid about being left out? For some, every time we get close to someone we are moving farther away” .
There is a definite a familiarity with Zack.’s sound. However , Zack. has a style and vibe that uniquely and wonderfully all their own.
The video for “Pictures” adds a brilliant new dimension to an already sensational musical composition.
Flawless heartfelt vocals wrapped effortlessly around soul touching melodies make “Pictures”, from Zack., an absolute must listen.
We were absolutely stoked to check out the new EP, “Stranger at Best”, from rapidly rising Boston, singer-songwriter, Preston Lydotes.
You can listen to the stellar , “Stranger At Best” Here.
We first discovered Preston Lydotes, this past February, when we heard his stunningly brilliant song , “The Critic In Me” We were literally speechless as our music loving heart became absolutely captivated with the flawless vocals and well crafted lyrics on “The Critic In Me”
Photo by Asher Thomas
The versatility and musicianship of Preston Lydotes, is absolutely off the charts and it is on full display throughout “Stranger At Best”
The EP, was created while Preston earned his Bachelor’s Degree at Berklee College of
Music. Mixed by Grammy-winner Ariel Borujow,
The other three singles, from “Stranger At Best”, could be used to help a story unfold on the silver screen.
We were immediately taken with the tone and tempo with “Wrong” as Preston proved effortlessly on the track that he is a multi dimensional performer.
As we commented in our original review, “5 to 9” is a lively and vibrant song that has Preston Lydotes, firing on all cylinders. What we love about “5 to 9” is the authentically woven soulfulness that is felt throughout the song .
There is a subtle blues feel to “The Fallout “ that we absolutely love . On “The Fallout”, Preston artfully shows his gift not only as a musician but all as a gifted and talented storyteller.
The title track, “Stranger At Best” is the newest track on the EP, and is the perfect example of the evolving artistry of Preston Lydotes. As we listened to the melody and words take shape during “Stranger At Best” , our ears and hearts were witnessing an artist in Preston Lydotes who is on his way to greatness.
If you are looking for a new favorite artist, look no further than Preston Lydotes, and his new EP, “Stranger At Best”
We recently had the distinct honor to check out the new EP, “Ephemera:Part 1”, from Boston, singer-songwriter, Billy Dodge Moody. You can listen to “Ephemera:Part 1” on Bandcamp Here , Spotify Here, Apple Music Here
Billy Dodge Moody, proves on “Ephemera:Part 1” that he is without question, a true voice of musical importance.
Courtesy Of The Artist
The four-track effort is the first in a series of EPs that will compose his next album, thematically centering around navigating chaos and finding clarity in life. A few months later, Moody takes the record and his magnetic sound to the stage, performing live at The Extended Play Sessions Live From The Fallout Shelter in Norwood on November 15.
“Everything on this EP felt like it came from a natural, honest, genuine place in the writing process,” Moody says. “They’re songs I wanted to write, versus what I thought people would like. The themes in the lyrics are pretty universal, so I hope listeners find at least something to connect with.”
Ephemera is Moody’s first extended release since 2022 album Condition, and is led by a pair of singles in May’s cinematic “Meaning to Disaster” and June’s buoyant and summer flavored “Nobody.” Both tracks helped earn the EP a place on WBUR’s Summer Music Preview, billing Ephemera as one of the most-anticipated New England releases this season and noting Moody’s “unbelievable knack for writing folk-pop mini-masterpieces… everything from dramatic chamber folk to appealing sunshine pop…”
The reflective and authentic feel ofEphemera opener, “ Meaning to Disaster” is Billy Dodge Moody at his absolute best , melodically perfect with a vocal performance that you can feel deep in your soul.
“Nobody” has a upbeat/ summer chill feel with indie pop elements , but also explores darker themes, its lyrics warn the listener about how we’re all dealing with internal struggles, and no one really understands what we’re all privately facing each day.
The two new tracks that round out the EP, are beautifully crafted songs that both eloquently show the breathtaking artistry of Billy Dodge Moody.
“Made to Decide,” with backing vocals from Hannah Foxman adding to the aching harmony, centers around making difficult choices, inspired by an ailing pet – his cat Bruce – who became gravely ill, and passed away a day before his euthanasia appointment after Moody and his wife spent weeks painstakingly mulling the decision.
“The title is a bit of a double entendre in that ‘made’ refers to both being, and feeling, forced to choose between two shitty options, and that life in general is decision-making and how the oftentimes difficult choices we make shape who we are and who we’ll become,”Moody admits. “Part of the song is also about that where there are people, pets, and things that come into our lives that we never intended to fall for or develop such a deep connection to. The song was also used as a vessel to talk about other divisive aspects of life that others value and oppose like faith, ideology and overall perspective of mortality.”
The Ep closes with stunningly melodically perfect “Suddenly” , filled beautifully with heartfelt emotion, “Suddenly” left us absolutely speechless , as Moody, reflects on his position as a musician, and explores the highs and lows – and more lows – of being an independent creative at a time when art is seemingly not valued by those who consume it.
It’s mostly about the struggle and perseverance of an artist,” he adds, “maintaining hope and realizing things change when you least expect it, especially when you feel like you’ve been spinning your wheels on something that never comes to any sort of resolution or catharsis.”
Ephemera was produced by Brian Charles, who engineered the EP over several sessions alongside co-producer and engineer Annie Hoffman. Recording the EP began at GuilfordSound up in Vermont, and then completed closer to home at Charles’ freshly-minted Rare Signals studio in Cambridge, Massachusetts.
For these songs, the vocalist, guitarist, and keyboardist Moody was joined in-studio by Sam Bouve on bass; Parker Goessling on guitar; Tyler Simko on keyboards; Jon Chapman on drums; and the aforementioned Foxman on backup vocals. And Charles led the way.
“Ephemera: Part 1”, from Billy Dodge Moody is the kind of record that feels timeless the first time you listen to it.
We recently had the distinct privilege to check out the debut EP, “Salt Stained Lungs”, from Irish, Indie-Folk, singer-songwriter- Lauren Wallace. You can listen to “Salt Stained Lungs “ Here
As soon as we heard the spectacular single, “Allegedly “ from Lauren Wallace, we were immediately mesmerized by her unique and mesmerizing sound.
Now we have the debut EP, from Lauren Wallace, “Salt Stained Lungs“ and SPOILER ALERT: It is absolutely amazing.
Every song on “Salt Stained Lungs” from Lauren Wallace, are well told stories that effortlessly touch your heart and soul .
The 17 year old teenager has been cutting her teeth under the guidance of industry professional Jono Mc Neil, and honing her song writing skills for over a year. The result is her debut 5 track EP ‘Salt Stained Lungs’. A stunning collection of heartfelt, assertive and delicate songs written and performed by Lauren, showcasing a sensitive songwriter exploring themes of friendship, grief and growth.
From the beautiful opening track, “Allegedly” , straight through to the closing and title track , “Salt Stained Lungs” , it is crystal clear that Lauren Wallace, is a voice that needs to be heard.
Solid well orchestrated tracks such as the hauntingly beautiful “Older” and the vocally flawless “Used To This “ , make “Salt Stained Lungs” a must listen.
The track that really stood out to us on “Salt Stained Lungs“ is the extraordinarily beautifully written “People Love People” . If there is a song that could stop traffic, it would without question be “People Love People” We were hanging on every note and word, this is Lauren Wallace, at her absolute best . ‘People Who Love People is one of Laurens favorite songs,and it is easy to see why.
“Salt Stained Lungs”, is about to be your new favorite EP, you just don’t know it yet . So go find your favorite listening spot and get lost in the beauty of “Salt Stained Lungs” from Lauren Wallace.
We recently had the distinct honor to check out the debut album, “Getting By”, via Thirty Knots Records, from rising singer-songwriter , Lily Fitts. You can listen to “Getting By” Here
We were instantly captivated by the beautiful tones and vibes from singer-songwriter, Lily Fitts . Lily has a fresh yet familiar indie-folk/ alternative country sound that immediately warmed our music loving soul.
Across the 10 tracks on “Getting By”, Lily pairs warm acoustic textures with unflinching lyrical vulnerability, offering a raw and honest perspective on life’s ups and downs.
Since releasing her first single in 2023, Lily has captivated listeners with her heartfelt blend of indie-folk and alternative country. At its core, Getting By is a coming-of-age story packed with all the highs and lows of young adulthood—heartbreak, anxiety, depression, grief, relationships, and everything in between. Singles like “Brown Eyed Baby” and “In The Dirt” have already amassed millions of streams, demonstrating the anticipation amongst her fans for this full-length project.
The one song that stood out to us on “Getting By” was the powerful almost hymn like “Made To Believe It” We literally had goosebumps the whole song – absolutely stunningly amazing.
“If listeners take anything from this album, let it be this: it’s okay to not have it all figured out, it’s okay to break, it’s okay to feel like you’re just surviving some days,”says Lily. “But even in the chaos, there’s still strength, there’s still beauty in being vulnerable, and there’s always a glimmer of hope that can pull you through.”
On “Getting By”, Lily Fitts, proves that the best songs are the ones that are brimming with truth and honesty .
Alongside her new album, Lily is hitting the road this fall for her first-ever headline tour, The Getting By Tour, with shows in 11 cities across the U.S. She’s also making her UK headline debut at The Grace in London on July 3rd, which sold out in just three days. She’ll also join Willow Avalon for select shows this summer and support Max McNown on eight European dates later this year.
You can check out the dates below.
LILY FITTS TOUR DATES June 21 – Chicago, IL @ Meltin Margs Festival July 3 – London, UK @ The Grace July 4 – London, UK @ BST Hyde Park July 13 – Marshfield, MA @ Levitate Music Festival June 15 – Vancouver, BC @ Biltmore Cabaret^ June 16 – Seattle, WA @ Tractor Tavern^ June 19 – Redmond, OR @ FairWell Music Festival August 14 – Montreal, QC @ Le Studio TD^ August 16 – Toronto, ON @ Opera House^ October 7 – Phoenix, AZ @ The Rebel Lounge October 8 – Los Angeles, CA @ The Echo October 10 – San Francisco, CA @ Cafe Du Nord October 12 – Denver, CO @ Larimer Lounge November 6 – Chicago, IL @ Schubas Tavern November 7 – Nashville, TN @ The Basement November 8 – Atlanta, GA @ Smith’s Olde Bar November 9 – Charlotte, NC @ Neighborhood Theatre November 12 – Washington, DC @ The Atlantis November 13 – Brooklyn, NY @ Baby’s All Right November 14 – Cambridge, MA @ The Sinclair December 1 – Dublin, IE @ 3Olympia* December 2 – Glasgow, UK @ Barrowland Ballroom* December 3 – Manchester, UK @ Albert Hall* December 5 – Amsterdam, NL @ Melkweg* December 6 – Hamburg, DE @ Fabrik* December 8 – Paris, FR @ Alhambra* December 9 – London, UK @ O2 Forum Kentish Town* December 10 – London, UK @ O2 Forum Kentish Town*
^ opening for Willow Avalon * opening for Max McNown
We first fell in love with musical goodness of Boston, based singer-songwriter, Billy Dodge Moody, back in May, with his single, ‘Meaning To Disaster’. We are happy to report with his new single, “Nobody” our love for his honest and authentic sound continues to grow.
You can listen to “Nobody” on Spotify Here, Apple Music Here
“Nobody” and “Meaning To Disaster “, will be featured on on Moody’s forthcoming July11 EP Ephemera, the first in a series of EPs about navigating life’s chaos and finding clarity.
“Nobody”, simply feels like the perfect summer tune . We were immediately drawn to the almost “island” like feel of the song and it is effortlessly flowing in our music loving soul. Billy Dodge Moody, once again proves he is a master singer-songwriter/ storyteller and it is on full display on “Nobody”
“Sonically, I think it’s good timing with it coming out right before summer since it has an overall summer road trip vibe to it,” Moody says. “It also reflects the tonal ambiguity of the EP being both musically upbeat with a slightly dark, existential message – a theme that echoes throughout the record.”
Billy Dodge Moody continues : “Nobody’ explores the theme of emotional masking and the unseen struggles people carry. More specifically, it’s about watching someone close to you change – someone who once seemed confident and on top of the world suddenly revealing signs of inner turmoil. The song reflects on the difficulty of truly understanding what others are going through beneath the surface and how much can remain hidden, even from those who care most.”
Nobody,” interestingly enough, first came together while Moody was working on a Nirvana cover, and the guitarlines that permeate the track’s introduction call back to the Seattle icons’ Nevermind era. Utilizing a sort-of punk rock palm muting strumming pattern ultimately led to the chord progression heard in the song.
“The style was a bit foreign to me, which actually made the writing process a lot more exciting,” Moody admits. “Usually when I have the instrumental foundation ironed out, I’m just trying to find a melody and I do it by mumbling gibberish over the chords. This particular progression and rhythm lent itself to more of a conversational tone so I just started writing a story of someone recognizing a significant change in someone’s personality since the last time they saw them.”
From there, Moody took the music and lyrics to trusted producer Brian Charles, who engineered the track over a few sessions alongside co-producer and engineer Annie Hoffman. Similar to the process for “Meaning To Disaster,” recording got started at Guilford Sound up in Vermont, and then finished closer to home at Charles’ freshly-minted Rare Signals studio in Cambridge, Massachusetts.
With Moody performing vocals, guitar, and keys, he’s joined on “Nobody” by Sam Bouve on bass; Parker Goessling on guitar; Tyler Simko on keyboards; Jon Chapman on drums; and Hannah Foxman on backupvocals.
Billy Dodge Moody, has a voice and song with “Nobody” that you need to experience…. You just don’t know it yet.
We recently had the opportunity to check out the new single, “Lasting Effects”, from singer-songwriter, Avery Lynch . You can listen to “Lasting Effects” Here
“Lasting Effects”, is a hauntingly intimate yet ultimately empowering reflection on love, loss, and self-discovery. Building on the momentum of her recent standout singles, the track offers another vivid glimpse into the emotional world of her forthcoming project, set for release later this year.
Avery Lynch, perfectly crafts beautiful melodies that tell soul touching stories. This is absolutely the case with , “Lasting Effects”
Photo Credit: Gus Black
The inspiration for “Lasting Effects” came in the wake of a breakup, when Avery was told no one else would love her the way he had. “At the time, I knew he was wrong,” she shares. “But as I got further from the situation, I realized he was right—but not in the way he thought. I realized I don’t ever want someone like him, and I don’t want to be loved like that.” Instead of falling apart, the experience became a turning point, helping Avery rediscover parts of herself that had been quieted during the relationship. “I think it’s a really positive and hopeful song,” she adds. “I hope it inspires people and leaves a positive lasting effect.”
Known for her emotionally raw lyricism and understated production, Avery once again invites listeners into her inner world with a song that feels both deeply personal and widely relatable. Built around soft keys, ambient textures, and hushed percussion, “Lasting Effects” is a beautifully restrained track that lets its emotional weight breathe through gentle melodies and heartfelt words. Co-produced by Jordan lilvee, Michael Blum, and Avery herself, the song marks an exciting step in her evolution as a producer and storyteller.
Often described as a “happy girl filled with sad songs,” her music is a masterclass in storytelling, inspired by her life experiences, the world around her, and the media she consumes. With praise from tastemakers like Ones To Watch and EARMILK, and a rapidly growing fanbase that’s helped her surpass 400 million streams, Avery continues to showcase her gift for turning raw emotion into intimate, relatable, and quietly captivating songs.
“Lasting Effects”, from Avery Lynch, Will stay with you long after the music has faded.
We recently had the opportunity, to check out the new single, “New York Heat, from Nashville, based indie -folk band, Arts Fishing Club. You can listen to “New York Heat” Here
There is this authentic joy that is ever present on “New YorkHeat, from Arts Fishing Club, and it is absolutely beautiful.
Flawless, powerful vocals coupled with perfectly woven melodies, make “New York Heat “ a memorable musical composition.
Arts Fishing Club is more than just a band; they are storytellers, explorers of the human condition, and purveyors of living life boldly. An ethos demonstrated by frontman Christopher Kessenich’s first 4.5 month tour in which he walked 1600 miles along the east coast from Maine to Atlanta to Nashville, played 60 shows, and slept in strangers’ living room floors. The boldness that compelled such an adventure is felt in AFC’s electrifying live shows where the band weaves the raw energy of rock and the introspective lyrical honesty of folk to create a sound that is timeless and refreshingly original.
Whether performing in sold out small clubs or on festival stages (Bonnaroo, Summerfest, Treefort, Mile of Music), their engaging stage presence and ability to connect with fans makes their live performances a cornerstone of their success. With a growing fanbase, commitment to pushing their creative boundaries, and an infectiously entertaining live show, Arts Fishing Club is poised to make a lasting impact on the indie music landscape.
We are all in ( hook line and sinker) for Arts Fishing Club, new single “New YorkHeat”
We feel like we hit the music listening lottery, as we had the amazing opportunity to check out the new single, “Choices”, from Maine songwriter, multi-instrumentalist, and producer, Jon Chesbro. You can listen to “Choices” Here
In our opinion, Jon Chesbro, is one of the brightest rising artists in music today . Jon Chesbro, has a style and artistry that is all his own and it shines brilliantly on his latest masterpiece, “Choices”
Photo Credit: PostFix Media / Zach Haberern
The new single, a celestial slice of star-gazing alt-rock and psych-pop called “Choices”, hits the streams today, (Friday, May 30) While this new track is the start of a new era for Chesbro, with new singles to follow and a new album arriving later this year, it’s firmly rooted in the path that led him to this moment.
“‘Choices’ is about looking back at what you’ve done, good or bad, and realizing what kind of person it made you,”Chesbro says. “It’s about realizing you’ve grown from those choices and are now a different person altogether. It’s a very self-reflective song, but its theme is universal and I think a lot of people will resonate with it.”
“Choices” has a little bit of a Beatles vibe , mixed in with a pinch of Elliott Smith. However, it is the one of a kind style and sound of Jon Chesbro, that makes “Choices” an absolutely beautiful musical composition.
A slow burn over three short minutes, “Choices” unfurls with reserved confidence and an innocent grandeur, hitting cruising altitude about three-quarters in, where it glides freely through space-rock and even some loose prog territories. It’s the sound of looking up at the night sky and seeing your life played back at you in the stars.
I feel like ‘Choices’ has a perfect combination of etherealness and experimental acoustic rock that the album is going to have,” he admits. “I thought even though this isn’t the most single-friendly, it does capture the entirety of the project very well. Also I’m just impressed with myself when it comes to the songwriting with this song, as well as the production. It took a long time and I wanted to show what I was most proud of first.”
Joining Chesbro on “Choices” and supplementing his vocals and guitar work are Robert Countie on bass; Akiba Davis on keyboards and organ; and Don Schweihofer on drums. The track was mixed and mastered by Erik von Geldern and recorded by Todd Harris, with production, recording, mixing, and mastering at Berlin Sound Studios in Berlin, Massachusetts.
On “Choices”, Jon Chesbro, feels like an artist who is getting ready to soar . We can’t wait to see what happens next.
upcoming debut album Lighthouse, out June 6 via Lauren Records.
We recently had the stellar opportunity, to checkout the new single and video for “Boyfriends”, from Career Woman (aka 21-year-oldsongwriter Melody Caudill) featuringanti-folk artist Pacing.
You can listen to “Boyfriends” Here and you can watch the video below
“Boyfriends” might have just become our new favorite song . We are absolutely obsessed with the melody and flawless vocals on the track . Career Woman (Melody Caudill) and Pacing (Katie McTigue) have created indie music perfection.
Boyfriends” is an ode to the changing nature of friendship in the face of new relationships. Co-written by Caudill and Pacing’sKatie McTigue, the two trade verses, ending in unison with a pop-rock refrain of “me and my friends, we don’t like men / but we got boyfriends.”
What originally started as a duet was then filled in by Career Woman’s full band, reaching the track’s final form. “Everyone in the band loved the song so much that we started playing with the full rock band arrangement at our live shows,” explains Caudill. “It became an instant hit in our local scene, so we knew we had to bottle up that version and release it. This version of the song is so much fun, and I am so glad that Katie was able to sing on it as well, since the song is essentially our musical child.”
We are super excited for the debut album from Career Woman, “Lighthouse” will be released to the universe, June 6th , via Lauren Records.
We recently had the opportunity , to check out the new single, “Into The Winds”, from acclaimed musician, singer-songwriter and engineer Ali J. Hassan. You can listen to “Into The Winds” Here
You can check out the visualizer below
Ali J. Hassan’s musical career has been as diverse as his clientele. He has spent years as a bass player and rhythm guitar player in Anarchaos, Wildstreet, and Awaken The Shadow, touring/playing at festivals like the Van’s Warped Tour, Rockstar Energy Drink Uproar Festival, Rocklahoma, and Bud Light’s Rock Fest. As a recording engineer he’s had the privilege of working with producers Eddie Kramer, Neil Dorfsman, Ted Hutt, Shep Goodman, Aaron Accetta, and artists like Alicia Keys, Sebastian Bach, John Legend, The Bouncing Souls, Escape The Fate, SilverTomb, and The Loved Ones. In the more recent years Ali’s focus has shifted to live sound, doing FOH/Monitors/Tech for artists like Jon Batiste, Benson Boone, Motionless In White, Gemini Syndrome, Dave Hause, Valerie June, Social Distortion, Jon Bon Jovi, Sting, Elton John, Pharell Williams, Bruno Mars, Paramore, and many more.
We are absolutely enthralled with Ali J. Hassan, debut cinematic roots rock single “Into the Winds”. Ali J. Hassan, is a gifted and talented singer-songwriter/storyteller and his talents take center stage on “Into The Winds”
He shares, “I wanted my first single as a solo artist to be a song that has my influences on full display, and a message of hope and trust in the universe. The line, ‘You’re where you’re supposed to be’ is an affirmation that, for good or bad, you’re on the right path. It’s hard to see the bigger picture when life is throwing hard times, but those hard times can be lessons and opportunities if you let them.”
We love the vibrant indie/roots rock melody on “Into The Winds” Ali J Hassan, is artist who gives his whole soul in his music and it is an absolute thing of beauty .
We recently had the spectacular opportunity, to check out the new EP, “Temporary Circus: Act 1”, from Boston, singer-songwriter Derek Smith and the Cosmic Vultures.
You can listen to, “Temporary Circus:Act 1” on Spotify Here, Apple Music Here And on Bandcamp Here
The latest EP, from Derek Smith and the Vultures, “Temporary Circus: Act 1 , is a joyous musical treasure trove of brilliantly crafted musical compositions.
Derek Smith and the Cosmic Vultures’ new EP, Temporary Circus: Act 1, is a five-track collection from the prolific Boston singer-songwriter that hits the streams today, ( Friday, May 16. ) This new record arrives about a half-year from the band’s recent album Opus, and marks the start of a new creative chapter with additional acts to quickly follow.
“Sonically, this is an acoustic album to me,” Smith says. “I didn’t use a full drum kit here. It feels different than Opus and that was my intention. I have people asking me why I didn’t make a direct sequel to Opus and it’s because I already did it. It’s time for a new sound.”
Where Opus was a majestic declaration of excess and grandeur, coming off more like a greatest hits compilation in its sweeping production and ambitious drive, Temporary Circus: Act 1 is something far more personal, more raw, and more organic. Intact is Smith’s penchant for melody, and the alarming ease with which he steers his sound through familiar corridors of alternative, pop-rock, indie-folk, psych, Yacht Rock, AM ‘70s gold, funk, and whatever else escapes from his creative mental asylum. The many different stylistic offerings make the EP, a melodic delight. Smith’s sound has always been jovial on the surface, with something a little darker glowing underneath.
Throughout Temporary Circus: Act 1, there is a growing unease and overwhelming sense of malaise that permeates through the five songs, and drawn together serve as a bit of a warning about what the future may hold, with carnival-like interludes and faux news reports acting as segues, similar to how we doom scroll from one app to the next to feed our serotonin needs: “Question everything. Do your research. Whatever hardship you’re going through… it’ll pass. And to hell with toxic people.”
Derek Smithand the Cosmic Vultures have crafted an EP, that flows freely in many melodic directions, while also artfully articulating the state of world . Because, it’s also a proper Derek Smith and the Cosmic Vultures album, so beneath the layers of social awareness, messages both subliminal and obvious, and lyrical wordplay wisdom, is another sparkling and celestial record that glows with Smith’s vivid storytelling acumen. He’s now officially released 73 songs since 2017, both with the Cosmic Vultures and as a solo artist, and the creative tank shows no signs of emptying.
The EP opener and title track immediately set the lyrical theme, a daydream-like composition with a propulsive thump and twinkling demeanor where a certain type of circus comes to town to whisk us away in our own cerebral slumbers. The yearning, campfire glide “Strange Life” explores feelings of self-discovery and our shared end-goal of being comfortable with who we are, despite greater forces influencing us otherwise.
Smith leans into political lanes on the poignant and straight-forward “The Puppets of Hypocrisy,” fueled by a sonic buoyancy and pub sing-along mood while hidden meanings lurk behind the lyrical phrases. The atmospheric and star-gazing “Some Girls” (Our favorite track on the EP) finds a central comfort in the strength and poise of women, with Smith casting admiration for what they provide the world and how much they deal with and are forced to endure.
And EP closer “Indie Darling” was inspired by a dream Smith had walking through Salem, Massachusetts, waking up feeling so connected to the city and feeling free from the circus that had previously dogged his mental state.
“My music is a universe that I created,” Smith concludes. “If someone connects to my music, that is wonderful. But they need to use the info wisely. Use the info to help you put together whatever your opinion is. Bottom line: A famous musical artist (or hell, a local one) spreading their message is fine. But it’s NOT the end all be all. Form your own opinions. I think it’s important that everyone has a platform to express their opinion on the world… but people get obsessed with artists and then they become idols. Just be careful with that stuff. It could be your next Temporary Circus.”
We were absolutely captivated by “Temporary Circus: Act 1 “ from DerekSmith and the Cosmic Vultures, it is a must listen.
We had the wonderful opportunity to check out the new self-titled EP, from Midwest based, indie folk duo, aibai&vinny. You can listen to the self-titled EP, Here
Listening to the new self-titled EP, from aibai&vinny is mesmerizing experience that we throughly enjoyed from beginning to end.
The new self-titled EP is a dreamlike fusion of indie folk and ethereal soundscapes. Inspired by themes of nostalgia, introspection, love and personal growth their songs blend celestial soundscapes with raw, heartfelt storytelling, drawing from personal experiences and emotions. Sonically, their sound is influenced by a mix of indie folk artists, and indie electronic artists, blending organic folk elements with lush, atmospheric production. The duo shares, “Our debut EP really captures the sound and style we’ve been working toward. Each song fits together sonically, creating a cohesive sound, yet they all have their own unique vibe. The songs tell genuine stories about love and relationships, and we hope they resonate with people in a way that feels personal and timeless.”
Every song on the EP, felt like it’s own separate experience. The melodies were otherworldly and stayed with us after the music had ended .
The opening track, “Open Space”, feels like an invitation to a whole new universe. We absolutely fell instantly for the intoxicating melodies on “OpenSpace”
Both, “Still Broke” and “Running Around “ are beautifully written songs that showcase the expert level musicianship, of aibai & vinny.
Our favorite song on the EP, is the closing track, “Story’s good-alt version “ We loved the easy flow of the song . We also heard a lil Neil Young vibe on the track which we really enjoyed.
The self-titled EP, from, aibai & vinny, is in our opinion one of the best ways to spend 15 minutes of your day.
We were absolutely elated beyond belief, to finally get to check out the stunning debut album , “New Thing”, via Audio Antihero from Brooklyn, based singer-songwriter, Avery Friedman . ( Spoiler Alert…. it is a musical triumph beyond words.)
We have been feeling the build up to the highly anticipated release of “New Thing”, every time we got a new single from Avery Friedman,( “Flowers Fell”, “Photo Booth” and “New Thing “( The title track is so divine) we got a little more excited for the debut LP.
Produced by James Chrisman (SISTER. / CIAO MALZ) and featuring Felix Walworth(FLORIST / TOLD SLANT), ‘New Thing’ is a sonically deep and layered album that sees Friedman explore her trauma, resiliency, and sexuality with a raw open-heartedness inspired by by artists like Adrianne Lenker, Squirrel Flower, and Babehoven.
Right from the introduction track, we were completely smitten.
Every song on “New Thing“, from Avery Friedman, is a well crafted melodic experience that highlights the musical brilliance of a musician (Avery Friedman) who is a rising voice that needs to be heard .
Avery, shares: New Thing is a conduit for emotions too frenetic to hold on your own. This record is a collection of the first songs I’ve ever written, after many years of orbiting the music world, but denying myself my own musicianship. Many of these tracks were born of anxiety – from my turning to a guitar to externalize (and organize) a sense of chaos that otherwise felt trapped inside me. We recorded a bulk of it with a live band, as a means to maintain the raw energy at the center of the record. What results is a time capsule for a year of intense personal expansion in my life – and the layers of warmth, wonder, sensitivity and sharpness that come with growing.”
Stunning Melodies with thought provoking lyrics were found in every song on “New Thing”
We found ourselves captivated with “Biking Standing” , the song has a beautifully unique sound that we found to be timeless and heartfelt.
In our opinion the shining star of the LP, is “Nervous” Avery artfully molds both ambient sounds and melodies combined with thoughtful lyrics, to create an absolute work of art.
The album release show will take place on May 15th at Union Pool in Brooklyn, NY with support from Dolly and After Ours(Tickets/Info).
For an album that stirs the soul and moves the heart , you need to get lost in the beautiful new album, “New Thing”, from Avery Friedman.
We recently had the distinct honor to check out the new single, “Wanted”, from Phoenix, Arizona, indie Folk/Americana singer-songwriter, Izzy Mahoubi. You can listen to “Wanted” Here
Blending influences from The Beatles and Fiona Apple, Izzy creates her own soulful folk sound with elements of classic rock. She writes her lyrics like she’s talking to a friend- disclosing deepest insecurities and unafraid to share blunt, sometimes comedic, details.
At just 20, Izzy has spent the last few years opening for artists around America such as Adam Melchor, Em Beihold, LAUNDRY DAY, Mt Joy, and more. “Wanted” by Izzy Mahoubi is an indie folk song about unrequited love for the worst person you’ve ever met! Drawing inspiration from Joni Mitchell and Mt. Joy, “Wanted” is a backyard picking, summer song, for the girls. Izzy writes about a man child who, “likes his women the way he likes his light beer-low commitment” with the self awareness that, “there’s something about not being wanted by someone”. Written and recorded in Nashville, Tennessee, the Lumineers-esk song features gang vocals from her best friends creating an anthem for friends to sing with/at each other.
When writing songs, it is paramount to tell the truth . The truth is real , relatable and honest. Izzy Mahoubi, brings all of this front and center on “Wanted” and it is a thing of beauty.
Izzy Mahoubi, has so many layers and dimensions to her music that make her a one of a kind artist with a voice that needs to be heard.
“Wanted”is one song you need to listen to immediately.
If the new EP, “Before The Fall” from-based accordion-driven country-rock sextet Kier Byrnes & The Kettle Burners , was whiskey it would be from the best barrel in the land – guaranteed. You can listen to the splendid new EP, “BeforeThe Fall” below
the high-octane sextet, led by longtime Boston music scene veteran Kier Byrnes and the recipient of Americana Act of the Year at the 2024New England Music Awards, unleashes the stunning new EP , Before The Fall , today, (Friday, April 4.) The spirited and feisty six-track EP, which blends a spectrum of subgenres that bridge alt-folk, gypsy punk, Celtic, old-school country, and whatever else, gets the proper release party treatment a week later at The Plough & Stars in Cambridge come April 11.
Photo Credit: Monica Sager
“My hope is to create a unique blend of music from genres I closely identify with; country, rock, Celtic and Bavarian folk music and turn it into something new that defies any genre,” saysByrnes. “You know the joke about what happens if you play a country song backwards – you get your car back, you get your woman back, and you get your dog back. My aim is to take a country song and turn it completely inside out.”
The Before The Fall EP, fueled by potent lead single and opening track “White Russian,” continues a dynamic 2025 for the band, with no immediate signs of a slow down. In the Kettle Burners, co-vocalist and acoustic guitaristByrnes is rounded out by lead guitarist and co-vocalistDan DiBacco; accordion playerJason McGorty; washboard playerMonica Sager; bassistJoe Miller; and drummerBrian Lilienthal. And the band just banged out seven live shows over a five-day stretch leading up to St. Patrick’s Day, celebrating their also-new In The Key of Guinness EP of Irish music with high-profile gigs at Harpoon Brewery, The Burren, and a massive 10-hour all-day holiday set at The Stockyard in Brighton.
Every song on , “Before The Fall” , felt more like a monumental musical event rather just an average song , we were literally hanging on every word and melody.
Remarkably, for a band with the Kettle Burners’ hustle and all-overdrive ambition, the tracks that make up Before The Fall were all written and recorded last summer, just ahead of the band’s appearance at Outlaw Music Fest in New Hampshire alongside Willie Nelson & Family,John Mellencamp, Charley Crockett, and others. A few weeks before the gig arrived, Byrnes suffered a tumble down a set of stairs, leaving him with severe injury to his legs and requiring surgery. Finishing the songs was placed on the back-burner, allowing Byrnes time to heal and giving the record its title, as the songs were all written Before The Fall.
With its title already ominous, the lyrical material reveals a slightly darker undercurrent than what the upbeat and zestful music would imply.
“Some of my favorite country and folk songs are the ones where the music seems really nice and happy-go-lucky, but if you listen to the lyrics, it’s really gory and/or tragic,” admits Byrnes. “It’s fun to sing about darker stuff in an upbeat, energetic way.”
We blissfully sang and danced our way through “Before The Fall” from Kier Byrnes & The Kettle Burners and truth be told we enjoyed every single minute of it. . “When The Money’s All Gone” , “Train’s Off The Rails and “Hurting or Helping “ are absolute gems that we are absolutely over the moon about . Flawless sing along vocals woven between memorable melodies make “Before The Fall” a collection of music to cherish forever. Our favorite track on “Before The Fall” , is without a doubt “Quarter-Life Crisis “ Everything about this song is “stop you in your tracks “ good.
Do yourself a solid and check out “Before The Fall” you certainly will not regret it.
We recently had the distinct honor to check out the new single , “Healing Is Coming “ from acclaimed singer-songwriter, Levi Robin. You can listen to “Healing Is Coming”Here
Levi Robin’s journey of exploration and curiosity has taken him down many roads. The soul-baring folk artist’s distinctive musical style combines deeply personal and transformative lyrics with emotive stirring vocals, creating a sound that is filled with meaning and connection.
Levi Robin, brings so much more than just simple melody. He brings a deep rooted powerful message that is brilliantly beautiful. This is front and center on his absolutely breathtaking new single, “Healing Is Coming”
“The song is a song of surrender and courage, to face all obstacles, to face the ineffable truth of life, to face the darkness, to bring forth the light of our unique souls and look the serpent in the eyes,” shares Levi. “Healing Is Coming” features Levi’s unmistakable vocal hues over colliding guitars. Soul-baring delicate harmonies add to the song, creating a folk pop track that is equal parts beautiful and bittersweet.
Growing up in Orange County, California, as a teenager Levi became deeply dissatisfied with what he and many describe as “the conveyor belt trajectory of the school system.” With nothing but a shirt on his back and guitar in hand, he took a chance on a different path – a musical one. Levi confides, “From being a runaway to encountering eastern spirituality, from psychedelia to unearthing my own ancient Judaic roots, songwriting has been a uniquely integrating constant.” Songwriting became a powerful way to translate his deepest feelings into melody and verse. Taking inspiration from an eclectic array of artists including Bach, Stravinski, Mingus, Hendrix, Dylan, Beck, Gaye, D’Angelo and Radiohead, and more, Levi Robin creates his own mindful and genre-defying musical releases.
A flawless, timeless vocal performance from Levi Robin is the centerpiece of “Healing Is Coming “ Songs are an important fabric of our lives and “Healing Is Coming “ is no exception.
LeviRobin is a musical voice that needs to be heard . Do your music loving heart a favor and check out , “Healing Is Coming “ from Levi Robin.
We recently had the delightful opportunity to check out the wonderful new single, “Fever”, from Portuguese singer-songwriter Cristóvam, featuring Australian indie-folk band Boy & Bear. You can listen to “Fever” Here
“Fever” is a hypnotic song that feels like a half-remembered dream. The track walks the fine line between struggle and redemption, exploring the delicate balance between “chaos and hope”. For this song, Cristóvam teamed up with Australian indie-folk band Boy & Bear, resulting in a unique and atmospheric sound.
“Fever”, from Cristóvam, featuring Boy & Bear, is the kind of song that could stop traffic on the busiest of highways. The melodic vibe is absolutely breathtaking. The combination of Cristóvam and Boy&Bear, is pure music magic.
“Fever”, walks the fine line between struggle and redemption, exploring the delicate balance between “chaos and hope”.
The accompanying music video for “Fever” visually reflects the duality that defines the album—a fusion of the vast landscapes of the Azores and the raw beauty of Australia. Directed by Diogo Rola, the video follows Cristóvam as he wakes up in a surreal setting where reality and illusion blur together. The distance between him and Boy & Bear is symbolically represented through mysterious elements like old televisions and a dreamlike search for connection. You can watch the video below
On October 10th, Cristóvam will release his highly anticipated third studio album, Desert of Fools, via V2 Records. Following the success of his previous albums, Hopes & Dreams (2018) and Songs on a Wire (2022), Cristóvam once again showcases his masterful storytelling and warm, immersive melodies. This time, his musical journey took him to Australia, where he collaborated with producer Tim Hart (Boy & Bear) to craft ten new songs that bring a fresh dynamic to his repertoire.
If music runs deep in your soul then you.need to check out the otherworldly new single, “Fever”, from Cristóvam, featuring Boy&Bear.
Desert of Fools will be released on October 10th via V2 Records. Pre-save the album HERE.
We recently had the opportunity to check out the new single, “The Notice “ from Los Angeles-based indie band Wax Owls . You can listen to “The Notice” Here
Wax Owls, blend indie-folk with elements of rock and country. Wax Owls, formed when friends Chris Tsaganeas and Gerry Hirschfeld quit their jobs…as lawyers!…to pursue their dreams and passions. Their music is for fans of The Lumineers, Bon Iver, Zach Bryan, The Shins and Mumford & Sons.
Wax Owls explores themes of resilience, self-discovery and finding light in the darkest of times. For Hirschfeld, the impetus was tragically losing a professional mentor to suicide after the immense pressures of a high-stakes legal career. “We don’t want to look back and regret not having the time to do the things we love.”
Wax Owl’s latest single, “The Notice” draws you in with well-written and thought-provoking lyrics that are beautifully and carefully woven between breathtaking melodies. A good song may cause you to smile with acknowledgment. However, a great song stays with you forever. “The Notice”, from Wax Owls is a great song.
Wax Owls’ music has been featured on notable publications including Paste, American Songwriter, Atwood Magazine, Under The Radar, Earmilk, Buzzbands, and Variance.
Release party with Robin Lane set for Saturday, March 29 at Club Passim
We recently had the distinct honor and privilege to check out the new EP, “Nowhere But Here” , from Cambridge singer-songwriter , Adam Sherman. You can listen to “Nowhere But Here” on Spotify Here, Apple Music Here and Bandcamp Here
The one word that keeps coming to mind when we listen to Adam Sherman’s new EP, “Nowhere But Here” is ….. “Timeless”
The beautifully crafted and orchestrated tracks are so wonderfully put together that they could thrive in any musical period.
Sherman understands that the destination suggested in the EP title is wherever we may be – or need to be – in order to truly live in the moment, be present, and develop the human connection that dissipates more with each day.
“These songs are all about finding the strength to persevere and move towards love and kindness, even when there is loss,”Sherman says. “I would love listeners to feel that joy and sadness will always be present in our lives and that we can learn to embrace both and persevere.
Nowhere But Here, produced by Ken Field and recorded with Robin Lane providing harmony vocals, Sherman’s creative vision crystallizes. Led by last fall’s lived-in and lovelorn “Pure As Yours” and sweeping February single “Gratitude,” the EP is completed by a pair of new tracks in “How Hard I Tried,” which got the music video treatment , just ahead of the EP release;( you can watch the video which was directed and edited by Carissa Johnson below and “Torn And Tattered.” The result is a songwriter fully comfortable in his own skin, and the follow-up to 2021 album Triangle Sky finds him exploring some new sonic territory that feels like a natural progression of his songwriting.
Every song on, “Nowhere But Here “ feels cinematic by nature in that they all draw you in instantly and have you on the edge of your seat. We felt a treasure trove of emotions with each song, which made for a one-of-a-kind music experience.
In addition to the production from Field, Nowhere But Here was recorded and mixed by Jon Evans at Brick Hill Studio in Orleans, MA; and mastered by Mark Alan Miller. It represents a bit of a new chapter for Sherman, who self-releases the EP under his own Haddon Road Music. It’s indebted to his past work, but also clears a new path forward as his artist studio in Cambridge provides the backdrop for his various creative passions, from writing and playing music to painting to graphic design to running a successful voice lessons business for the past 12 years.
Across its four tracks, Sherman provides vocals and acoustic guitar and Lane gives an inspired harmony vocal performance. To execute the full vision Sherman has for the EP, he also enlisted Field (string arrangement); Jon Evans(bass, lap steel, percussion), Mark Usher (guitar); Matthew Hutchinson(piano, organ); Matthias Bossi (drums); Dorothea Samaha (violin); and Eve Samaha (cello) to create the ethereal and expansive sound that emerges poignantly from the speakers.
Nowhere But Here” by Adam Sherman, is an absolute “must-listen”
We recently had the delightful opportunity to check out the new single, “The Real Thing” from New England folk singer songwriter Sam Robbins. You can listen to “The Real Thing” Here
We are immediately greeted by Sam Robbin’s authentic and genuine voice which is beautifully woven in a delightful melody. “The Real Thing” is a well-crafted gem that has Sam Robbins at his absolute best.
The third single from So Much I Still Don’t See, the Chet Atkins-inspired, upbeat “The Real Thing”, is the second track on the album and an example of the varied energy across the collection of ten songs. “The Real Thing” began with a lyrical groove – driving out of a certain American city on tour, thousands of miles from home, with a 12 hour drive ahead, the spark of inspiration hit. The groove of the first line, “I’m sailing smooth highway under soft suburb lights/ where an Applebee’s oversees every corner” led to the rest of “The Real Thing” being written all in one night at a hotel in the middle of nowhere, USA. The song is a lighter take on the existential questions present throughout the album. Diving into questions of environmentalism, man’s place in the world, and the writer’s place in the world, “The Real Thing” is the upbeat kickoff to the soft, cutting, inquisitive “So Much I Still Don’t See”.
Sonically, “The Real Thing” is a tribute to one of Robbins’s main influences on guitar, the great fingerstyle player Chet Atkins. With Chet’s signature thumping thumb technique, Robbins built a sonic palette that utilized this classic sound but twisted it with his own modern take. The thumping, western-style groove emulates the vibe of the lyrics – the quintessentially American feeling of driving fast down a dusty highway, to get to anywhere but where you are.
Great music, should be heard and celebrated, this is most definitely the case with , “The Real Thing “from Sam Robbins
Sometimes when we settle in and review new music, we truly never know what we are going to get when we hit play. However, every once in a while we find something really special, this is definitely the case with NYC songwriter Pete Mancini. We first had the pleasure of hearing Pete, when we reviewed his single, “Technicolor Days”…. We were absolutely floored. Then we listened to “Stomping Grounds and we realized that Pete Mancini is a voice of great importance. Now that we have had the amazing opportunity to listen to his new album, “American Equator,via Paradiddle Records we realize Pete Mancini might one of the great singer songwriters of the modern generation.
Pete Mancini, artfully takes elements of folk, rock, Americana, country and pop on “American Equator “and creates memorable musical compositions that stay with you long after the music has faded .
The opening track, “Calamity People “ has a powerful folk rock vibe that serves as the perfect introduction to “American Equator “ we found ourselves clapping and singing along right away . We also love the 60’s vibe and killer guitar work on the track as well.
The title track, “American Equator “, has both a strong melody and a strong message. We found ourselves hitting repeat quite often.
Besides being a master class musician, Pete Mancini is a world class storyteller teller . This is front and center on songs like , “Spy RockRoad, “The Paris Hotel ( this song would be perfect for a blockbuster movie on the silver screen) and “Leaving For Raleigh “
Every song on “American Equator” , from Pete Mancini is a gem . It is the type of album that you can just hit play and not skip a single track .
“American Equator”, was produced by Matt Patton, recorded and mixed by Henry Barbe at Dial Back Sound , Water Valley, Ms , mastered by Clay Jones.
Contributions from Jay Gonzalez (Drive By Truckers),Tim Lee,Schaefer Llana, and John Smith (Dexateens) support Mancini as he confidently treads new sonic territory.
Do yourself a favor and get lost in the musical greatness on “American Equator “ , from Pete Mancini
Photo by:Melissa Sepulveda/ Brian Manley Graphic Design
We recently had the distinct honor of checking out the new single, “Beer In A Teacup”, from New England based singer-songwriter, Grace Morrison. You can listen to “Beer In A Teacup” on Spotify Here, Apple Music Here
Grace Morrison, has one of the most authentic and genuine sound and vibe that our ears have had the privilege of hearing in quite some time , “Beer In Teacup” has a familiar and warm tone however , Grace Morrison artfully makes it a song that is a welcomed and fresh change of pace.
Photo credit- Melissa Sepulveda
The song is a twang-filled anthem about embracing imperfections and letting self doubt roll off your shoulders. It is an ode to her grandma who sipped beer out of a Victorian teacup with a saucer and didn’t give a damn about what people thought about her.
The single is off of her highly anticipated forthcoming album Saltwater Country, an ode to her hometown of Cape Cod and her cranberry growing family. The music is a charismatic blend of folk, country and pop and is produced by Jon Evans (Tori Amos, Sarah McLachlan).
Born and raised on the shores of Cape Cod, Grace Morrison has trademarked a sound she calls Saltwater Country. “I was always too pop for folk and too folk for country. Eventually, I started peeling back the layers of my music to find out what truly made it mine. At the heart of it all was my deep, undeniable connection to the Cape Cod coastline—it’s in my blood, in my voice, in every lyric I write. My music carries the storytelling of country, the twang, but also the raw, unshakable spirit of a Swamp Yankee. That’s Saltwater Country.”
“Beer In A Teacup”, from Grace Morrison showcases a relatable and descriptive songwriting/ storytelling style that really connects the listener with the song .
Do yourself a favor and find your favorite listening spot and get lost in the beauty of “Beer In A Teacup“ , from Grace Morrison.
We recently had the opportunity to check out the new single, “Whole As A Broken Heart” from singer-songwriter Levi Robin. You can listen to “Whole As A Broken Heart“on SpotifyHere and on AppleMusicHere
“Whole As A Broken Heart“, from Levi Robin is a beautifully crafted song that gently lingers in your soul long after the music has ended.
The song features hauntinglystunningvocalsilluminated by rich, poignant harmonies and slow-burning instrumentation for a cathartic and compelling listen. Inspired by the wisdom of spiritual master Menachem Mendel of Kotzk and Zohar’s,Levi confides, “‘There’s nothing so whole as a broken heart’ and ‘there is no light like that which comes from great darkness’. In my life, I’ve seen that when I allow myself to take on the bitter and broken, letting the walls of my heart break in humble surrender, then the bitter turns to sweet, and the brokenness turns into fertile soil, in which ‘those who sow in tears will reap in joy’. Consider this an invitation, to come as you are, whole as a broken hear
Growing up in Orange County, California, as a teenager Levi became deeply dissatisfied with what he and many describe as “the conveyor belt trajectory of the school system.” With nothing but a shirt on his back and guitar in hand, he took a chance on a different path – a musical one. Levi confides, “From being a runaway to encountering eastern spirituality, from psychedelia to unearthing my own ancient Judaic roots, songwriting has been a uniquely integrating constant.” Songwriting became a powerful way to translate his deepest feelings into melody and verse. Taking inspiration from an eclectic array of artists including Bach, Stravinski, Mingus, Hendrix, Dylan, Beck, Gaye, D’Angelo and Radiohead, and more, Levi Robin creates his own mindful and genre-defying musical releases
Listening to Levi Robin, is a special and uplifting experience, that needs to experienced by music lovers everywhere.
We recently had the amazing opportunity to check out “Not My Dog” from Connecticut , singer-songwriter, Ethan Griffeth. You can listen to “Not My Dog” Here
A hallmark of a great singer-songwriter is the ability to be able to tell a great story, Ethan Griffeth accomplishes this ten fold with his brilliantly written song , “Not My Dog” We found ourselves instantly connected and singing along almost immediately. Dogs are truly man’s best friend, and Ethan Griffeth, pays them the perfect tribute with “Not My Dog”
Ethan Griffeth, brings a unique style and sound to his music , effortlessly fusing an indie/folk-rock / country sound that is refreshing in today’s somewhat mundane musical landscape. A flawless heartfelt vocal performance make “Not My Dog” a must listen.
Ethan’s highly anticipated new album, “Operate” will be released on March, 21st and can be pre-saved Here
We are blissfully enthralled with, “Not My Dog” and we have a feeling, Ethan Griffeth, is just getting warmed up.
We recently had the stellar opportunity to check out the new single, “The Lie”, from Brooklyn , based musician , Sid Simons. You can listen to “The Lie” Here You can watch the video for “The Lie” below
Sid Simons, brings it right out of the gate , with his electrifying new single , “The lie”
Sid Simons, ( formerly known as Girl Skin) released his amazing , LP. “Beneath The Brightest Smiles, in 2024 , to rave reviews.
Sid Simon, reminds us a lot of indie hero, Elliot Smith , However, Sid Simons, offers a fresh yet familiar style and vibe that is 100% all his own.
The new single , “The Lie” from Sid Simons is a brilliantly crafted indie gem with smart indie- folk sensibilities, laced with an indie rock heart.
Flawless vocals couple with an addictive melody, make, “The Lie”, an absolute can’t miss .
Sid Simons, brand new EP, “The Last American Valentine” – is out in February.
Sid Simons will tour North America and Europe, extensively this spring and summer.
Recently we had the stellar opportunity, to check out theEP, “You’ll Never Mind How I leave”, from indie folk band , Welcome Stranger. You can listen to “You’ll Never Know How Much I Leave” on Spotify, Here, Apple Music, Here
Welcome Stranger, has crafted a welcoming authentic sound and vibe on , “You’ll Never Mind How I Leave”, that gently makes it into your soul . From the first note of the opening track , “Hoover”, we were absolutely enthralled.
About the EP, the band said:
“This year, we escaped to a cabin to begin crafting a new collection of songs. As the months passed, so did these tracks—evolving with every turn—and we couldn’t be prouder of where they ended up.”
We really enjoyed the pace and flow of the EP, as we felt like we could really connect to the songs on a real intimate level . Every song on “You’ll Never Mind How I leave “ is an absolute gem . We blissfully sang along almost instantly.
The. song that really stood out to us on the EP,is , “Slow”, brilliant and poignant lyrics coupled with a beautiful and mesmerizing melody – absolutely stunning.
Do yourself a favor and go find your favorite spot and get comfortable and get lost in the absolute beauty of, “You’ll Never Mind How I Leave” , from Welcome Stranger
Pete Mancini Will Release American Equator”onParadiddle Records, onMarch 7th.
We once again had the stellar opportunity to check out incredibly talented NYC, singer-songwriter, Pete Mancini and his latest beautifully crafted single “Stomping Grounds”
You can listen to “Stomping Grounds“ on Spotify Here and on Apple Music Here
The descriptive and authentic storytelling of Pete Mancini, is on full display on “Stomping Grounds”
Mancini, effortlessly weaves an addictive and memorable melody between perfectly written lyrics that we found ourselves singing along to almost immediately.
“Stomping Ground” has a brilliant 60’s sound and vibe that really adds another dimension to an already impressive song.
“Stomping Grounds was produced by Matt Patton, recorded and mixed by Henry Barbe at Dial Back Sound , Water Valley, Ms , mastered by Clay Jones, written by Pete Mancini.
We’ve said it before and we feel it bears repeating… Pete Mancini, is a special talent with a once in a generation type voice, we feel he is just getting warmed up
“Stomping Grounds “, will be one of the many gems included on Mancini’s upcoming album “American Equator” which will be released on Paradiddle Records, on March 7th.
You owe it to your music loving heart to check out “Stomping Grounds “, from Pete Mancini
We recently had the amazing opportunity to check out the new single “Setting Sun”, from Irish indie artist, The Butterfly Graveyard.
You can listen to “Setting Sun” on Spotify Here , Apple Music Here.
There is something absolutely breathtaking beautiful about the new single “Setting Sun”, from The Butterfly Graveyard.
Delicate and delicious, Irish alt-rock artist The Butterfly Graveyard is located somewhere between The Blue Nile, Jeff Buckley and the deep blue sea. He makes a fragile music, soft as a butterfly’s wing but sometimes rough and uneven like the underbelly of a leaf, translucent when held up under the light.
The vocals from The Butterfly Graveyard, on “Setting Sun” are magnificently brilliant, we were literally in awe.
Setting Sun is a song about making the most of the time we are given. It is a song of two halves. The first half is written from an individual point of view where the character is looking forward, trying to get stuff done and at the same time looking back with a sense of loss. The second half is more Universal in the sense it could almost be written by a Major Tom like character,who is looking down from space in complete dismay at the earth’s resources being plundered and pillaged. This character is seeing raging forest fires, the earth drowning in flash floods and polar bears being stranded on melting ice caps. So in a way the song is a rallying call to protect the earth in this so called ‘Golden Age ‘ of drilling. It’s about ‘we’ as a collective, trying to get things done before the human race runs out of road and the sun sets on the earth for the very last time.”
You need to immediately stop what you are doing and get yourself lost in the incredible beauty of “Setting Sun”, from The Butterfly Graveyard.
We recently had the stellar opportunity to check out the latest single , “The Critic In Me” from Boston, based singer-songwriter/ storyteller, Preston Lydotes. You can listen to “The Critic In Me” Here You can check out the lyric video for “The Critic In Me” , below which, was edited and shot by Asher Thomas
From the first note of “The Critic In Me “ , from Preston Lydotes, it is crystal clear that we are listening to something extremely special. Lydotes, proves on “The Critic In Me “ that he is an epically talented songwriter/ storyteller who has the ability to produce powerful and meaningful songs that settle deep within your soul .
“The Critic In Me”, from Preston Lydotes, is a song that has a indie folk soul and rock and roll heart . We were hanging on every word and every note.
A sophomore EP, is on the horizon and we absolutely can’t wait to see what Preston, does next .
The mark of a great songwriter is someone who is able to connect with their audience and say what everyone else is thinking but unable to put it into words….. PrestonLydotes, most definitely achieves this with , “The Critic In Me”
We recently had amazing opportunity to check out the new LP, “Lefty” , from folk duo Penny & Sparrow. You can listen to “Lefty” on SpotifyHere and Apple Music Here
Penny&Sparrow , have delivered an absolutely delightful and beautiful collection of songs , with their new album, “Lefty”
From the open note on “Mattering Ram “ , it is crystal clear that Penny&Sparrow ( Andy Baxter & Kyle Jahnke ) have put their whole souls in to their new album “ Lefty”
“Lefty” explores many sounds and feelings making it a cornucopia of musical expression, this can be heard fully on “Even-Keeled “
Aiming to strip away pretense and invite experimentation, they commandeered a garden shed from a friend and retrofitted it to make a twenty-track album that is vast, weird, and wholly unexpected.
Every track is a story and a feeling which through the in depth story telling ofPenny&Sparrow come artfully to life .
The cinematic “Arm Candy” , featuring Annika Bennett, is a lush and beautiful track that belongs rightfully on the silver screen.
We found ourselves instantly singing along to “Breakdown” it feels like the kind of song that could be easily sung over a couple of pints .
On an album like “Lefty” it is almost impossible to pick one favorite . but if we had to pick one it would without question be, “Jeopardy” from the first time we heard the song , when it was released as a single we felt such an indescribable connection with the song . Some songs have a special way of finding their way into your heart , this definitely the case with “Jeopardy”
At its core “Lefty” is a brilliant display of well crafted music that needs to be shared with the world .
Sometimes music is so beautiful and perfect that it can literally take your breath away , this is absolutely the case with “Islands” from singer-songwriter Ski Team. The stunning layered song is a lush hymn and the counterpart to her previous single “Me“.
Ski Team is the solo moniker of Lucie Lozinski, an independent songwriter, singer, producer, and guitarist who’s known for her yearning lyrics, crystalline voice, and gritty instrumentation. American Songwriter has described her music as “… a quasi-Americana sound, combining traditional folk and rock elements with undeniably modern soundscapes.”
She shares, “I wrote “Islands” while producing “Me”—the bass sounded like crickets, and I started looping it and singing over it. The improvised melody and harmony had something so sweet and somber about it. Then we just rapid fire layered harmonies, all unplanned, just whatever I felt like singing. I think that improvised spirit of listening and just doing what feels right—whatever comes out—is what makes this song so special. There was very little planning and designing it. I just sang a song from the soul into the mic, and you can feel that.”
Besides the beautiful harmonies on “Islands” what stood out to us was the brilliant use of subtle ambient noise on the track that added such a wonderful dimension to an already stellar song .
Ski Team collaborated with producer Daniel Knowles (Sharon Van Etten, Cigarettes After Sex) on the new single.
A song like “Islands” from Ski Team , is exactly why we fell in love with music to begin with. – Bravo
We recently had the amazing opportunity to check the new single, “Beginning To See The Dark” from singer-songwriter Joshua David Thayer. Including with the new single is an acoustic version of “Tempest” — which is the lead track onIt Will Still Keep Feeling Rough.
You can listen to the two songson Spotify Here, Apple Music Here and on Bandcamp Here.
You can also check out the video for “Beginning To See The Dark” below
We were beyond excited to get new music from Joshua David Thayer, especially since we are still basking in the glow of his stellar debut album, “It Will Still Keep Feeling Rough”.
“Beginning To See The Dark”, an outtake from the sessions that shaped the critically acclaimed record. The single is accompanied by “Tempest (Acoustic),” a full acoustic production of the album’s lead track, reimagined with layered textures of acoustic guitars, banjo, slide guitar, and upright bass. This release is particularly meaningful, as it coincides with Thayer’s birthday and marks one year since he debuted his first solo material with the release of “Bird Children” on January 17, 2024.
We were immediately drawn to the haunting and beautifully crafted “Beginning To See The Dark”, the theme of uncertainty that lingers overs the track quietly settles in your soul giving room for solitary reflection.
Beginning To See The Dark” unfolds slowly with a hushed lilting intensity, building subtly until drums enter in the final third, giving way to a slinky and mesmerizing musical ending. The lyrics reflect on themes of struggle and the inevitability of uncertainty, with the refrain, “Now I’m beginning to see the dark in all things,” capturing Thayer’s reflective perspective and voice.
Courtesy Of The Artist
“This song came together in an unexpected way, early in the sessions for the album, but never quite fit into the sequence of the record,” says Thayer. “I heard the slide part in my head, rushed out to buy one, watched a video on how to play slide, and recorded the part immediately. It’s a piece that’s all about feeling—something that came through naturally in the moment.”
The brilliant acoustic b-side of “Tempest” offers a vibrant reinterpretation of the lead track of It Will Still Keep Feeling Rough.Far from stripped down, this version delivers a rich, full acoustic production that features intricate layers of acoustic guitars, banjo, slide guitar, and upright bass, creating a sound that is both organic and resonant. It is also a treat when an artist can add another dimension to a track, Thayer, has definitely done this with “Tempest”
The track’s themes of persistence and transformation remain central, while the new arrangement brings a fresh and dynamic energy.
Both tracks were written, performed, recorded, and mixed by Joshua David Thayer at Brave Tiger in Medford, MA, and mastered by Mark Alan Miller at Radio Valkyrie in Holyoke, MA.
Joshua David Thayer is an artist who’s music and message needs to be heard . Do yourself a favor and check out “Beginning To See The Dark” and the acoustic B-Side of “Tempest” You will be glad you did.
We recently had the distinct honor to check out the amazing new solo single “Walk A Million Miles “ from singer-songwriter Garrett Vandermolen. You can listen to “Walk A million Miles “ on Spotify Here, Apple Music Here and on Bandcamp Here
Garrett, who is the founder, songwriter, and vocalist for power-pop , rock and roll outfit, Speedfossil, delivers an absolutely divine new solo track “Walk A Million Miles”, and it is a positively breathtaking musical composition.
We were immediately drawn to the authentic and honest tone and vibe of “Walk A Million Miles from Garrett Vandermolen.
The stunningly beautiful solo effort showcases not only Garret’s multi-instrumental capabilities (he’s playing everything with the exception of the drums and the castanets), but also a different direction- with heavy nods to some of his musical influences that are peripheral to the power pop/rock world he’s been inhabiting. With shades of R.E.M. and the Byrds, and maybe a little dash of the The Beau Brummels
We especially love the very Americana feel on the track , as it adds another dimension to the track that really makes it stand out .
“Walk A Million Miles” chimey 12-string guitars and reed organ exude a sense of grace and emotion that match the lyrical content of the narrator’s desire to leave everything behind and go somewhere to start all over again. As Garret states;
With Speedfossil on an indefinite hiatus, I am going to focus on getting more music out as a solo artist and some other collaborations I have planned for 2025. I write a lot, and like trying out different things, so I’m excited to do some musical experimentation-I think “Walk A Million Miles” is good first step!”
We absolutely love , “Walk A Million Miles , from Garrett Vandermolen and can’t wait for more music.
We recently had the distinct honor and privilege to check out the highly anticipated new album “Reclamation” from award–winning singer-songwriter and social-justice warrior Crys Matthews. You can listen to “Reclamation “ on Spotify Here and on Apple Music Here
In our opinion if you have a message that you want to communicate to others, there is no better way to do it than through music. Crys Matthews , does a remarkable job of this on her magnificently crafted new album “Reclamation”
Crys shares, “This album is both sonically and ideologically the fullest representation of who I am as an artist and as a human,”
You cannot help but be inspired and moved by the music that Crys Matthews creates . It has meaning and purpose that stays with your soul long after the music fades .
Matthews is reclaiming not just of the space Black artists have been denied in Country and Americana music, not just of the space LGBTQ people have been denied in communities of faith, not just of the autonomy women have been denied over their own bodies, she is reclaiming the South that raised her.
Recorded in Nashville, TN at SoundEmporium Studios, Reclamation was produced by Levi Lowry (co-writer of Zac Brown Band‘s hit song Colder Weather). The project features her partner on and off stage Heather Mae, her friends and fellow singer-songwriters Kyshona, Melody Walker, and Chris Housman, and some of the best musicians in Music City like Megan Coleman, Megan Elizabeth McCormick, Ellen Angelico, Ryan Madora, Jen Gunderman, and Michael Majett.
The songs on “Reclamation “ are far more than songs… they are important and powerful messages that need to be heard and Crys Matthews is the perfect voice at the perfect moment to deliver them
From the opening track , “The Difference Between” we were hanging on every word and melody . “Reclamation” is the kind of record that you just don’t hear but you feel it as well .
Crys Matthews is a master storyteller of the highest order with a once in a generation voice , “The Bigger Picture “, “Like Jesus Would” and “Cancel Culture “ are the kind of songs that if they were paintings they would be on display in the world’s finest museums.
We may be only weeks into the new year but “Reclamation “ from Crys Matthews may be one of the year’s best .
We recently had the amazing opportunity to check out the new single and video for “What A little Love Can Do” from New England based singer-songwriter Sam Robbins. You can listen to “What A little Love Can Do” on Spotify Here and Apple Music HereYou can also watch the video below
“What A little Love Can Do” from Sam Robbins, is a brilliantly written emotionally filled song that we felt draw to instantly .
Sam shares, shares, “The song was written from a moment. I had spent most of the year on the road, and had just made it back to Nashville from a long run of shows when I heard that there had been a shooting near my house. I was home alone all day after an amazing trip, visiting places that felt so different from where I had grown up in NH, and I started strumming. The song just flowed from there, and I think that’s where the simple, direct nature of the lyrics and message came from – just trying to be in the moment and capture my feelings in a very divided world.”
“What a Little Love Can Do” is the leading single off of his forthcoming album “So Much I Still Don’t See” Sam comments , “It is based around my touring over the past four years – driving 45,000 miles per year, meeting so many people from so many different backgrounds and perspectives than me, a guy in his 20’s from New Hampshire,”
The miles and experience gained along with Sam’s talent as a gifted songwriter/ storyteller make him an artist that is on the rise .
Robbins is a 2021 Kerrville Folk Festival New Folk contest winner, a 2022 Falcon Ridge Folk Festival “Most Wanted to Return” artist, and later a solo mainstage performer at each festival in 2023 and 2024. We have a feeling that Sam is on his way to many more awards .
Sam heads back out on the road on January, 19th you can check out dates Here
We recently had the stellar opportunity to check out the latest single “Technicolor Days” from NYC singer-songwriter Pete Mancini. You can listen to “Technicolor Days ” on Spotify Here and on Apple Music Here
If you haven’t heard of Pete Mancini, let this review of his new single “Technicolor Days” be your opportunity to hear what you have been missing . Pete Mancini is a gifted and talented singer-songwriter who has a once in a generation type voice.
“Technicolor Days” is a well crafted and written song that showcases Mancini’s pristine vocals and master level songwriting/storytelling abilities. Falling somewhere between bluegrass,folk-rock , and Americana , Pete Mancini manages to have a familiar sound and vibe that he brilliantly makes his own .
“Technicolor Days”, will be included on Mancini’s upcoming album “American Equator” which will be released on Paradiddle Records, on March 7th.
We consider ourselves lucky to have found Pete Mancini and we can not wait for the release of “American Equator “
We recently had the unbelievable opportunity to check out the latest single “Coyotes (Out In California) from Flovilla, Georgia, singer-songwriter Levi Turner. ( Spoiler alert: Levi Turner, is the real deal and “Coyotes(Out In California) is drop dead perfect) You can listen to “Coyotes (Out In California) Here
Levi Turner, was the first artist signed to Zach Bryan’s record label , Belting Bronco and , released Allergy Season in June 2023 . If you had the chance to see Zach Bryan this summer, chances are you got to see Levi Turner who joined Bryan on the road.
LeviTurner’s new single “Coyotes ( Out In California) is an absolute gem . Turner has the kind of voice that makes you take notice , and that is full center on “Coyotes ( Out In California)
Do your music loving heart a favor and check out “Coyotes ( Out In California) you will thank us later.
We recently had the opportunity to check out the debut solo record “ It Will Still Keep Feeling Rough” via Brave Tiger Records, from Boston based singer-songwriter Joshua David Thayer.
You can listen to “It Will Still Keep Feeling Rough” on Spotify Here, Apple Music Here and on Bandcamp Here
We were instantly captivated to the debut solo album “It Will Still Keep Feeling Rough” from singer-songwriter Joshua David Thayer. Thayer is a skilled storyteller that has a one of a kind voice that he uses to artfully tell amazing stories throughout “It Will Still Keep Feeling Rough”
Courtesy Of Artist
On the opening track “Tempest”, which has a brilliant folk rock feel, we were really drawn in by the versatility and tone of Joshua David Thayer’s voice .
After decades of playing bass and collaborating with other artists, Joshua David Thayer stepped into solo work for the first time to explore themes of loss, resilience, and transformation. The project evolved out of spontaneous home recordings and became a way of processing recent events in his life, including the passing of his father.
The album combines indie rock, alterna-folk, and ambient influences, with inspiration drawn from Rick Rubin’sThe Creative Act and the creative paths of other artists that Joshua David Thayer admires.
Alongside contributions from Brooklyn-based co-producer Bradford Swanson, drummerJason Smith, engineer Monte Arnstam, mixerMark Alan Miller, and mastering by Jonathan Wyner, Joshua shares “this album has been a unique journey into new artistic territory for me.“
Joshua David Thayer has played in the past with Fancy Trash, Love Minus Zero, Hadley Transfer Station, and more. He also performed with artists such as Mark Mulcahy, TW Walsh, Dennis Crommett, Joshua Crane, and Treefort and shared stages with 4 Non Blondes, Juliana Hatfield, The Jayhawks, Langhorne Slim, DeVotchKa, and many more.
“It Will Still Keep Feeling Rough” is a musical treasure trove filled with well crafted songs that touch both the heart and soul.
The subtle groove on “Punch, Crumble And Crawl” really makes the track stand out.
The beautiful,”Peaceful Passing“ is a beautiful moving musical composition with a heartfelt message.
From top to bottom “It Will StillKeep Feeling Rough” is 48 minutes of enjoyable and thoughtful musical compositions. If we had to choose a favorite track (which is so hard to do) it would without question be “Say What YouMean”. This track in our opinion is Joshua David Thayer at his absolute best. ”Say What You Mean” is a unique and melodic gem that has a great story and flawless vocals.
Do your music loving heart a favor and check out “It Will Still Keep Feeling Rough” from Joshua DavidThayer.
We recently had the amazing opportunity to check out the new single “Jeopardy” from criticality acclaimed indie folk duo Penny & Sparrow. You can listen to “Jeopardy” on Spotify Here, Apple Music Here. You can also check out the video for “Jeopardy” below
The video features an appearance by Tony Hale and inspired by Simon & Garfunkel. “Jeopardy” is the fifth single release off the band’s new album Lefty to be released January 31, 2025.
The band says, “Jeopardy is about knowing someone perfectly. It goes beyond tracking their needs & preferences & peccadillos. It grows into a kind of loving memorization where you can almost see the future”
“Jeopardy” from Penny&Sparrow is one of those special songs that grabs your attention right from the first time you hear it .
Whether it’s romantic, friendly, or familial, there’s something gorgeous about that kind of ‘knowing someone’. Penny & Sparrow produced the entire record with few songs co-produced by their dear friend, Jonathan Oliphant. The album highlights the duo’s ability to craft a distinctive “indie acoustic” sound while seamlessly blending elements from various genres due to their and their exceptional songwriting skills. In support of the new album, the band has announced Lefty Spring 2025 Tour. The tour kicks off in April 2025. Tickets are on sale now. You can get information on tickets Here
The debut album “Even Us Ghosts” from indie -folk five piece band Bottlemoth is captivating, melodically mesmerizing and absolutely beautifully put together. ( and we felt all of that in just the first sixty seconds)) Seriously, “Even Us Ghosts “ is a simply spectacular body of music that you can’t ignore. You can listen to “Even Us Ghosts” on Spotify Here , Apple Music Here and on Amazon Music Here
Bottlemoth formed in January of 2024 , and have wasted no time in establishing themselves as one of the premier indie- folk bands of the day.
“Even Us Ghosts” is a well written, well performed body of music that will quickly make its way on to many best of 2024 list .
Their debut full-length was written and produced by the band themselves, with additional recording with Joe Marsh at Orchard Studios and mixing by Adrian Hall (Tori Amos, Bess Atwell, Nova Twins, Cassia).
Lyrically the album explores contemporary themes, digging deep into the complexities of living in your twenties; Coming into your own independence, heartbreak, returning home, navigating mental health and celebrating love, friendships and those who matter most.
“Like many of our friends, we’d become twenty somethings living with our families again, and there are a lot of complexities to that; Feeling fortunate to have those people, but the contrasting feeling of becoming a burden. It progressed the themes and images in the writing process, with oceans and ‘the deep’, a direct comparison to sinking emotionally, and tall skylines being the opposite hopes and joy. The album title ‘Even us ghosts’ summarises the record well for just three words. Without speaking for the whole band, across my life I have felt like a ghost in a very loud world. I wouldn’t say I’m spiritual, but the comparison I find inspires a lot of topics for writing. In change and challenge, loneliness in the most crowded places, hoping to always be there for those you care for, the feeling you’re not enough. That last theme manifests a lot. I don’t think we get an answer to the questions of what is enough across our album, but we are talking and that’s something,”says vocalist and lyricistEthan Proctor.
Every song on “Even Us Ghosts “ feels like a well written passage in a best selling novel. The musical and lyrical details really give the album extra shape, allowing the listener to really connect with the album in very natural and authentic way .
There simply isn’t a bad song on “Even Us Ghosts “, it is truly one those albums that you can let play all the way through without interruption.
The album’s previous singles ‘Tattoo‘, ‘You’llAlways Have Us // Everything Works Out In the End’, ‘Landslides (people change)”and “Settle In” shine like diamonds on an album that is a treasure trove of stunningly brilliant music . We also loved “Deleted Scenes “ and the beautiful closing track “Hold Me Like You Know Me”
Bottlemoth has delivered an epic debut in “Even Us Ghosts” that simply cannot be missed.
Even us ghosts is out today, (October 17th 2024) and will be available on all major streaming platforms and limited edition vinyl.
We recently had the amazing opportunity to check out the new single “Law&Order from Tulsa basedsinger-songwriter Casii Stephan featuring social justice warrior, proud black woman and LGBTQ+ folk singer-songwriter Crys Matthews, and acclaimed producer and musician Jay Burgess.
“Law&Order” discusses the perils of racism and polarizing politics.
Casii shares, “In the South, politics takes on a different flavor. We say we’ve progressed and in many ways we have. At the same time, racial slurs shouted from cars and pickup trucks just because they can isn’t abnormal. And that’s not even getting into how our justice system is skewed, bent, and twisted. It seems we keep singing the same song in new ways over and over again. In the middle of 2021, I started writing this song. Then in 2023, I met Jay and Crys and asked them if they would write their perspective about their respective states. This is Law & Order. To those fighting to make our justice system more just and less racist, thank you.”
“Law&Order” from Casii Stephan, featuring Crys Matthews and Jay Burgess is an absolutely beautifully written and performed song. The timely message rings loud and clear as it is gently woven between a perfectly placed melody.
Make sure you open your ears and open your heart and listen to “Law&Order from Casii Stephan, featuring Crys Matthews and Jay Burgess.
We recently had the golden opportunity to check out the new single “Country” from critically acclaimed Austin, Texas indie folk duo, Penny & Sparrow.(Andy Baxter and Kyle Jahnke)“Country” is the third single following “Ketamine “ featuring Tobe Nwigwe and “Mattering Ram” all three tracks will be included on Penny & Sparrow’s upcoming album Lefty to be released January 31, 2025. Catch the band at Austin City Limits on October 4.
Penny & Sparrow have a unique one of a kind sound that warms the soul.”Country” from Penny & Sparrow feels like absolute breath of fresh air.
Penny & Sparrow produced the entire record with few songs co-produced by their dear friend, Jonathan Oliphant.
The band says, “We made Lefty 20 tracks long and gave ourselves acreage of song space to experiment. We wanted to record a double album for the challenge of it, and also for the chance to be sonically rangy and eccentric. The idea of offering all sorts of sounds, structures, melodies, and lyrical approaches in 20 songs was creatively exciting to us, so we did it. We helped build a recording studio in a buddy’s old toolshed and we made most of the record inside it. There were a few field trips to bigger studios in Florence, AL (Portside & SunDrop) but most of Lefty came from that retrofitted garden shed. We wanted to hold genre lightly and take a less curated approach to Lefty, so we followed our noses and made every song we wanted to along the way.”
The album highlights the duo’s ability to craft a distinctive “indie acoustic” sound while seamlessly blending elements from various genres due to their and their exceptional songwriting skills.
Take the single “Country,” for example—it initially comes across as pure country. However, with Penny & Sparrow’s unique touch, it seamlessly merges with indie folk influences. This track is just a glimpse of what fans can anticipate from the full album when it’s released.
We have fallen deep for “Country” from Penny & Sparrow. We are awash in the big beautiful, sweeping melodies and we can’t get enough . Do yourself a favor and go to your favorite music listening spot and get lost in the beauty of “Country” from Penny&Sparrow
You can Check Out Penny&Sparrow on Instagram Here and on Facebook Here
We recently had the chance to check out the new single “Landslides(People Change)” from UK indie-folk quintet Bottlemoth
You can listen to “Landslides (People Change)” Here
Bottlemoth has such a memorable and authentic sound and that sound is front and center on their latest single , “Landslides (People Change)”
“Landslides (People Change)” is taken from their debut album ‘Even us ghosts’ due for release October 17th 2024.
We love the feel of “Landslides (People Change)” Bottlemoth really hits their musical stride with “Landslides (People Change ) “ perfect vocals with stunning melodies absolute perfection.
The follow up to July’s debut single ‘Tattoo’, and August’s surprise double singles “You’ll Always Have Us // Everything Works Out In The End”, championed by FameMagazine, RTE, The Most Radicalist and Spotify and Apple editorial playlists, ‘Landslides (people change)’ is a song about starting over, returning home and tackling the big moments of change.
Discussing what they hoped to explore lyrically with this track, vocalist and lyricist Ethan Proctorexplains: “Sometimes change is expected, and sometimes it’s a surprise. It can be terrifying, though more often than not change can be necessary. The last few years have been a bit of a whirlwind, and I first wrote this song when Chess and I moved back to Somerset from London. It was a real period of reflection and change for the band. We can dwell on things, we can hunker down in a rut. Taking some time to look inward is important, and I can forget that. It’s a cool revelation to think we are forever finding ourselves again and again.
‘Trust me when I say, I know’ is a phrase that felt really prominent at the time and became the last repeating lyric of the song.”
Do yourself self and check the magic of Bottlemoth and their can’t miss new single “Landslides (People Change)”
We recently had the chance to check out the new single “The Difference Between “ from from social justice warrior, proud black woman and LGBTQ+ americana/folk/country singer-songwriter Crys Matthews, featuring Melody Walker and Chris Housman. You can listen to “The Difference Between “ on Spotify Here and Apple Music Here and YouTube Here
We have long said that you can’t fake the truth, Crys Matthews further cements her place as an important voice as she delivers the stunningly brilliant and powerful new single “The Difference Between “ which, features Melody Walker and Crys Matthews .
“The Difference Between”, features three LGBTQ artists, all of whom call Nashville home. Crys Matthews confides, “This is Country too, it looks like you and it looks like me. When I heard Jason Aldean’s “Try That in a Small Town”, I was so offended — not just as a Black woman, but as a proud Southerner. The audacity to think that there would be a South at all without my people is the kind of willful ignorance that keeps folks like me from feeling safe in Country and Americana spaces. There are consequences to that kind of hateful rhetoric.”
She continues , “This is a reclamation not just of the space Black artists have been denied in Country and Americana music, not just of the space LGBTQ people have been denied in communities of faith, not just of the autonomy women have been denied over our own bodies, but a reclamation of the South that raised me.”
A troubadour of truth, Nashville resident Crys Matthews is among the brightest stars of the new generation of social justice music-makers. An award-winning, prolific lyricist and composer, Matthews blends Country, Americana, Folk, Blues, and Bluegrass into a bold, complex performance steeped in traditional melodies punctuated by honest, original lyrics. She is made for these times.
A daughter of the South by way of Nashville now and North Carolina forever, and the self-proclaimed poster child of intersectionality, Matthews is boldly answering those questions on her new album aptly titled Reclamation.
We can’t wait for more music from Crys Matthews in the meantime we will enjoy the beauty of “The Difference Between “ from Crys Matthews featuring Melody Walker and Chris Housman.
We are beyond thrilled to finally get the chance to check out the new album “Wild Spirit” from Provo, Utahfolk-pop quartetThe National Parks .
You can listen to “Wild Spirit” Here.
You can also watch the video for the single “Caves” below .
The National Parks (Brady Parks [vocals, guitar], Sydney Macfarlane [vocals, keys], Cam Brannelly [drums], and Megan Parks [violin] ) have delivered a brilliant collection of indie folk pop songs, with their new album “Wild Spirit “ that have literally taken our breath away.
The band says, “Have you ever been out in the woods and turned around and not known where you are or how to get where you were going? This is an album about feeling that way in life – lost. It’s about the uncertainty, the dark nights, the scary sounds of the wilderness, the loneliness and the heartache. It’s also about how beautiful and transformative getting lost can be. The smell of new flowers you’ve never seen and the way the sunlight breaks and beams through the forest canopy. When you start hiking up to higher ground, standing on the peak of a mountain and looking at the views of a sprawling valley of trees and rivers. I think we all go through times in our life where we feel the weight of being lost and this album dives deep to explore what it means to find yourself.”
In support of the new music the band has also announce the Wild Spirit Tour. See all tour dates below.
Every song on “Wild Spirit” is full of vibrant melodies and captivating lyrics that stay with you long after the music has faded . The National Parks are like skilled painters taking a blank page and crafting songs that literally belong in a museum.
“Wild Spirit” is one of those album that you can put on track one and let it run all the way to the end without skipping a single track “Caves, Scenic Route , the title track “Wild Spirit” and Timber!” are absolute gems that we can’t get enough of.
We are absolutely all in on The National parks and their stunningly beautiful new record “Wild Spirit” Be sure to check them out live ….. We have a feeling their live show is simply magical.
Tour Dates
Friday, September 6, 2024 – Steamboat Springs, CO – Strings Music Pavilion
Saturday, September 7, 2024 – Denver, CO – Gothic Theatre
Tuesday, September 10, 2024 – Billings, MT – Pub Station
Wednesday, September 11, 2024 – Great Falls, MT – The Newberry
Thursday, September 12, 2024 – Boise, ID – Treefort Music Hall
Saturday, September 14, 2024 – Sandy, UT – Sandy Amphitheater
Thursday, September 19, 2024 – Idaho Falls, ID – Colonial Theater
Thursday, September 26, 2024 – Portland, OR – Aladdin Theater
Friday, September 27, 2024 – Seattle, WA – Neptune
Saturday, September 28, 2024 – Eugene, OR – WOW Hall
Wednesday, October 2, 2024 – Berkeley, CA – Cornerstone
Thursday, October 3, 2024 – Los Angeles, CA – Lodge Room
Friday, October 4, 2024 – San Diego, CA – House of Blues
Saturday, October 5, 2024 – Phoenix, AZ – The Van Buren
Friday, October 11, 2024 – Omaha, NE – The Slowdown
Saturday, October 12, 2024 – Des Moines, IA – Wooly’s
Sunday, October 13, 2024 – Milwaukee, WI – Vivarium
Tuesday, October 15, 2024 – Columbia, MO – Blue Note
Thursday, October 17, 2024 – Oklahoma City, OK – Beer City Music Hall
Friday, October 18, 2024 – Dallas, TX – The Kessler Theater
Saturday, October 19, 2024 – Austin, TX – Scoot Inn
Sunday, October 20, 2024 – Houston, TX – The Heights Theater
We recently had the splendid opportunity to check out the new album “Another Year In The Minors from Pigeon Club . Pigeon Club is the music of Wayne Whittaker, a multi-instrumentalist musician and songwriter living in Los Angeles.
You can listen to “Another Year In The Minors” on Spotify Here and on Apple Music Here
Sometimes an album comes along that is such a collection of well written and crafted songs that it touches both your heart and soul “Another Year In The Minors from Los Angeles based folk/rock artist Pigeon Club.
From the opening note on “Liar” it is crystal clear that this a special record that can’t be ignore.
PigeonClub is the music of Wayne Whittaker. Whittaker has masterfully crafted a beautifully woven collection of melodic masterpieces that thoughtfully examine the human condition.
The nine track album is a collaboration with Grammy winning co-producers John Would (Fiona Apple, Warren Zevon) and Amy Wood (Fiona Apple,TheDonnysThe Amys). Together with a stellar group of friends and backing musicians, they unwittingly managed to document a major transitional period in the life of the songwriter.
Every song on “Another Year In The Minors” hit perfectly. We loved the authentic and genuine storytelling approach from Wayne Whittaker, especially on the title track.
From “Is Will Soon Be Was” , “Neither Do I” Whittaker, is firing on all cylinders and we absolutely love it . With a collection of such stellar songs it is next to impossible to pick a “favorite” but the one song that really stands out to us is “Pros/Cons” melodically perfect with smartly written lyrics we couldn’t get enough.
Do yourself a favor and check out “Another Year In The Minors“ from Pigeon Club , it’s spectacular.
We recently had the phenomenal opportunity to check out the new single “Whatever Comes” from The Provo, UT quartet- The National Parks —Brady Parks [vocals, guitar], Sydney Macfarlane [vocals, keys], Cam Brannelly [drums], and Megan Parks [violin]
You can listen to “Whatever Comes “ on Spotify Here and on Apple Music Here
The National Parks, have this amazing energy , and it comes through beautifully on “Whatever Comes”
The National Parks are musical tour de force. Their music is an endless joyfully expression, that we can’t get enough of. We can’t for their new album “Wild Spirit”
We recently got the chance to check out the new single “Scenic Route” from Provo, UT folk quartet The National Parks ( Brady Parks [vocals, guitar], Sydney Macfarlane [vocals, keys], Cam Brannelly [drums], and Megan Parks [violin) You can listen to “Scenic Route “ Here on Spotify and on Apple Music Here.
The National Parks take everything in around them and create beautiful and breathtaking indie folk pop that is a beautiful as the subjects they sing about .
Emerging in 2013, the musicians have consistently captivated audiences. They’ve generated over 150 million streams across Young [2013], Until I Live [2015], Places [2017], and Wildflower [2020]. As one of many highlights from the latter, “Time” amassed over 9.3 millionSpotify streams as the album incited widespread critical applause. The four-piece maintained this momentum with a sold-out headline tour and 2021’s A Mix for the End of the World pt.1.
“Scenic Route” is a beautifully written song that has a memorable melody that is complimented by the perfect vocal performance . The NationalPark have the wonderful ability to create authentic and heartfelt music that makes your soul smile .
“Scenic Route” will appear on the band’s upcoming album “Wild Spirit” due later this summer.
We recently had the opportunity to check out the stunningly magnificent debut single “Tattoo” from UK based indie-folk five-piece Bottlemoth.( Ethan Proctor Williams-vocals/guitar, Chessa ProctorWilliams-vocals/keys , Matt Bond-Vocals/ guitar, Henry Matthews-Bass, Tom Farkas– drums )
Bottlemoth formed in January 2024 by the former members of Bridges. The band cut their teeth touring the UK under their previous moniker, playing tour supports with Slow Readers Club and festivals such as 2000Trees, Isle of Wight and Glastonbury. Since returning to live in 2024 as Bottlemoth, the band have already performed alongside The Dangerous Summer, Cold Years, Jim Lockey & The Solemn Sun and Adult Leisure. Previous releases have amassed over 130,000 streams and have been celebrated by the likes of Far Out Magazine, Clash and God Is In The TV.
“Tattoo” is a well a written melodic gem that gently finds its way into your heart and soul. Lyrically “Tattoo” isat its core a lyrical masterpiece piece that flows effortlessly with a stunning melodic musical backdrop.
Discussing the lyrical themes behind the single, vocalist and lyricistEthan Proctor says, “Discussing the lyrical themes behind the single, vocalist and lyricist Ethan Proctor says, “I got my first tattoo when Chess and I met. Henry and Tom had lots already, and I’d maybe thought too much about the permanence before. Etching memories and art into your skin can be a wonderful thing, and I now have the buzz. Collecting them has become a real hobby now, but I don’t think I’ll ever be covered. I think people that can be fully covered in tattoos must have a strong sense of who they are, and that’s inspiring to me. We can riddle ourselves with doubt, and sometimes it’s hard to just do it.”
Tattoo was written and produced by the band themselves across home studios, drums were produced with Joe Marsh at Orchard Studios and the track was mixed by Adrian Hall (Tori Amos, Bess Atwell, Nova Twins, Cassia) who’s experience and expertise helped the band’s vision develop into a unique sound.
“Tattoo”, is taken from their upcoming debut album ‘Even Us Ghosts’ out later this year.
We are simply delighted by the pure heartfelt message and musical brilliance displayed in “Tattoo” from Bottlemoth. We can’t wait for what’s next .
We recently had the opportunity to check out the new single “Mountain Mama” from Oxford,Mississippi folk-rock band Happy Landing. You can listen to “Mountain Mama” Here
“Mountain Mama” is the forth single they have released that is off their new album “Golden” to be released on July 12th. The singles released “My My My,” “Lose YourGun” and “Let Me Out” can be heard HereHappy Landing ( Matty Hendley (lead vocals, guitar), Keegan Christensen (vocals, keys), Jacob Christensen (drums), Andrew Gardner (fiddle, vocals), and WIlson Moyer(bass/guitar, vocals) pioneer a new wave of folk music, captivating audiences around the country with their energetic live shows and fresh sound, blended from the roots of southern rock, punk and folk. Following a successful year of touring with notable bands like The Head and The Heart, Judah & the Lion, and The 502’s.
“Mountain Mama” is a fine example of Happy Landing’s authentic and unique sound
We can’t wait for the new album “Golden” on July 12th .
We recently had the privilege to check out the new self titled EP from Sleepwalker . Sleepwalker is the new EP and project from musican Kevin Harrison.
You can check out the self titled EP from Sleepwalker Here. Harrison fully embraces the freedom of producing and creating music without boundaries. Known for his time on the folk-rock scene with bands Broken Compass Society and Kevin Harrison & True North, the Cranford, New Jersey singer-songwriter found a sense of freedom in leaving behind the constraints of the music industry and pursuing new artistic avenues with his latest creative ventures.
With Sleepwalker, KevinHarrison has created a one of a kind sound that we can’t turn away from . From the first note on “When The Lights Go Down” all the way through to the fascinating instrumental “Delirium “ we fell deep for the indie-rock/folk/blues sound that is on full display on the self titled EP
We were awash in a beautiful wave of sound on “When The Lights Go Down “ There is a mysterious blusey tone on the track that we can’t get enough of.
“Wake Me Up” which was one of our favorite track on the EP , was the catalyst for the entire Sleepwalker project. It begins with quintessential folk-rock softness before the shackles of standard songwriting constraints fall away amidst the synths, fuzz, and layers of emotive vocals. In the absence of lyrics, there’s a whispering piano floating in the ether, a disorientation that echos the question of “Am I still me?” despite all the changes around you. It was inspired by many sleepless nights as a new parent and the uncertainty that comes with raising the future. (As a fellow parent this one really resonated with us .
Throughout the Sleepwalker EP. Harrison artfully places tones and sounds to really give the EP a unique sound and feel .
Vocally throughout the EP , Harrison puts on absolute vocal clinic. On the title track “Sleepwalker” we literally got chills listening to the flawless vocal performance. “Burn” has a really Smokey feel that stays in your soul , long after the music ends .
From top to bottom there isn’t a bad song on “Sleepwalker” it is truly a work of musical greatness that you can’t afford to miss.
We recently had the wonderful opportunity to check out the new single “Where You Are” from the Provo,Ut quartet The National Parks ( Brady Parks [vocals, guitar], Sydney Macfarlane [vocals, keys], Cam Brannelly [drums], and Megan Parks [violin)
There is this real natural authenticity with The National Parks and, it is on full display on their latest single “Where You Are”
The National Parks breathe in inspiration from the world around them and exhale cinematic indie folk-pop powered by soaring harmonies, organic orchestration, and luminous electronics.
Emerging in 2013, the musicians have consistently captivated audiences. They’ve generated over 150 million streams across Young [2013], Until I Live [2015], Places [2017], and Wildflower [2020]. As one of many highlights from the latter, “Time” amassed over 9.3 millionSpotify streams as the album incited widespread critical applause.
“Where You Are” is such a breath of fresh air. It is an absolute can’t miss
Happy Landing (Matty Hendley (lead vocals, guitar), Keegan Christensen (vocals, keys), Jacob Christensen (drums),Andrew Gardner(fiddle, vocals), and Wilson Moyer (bass/guitar, vocals)pioneers a new wave of folk music, captivating audiences around the country with their energetic live shows and fresh sound, blended from the roots of southern rock, punk and folk. “My,My,My” is the third single that HAPPY LANDING has released that is off their new album Golden to be released July 12.
The first and second singles “Lose Your Gun” and “Let Me Out” can be heard Here
In support of their new album the band also will be hitting road on their “The Golden Tour” in the Fall with supporting acts ArtsFishing Club. See all tour dates below and tickets can be purchased Here
Along with the Fall dates the band is will me making stops at these incredible music festivals as well, Lovin’ Life Festival,, Summerfest, Floydfest, Bonnaroo, and Lollapalooza.
It is apparently from first listen that, Happy Landing is a group of highly skilled musicians. We love the authentic texture,tone and sound on “My,My,My” We are big fans of master storytelling in songs and, you definitely get this from Happy Landing on their latest “My,My,My”
We recently had the absolute privilege to check out the new single “All Boxed In” from New Jersey based indie rock band, Part-Time Custodian.
You can listen to “All Boxed In “ on SpotifyHere. And on Apple Music Here
A lot of today’s music has a tendency to sound prefabricated and over done, this however is certainly not the case with New Jersey based indie rock band , Part -Time Custodian and their beautifully written new track “All Boxed In” . “All Boxed In “ feels like a New York Times Best Seller but , in song form. We were literally hanging on every well crafted word as if our life depended on it . Our ears and heart were soothed by the calming yet dynamic melody of “All Boxed In”
Singer/songwriter and frontman of Part-Time Custodian Mike Herz brilliantly brings to life a picture of a nostalgic neighborhood caged in by industrial growth and shattered dreams.
Aleksei Postnikov at Arlene’s Grocery in NYC.
We are big fans of honesty and authenticity and, this absolutely shines through with “All Boxed In “ from Part-Time Custodian.
If music is your thing you absolutely owe it to your music loving heart to check out “Boxed In “ from Part-Time Custodian.
Part-Time Custodian is :
Mike Herz – lead vocals, guitar, keys
Joe Palmisano – lead guitar
Adrian Cardona – drums
Ted Winsch – former bassist (played on two eps and “All Boxed In”)
We started The Whole Kameese back in 2020 as a way to keep busy during the pandemic. We are so lucky to have worked with so many wonderful artists, promoters and other music professionals. We were also so blessed to be able to share so much amazing music . We have made the difficult decision to put the blog on the back burner. At this time we need to focus on other important matters. We do not know how long we will be away but, we will return. We thank all of you for your support
We were recently delighted to check out the new video for “Sunlight” from rising singer-songwriter Maisy Kay .
You can watch the video below and listen to “Sunlight” Here
MaisyKay is a bold and fascinating new voice in pop music. Moving from a small countryside in England to the heart of Los Angeles, Maisy Kay is a one-of-a-kind musician blending nostalgic dance and pop music magnified through her lyrics and overall inspiration behind every track.
The video for “Sunlight” is yet another shinning example of the incredible unique artistry of Maisy Kay .
As shown on her 2020 smash single “The Storm” with gaming music creator, TheFatRat, which has suppressed 30 million streams on Spotify, she is already making a mark in the industry with collaborations with notable powerhouses like Timbaland, Tiësto, Rodney“Darkchild”Jenkins and Max Martin protégé Lukas “LULOU” Loules. Maisy Kay has incorporated her love for fantasy and alternate worlds with songs like “The Beast Within” inspired by the fictional Na’vi language from “Avatar.” She has made waves with her hit singles, “Karma is a Bitch Like You,” “Scared Together,” which received a remix from producer DJ R3HAB and got her first big break contributing Japanese lyrics and vocals to pop artist Anly’s #1 Spotify viral hit, “Distance.”Maisy Kay is proud to continue to share her gift with the world with her newest hit singles “First Time” and “After Midnight” off her EP “Metamorphosis” that debuted last year.
The songstress last year wrapped up a tour with JVKE across the United States. She is looking forward to continuing to grow her fanbase and inspiring others to find their own paths as she relays in her lyrics illustrating her own journey to self-discovery.
We recently had the distinct pleasure to check out the new single and video for “Assumed It Would Happen “ , from Portland, Oregon based Americana singer-songwriter Paul Nourigat . The track is from Paul’s upcoming album which is due on May 17th.
You can listen to “Assumed It Would Happen “ on Spotify Here and on Apple Music Here
You can also watch the video for “Assumed It Would Happen “ below
It is always a complete joy to check out the genuine well crafted melodically pleasing music of singer-songwriter Paul Nourigat , and “Assumed It Would Happen “ Is no exception.
Paul’s broad sweep of the Americana landscape recalls such artists as Slaid Cleaves, Guy Clark, The Lumineers, and Jim Lauderdale. Each of his songs occupies its own unique roots-flavored world, and Paul, with his producer and guitarist extraordinaire Adam Selzer—curate just the right mix of musicians for the personality of each track.
Paul Nourigat is a master storyteller, who delivers meaningful and relatable songs that are absolute works of art.
“My songs speak to people who want to hear stories,” Paulsays. He crafts each album with well-developed overarching themes, and each song features narratives with classic story arcs, including sweet resolutions.
“Assumed It Would Happen” hits that sweet spot between country and folk with strummed acoustic guitars, lonesome pedal steel, and plaintive vocals at times gorgeously adorned with female harmony interlace. The chorus refrain speaks to life’s bittersweet transience. Paul sings: Pullin out Memories, when life goes off track/It was what it was, and we can’t go back/Once in a lifetime, but did not know then/Just assumed it would happen, again and again Yeah, again and again.
“One of life’s greatest lessons is that special moments are fleeting, and often gone before we know it,” Paul says. He continues: “Early in life, personal challenges taught me to be truly grateful for each good experience that comes my way.”
Do yourself a favor and get lost in the beauty of “Assumed It Would Happen “ from Paul Nourigat.
We have anxiously awaiting the new album “The Sprawl” from Saskatoon, Canada, based indie-rock band Close Talker and , it did not disappoint.
You can listen to “Sprawl” on Spotify Here and on Apple Music Here
From note one on “Burn Out” on “The Sprawl” from Close Talker , we instantly captivated. Close Talker has a vibe and energy in their music that is absolutely mesmerizing. As we listened to each well crafted song on “The Sprawl” , we felt like we were reading a best selling novel .
Will,Matthew and Chris are master level musicians who give an absolutely flawless performance on “The Sprawl“ It is clear in listening to “The sprawl “ , that Will, Matthew and Chris bring the absolute best in each other. From “King George “ , Exodus, and our personal favorite “Tall Boy” there isn’t a bad song to be found anywhere on “The Sprawl”
The project that started as a passion for three friends in 2012 has become formative to their identities. It’s applying the nurture vs. nature argument to now-thirty year olds from the Canadian prairies, a place where change happens slowly and nostalgia holds strong. These are the core themes they dig into in th ‘The Sprawl’. ‘The Sprawl’ accounts for the years 2013-2019 in Close Talker: six years of full-on writing,
recording, touring, rinse, wash, repeat. Those years included incredible highlights and successes, in exchange for burnout and time away from home. Ultimately this period ended with Close Talker needing a break, coaxed by the pandemic into an indefinite hiatus. Taking this break allowed the band to explore other avenues in music. Will dove deep into writing and production and began scoring music for films. Chris built Slow Weather Music, a record label with an expanding roster of new Canadian artists. And eventually, three years later, Close Talker found themselves reminiscing on all the fond memories from ‘The Sprawl’ with the ones causing burn out starting to fade. Memories brought inspiration, and inspiration brought Close Talker back into the studio. They have produced an album that brings together all they have learned over their career; earworm melodies, intricate drums, soaring guitars, and prairie charm.
Find your favorite listening spot and get lost in absolute beauty of “The Sprawl” from Close Talker
We recently had the amazing opportunity to check out the new album “Mercy” from the long standing project of brothers Erik and Stephen Paulson – Remo Drive Following a six-year run of pristine emo-influenced rock ‘n’ roll records comes Mercy, the band’s fourth album, out today via Epitaph. It’s the band’s most lyric-focused offering to date, a record about reinvention, trusting yourself, and wearing your heart on your sleeve even when it’s painful or vulnerable. And …. It is giving us all the feels .
The origins of Mercy are based on moving apart, with Erik relocating to the sleepy upstate city of Albany, New York as Stephen stayed back in the duo’s native Minnesota. In this new environment, Erik wrote constantly, playing alone in his room and allowing himself to use his music to think existentially about life. He contemplated the complexities of being in a relationship, of making art and having it be received by a wide audience, and the complexities of finding your footing in a new place (inspiring single “New In Town”).
In addition to the physical distance added between them, the new album introduces a major sonic departure from records of Remo past. Less indebted to the emo and pop punk that foregrounded the duo’s career, instead Mercy is invested in thorny, baroque indie pop by way of Father John Misty and Fleet Foxes. The band thrived under the guidance of legendary Seattle-based producer, Phil Ek (The Shins, Band Of Horses) who helped bring their new ideas to life in the span of ten days. “It was refreshing to work with Phil,” says Erik, “It made music feel like how it did when we were younger. He was like fuck it, let’s go, let’s have fun.”
Photo Remo Drive by Shun Matsuhashi
Returning to their respective home studio setups to finish up the album, remote recording sessions were also something new to the brothers who had gotten used to the comfort and convenience of making music in one room. The band cheekily refers to the experience as toggling between their most legit recording environment and their most scrappy, “It’s like going from Michelin Star to the Dollar Store,” jokes Erik. The record also features touring members Dane Folie who plays keys on “Hold You,” and Sam Becht who plays drums throughout. Tim Houston is also on the record, playing pedal steel
In many ways Mercy is a testament to getting in touch with your mental health, deprogramming what you thought you knew about yourself and using music to unlock inner honesty. It lends to some of Remo Drive’s strongest lyrical work yet – proof that they have found their stride making the art they really want to make.
We found ourselves really connecting to “Mercy” from Remo Drive . The authentic feel and sound makes “Mercy” one of those records we will never get tired listening to.
Remo Drive are hitting the road for a US Spring headlining tour with support from Los Angeles rock band Wilt. It kicks off on March 8th and will traverse major cities such as Los Angeles, Nashville, NYC, Chicago and more before ending with a hometown show in Minneapolis on April 14th.
The new single “Timber” from The National Park, is a well written gem that is full of beautiful and breathtaking imagery that you just can’t ignore
The Provo, UT quartet—Brady Parks [vocals, guitar], Sydney Macfarlane [vocals, keys], Cam Brannelly [drums], and Megan Parks [violin]—breathe in inspiration from the world around them and exhale cinematic indie folk-pop powered by soaring harmonies, organic orchestration, and luminous electronics.
Emerging in 2013, the musicians have consistently captivated audiences. They’ve generated over 150 million streams across Young [2013], Until I Live [2015], Places [2017], and Wildflower [2020]. As one of many highlights from the latter, “Time” amassed over 9.3 million Spotify streams as the album incited widespread critical applause. The four-piece maintained this momentum with a sold-out headline tour and 2021’s A Mix for the End of the World pt.1. Now, the group expand their vision yet again on their fifth full-length offering, 8th Wonder.
There is something truly magical about their latest offering “Timber” Sometimes you hear a song one time and you are instantly hooked… “Timber” from The National Parks is one of those songs .
We recently had the distinct honor of checking out the latest single “The Man That Loves Me” from Friend Of A Friend (Claire Molek and Jason Savsani) Every song from Friend Of A Friend is a treasure trove of musical goodness and “The Man That Loves Me” is no exception. You can listen to “The Man That Loves Me “ on Spotify Here and on Apple Music Here You can watch the video below
Friend Of A Friend effortlessly blends so many different musical elements in to their finely crafted melodies.
“The Man That Loves Me” is the fourth single from Friend Of A Friend’s highly anticipated sophomore album “FACILITIES” which is for release on March 15th . It was produced in-studio with Jordan Lawlor(M83) in his Joshua Tree studio. Influences include “Portishead, M83, The Kills & Jose Gonzalez had a baby in the desert during the end of your favorite movie.
So go and find your favorite music listening spot and get lost in the mysterious beauty of “The Man That Loves Me” from Friend Of A Friend.
The Whole Kameese 