Category #MASSACHUSETTS

Joshua David Thayer Takes His Brilliant Musical Artistry To A New Level With Phenomenal New Album, “So Little, Close To Nothing “

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We recently had the amazing opportunity to check out the stunning new album, “So Little, Close To Nothing “ , from Boston-area songwriter and multi-instrumentalist Joshua David Thayer. You can listen to “So Little, Close To Nothing” Here

We first got to experience the glowing musical talent of Joshua David Thayer last year with his immaculate debut, “ It Will Still Keep Feeling Rough” , which we declared, “a musical treasure trove filled with well-crafted songs that touch both the heart and soul.”

What immediately stood out to us on “So Little, Close To Nothing “ , is Joshua David Thayer’s ability to bring his music to a whole new level, particularly sonically, Joshua David Thayer, has firmly established himself as a voice you need to hear .

Where his debut was rooted in processing profound personal loss—particularly the passing of his father—So Little, Close to Nothing looks at what happens after grief stops being an event and becomes a condition: something lived with, carried, integrated. “I don’t think anyone ever really moves past or through grief,” Thayer says. “You just take it on. You become everything you were before, plus that experience, and it’s up to you to figure out what and who you are afterwards. I think this naturally leads to thoughts about your place in the universe, meaning, history, legacy, and those thoughts have fueled the process of this record.”

The opening track, We Won’t Relent” is one of those memorable tunes that stays forever in your rock and roll soul ( and you’re totally ok with that ) We found ourselves singing along almost instantly. You can watch the video for “We Won’t Relent “ Here

The album’s title comes from a line in “Keep the Sun on My Back,” a song that directly confronts the smallness and transience of human life. Across the record, Thayer turns that humility into a creative stance: memory as emotional catalyst, instability as artistic fuel, and small revelations as meaningful as seismic ones.

Recorded largely in the basement of his Medford, MA home, Thayer performed nearly every instrument himself, with drummer Jason Smith contributing at 1357 Recording Studio and collaborators Mark Alan Miller (mixing) and Nick Zampiello (mastering) shaping the final sound. Sonically, ( which is where Joshua David Thayer absolutely shines) the album expands on the raw urgency of his debut with richer textures, doubled guitars, layered harmonies, and a deliberate sense of space—without sacrificing the edges that give his work its immediacy. It’s an exploration of the grandness that can be found in the minute moments.

At every turn on “So Little, Close to Nothing” , Joshua David Thayer, has crafted a mesmerizing musical experience that is simply divine. We were literally hanging on every word and melody.

Joshua David Thayer, has the magical gift of taking sound and artfully pushing it to the limit. This is on full display on “Pay” , where the subtle ambient noises really make the song shine .

From the cinematic “Keep The Sun On My Back”, the hypnotic, “Pick Up The Fight”, and the epic , “Do You Want To Change Your Life”?” , Joshua David Thayer , has created an instant classic .

So go find your favorite music listening spot and get lost in the beauty of “So Little, Close to Nothing “ from Joshua David Thayer . You will absolutely thank us later .

We Are Absolutely In Love With Girl With A Hawk And Their Stellar New Single, “I’m In Love With Friends “

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We recently had the amazing opportunity to check out the sparkling new single, “I’m In Love With My Friends “, from Boston, based band, Girl With A Hawk. You can listen to “I’m In Love With My Friends” Here

A good friend definitely makes navigating this crazy thing we call life a little easier . Girl With A Hawk , have once again crafted an absolute gem with their salute to friendship, with , “I’m In Love With My Friends “

The Boston rock band, Girl With A Hawk, led by vocalist, guitarist, and songwriter Linda Viens , deliver a buoyant and infectious new power-pop single titled “I’m In Love With My Friends” , today ( Wednesday, November 12 via Rum Bar Records)  

The next night,( Thursday , November 13th) Viens takes part in the Boston Rebel Rock Coalition’s inaugural fundraiser at The Burren in Somerville, this one benefiting the ACLU, performing with friends in bands like Diablogato, The Peppermint Kicks, Watts, and others.

The official release of “I’m In Love With My Friends” arriving a little more than a fortnight ahead of Thanksgiving is purely coincidental, as the song spins a tale fit for any time of the year, where the friends we surround ourselves with become the ones we lean on and love the most – in good times and bad, in happiness and sorrow.  

‘I’m In Love With My Friends’ is an homage to one’s ‘ride or dies’; our true-blue friends who are there for us when the shit hits the fan, who make us laugh when things look dark, and who inspire us to be our best selves through all of life’s challenges,” says Viens. “Romantic relationships don’t always survive those challenges, but authentic friendships usually do.”

We could literally wax poetic about , Girl With A Hawk, for they have a style and sound , Led by Viens, that you simply can’t ignore.

The opening chords on “I’m In Love With My Friends “ bring an intoxicating retro sound that stopped us dead in our tracks ( Freaking Brilliant!)

Photo credit – Kelly Davidson

The new single sets up a forthcoming full-length set for Spring 2026 release and arrives fresh off Girl with a Hawk’s live performance at Rum Bar labelmates Gypsy Moths’ album release party at The Burren – long a local haven for the good times of personal connection – and is the band’s first new music since “It’s The Way” in July. Before the release of March single “No One Like You,” a track inspired by the passing of Foo Fighters’ Taylor Hawkins, Viens was inducted into the New England Music Hall of Fame. 

With Girl with a Hawk, rounded out by Richard Lamphear (keys, backing vocals, and a rippin’ display of Hammond and Farfisa organ), Daniel Coughlin (guitars, backing vocals), Dan Bernfeld (bass, backing vocals), and Nancy Delaney (drums, backing vocals), Viens is lucky to count her own bandmates as close personal friends. 

Jennifer Tefft & The Strange Deliver Hauntingly Beautiful Cover Of The Lumineers “Salt and the Sea”

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We recently had the extraordinary opportunity to check out Boston, based Jennifer Tefft & The Strange and their phenomenal cover of The Lumineers , “Salt and the Sea”

You can listen to “Salt and the Sea” Here

There are a few unwritten rules that sort of goes hand and hand with releasing a cover song . The first one , is that you should always try and honor the original version in the best way possible. The second is while not straying too far from the original, you have to make it your own.

Jennifer Tefft & The Strange have not only honored the original version of “Salt and The Sea “… They have also have without question made it their own. They have also once again proven why they are one the most skilled and well put together group of musicians on the freaking planet.

The vocals on “Salt and The Sea”, literally gave us goosebumps, Jennifer Tefft, is in our opinion one of the best female rock vocalists in today’s musical landscape…. And her band is the notch that is way above top notch .

Jennifer shared,“We wanted to try our hand at a reinterpretation of someone else’s work. We’ve been playing this song live for a few months and it always gets a great response. Recording it allowed us to really dig into the song and get creative with the arrangement and parts “

Jennifer Tefft & The Strange’s music combines intense rhythms with unique guitar textures and vocals that wind easily from darkly ethereal to soaring anthems, creating their own brand of gritty-lush alternative rock. Along with Jenn on vocals, the band features longtime collaborator John Parrillo on guitar, Tim Provost on drums, and Stephen”Sharky” Beccia on bass and background vocals. The band released their new album Strange Beginnings, produced by Grammy award-winning Bob St. John in April of 2024, which garnered them an “Album Of The Year” award, as well asthree other nominations in the 2024 New England Music Awards, plus placement on “Best of 2024″ lists. The first single off the album “Caffeine” reached the #1 spot on Radio Indie Alliance’s Top 100 songs. Currently, they arenominated for Rock Act of the Year for the 2025 New England Music Awards and their song “Tonight” was officially accepted for Grammy Consideration for “Best Rock Song” .

You owe it your music loving heart to get lost in the otherworldly cover of The Lumineers , “Salt and the Sea”, from Jennifer Tefft And The Strange.

Adam Sherman Band Delivers Powerful And Compassionate Protest Song , With New Single, “Everyday Dangers”

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Designed By Adam Sherman

We recently had the opportunity to check out the new single, “Everyday Dangers”, from Adam Sherman Band. You can listen to “Everyday Dangers” on Spotify Here and Apple Music Here

Great storyteller/ songwriters artfully take everyday disturbances and shed a much needed light on them through music. Boston music mainstay Adam Sherman and the Adam Sherman Band , do this brilliantly with the rousing new Americana/ Rock And Roll, single , “Everyday Dangers”

Photo Credit: Carissa Johnson

“I guess I’m always hoping for a bit of good news, but lately every day seems to present a new, dire development,” says Sherman. “The song is about trying to maintain our power and integrity during difficult times. It made me realize how much we depend on the decency of others and how vulnerable we are to those who choose not to respect the value of life. As a songwriter, I tried to create a universal story that would convey the fragility of our society at this time.” 

The veteran Boston vocalist and guitarist has been crafting a sense of comfort and longing in his music throughout a career that spans decades, from his early work with power-pop luminaries Private Lightning, then with rock and roll yearners The Souls, and now lately through his solo material and output with his band, with which he performs every third Sunday of the month at an ongoing residency at The Plough & Stars in Cambridge. A six-time nominee in the Boston Music Awards, Sherman was just nominated for Performer of the Year in the 2025 New England Music Awards.  

And the encompassing “Everyday Dangers,” with its weary soul, magnetic allure, and potent lead guitar, which grabs hold of the listener and takes them along for a sonic joyride that belies the track’s thematic intensity, should keep attention in Sherman’s creative direction. 

“Everyday Dangers” feels like a melodic moral compass that feels important and needed .

The follow-up to this past March’s critical lauded Nowhere But Here EP, which earned praise in WBUR, Boston’s NPR, as well as Twangville, Americana UK, and elsewhere, “Everyday Dangers” arrives just ahead of a pair of notable live appearances.  

The first comes the day after the new single’s release when Sherman performs at the Earfull Series at The Regattabar in Cambridge on Wednesday, October 29. A night of storytelling from songwriters and authors, the evening also welcomes best-selling novelists Tom Perrotta and Alice Hoffman, as well as indie-folk duo Highway Hoserie. 

For tickets and info, go to earfull.org

“I’m honored and very excited to be part of the Earfull Series,” he notes. “Writers read their work and songwriters sing their songs to a respectful, tuned-in audience there to listen. Performing for a listening audience is one of the most satisfying experiences for me as a musician. Lyrics and musical nuance become the center of attention.”

The next comes in January, when he appears at the Which Side?: A Protest Music Teach-Out, a collaborative showcase of varied voices and talents inspired by James Sullivan’s book, Which Side Are You On?: 20th Century American History in 100 Protest Songs, with the event hosted and organized by the respected Boston Globe journalist.  

Both events are prime showcases for the messages Sherman is preaching, especially the one that comes to the forefront in “Everyday Dangers,” the first taste of a new album set for release sometime in 2026. 

You owe it to your music loving soul to check out “Everyday Dangers” from the Adam Sherman Band.

Adam Sherman Band:

Adam Sherman: Vocals and guitar

Kelly Jean Knapp:  Vocals

Peter Hoffman: Guitar

Dinty Child: Mandolin

Jeff Song: Bass

Chris Michaels:  Drums

Tom West: Keyboards, accordion

Steve Geraci Delivers A Classic Soulful Sound With A Modern Vibe , With His Vibrant New Single, “Paradise Lost”

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Photo credit- Steve Geraci

We recently had the stellar opportunity, to check out the glorious new single, “Paradise Lost”, from Needham (Ma ) native and front man , for the band, The Teardowns, Steve Geraci, You can listen to “Paradise Lost “ on Spotify Here. And on Apple Music Here

Right from the first note of , “Paradise Lost” it is a clear that Steve Geraci, has crafted a song with a classic soulful sound and a modern vibe .

The soulful sound found on , “Paradise Lost” , can be traced back to Steve’s first love, the saxophone.

“Early on, I was in alto and tenor sax sections where I developed a love for harmony and dynamics,”

says Geraci. “It felt great to bring those early roots forward here.”

“Paradise Lost” showcases another stylistic twist in Geraci’s shape-shifting approach to songwriting —something he fully embraces.

“Alt-pop, glam rock, R&B — they’re all represented on the new EP,” he says. “If you like variety, look no further. As long as the music feels authentic, I’ll bring it to listeners who appreciate different styles.”

Produced and engineered by Dave Westner (Peter Wolf, Dropkick Murphys) and recorded earlier this year at David Minehan’s Woolly Mammoth Sound in Waltham, Massachusetts, the track features Westner on drums, piano, and bass, alongside Geraci’s guitar, sax, and vocals.

With his time split between solo work and fronting The Tear Downs, Geraci has built a collaborative,non-territorial dynamic that allows freedom across projects. Following his well-received singles “VoiceIn My Head” (March) and “Save Yourself” (August), “Paradise Lost” adds a raw and soulful chapter to Geraci’s evolving solo story.

“‘Paradise’ was a risk taker for me — rough and raw, but really emotive and relatable,” Geraci concludes. “When we listened back to the rough mix, we knew we’d bottled pure octane.”

Steve Geraci, is a master class musician who has the incredible ability to bring songs to life with his extraordinary songwriting and storytelling skills. A Steve Geraci song feels like a New York Time’s Best Seller , but in song form and “Paradise Lost” is no exception.

The New EP “like you used to”, From Nathalie Miller, Is An Indie Pop Dream

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Brooklyn -based, Massachusetts-born indie-pop artist, Nathalie Miller, has opened our eyes and hearts with her glorious new EP, “like you used to” . You can listen to “like you used to”, on Spotify Here and on Apple Music Here

“like You used to” from Nathalie Miller, is a stunningly beautiful musical journey that will leave you absolutely speechless.

The Brooklyn artist, who grew up dancing in her native Massachusetts before heading to New York City to study photography, had the lyric noted for potential use years before the song ( “like you used to “) came together. And while it first caught her attention while she was busy exploring other creative avenues, it’s easy to replace the word “dancing” with “songwriting,” as Miller has found her calling.     

Photo by Tristan Zhu / Creative direction by Palmer Wells

“With anything else I’ve pursued, I’ve lost steam and regretted trying to make it into a living, but even on a day where I’m having a hard time writing or thinking I’m really bad at this, I still want to do it,” Miller admits. “Dance was physically dangerous for me with the conditions I have, and photography was more fun for me as a hobby than as a career. But music automatically writes itself in my head even when I’m actively trying not to.”  

From Miller’s head, where the seeds of songs are first planted, to coming to fruition at Rare Signals in Cambridge, where she records with collaborator, producer, and multi-instrumentalist Brian Charles, the journey a thought or a feeling has towards eventually becoming a song is not always linear for the young musician. 

To say that Nathalie Miller, is talented may be the understatement of the year. Across like you used to, the dramatic and tumbling “witches don’t burn,” her take on the “manic pixie dream girl,” came to her in two fully-formed parts – the chorus and the bridge – both while she was in the shower. The lyrics in the chorus of glistening piano-led ballad “slippers” – jokingly inspired by when Miller used to tell her friends that guys in New York think being a bartender is the same thing as experiencing life as a woman – was assembled via word magnets often found on refrigerators. And she doesn’t even recall writing the towering indie anthem “sit and stew” – “which either means it was really easy,” she says, “or really difficult.” 

The EP also features celestial lead single “kansas,” which dropped in September complete with a music video directed by Palmer Wells and Christopher Consoli, about the emotional labor women have to invest in their friendships with guys, dubbed a platonic friendship break-up song. And the aforementioned closing track, an ethereal lullaby daydream, pulls the listener deep into Miller’s playful world one last time, like a music box playing the comforting sounds that once helped us to sleep as a child

Each song acts as a portal into the artist’s evolving world, where a portrait of life as a 20-something in an unhinged and chaotic time comes off with a sense of understanding and reassurance. And perhaps the strongest common thread between all the songs is her perspective as a woman. For Miller, this EP is an invitation; and songwriting helps her extend it in a way that feels concise and clear.  

“I tend to over-explain everything,” she says with a laugh. “When I hang up the phone with someone, I immediately wanna call back and explain what I meant when I said ‘bye, talk soon’  – and music forces you not to do that. You can only explain so much in rhymes and classic song structure. I also feel like songwriting comes sort of naturally to me, like I never get sick of it.”

The dream like artistry of Nathalie Miller, is on full display throughout “like You used to” and your music loving soul will glow because of it.

The Chelsea Curve Champion Community With Their New Extraordinary New Single, “Rally Round”

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‘Rally ‘Round’ is part of ‘The Sound Cove’s Super Sonic Showcase, Vol.1’ comp, and The Chelsea Curve perform at the release party October 19 at The Burren in Somerville 

We recently had the amazing opportunity to check out the glorious new single, “Rally Round”, from Boston mod-pop trio, The Chelsea Curve. You can listen to “Rally Round” Here

The Chelsea Curve, deliver yet another soon to be iconic track with their new simply irresistible single, “Rally Round”

Photo Credit- Reuben

Applying a sense of communal awareness with the motivation of hope and a message of coexistence and solidarity, The Chelsea Curve invite us all to “Rally ‘Round” those around us, and hold close the ones we hold dear.

With a sugary-sweet embrace and a shimmering sound that connects a ‘60s folk-pop ethos with a college rock, jangle-pop, and C86 glide, and not to mention a bit of a melodic call-back to Boston’s mid-’90s indie scene, “Rally ‘Round” is the latest in a string of singles for The Chelsea Curve. It follows a pair of sonic firecrackers over the summer in restless powderkeg bop “Kindawanna” and the anthemic, Britpop-inspired “Never Come Down.”

Interestingly enough, the trio — bassist and vocalist Linda Pardee, guitarist and vocalist Tim Gillis, and drummer Bruce Caporal – admit this new indie cruiser has taken on a bit of a different vibe, thematically, since it was first penned back in 2023. And that’s due to the world around us. 

“This song has morphed into a different meaning than what was originally intended when written,” admits Pardee. “The lyrics were initially about friendships, acquaintances, people coming into your life. Being part of a community. Finding your people. Despite differences, we can or should be able to at least co-exist.” 

She adds: “I realized that, since writing the lyrics, they may come across a little differently now given the current social climate, and that’s okay. It’s hard to be an optimist sometimes, but when I sing ‘We’re all on the same side’, I am thinking – at the very least, we are all humans. But it’s not always easy to sing it, because it doesn’t feel that way.” 

The Chelsea Curve, artfully craft music that touches the mind and soul but it is also music that you can’t help but groove to.

Dirt Road Souls Deliver Radiantly Epic New Single, “Hold On Soul”

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Dirt Road Souls, have composed a sound and vibe, on their latest single, “Hold On Soul”, that will keep your music loving soul happy for days. You can listen to “Hold On Soul” Here

Boston based trio Dirt Road Souls, has “It” You might not know what it is …. But you know “It”, when you hear it…. And, we hear it loud and clear on “Hold On Soul”

Courtesy Of The Band 

Acting as a portal to a larger world, “Hold On Soul” and its blend of yearning Americana, country rock, and Southern gothic bring us into Dirt Road Souls’ unfurling tale of (The Life and Times of) Johnny Moonshine, an ambitious 12-track concept album and roots rock opera set for release in early 2026. 

Chronicling the rise, fall, and enduring spirit of a small-town rebel with big dreams and a bigger heart, told through the lens of a close friend and narrator, the record follows the mythic arc of Johnny Moonshine — a backroad dreamer, moonshine runner, romantic, and overall tragic figure. It’s a poetic odyssey of freedom, failure, and redemption, all wrapped around an arsenal of memorable hooks and melodic storytelling. 

Few new bands would take on something as enterprising and aspiring as (The Life and Times of) Johnny Moonshine to mark their debut album, but Dirt Road Souls – composed of Boston music scene veterans Davis Black (The Inebriations), Rick Weden (Shotgun Waltz), and Brian Sargent (Black Cat Crossing) – felt the time was right to tell the tale.

“‘Hold On Soul’ was first written many years ago when I had left my small town and gone off to start a life in Boston,” Black admits. “After high school and college years I’d often return to my small town to recharge – and get drunk with my friends who didn’t leave town. These lyrics come from the culture shock between the two places. The stress of the city vs. the simplicity of the small town was very real for a little while.”

Heartfelt, authentic and cinematically perfect… We were blissfully hanging on every word on “Hold On Soul” from Dirt Road Souls … and you will be too

The Fool’s Agenda Hit The Jackpot, With Extraordinary New Album, “Fool’s Gold”

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We had the distinct honor to check out the blazing new album “Fool‘s Gold”, from Salem and Cape Cod grunge-pop and alt-rock band, The Fool’s Agenda. You can listen to “Fool’s Gold “Here

The Fool’s Agenda, have constructed a one of a kind vibe and sound on their sophomore album, “Fool’s Gold” We are absolutely smitten.

Led by a quartet of singles, including three unveiled just this year in the towering “Feel So High,” the anthemic “Monsters,” and August’s supercharged rock and roll popularity content take down “Dumb (Take Me Out)”, the new album from the Salem and Cape Cod-based powderkeg channels a certain nostalgic optimism that reflects its ‘90s-coded sound, all while aligning the band with a parallel journey that also ties the decade to the two that came before it. 

The Fool’s Agenda, consists of a rock solid lineup with , vocalist Rhiannon Raine; guitarist Kyle Erickson; bassist Jon Gray; and drummer and percussionist Kamryn Bode.

“This album tells a story of coming home to yourself: Accepting yourself with where you’re at, owning your strengths and your weaknesses, and knowing when to walk away from the things and people that aren’t serving you anymore,” says Raine. “Life is messy as fuck. Own your mess and decide it’s beautiful.”

Erickson agrees, adding: “To me, this album is about independence. Being able to cut through the noise, so to speak, and just focus on things that matter. Recognizing your own faults and those in the world we live in and trying to make something positive of it.”

Where 2021 debut album Reversing The Tower was indebted to a more ethereal ‘70s flair for grandeur, connecting with the more theatrical sounds of Fleetwood Mac and Queen, Fool’s Gold blazes forward with a restless convergence of pop and grunge exemplified by some of the ‘90s’ finest moments. 

“This album is distinctly different from our previous works; it’s less theatrical and more direct,” says Gray. “We had a clearer message to send through one collective voice, and naturally that changes the sound the band creates. It isn’t really a concept album, but there are themes that tie the songs together lyrically and phonically.”

Along with the powerful rock and grunge sound that is heard and felt throughout “Fool’s Gold” We also heard an addictive groove that is beautifully woven throughout the record, most notably on “Monsters”

Produced by Logan Tichnor, mixed and mastered by Franco Gravante and Tichnor, and recorded in Massachusetts at both Checkpoint East Studios in Orleans and The Record Co. in Boston, The Fool’s Agenda is a cohesive and comprehensive body of work, where each song emerges as a chapter to a larger, unfolding story. It reflects the highs and lows of life, the short bursts of fear or excitement, and the long, drawn-out emotions that soundtrack both the important and the mundane.  

You need to go find your favorite music spot and bask in the glow of “Fool’s Gold”, from The Fool’s Agenda.

Bicycle Inn Drop Phenomenal New Single, “Ordinary Hell”

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We recently had the amazing opportunity to check out the new single, “Ordinary Hell”, from rising Boston emo outfit Bicycle Inn. You can listen to “Ordinary Hell” on Spotify Here and on Apple Music Here

Bicycle Inn, bring power, passion , melody and authenticity on their latest single, “Ordinary Hell” and it is a thing of beauty.

Photo Olivia St. Arnold

The track follows September’s “Longsword (4th Place),” which marked the band’s first release in two years and reintroduced them with a sharpened sense of purpose and sonic ambition.

If “Longsword” was about confronting stagnation, “Ordinary Hell” digs deeper — turning inward to explore faith, exhaustion, and the search for meaning amid emotional and spiritual burnout.

Ordinary Hell’ is a critique on the dead-faith culture of today. It’s a deeper look behind the curtain of evangelical emptiness — a gospel presiding over the endless push and pull of suffering, only for those deemed ‘blessed’ and ‘filled’ to realize they are empty,” says the band. “It’s a reflection on the cyclical nature of relying on others to fulfill you, only to immediately empty yourself out again. There’s no rest, no rejuvenation — only the gospel of self; performative holiness.”

Recorded over two sessions with Gary Cioni at Soundacres Studio(Hot Mulligan, Free Throw, Prince Daddy & The Hyena) during 2023 and 2024, “Ordinary Hell” features guest appearances from Ryan O’Rourke (Innerlove.), Kyle Kinney(Excuse Me, Who Are You?), and Maggie Ciora, expanding Bicycle Inn’s already rich emotional palette.

With shimmering guitars, soaring vocals, and lyrics that confront the sacred and the hollow alike, “Ordinary Hell” continues Bicycle Inn’s steady climb as one of the most introspective and musically dynamic voices in modern emo.

We have a warm spot in our hearts for bands from Boston. But….it doesn’t matter where they are from …. Bicycle Inn, has sculpted a work of art with “Ordinary Hell”

Nathalie Miller Makes Magnificent Music , With New Single, “Kansas”

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Our music loving soul was treated to the brilliant new single, “ Kansas” , from Brooklyn resident/ Massachusetts native , indie alt-pop artist, Nathalie Miller. You can listen to “Kansas” on Spotify Here , Apple Music Here. You can also watch the video for “Kansas” below

Nathalie Miller’s new single, a sparkling daydream of glittery indie alt-pop called “kansas,” is absolutely beautiful. The glistening track, described as a “platonic friendship breakup song” by Miller, hits the streams alongside a colorful and melancholic music video directed by Palmer Wells and Christopher Consoli. 

The Brooklyn resident and Massachusetts native penned the emotive, star-gazing “kansas,” the first taste of October’s new EP like you used to, as a composite sketch reflecting many of the friendships she’s had with the opposite sex. As it turns out, there was a discrepancy developing in these friendships with men that was not simply present with other women

“I noticed that in most of my friendships with women, I just felt like a person,” Miller says. “But in a lot of my past friendships with men, I was really hyper aware of being a girl and playing the role of emotional support mother or girlfriend without receiving that support back. I remember thinking to myself, ‘I know the first and last name of every person who’s ever been mean to these guys, and they don’t even know what book I am currently reading, or the names of my brothers’.”

She pauses, then adds: “To me, it’s a platonic friendship breakup song that I wrote after taking a step back from a lot of those friendships and looking at the patterns that threaded them all together.” 

Courtesy Of The Artist

Miller has been threading together bits and pieces of her personal life and filtering them into songs since her debut single “felt like” arrived a little more than two years ago. Coming from a musical family based just outside Boston, Miller relocated to New York City just before the pandemic to attend art school for photography and work as a model, and there she developed her own style and sound, reflecting on the past and looking back at her childhood from a distance. 

Carving out her life in a new city and finding inspiration – musically, socially, and culturally — all around her, she began penning lyrics and writing raw musical demos on her iPhone before taking them back up to Massachusetts to record with Brian Charles at Rare Signals in Cambridge. 

There is a beautiful authentic truth that Nathalie Miller, has brilliant woven in “Kansas” that is absolutely stunning.

“Kansas”, from Nathalie Miler, needs to be added to your playlist immediately.

Stop Calling Me Frank, Inch Close To G.O.A.T. Status With Epic New Single, “MB Anthem (The Market Basket Song) “

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We recently had the stellar opportunity, to check out the new single, “MB Anthem ( The Market Basket Song) , via Rum Bar Records from long time Boston , based band, Stop Calling Me Frank. You can listen to the instantly iconic “MB ANTHEM ( The Market Basket Song) on Spotify Here and on Apple Music Here

Those of us lucky enough to call New England home , can’t but help but feel a sense of pride when the subject of the iconic New England based , supermarket Market Basket , comes up. With their iconic slogan “More For Your Dollar”,that feels more like a way of life than a slogan Market Basket, is undeniably New England.

Not too long ago, Terry O’Malley of Stop Calling Me Frank got unexpectedly caught up in perhaps the most New England experience imaginable – he was stuck in traffic behind a bunch of cars all headed to the local Market Basket.   

“I saw a line of cars stopped on a highway off-ramp that leads to a plaza with a Market Basket,” recalls the saxophonist of the venerable Boston rock band. “I said ‘Everybody’s going to the Market Basket!’ sort of as a joke, but I liked the way those words scanned.”

Tapping into the New England zeitgeist of our modern day, one lined with salmon-colored checker board floors, maroon jackets, and a whole lot of savings, Stop Calling Me Frank soon had a proper rock and roll banger on their collective hands. The sweaty, beer-fueled, and sax-driven rock and roll band now unleash “MB Anthem (The Market Basket Song)” today (Friday, September 26) on Rum Bar Records. 

Of course, this rabble-rousing ode to the beloved grocery chain, a classic Stop Calling Me Frank cocktail of jittery hooks and bratty punk-rock urgency, arrives (admittedly unintentionally) at a controversial moment in Market Basket’s history. It hits the streams just over two weeks after the company’s board of directors infamously voted to oust beloved longtime CEO Arthur T. (“Artie T.”) Demoulas over disagreements on how to run the once-family business

All I know is that I love the employees of the Market Basket, and the employees love Artie T.!” says bassist Dan Caspariello. “So I’m already on their side for this one. The other thing that boggles my mind is how much more money do you need? It’s all about greed.”

Photo credit Joshua Pickering

O’Malley, Caspar jello, and Stop Calling Me Frank as a band, assert with conviction that this song is for Market Basket, its long-standing culture, and the legions of people who have shopped, with unwavering dedication, at one of the 95 stores around Massachusetts, Rhode Island, New Hampshire and Maine since the grocery store was first founded way back in 1917.

In the usual Stop Calling Me Frank style of loud-fast-fun, the 100-second-long “MB Anthem (The Market Basket Song)” follows a streak of hyperactivity from the band, which got back in the proverbial van just before the pandemic after 25 years out of the Boston scene. In January of this year they released The First Six Years compilation, a callback to those early days, and followed that up with a pair of animated singles in April’s gritty “Good Enough” and July’s punchy “Where You Gonna Hide.”

The band – O’Malley and Caspariello rounded out by vocalist Lennie Donohoe, drummer Eddie Barese, and guitarists David Forbes and Jeff Ousborne – knew they had something special when O’Malley first came to them with the music and lyrics of “MB Anthem.” 

“The first verse came right away,” he adds. “I quickly gave up trying to rhyme ‘basket’ repeatedly and focused on internal rhymes. The guys liked it right away, but it was still a work in progress. I was still tinkering with the exact word order even while we were recording it.” 

A bit of “Frankifying” was done by the band, adding their own special flair to the composition, and the track was complete. Recording took place at engineer Ed Riemer’s Edsbarn studio in Canton, about six miles or so from the closest Market Basket in nearby Brockton. The band plans to head back there later this fall to record a few more songs that will appear on a new Stop Calling Me Frank album, but in the meantime, the gentlemen are focused on “MB Anthem.” 

It doesn’t matter if you prefer the rotisserie chicken or the delicious hand made donuts at Market Basket,we can all agree Stop Calling Me Frank, has crafted an absolute gem with , “MB Anthem ( The Market Basket Song”

Lovina Falls, Have Woven A Musical Triumph With New EP, “Would That It Were”

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Lovina Falls , the dark dream-pop project of Valerie Forgione, poetically tip toes beautifully between the dark and the light on “Would That It Were” , and it is magnificent. You can listen to “Would That It Were” on Spotify Here and Apple Music Here

Lovina Falls’ new EP, is an enchanting dose of eclectic sounds and sororal awareness titled Would That It Were, is available for streaming release today, (Friday, September 5) . The expansive five-track record, a collection of recent singles and two new tracks, arrives a week and a day ahead of its official release party, a carnival-themed evening of sonic enchantment at Sonia in Cambridge alongside the similarly theatrical Count Zero and Gene Dante and the Future Starlets, where a limited run of CDs will be available.  

“It’s been quite a year, and like so many other people, I have been trying to figure out how to navigate the unexpected insanity,” says Forgione, the Boston-based singer-songwriter, multi-instrumentalist, and producer. “Pouring myself into this release and working with such exceptional people has given me something far more positive and productive to focus on.” 

Photo Credit: Ken Rothman

Would That It Were, is the official follow-up to 2023 debut album Calculating the Angle of Our Descent, and its tone is firmly planted in the here-and-now, with Forgione approaching life in vivid color to contrast our dystopian landscape’s increasing grayscale. There is hope in this record, a tonic to the world’s hostility.  

“Would That It Were” instantly captivated our soul immediately. We found ourselves hanging on every word and chord.

Opening track, “Light and Low” , may simply one of the best songs we have heard all year . “Light and Low” effortlessly bounced around in our soul and we loved every minute of it.

“About The Sun” is brimming with flawless vocal brilliance from Valerie Forgione, that is unmatched.

“Who That It Were” is nineteen minutes of absolute music perfection. Lovina Falls, have take it to a whole new level and it’s positively stunning.

Engineered by David Minehan and produced by Lovina Falls and Minehan at Woolly Mammoth Sound in Waltham, Massachusetts, with mastering done by David Locke at JP Masters, Would That It Were was written and performed by Forgione as Lovina Falls, with a sprinkling of studio additions that would be familiar to those who experience the grand spectacle that is the Lovina Falls live show. 

Brenden Cobb contributes guitar on “Tragedy” and “Ellery Way”; Chameleons drummer and Mistle Thrush stickman Todd Demma supplies drums on those tracks plus “Tragedy”; Lovina Falls live drummer Chuck Ferreira performs drums on “In The Corner”; Matt Klain delivers bass on “Ellery Way”; Alice Lee Scott performs guitar on “About The Sun” and “Tragedy”; and Minehan adds additional guitar on “Light and Low,” “About The Sun,” and “Tragedy.” Lovina Falls live keyboardist Carrie Ingger is cited by Forgione with special thanks for the mix assistance.   

Go to your favorite listening spot and get lost in the majestic beauty of “Would That It Were” from Lovina Falls

The Whole Kameese From Dusk Till Dawn Playlist

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CHECK OUT THE PLAYLIST Here

A few months back we made the decision to sponsor live professional wrestling with local wrestling promotion- The Proving Ground. ( You can learn more about The Proving Ground- Here and on the socials at provinggroundne . If you haven’t experienced a Proving Ground show, you are seriously missing out .

We have had an absolute blast sponsoring The Proving Ground and wanted to incorporate our love of music somehow… So starting with “From Dusk Till Dawn “ we have created a playlist featuring some of the amazing artists we cover on The Whole Kameese.

1- “Save Yourself “- Steve Geraci

Boston musician, Steve Geraci has a classic alt rock sound that you can’t help but absolutely love . You can learn more about Steve and “Save Yourself” Here

2- “Have You Got What You Came Here For?”-Oswald Swain

Bristol (UK) rock band , Oswald Slain , offer up their unique sound with “Have You Got What You Came Here For” check it out Here

3-“Queen Of The Ashes”- Sam Varga

Sam Varga is a voice you need to hear . Learn more Here

4- “Motorbike”-Lombardy

If you don’t think Nashville, rocks? You have checked out Lombardy. Learn more Here

5- “Agoraphobe”-Blue Deputy

Formed in 2020 in Philadelphia but since transplanted to Belfast as of 2022, Blue Deputy began as a low-key bedroom-bound pandemic project which has grown to be so much more. Learn more Here

6-“Fight Music- Die Job

If you haven’t experienced Viola-Core, from Die Job, well today is the day. Learn more Here

7- “Stupid In Love”- ColorMeKrazy!

We have a feeling that you will be absolutely Krazy, for “Stupid In Love” learn more Here

8- “Never Come Down” – The Chelsea Curve

The Chelsea Curve, have achieved mod-pop greatness with “Never Come Down” Learn more Here

9- “Blue”– Parts Per Million

For premium hard rock you need to check out Parts Per Million. Learn more Here

10- “Blank Wall” –Cape Crush

Cape Crush, is power emo at it’s absolute finest . “Blank Wall” , is a must listen. Learn more Here

11- “Dumb (Take Me Out)” – The Fool’s Agenda

Hailing from Salem , Ma , The Fool’s Agenda Delivers smart electrifying grunge-pop with “Dumb(Take Me Out )” Learn more Here

12- “In Real Time “ The Ringer Soundtrack

Sometimes music is absolutely beautiful. “In Real Time”, from The Ringer Soundtrack, is one of those times. Learn more Here

13- “Dog Days – Krooked Tongue

We have been absolutely buzzing about Krooked Tongue, from quite sometime . Do yourself a favor and check out “Dog Days” Learn more Here

14 “Candied Ginger- Maggie Kane

“Candied Ginger, from Maggie Kane, is the most view article to date in 2025, on The Whole Kameese. Learn more Here

15- “Angels” – Warn The Duke

WarnThe Duke, has a style and sound that grabs your attention immediately. This definitely the case with “Angels” Learn more Here

16 “Felt”– Tiberius

The well constructed backbeat on “Felt”, immediately got our attention. Combined with the well formed melodies. Tiberius, have an instant hit on their hands. Learn more Here

17 “Cake” – Spin Class

“Cake” is from Bristol (UK) based four piece Spin Class, is of their amazing EP, “Dinner At Derek’s “ Learn more Here

18 “Time” – Already Dead

“Time”, is Already Dead , at their very best . They couple smart , honest lyrics with raw and electrifying melodies that leave a lasting impression. Learn More Here

19 “The Rules – Adult Leisure

We ask the question… how can you listen to “The Rules, from Adult Leisure, and not want to dance the day away while singing along ? ( We know it is physically impossible) Learn more Here

20 “Alive Tonight” – Mourning Joy

As soon as we hit play on “Alive Tonight”, we were immediately enthralled with MourningJoy. They are next level skilled musicians who have crafted a memorable melody that is woven together with important and impactful words that lingered in our punk loving heart long after the music has faded . Learn More Here

21 “Skin – Escape Durgin

We are all in on Escape Durgin and their debut album. Picking a favorite song off the record is like asking a parent to pick a favorite kid ( it is almost impossible) You can honestly pick any track . The epic “Skin” is an absolute musical opus that literally took our breath away .

We hope you enjoy the playlist and don’t forget to follow us on all the social media platforms @ TheWholeKameese.

Parts Per Million Have Sculpted A Hard Rock Masterpiece With New EP, “Red, White, and Blue”

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We recently had the epic opportunity to check out the new EP, “Red, White, and Blue”, from Boston, hard rock band, Parts Per Million. You can listen to “Red, White, and Blue” Here

Fast, furious and unapologetic, Parts Per Million have crafted pure rock brilliance with their powerful new “Red, White, and Blue “ EP.

The ferocious EP arrives at a time when we need it most. Across nearly 10 minutes of unrelenting sonic fury, the Boston band rages against the regime and all the forces that led us to this moment, with blame to go around on every side and each level of our decaying country. This is no act of moral grandstanding or attempt to convince one side over the other.

This is a band – vocalist, guitarist, and lyricist Paul McSweeney; guitarist and vocalist S. Brian Bailey; bassist and vocalist Alex Marks; and drummer and vocalist Brad Griffen – that’s pissed off, sonically unhinged, and unafraid to astutely point out that we are all responsible for the absolute clusterfuck that is life in 2025. 

Creating this record has been so much fun – tinfoil hats and riff city,” says McSweeney. “We spent two weekends together at Halo Studios with our longtime producer and friend Kevin Billingslea working on these songs before we recorded them later in the month. Kevin had a huge part in writing some of the best parts and lyrics of these songs. He always does, but all of us have really had some difficult years recently, and everything going on is fucked. I reached out to some of my favorite artists, poets, and friends and poured my ideas into them and they poured them back.”

“Red” takes on conservatives and how we’ve raised the cult leader in charge to a deity figure, as the band taps into hip-hop and riffs that inspire dancing; a sonic lineage of System of a Down, Faith No More, and Alice in Chains; and references to Daddy Yankee, a now devout evangelical Trump supporter. It finds Griffen jumping into the band’s vocal arena with his harrowing screams.  

“White” challenges the role white privilege plays in elevating evil by those indifferent to real-world issues as people of color suffer in plain view. Its sound marries Parts Per Million’s love for Opeth and Devin Townsend, and S. Brian Black’s guitarwork acts a tribute in style to Randy Rhodes and Diary of a Madman-era Ozzy. 

“Blue” demonizes progressives on the left for their self-righteousness and lack of any real action, paying musical homage to classic NYC hardcore, with Hannah Arendt emerging in a spoken word bridge narrated by Dvstin Black of VantaBlack and Fathom Farewell

You owe it to yourself to check out the power and fury of “Red, White And Blue”, from Parts Per Million.

We Are Forever In Love With The Brilliant Vibe Of “Never Come Down”, From The Chelsea Curve

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Cover Art- Linda Pardee

By George!, they have done it again ! The Chelsea Curve , have delivered a stunning mod pop gem , with their latest single, via Rum Bar Records, “Never Come Down” . You can listen to “Never Come Down” on Spotify Here and on the Apple Music Here

The vibes, the sounds… Boston based Mod-Pop trio, The Chelsea Curve have got it going on and then some.

Photo Credit: Trebmal Photography

“Never Come Down,” is an anthemic belter that recalls late-’60s psychedelia and mid-’90s Britpop, that is out today , (Friday, August 29) on Rum Bar Records. The new single marks the tireless band’s fourth release on the Boston indie label in just four months. 

The Chelsea Curve, generate a ton of sonic warmth and energy with their music… this is on display magnificently with their new single, “Never Come Down “

While “Never Come Down” is a creative shift for the trio, bringing guitarist Tim Gillis to lead vocal duties, the forward-motion mantra and relentless backbeat that has made The Chelsea Curve, rounded out by bassist and vocalist Linda Pardee and new recruit drummer Bruce Caporal, one of Boston’s most beloved bands is well intact.

It’s about the ultimate feeling of being free,” says Gillis of the new single. “I mean, who doesn’t want to feel free, unfettered, unbound? It’s about being up above it all, opening arms wide to possibilities, and expanding infinitely into forever – going where distractions are a distant memory. It’s pretty cosmic, and a little trippy. But it’s still got our sound wrapped around it; filled with some hooks, and always with some edge.” 

“It is a little bit of a veer-off for us,” admits Gillis. “We wanted it to have a big sound, and we layered a LOT of vocal tracks to get that. And there’s a more extensive guitar solo than in most of our songs. And a little more 12-string. So subtle differences here and there.” Adds Pardee: “Tim’s vocals are our secret weapon as our live audience knows, but now with a proper release others will find out too!”

The track was recorded by Mike Quinn at Mad Oak Studios in Allston, Massachusetts, and mixed across the Charles River by Quinn at Bluetone Studio in Somerville. It was produced by The Chelsea Curve and mastered by Dave Locke / JP Masters, with Pardee crafting the eye-catching, poster-styled artwork.

If you have need for amazing music, then you need “Never Come Down “ , from The Chelsea Curve in your life.

The Chelsea Curve are:

Tim Gillis: Guitars, vocals

Linda Pardee: Bass, vocals

Bruce Caporal: Drums, tambourine

Wayward Vine Speak Beautifully From The Heart With Latest Single, “Dancing On Your Basement Floor “

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Debut album ‘The Fall’ set for release on September 19 

We recently had the magnificent opportunity to check out the glorious new single, “Dancing On Your Basement Floor “ , from Boston indie-folk and Americana band, Wayward Vine. You can listen to “Dancing On Your Basement Floor” Here

We felt an immediate connection with “Dancing On Your Basement Floor “, from Wayward Vine .The words and melodies had us on the edge of our seats as if we were watching cinematic greatness unfold on the silver screen.

Photo Credit: Diana Levine Photography

“Dancing On Your Basement Floor”, is the latest hypnotic effort from the Boston indie-folk and Americana band, composed of core songwriters Valerie Rachel (harmony vocals and keys) and Greg Lawrence (vocals and acoustic guitar) and a backing band that on this track features Jim St. Pierre on percussion; Boston scene veteran Yoni Gordon on electric guitar; and Jose Downes on bass.

Some songs have a curious way of hanging around long after the music has faded , “Dancing On Your Basement Floor”, is definitely one of those songs .

“‘Dancing On Your Basement Floor’ is the encapsulation of a moment in time that is really beautiful but also short-lived,” says Rachel, a classically trained vocalist, violinist, and pianist. “The story of the song reflects the longing and excitement associated with a newer relationship that isn’t always replicable but usually leaves a mark.”  

Lawrence agrees, adding: “It’s about an intense relationship captured at a moment in time where the relationship has come to a crossroads – do we continue and take it to the next level or do we walk away? Like most romantic relationships, there’s a simple and beautiful innocence to it in the beginning before things escalate and become more complicated. At its core, ‘Dancing’ is a pure love song, with notes of desperation, internal conflict, and sexual intensity mixed in for good measure.” 

Produced by David Minehan, recorded at Woolly Mammoth Sound in Waltham, and mixed and mastered by Will Holland at Chillhouse Studios in Charlestown, “Dancing On Your Basement Floor” also serves as a compass to Wayward Vine’s debut album, connecting recent releases with new compositions. The long-player will wrangle up the band’s seven prior singles dating back to only last December, including a trio that have emerged so far this year in January’s “History,” March’s “Implode,” and May’s “End of May.” Four new tracks round out the album, where snapshots of modern life are filtered through Rachel and Lawrence’s acute songwriting lens.    

Don’t leave your music loving heart out in the cold, you owe it to yourself to check out “Dancing On Your Basement Floor “ from Wayward Vine

We Are Completely Enthralled With The Classic Sound Of “Save Yourself “, From Steve Geraci

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We recently had the stellar opportunity to check out the glorious new single,”Save Yourself “, from Boston musician, Steve Geraci. You can listen to “Save Yourself “ on Spotify Here, Apple Music Here and on Bandcamp, Here

Steve Geraci, has brilliantly crafted an absolute gem, with his latest single, “Save Yourself “

When the veteran Boston musician was penning the words to his latest single, a blistering fit of frenzied alternative rock and neo-glam called “Save Yourself,” which is out today , ( Friday, August 22) , his initial vision of a mythical journey and the characters who would discover a new land and eventually defend it as their own was actually rooted in history. Especially his own.

Turns out, Geraci, the Needham native and frontman for rock band The Tear Downs, was tapping into his own family’s lineage, and leaning into a storyline of past generations coming to this country to find a better life. What began as a wild, made-up tale of fantasy was suddenly hitting close to home.   

“‘Save Yourself’ is celebrating the immigrant’s journey to the United States – a very real journey experienced by my ancestors and many other Americans,” Geraci says. “My grandparents’ journey, and my father’s journey. The idea of coming to a foreign country where you didn’t speak the language or know the people for the chance of a better life for your family – that’s the American dream.” 

The subject matter has become all the more timely, given recent current events and news headlines detailing our government’s increasingly hostile view on immigration of all kinds. But Geraci knows that his family came to this country seeking that aforementioned American dream, and hopes one day we as a society will be as accepting as prior generations were.  

“In contrast to how immigrants are being treated today,” he adds, “I wanted to share a glimpse of how it once was in the U.S., and how I believe it will be again.”

“Save Yourself” was produced and engineered by Dave Westner, known for his work with homegrown luminaries Peter Wolf and Dropkick Murphys, and recorded earlier this year at David Minehan’s Woolly Mammoth Sound in Waltham, Massachusetts, a studio often frequented by The Tear Downs. Westner also supplies drums on the track, adding some thunder to Geraci’s guitar, bass, and vocals. 

Steve Geraci, is a voice that we need in today’s musical landscape, “Save Yourself “, is a must listen.

Escape Durgin Releases Beyond Buzz-worthy Self Titled Debut Album, That Has “Album Of The Year” Vibes

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American Poet and Educator, Henry Wadsworth Longfellow, once said “Music is the universal language of mankind “

We absolutely believe the above statement to be a hundred percent true and believe it even more, after listening to the self -titled debut album from Lowell Massachusetts, based rock band , Escape Durgin. You can listen to the debut album, Here

It is our humble opinion that if a band chooses to record an album, it should be the very best representation of the band. This may seem like a simple task however, it is not always the case. Escape Durgin does this and so much more with their new record.

From the moment we heard the opening chord on “Poster Child”, we knew our ears and music loving soul were in for an unforgettable musical experience…. And we were right.

Fast , melodic and laced with perfectly placed lyrics, “I can’t do things the way you want me to  because I  am one of one” “Poster Child” is the perfect opening track.

Courtesy Of Band – From left to right of band photo Sean Connors (Bass, Vocals), Michael Sirard (guitar, vocals), Quinton Gibbons (Guitar, Vocals), Avery Stout (drums)

Since meeting each other in college, Escape Durgin has been dedicated to being the best band they can be. Playing shows all over Massachusetts, tirelessly writing, rehearsing, and refining their original material. Quinton, Michael, Sean, and Avery, have crafted a debut album that leaves nothing unsaid , the listener gets an 11 track and 41 minute body of work that just might make Escape Durgin one of your new favorite bands.

Picking a favorite song off the record is like asking a parent to pick a favorite kid ( it is almost impossible) You can honestly pick any track . The epic “Skin” is an absolute musical opus that literally took our breath away . Vocally and melodically brilliant. Our favorite lyric hands down comes from “Skin” – “If you could look inside my brain would you be surprised that  it looks like a shooting star every time you cross my mind, nice to see you everyday every-time I close my eyes , It was such a luxury to have your skin right next to mine” I mean how can you not love those lyrics??? Pure freaking poetry.

Escape Durgin, might have peaked our curiosity with singles, “Like Vultures” and “Free Shipping “ but honestly that’s only the tip of the iceberg. “Standing In The Rain”, “Grove Street “ and “Change” are solid songs that we found ourselves constantly hitting repeat on .

If we had to pick a favorite song…. It would without question be ….. “9 Days” If we’re being honest we fell hard for this one… It is Escape Durgin at their very very best .

Escape Durgin’s exceptional debut album , was recorded, mixed, and mastered by Casey Dawson. 

The best part about Escape Durgin… Is that they are Escape Durgin. They are 100 percent themselves and that makes for a meaningful and thought provoking debut album that you won’t soon forget. 

ESCAPE DURGIN:

Sean Connors (bass, vocals)

Michael Sirard (guitar, vocals)

Quinton Gibbons (guitar, vocals)

Avery Stout (drums)

One Of The Smartest Things You Can Do Today, Is To Check Out The Red Hot New Single, “Dumb (Take Me Out)” From The Fool’s Agenda

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Sophomore album set for October release

We recently had the stellar opportunity to check out the new single, “Dumb ( Take Me Out), from Salem, Mass, grunge-pop and alternative rock band, The Fool’s Agenda. You can listen “Dumb ( Take Me Out) Here

The Fool’s Agenda, prove from the very first note of “Dumb( Take Me Out) that they have smart and electrifying grunge pop sound that you would be dumb not to turn it all the way up.

The Fool’s Agenda, poke fun at poseurs in grand brilliantly loud fashion and we love every minute of it.

The follow-up to March’s “Monsters” and May’s “Feel So High,” the latest from the cynically whimsical quartet is a dizzying spell of riff-fueled alt-rock rage and will be featured on their forthcoming sophomore album, due out in October.

Rock and roll has never been about being cool or trendy – it’s always been misfits making art to feel seen by one another,” say The Fool’s Agenda. “Somewhere along the line, it became somewhat of a popularity contest: Who’s got the best content, the coolest outfits; people looking to be adored as a sense of validation through their art rather than looking for a community and to make a difference with it. It’s really easy to fall into that trap when you so badly want to be successful. This song is making fun of that whole mentality.”

And that it does. As songwriter, lyricist, and powerhouse vocalist Rhiannon Raine blasts through the track with a breakneck delivery that shifts from hypnotic deadpan to confrontational fury, the rest of the band – guitarist Kyle Erickson; bassist Jon Gray; and percussionist Kamryn Bode – backs her up with a punk rock ferocity and frenzied urgency. 

“Dumb (Take Me Out)” should sound as lively on stage as it does on record when The Fool’s Agenda play “Dumb (Take Me Out)” should sound as lively on stage as it does on record when The Fool’s Agenda play Warehouse XI in Somerville with Pearl on release night, August 15, as well as Moon Base One in their native Salem on August 31 in support of Kick Out The Rogue and Super Beef. A few days later, they return to the sober all-ages venue for a headlining gig on September 5. The next day, The Fool’s Agenda take it outside for a free outdoor matinee show at Wakefield Porchfest on September 6, and then play Ralph’s in Worcester on September 27 with Gold Star Boulevard.

Go find your favorite listening spot, and get lost in the absolute melodic goodness of “Dumb (Take Me Out )” from The Fool’s Agenda.

Tiberius Make Our Music Loving Soul Happy With New Single, “Felt”

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We were simply over the moon, to check out the new single, “Felt”, from Boston, based farm-emo band, Tiberius. “Felt”, is the second single from the upcoming , ‘Troubadour,’their label debut album, via Audio Antihero. You can listen to “Felt” on Spotify Here, Apple Music Here

The well constructed backbeat on “Felt”, immediately got our attention. Wright’s vocal performance is an absolute thing of beauty , combined with the well formed melodies. Tiberius, have an instant hit on their hands.

Originally a solo project for Brendan Wright (they/them), Tiberius has evolved into a catchy and cacophonous four-piece,
producing what Wright calls “Farm Emo.” This expanded lineup of Wright, bassist Kelven “KP” Polite (he/him), drummer Sam
Blumenstiel (he/him), and pedal steel player Pat King (they/them) blends Indie Punk, Alt Country and Psychedelia with
confessional, yet conversational and relatable songwriting.

Commenting on the song, Wright shares:

“When I wrote Felt, I was fairly fresh out of a breakup and was spending a lot of time looking for distractions. Instead of tackling
some bigger questions and engaging in a healthy recovery, I was tucking away my feelings into compartments and distracting
myself with casual dating. I was spending some late nights slipping into the backstories of strangers’ lives – exhilarating, but
merely theatrical. It never eased the issue at hand. I was alone, and I was terrified to sit with that.“ – Brendan Wright (they/them)

Photo credit- Zoe Hopper

“Felt”, from Tiberius, is a song that you need to hear.

The Lemonheads Sound As Fresh As Ever With New Single, “The Key Of Victory”

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Since forming in Boston, in 1986, there have been version of The Lemonheads. However, the one constant has been the stellar songwriting and memorable melodies provided by the one and only… Evan Dando

You can listen to “The Key Of Victory “ on Spotify Here, Apple Music Here “The Key Of Victory “, will be featured on The Lemonhead’s upcoming album “Love Chant” , which will be released on October 24th. You can pre-order “Love Chant” Here

The latest single, “The Key Of Victory “ from The Lemonheads , has a very retro vibe that really adds another dimension to the song. Evan Dando, has once again crafted an absolute gem that has the legendary front man sounding his absolute best.

When listening to “The Key Of Victory “ we can’t help but hear a little Bob Dylan woven in the fabric of “The Key Of Victory “ and…. We think that is absolutely beautiful. Evan Dando once again delivers a poetic masterpiece like only he can.

You owe it to your music loving soul to check out “The Key Of Victory, from The Lemonheads

Escape Durgin Deliver Big Time On Latest Single, “Free Shipping”

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Last month we had the extraordinary opportunity to check out the epic debut single, “Like Vulture”, from Greater Boston, based alternative band , Escape Durgin. , is kicking down the door into August, with their second single, “Free Shipping”

You can check out the stellar new single, “Free Shipping” Here

Escape Durgin, absolutely hits the sweet spot, with “Free Shipping” We hear shades of Boston greats, Buffalo Tom and The Lemonheads . However , Escape Durgin,(Sean Connors (Bass, Vocals), Michael Sirard (guitar, vocals), Quinton Gibbons (Guitar, Vocals), Avery Stout (drums) ) have their own unique killer style, sound and vibe that makes them immediately standout.

Courtesy Of Band – From left to right of band photo Sean Connors (Bass, Vocals), Michael Sirard (guitar, vocals), Quinton Gibbons (Guitar, Vocals), Avery Stout (drums)

On “Free Shipping” , Escape Durgin, brilliantly uses volume to add an additional sonic dimension to the track . Rather than blast through on high volume, the band is artfully able to use sound (both loud and soft ) to craft a fully developed and memorable song.

It is crystal clear after listening to “Free Shipping”, that Escape Durgin, is a band who is just getting warmed up.

So make sure you tell everyone you know about the sensational new single , “Free Shipping” , from Escape Durgin .

BIG RAV Showcase Big Brilliant Sound , On Debut Album, “MESS I’VE MADE”

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Photo Credit: Grace Herron

We recently had the distinct honor of checking out the amazing debut album, “MESS I’VE MADE” , from Boston, based alternative rock band, Big Rav “ ( SPOILER ALERT: 🚨 It Is Absolutely Breathtakingly AWESOME )

You can listen to the very epic, “MESS I’VE MADE” Here

We are going to be honest, as soon as we heard the opening note on the opening track, “Another Tomorrow “, on “MESS I’VE MADE” we were instantly enthralled by the one of kind , mind blowing sound of Big Rav

Big Rav will be playing their release show in support of the album Saturday, August 2nd at 7:00 PM at The Burren in Somerville, MA. Tickets are available for presale Here

Big Rav (Maddy Montaquila, vocals, keys, Dan Colvin, guitar, Seamus Winters, bass, and Nick Montaquila, percussion) have a next level musical synergy that feels positively otherworldly.

No stranger to the Boston music scene, Big Rav has been filling local venues andporchfests for the past four years with their unique blend of in-your-face, pop punkinspired vocals, overdriven and melodic guitar riffs and solos, heavy, modal basslines,vintage synths, and foundational, never obvious grooves (think Paramore meets Rush).


Photo Credit: Grace Herron

Self-deprecating title aside, the band is incredibly proud of this labor of love which came to be over a series of intermittent recording sessions with Sean McLaughlin of 37’ Productions coordinated between the individual members’ “real jobs” (a product manager, a developer, an engineer, and an accountant walk into a bar…) and the obligations that come with adulthood. In a sense, that is the true theme of the album -grappling with the phenomenon of growing up, and the infinite possibilities of lifebecoming casualty to responsibilities, relationship issues, and struggles with mentalhealth. Throw in a wall of layered guitars, thick bass, bombastic drumming, and raw,expressive vocals, and you arrive at the essence of the appropriately labeled “Big Rav” sound.

Every song, on “MESS I’VE MADE”, had us tapping and singing along almost instantly . We found ourselves entranced with “Alien” with its bluesy vibe , showing off the band’s versatility.

Our favorite track on the album, without question is the amazing title track, “MESS I’VE MADE” The combination of the ultra cool melodic groove and the flawless vocals, make “MESS I’VE MADE” , an instant classic.

You owe it to your music loving heart to check out the stunningly brilliant debut album, “MESS I’VE MADE” from Big Rav

The Peppermint Kicks Are The Cure For Your Rock And Roll Sweet Tooth, With Their Decadent New Album, “Pop Rocks In My Chewing Gum “

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When done right, rock and roll can be the sweetest treat you’ll ever consume. This is with a doubt the case with the sensational new album, via Rum Bar Records, “Pop Rocks In My Chewing Gum”, from Boston , power pop rock and roll treasure, The Peppermint Kicks.

You can listen to “Pop Rocks In My Chewing Gum” on Spotify Here, Apple Music Here and on Bandcamp Here

In the world of technology, there is a term , “Plug and Play” Which by definition – is used to describe computer equipment, for example, a printer, that is ready to use immediately when you connect it to a computer ( So basically nothing complicated just plug and go ) The same could be said for the brilliant new album , “Pop Rocks In My Chewing Gum”, from The Peppermint Kicks . A straight up power pop rock and record that all you need to do is press play and… You achieve rock and roll music listening perfection instantly.

Ever since we heard the June single and fiery ode to the airwaves “Radio Wam Bam Boom”, we have been fixing for more rock and roll goodness…. And that’s exactly what we got with “Pop Rocks In My Chewing Gum”

Courtesy Of The Band

The Peppermint Kick, ( The Boston duo of Dan Kopko and Sal Baglio) triumphantly return with their first new Peppermint Kicks album in three years in Pop Rocks In My Chewing Gum, a livewire collection of anthemic, retro-kissed power-pop and neo-glam belters out via CD and streaming today, (Friday, August 1 ) on Rum Bar Records.

“Pop Rocks In My Chewing Gum” , from beginning to end, is loaded with every you would ever want in the perfect rock and roll record.

10 tracks – swirling around playful themes of lollipops and candy, crushes and longing, breakups and redemption, all served with a sizable sonic dose of hope and fun – explode out of the speakers with distinct personality and purpose. And the lyrical subject matter is varied, but oddly pointed. 

“The Peppermint Kicks go international on Pop Rocks In My Chewing Gum – perhaps even unintentionally, but we are not telling!” says Baglio with a laugh. “There are songs about French girls, candy, and trash cans. Twiggy-esque Lollipop Girls in the UK. An Italian female pop star from the ‘60s, paeans to classic Japanese cartoons, NYC, and Boston, too. And it would not be a Kicks record without songs about radio and rock and roll.” 

We felt ourselves falling deeper and deeper for the sweet sounds of The Peppermint Kicks, with every song sounding better than the last.

“Pop Rocks In My Chewing Gum, its title taken from a lyric in the album’s riff-tastic spotlight single “Too Sweet (Oh Yeah!)” – “Excitations on my tongue / pop rocks in my chewing gum,” We can neither confirm or deny that we may have been belting these lyrics EVERYWHERE.

It is next to impossible to pick a favorite song from “Pop Rocks In My Chewing Gum”. “Little Doll (Piccola Pupa) “ , “Shangri La” and “Lollipop Girl” , had us dancing our hearts out. However, the one song that really hit the sweet spot , was without question- “Number One Record “ we simply could not get enough of this freaking power pop masterpiece.

Both Dan Kopko and Sal Baglio performed all the instrumentation on the record –  Baglio on guitars, piano, vocals and Kopko on guitars, bass, vocals – aside from drums, which were provided by Kevin Rapillo, Chris Anzalone, and Napoleon Hashimoto. The album was mixed and mastered by Kopko’s alter ego, Danny The K. 

If it is music you crave…. Then you owe it to yourself to check out “Pop Rocks In My Chewing Gum” from The Peppermint Kicks.

The Gypsy Moths Have Us Wanting More With Epically Pleasing New EP, “Five By Five From Four”

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We recently had the absolutely sensational opportunity to check out the new EP, “Five By Five From Four”, via Rum Bar Records, from Massachusetts garage-pop soul shakers, The Gypsy Moths. (Spoiler Alert: This EP Will Make Fall Hopelessly In Love With The Gypsy Moths)

You can listen to “Five By Five From Four “ on Spotify Here, Apple Music Here

Right from the first note on “And You Know I Do”, on – “Five By Five From Four” we were instantly smitten with the one of a kind sound from The Gypsy Moths

The five-track record, which arrives today (July 25th) is a proper primer for the quintet’s ambitious double-album set for release in October. 

The EP is perfectly timed , as The Gypsy Moths unveil the record just ahead of appearing at Rum Bar labelmates The Dogmatics’ album release party blowout on Saturday, July 26 at the French-American Victory Club in Waltham, alongside Band 19, Last Stand, Stop Calling Me Frank, and several others.    

The title of Five By Five From Four is also a nod to the band – a group of longtime friends, collaborators, and conspirators consisting of Steve O’Brien (vocals); Chris Conway (guitar, vocals, keyboards, percussion); Phil Thompson (bass); Matt Miceli (drums and percussion); and Dave Buckley (keyboards) – and the forthcoming double-LP: Five songs, by five Moths, from four sides of the album. 

Courtesy Of The Band

There is an authentic “feel good” sound that is present throughout the EP, that we are positivity over the moon about.

“This is probably the most excited I’ve been for any of our releases,” says Conway, who produced the EP. “We’ve pushed the corners further on what the band is all about musically, both with our recordings and in the writing. All five of us have known each other and played music in one form or another with each other going back to the mid-’80s when we were in high school together, so this set of recordings is the first representation of that bond of music, friendship, and creativity that has been coming together for over 40 years now.” 

Five By Five From Four, was recorded with Ed Riemer at Edsbarn in Canton, Massachusetts,and mastered by Dave Westner

The record both blooms in several creative directions while oddly continuing in a Gypsy Moths throughline: “Before The Lights Went Out” tugs at jangle-pop heartstrings with an R&B-rock undercurrent; “Cover For Me” is a swagger strut of a tune that wouldn’t be out of place on a long-lost ‘60s best-of comp; and “Fold Up The Air” boasts a piano and guitar riff lead before vividly blossoming into glam and psych daydream territories.   

The stellar “Five By Five From Four “ , from The Gypsy Moths, is a can’t miss.

Casket Rats Will More Than Quench Your Thirst For Straight Up Electrifying Rock And Roll With Red Hot New Video For “Whiskey Queen”

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We recently had the amazing opportunity to check out the blazing new video for , “Whiskey Queen”, from Casket Rats . You can watch “Whiskey Queen “ below

“Whiskey Queen” , from Casket Rats is an absolutely brilliant example of what happens when high level musicians get together and create an instant rock and roll smash . The stunningly drop dead perfect video, directed by Justin Maloney only adds to the magnificent rock goodness of “Whiskey Queen”

Photo Credit: Hillarie Jason

“Whiskey Queen “, is only the beginning kicking off a fury of activity that leads to some exciting announcements in the fall. 

But in the meantime, “Whiskey Queen,” the Allston foursome’s first new music since its 2022 self-titled debut EP, sets a relentless tone through a sweaty blitz of hard riffs, thunder bass, punching drums, and gritty, weathered vocals. It’s loud, aggressive, and quite simply, necessary as fuck

“It’s a punch in the face,” says bassist and vocalist Keith Bennett, a Boston hardcore veteran. “It’s a greasy, sleazy rocker from a greasy, sleazy rock and roll band. We’re letting the world know we exist, and it’s no time for polite introductions.”

Bennett and the band, rounded out by Brendan O’Hare on vocals and guitar; Goose on guitar and vocals; and Phil Slopak on drums, have been creating a noisy racket around the Boston neighborhood of Allston since their inception a few short years ago. And shortly after the video drop, they crank up the volume in their own backyard for a free, outdoor gig at Courthouse Park in Brighton on Sunday, July 27.  

How stroked are they to release this visual? “I think the phrase ‘rabid dogs’ would be very appropriate,” Bennett says with a chuckle. 

The black-and-white, foot-on-the-pedal, all-gas-no-sass music video Maloney created, capturing Casket Rats in their natural habitat – throwing down a live performance clip at their Foster House practice space. Sometimes it’s best to just keep it simple and let the music do the barking.

Photo Credit- Justin Maloney

Casket Rats, are the real life version of that hidden gem phenomenal band that you find at an out of the way watering hole, playing an amazing take your breath away tune , while enjoying your favorite frosty beverage. The video for Whiskey Queen, from Casket Rats is a royal treat.

The Dogmatics Are Going Places Fast With Lively New Album, “Nowheresville”

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First Album In 39 Years

We recently had the stellar opportunity to check out the album, “Nowheresville” , via Rum Bar Records, from Boston, garage legends, The Dogmatics. You can listen to “Nowheresville – on Spotify Here, Apple Music Here

The Dogmatics, are a timeless energy that is vibrantly on display on the positively electrifying “Nowheresville”

Photo Credit: Nicole Tammaro Photograph

The common thread that links the band from its ‘80s heyday to now is family. Music history is littered with collectives known loosely as family bands, but it can be argued there has never been a family band quite like The Dogmatics. The sentiment fueled their inaugural run 40 years ago, launching out of the vibrant Boston music scene in 1981, and is the creative conduit that energizes this awe-inspiring second act.

The best part of this new era is what it has always been – fun and friendship,” says co-vocalist and guitarist Jerry Lehane, joined in The Dogmatics by longtime confidants Peter O’Halloran (rhythm guitarist and vocalist); Jimmy O’Halloran (bass); and Tom Long (drums), with 2019 recruit James Young on mandolin, guitar, and assorted vocals.  

Everything The Dogmatics do revolves around this keen sense of family pride, and the album reflects this on several fronts: Honoring fallen brother and bassist Paul O’Halloran, whose tragic 1986 death brought a sudden end to the first iteration of the group; presenting Nowheresville with artwork of a vintage photo snapped by Mary Lou O’Halloran depicting two kids from the Pacific Northwest, rocking perhaps the very first Dogmatics t-shirt design several decades ago; and taking its title from a song Lehane and Paul O’Halloran were working on just before he passed, enduring after only as a long-lost live recording on WERS’ classic Metrowave radio show and a few efforts to record it with later projects that never came to fruition.  

Even the album’s record release party, a raucous one-day mini-festival at Waltham’s French American Victory Club on Saturday, July 26, serves as a communal collection of The Dogmatics’ extended network of friends and family. The inspired lineup, in addition to The Dogmatics, features Black Cheers, Jay Allen and the Archcriminals, Last Stand, Gypsy Moths, Tom Baker and the Double Down, Stop Calling Me Frank, and Band 19.

“The 10 songs on the album show a lot of variety and breadth beyond the classic garage-rocking reputation,” says Young, who grew up listening to the band before officially joining for this second act. “As a new-ish member to the band who started as a fan, it’s great to see the feedback about the band making new music that’s relevant today, and not just being a reunion act. I’ve always had so much respect for the individual band members as musicians, it’s a pleasure and privilege to be part of demonstrating the flex of those skills.” 

Nowheresville is more than just a straight garage rock record. The 10 tracks offer an eclectic spectrum of genres and styles. Recorded at Edsbarn in Canton, produced and engineered by Ed Riemer, and mastered by Dave Westner,

We found ourselves endlessly basking in the eclectic glow of “Nowheresville “ Tracks like “You’ve Got What I want, and “Library Girl” give off a Ramones/ Descendents vibe. While , we felt a folk/country / rockabilly feel with “Con Job” .So many bands tend only have one gear – this is definitely not the case with The Dogmatics on “Nowheresville”

Every track on “Nowheresville” , from The Dogmatics, is better than the last . This is an album that is a must listen.

Escape Durgin Swoops In With Melodically Perfect Debut Single, “Like Vultures”

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We had the absolute honor to check out the magnificent debut single, “Like Vultures”, from Greater Boston, based alternative band , Escape Durgin. You can listen to the melodic wonderment of “Like Vultures” on Spotify Here Apple Music Here

The first thing that caught our ears while listening to “Like Vultures “ is the next level musicianship of the band. Escape Durgin (Sean Connors (Bass, Vocals), Michael Sirard (guitar, vocals), Quinton Gibbons (Guitar, Vocals), Avery Stout (drums) ) are brilliant sound architects that have given music lovers a memorable melodic gem .

Courtesy Of Band – From left to right of band photo Sean Connors (Bass, Vocals), Michael Sirard (guitar, vocals), Quinton Gibbons (Guitar, Vocals), Avery Stout (drums)

Since meeting each other in college, Escape Durgin has been dedicated to being the best band they can be. Playing shows all over Massachusetts, tirelessly writing, rehearsing, and refining their original material. Quinton, Michael, Sean, and Avery are incredibly excited to have the fruits of their labor shared with the world with the release of their debut single “Like Vultures” with plenty more music soon to come.

The band shares : “Like Vultures is a song about introversion, feeling deeply isolated and overwhelmed at a party”

“I was listening to a lot of Ween at the time, and this was my attempt to write Transdermal Celebration, but eventually the song took on a life of its own and bringing it to the band really made it unique to us.”, shares guitarist and vocalist, Quinton Gibbons

“Like Vultures”, was recorded, mixed, and mastered by Casey Dawson in The Record Co. and Casey’s home studio.

Escape Durgin, is a band who brings a welcoming and refreshing sound and vibe to a sometimes mundane musical landscape.

The mark of a great song is when it truly resonates within your soul . “Like Vultures” is without question a great song.

Preston Lydotes Releases Flawless New EP, “Stranger At Best”

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We were absolutely stoked to check out the new EP, “Stranger at Best”, from rapidly rising Boston, singer-songwriter, Preston Lydotes.

You can listen to the stellar , “Stranger At Best” Here.

We first discovered Preston Lydotes, this past February, when we heard his stunningly brilliant song , “The Critic In Me” We were literally speechless as our music loving heart became absolutely captivated with the flawless vocals and well crafted lyrics on “The Critic In Me”

Photo by Asher Thomas

The versatility and musicianship of Preston Lydotes, is absolutely off the charts and it is on full display throughout “Stranger At Best”

The EP, was created while Preston earned his Bachelor’s Degree at Berklee College of

Music. Mixed by Grammy-winner Ariel Borujow,

The other three singles, from “Stranger At Best”, could be used to help a story unfold on the silver screen.

We were immediately taken with the tone and tempo with “Wrong” as Preston proved effortlessly on the track that he is a multi dimensional performer.

As we commented in our original review, “5 to 9” is a lively and vibrant song that has Preston Lydotes, firing on all cylinders. What we love about “5 to 9” is the authentically woven soulfulness that is felt throughout the song .

There is a subtle blues feel to “The Fallout “ that we absolutely love . On “The Fallout”, Preston artfully shows his gift not only as a musician but all as a gifted and talented storyteller.

The title track, “Stranger At Best” is the newest track on the EP, and is the perfect example of the evolving artistry of Preston Lydotes. As we listened to the melody and words take shape during “Stranger At Best” , our ears and hearts were witnessing an artist in Preston Lydotes who is on his way to greatness.

If you are looking for a new favorite artist, look no further than Preston Lydotes, and his new EP, “Stranger At Best”

Billy Dodge Moody Has Crafted An Instant Classic With New EP, “Ephemera: Part 1”

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We recently had the distinct honor to check out the new EP, “Ephemera:Part 1”, from Boston, singer-songwriter, Billy Dodge Moody. You can listen to “Ephemera:Part 1” on Bandcamp Here , Spotify Here, Apple Music Here

Billy Dodge Moody, proves on “Ephemera:Part 1” that he is without question, a true voice of musical importance.

Courtesy Of The Artist

The four-track effort is the first in a series of EPs that will compose his next album, thematically centering around navigating chaos and finding clarity in life. A few months later, Moody takes the record and his magnetic sound to the stage, performing live at The Extended Play Sessions Live From The Fallout Shelter in Norwood on November 15.

“Everything on this EP felt like it came from a natural, honest, genuine place in the writing process,” Moody says. “They’re songs I wanted to write, versus what I thought people would like. The themes in the lyrics are pretty universal, so I hope listeners find at least something to connect with.” 

Ephemera is Moody’s first extended release since 2022 album Condition, and is led by a pair of singles in May’s cinematic “Meaning to Disaster” and June’s buoyant and summer flavored “Nobody.” Both tracks helped earn the EP a place on WBUR’s Summer Music Preview, billing Ephemera as one of the most-anticipated New England releases this season and noting Moody’s “unbelievable knack for writing folk-pop mini-masterpieces… everything from dramatic chamber folk to appealing sunshine pop…”

The reflective and authentic feel of Ephemera opener, “ Meaning to Disaster” is Billy Dodge Moody at his absolute best , melodically perfect with a vocal performance that you can feel deep in your soul.

“Nobody” has a upbeat/ summer chill feel with indie pop elements , but also explores darker themes, its lyrics warn the listener about how we’re all dealing with internal struggles, and no one really understands what we’re all privately facing each day.   

The two new tracks that round out the EP, are beautifully crafted songs that both eloquently show the breathtaking artistry of Billy Dodge Moody.

“Made to Decide,” with backing vocals from Hannah Foxman adding to the aching harmony, centers around making difficult choices, inspired by an ailing pet – his cat Bruce – who became gravely ill, and passed away a day before his euthanasia appointment after Moody and his wife spent weeks painstakingly mulling the decision.

“The title is a bit of a double entendre in that ‘made’ refers to both being, and feeling, forced to choose between two shitty options, and that life in general is decision-making and how the oftentimes difficult choices we make shape who we are and who we’ll become,” Moody admits. “Part of the song is also about that where there are people, pets, and things that come into our lives that we never intended to fall for or develop such a deep connection to. The song was also used as a vessel to talk about other divisive aspects of life that others value and oppose like faith, ideology and overall perspective of mortality.” 

The Ep closes with stunningly melodically perfect “Suddenly” , filled beautifully with heartfelt emotion, “Suddenly” left us absolutely speechless , as Moody, reflects on his position as a musician, and explores the highs and lows – and more lows – of being an independent creative at a time when art is seemingly not valued by those who consume it.    

It’s mostly about the struggle and perseverance of an artist,” he adds, “maintaining hope and realizing things change when you least expect it, especially when you feel like you’ve been spinning your wheels on something that never comes to any sort of resolution or catharsis.”

Ephemera was produced by Brian Charles, who engineered the EP over several sessions alongside co-producer and engineer Annie Hoffman. Recording the EP began at Guilford Sound up in Vermont, and then completed closer to home at Charles’ freshly-minted Rare Signals studio in Cambridge, Massachusetts. 

For these songs, the vocalist, guitarist, and keyboardist Moody was joined in-studio by Sam Bouve on bass; Parker Goessling on guitar; Tyler Simko on keyboards; Jon Chapman on drums; and the aforementioned Foxman on backup vocals. And Charles led the way.

“Ephemera: Part 1”, from Billy Dodge Moody is the kind of record that feels timeless the first time you listen to it.

We Can Honestly Say That The Debut Album From The Far Out , “Greetings from The Far Out” , Was Love At First Listen

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Artwork by Olivia and Ezra Lowe

We don’t know what we did to be so lucky but, we consider ourselves absolutely blessed to be able to check out the new album, “Greetings from The Far Out”, from rising Boston pop-funk collective, The Far Out. You can listen to “Greetings from The Far Out” on Spotify Here, Apple Music Here

If you have yet to experience the electrifying next level pop funk from The Far Out , you are clearly only vibing at 50 percent. The epic new album, “Greetings from The Far Out “ is the perfect way to get your vibe to 100 percent.

We triple dog dare you to find a weak link on “Greetings from The Far Out “ … trust us you won’t … not even close . Every single song is more drop dead perfect than last . Eight gems that you can let play on repeat for infinity.

Photo Credit: Jackie Vlahos

Led by a quartet of charismatic singles, including February’s “Funkadelic Gas” and May’s “Laurel,” the eight-track record from the Boston funk-pop collective welcomes the listener into its blossoming community, where positive vibes and blissful motivation – and an initiation to escape the day’s doom and gloom – are soundtracked by the sextet’s infectious sonic cocktail. 

“Hard times make for great music,” says saxophonist and guitarist Colin Senechal. “You gotta put your frustration and pent-up energy somewhere. If it can be upbeat to help people find some hope, even better!

With this debut album, a spectrum of styles and sounds that blends together funk, pop, indie, R&B, soul, Yacht Rock, ‘70s AM gold, Motown, and whatever else filtered through The Far Out’s unique sense of forward-motion retro-cool, the “New Act of the Year” recipient at the 2024 New England Music Awards is ready to take things to the next level. 

If you have been grooving to the singles , ( “Funkadelic Gas”, “Laurel”, “Packed To Go” and “See Red( You’re Dead” ) those are just the tip of the very funky iceberg.

Some of the other tunes that got us grooving, “Need A Win”, which is the absolute perfect song to kick off such a stellar album. “Lazy Lover” and “Putt Strut” If we were to pick our favorite on the record ( which is almost impossible to do ) we would without question choose, “Long Weekend “ ( the bass line is more decadent than any piece of chocolate we have ever had) “Long Weekend “ is straight up spectacular.

While the sound is varied and genre-hops from one beat to the next, a rare throughline across Greetings from The Far Out extends both in plain sight and lurking just below the aural surface. The record’s title and postcard artwork – as well as the stamp-themed art for the four singles, all designed by Olivia Lowe with design assistance from her brother Ezra Lowe – are a throwback to Bruce Springsteen’s 1973 debut Greetings from Asbury Park, N.J. And Lowe admits there are some overarching lyrical elements at play across the eight tracks, though it takes a dedicated listen to delve deep beyond the upbeat music.

The Far Out have some live shows + a late summer tour coming up you can check out dates below .

If you are looking for an unforgettable dose of unbelievable music, look no further than “Greetings from The Far Out” , from The Far Out

The Far Out is:

Ellie Dolan: Trumpet, vocals

Ryan Fremont-Smith: Bass guitar, vocals, saxophone

Olivia Lowe: Guitar, flute, vocals

Drew Phillips: Drums

Colin Senechal: Saxophone, guitar

Henry Zagarella: Keys, vocals

The Far Out upcoming live dates + late summer tour:

July 10: Somerville, MA @ The Burren (album release party!)
August 9: Falmouth, MA @ Lin Whitehead Bandshell / Harbor Light Illumination Concert Series
August 23: Salisbury, MA @ Riverfest Salisbury Beach
August 30: Providence, RI @ Fete Music Hall
August 31: Burlington, VT @ Radio Bean
September 6: Tinton Falls, NJ @ Twin Lights Brewery
September 12: Easthampton, MA @ Marigold Theatre
September 13: Bridgeport, CT @ Park City Music Hall
September 26: Cambridge, MA @ Middle East Upstairs

Girl With A Hawk Have Crafted An Absolutely Gorgeous New Single, “It’s The Way”

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If you have been following The Whole Kameese, for any amount of time then you know when we come across something that we really love we are not shy about it . This is the case with the epic new single , “It’s TheWay”, from Girl With A Hawk. You can listen to “It’s The Way” on Spotify Here Apple Music Here

The new single, It’s The Way” via Rum Bar Records, from Boston based , Girl With A Hawk is 5 minutes plus of absolute music heaven.

We have been fans of Girl With A Hawk , for quite sometime however, When we heard “It’s The Way “ our love for the band grew 10 fold .

Linda Viens, offers a stunning and flawless vocal performance on “It’s The Way” that is simply unforgettable . Viens has written an absolute gem that it brimming with unforgettable words that stay in your heart long after the music has faded .

The song writing on “It’s The Way” is an absolute work of art .

“And there’s a song, that you know you’ve got to sing,
that is true, that is true to you
And there’s a space that you know you’ve got to make
For something new, for something new”

We have said before but, it bears repeating, Girl With A Hawk ( Linda Viens, Lead vocals, backing vocals, guitars, Richard Lamphear (keyboards, backing vocals), Daniel Coughlin (guitar), Dan Bernfeld (bass), and Nancy Delaney (drums) are a band with next level musicianship. If you need more proof, just listen to “It’s The Way ( Stinson Beach/Full Version)”. Here This otherworldly version of “It’s The Way” which was recorded at Panaramic House Studio in Northern California with the band’s good friend and producer Pete Weiss, is without question Girl With A Hawk at their very best ( we got literal goosebumps.

So do your self a favor and get lost in the beautiful musical magic of “It’s The Way”, from Girl With A Hawk.

The Will Call Light It Up With Their Sparkling Single, “Brooklyn On The 4th Of July”

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The last we had the pleasure to listen to Western Massachusetts, based rock band, The Will Call, was back in February, to check out their killer record, “Amnesia” which if your scoring at home was a memorable experience.

The Will Call, are back with their perfectly timed single. “Brooklyn On The 4th Of July “

You can listen to “Brooklyn On The 4th Of July” on Spotify, Here, Apple Music Here

There is a high level of truth and authenticity that is earnestly woven throughout “Brooklyn On The 4th July”, that you just can’t fake . The Will Call , once again prove that they are the definition of high quality/ honest unforgettable music .

“Brooklyn On The 4th Of July, originally appeared on The Will Call’s 2023 album, “You’ll Be OK”

We hear elements of Pavement, Wilco, and even a dash of punk rock.However, the electrifying vibe that fuels “Brooklyn On The 4th July, is 100 percent The Will Call.

The flawless vocals and memorable melodies are what makes The Will Call stand out and “Brooklyn On The 4th Of July,is no exception.

If you’re looking for a way to spark your Fourth of July, you need to check out, “Brooklyn On The Fourth July “ from The Will Call.

Robert Ellis Orrall Provides A Melodic Flashback With, ‘The Bear Is The Mountain – Live 1979-1985’

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Cover art by Elsa Naumann

We recently had the opportunity to check out new live album, The Bear Is The Mountain – Live 1979-1985’, from, songwriter, painter, music producer,- Robert Ellis Orrall. You can listen to The Bear Is The Mountain – Live 1979-1985, Here

The new live album, from Robert Ellis Orrall, is a trip ( literally) as t transports listeners back to the acclaimed singer-songwriter’s early-’80s glory days around Boston, showcasing his trusted band of musicians who could conquer any stage at any time, from the seedy dive bars on the outskirts of town to the glossy main stages of posh downtown theaters. But it also brings us forward, planting its flag in the modern day, delivering these four friends and collaborators back to the stage as one cohesive unit, and offering a glimpse – and a sound – of just what is to come. 

The Bear Is The Mountain showcases a band at its sweaty, bluesy, breakneck-pace peak – Orrall on lead vocals and keyboards; Kook Lawry on guitar and vocals; Don Walden on bass and vocals; and David Stefanelli on drums and vocals. The record also features Brian Maes (touring keyboards in 1983); Eddie Grenga (tour keyboards in 1984); and a pair of original Robert Ellis Orrall band members in guitarist Douglas Millett and drummer Sus. 

Reclaiming the magic they first felt decades ago, Orrall, Lawry, Walden, and Stefanelli are all back together again after a 35-year break, coming together during the pandemic, not only to  help Orrall unearth and polish up these lost recordings, but also create an exciting new chapter. It started with 2022 collaborative record 467 Surf & Gun Club and last year’s studio album The War Between Us (recorded in 1986 at Downtown Recorders), continues with the summer live shows, and eventually leads to a new album on the way, Wrong Thing, showcasing the quartet’s first new all-original music in nearly four decades, due out in the fall.   

The Bear Is The Mountain pulls from Orrall’s three studio albums for RCA Records: 1981’s Fixation, 1983’s Special Pain (his Top 40 debut with Carlene Carter, “I Couldn’t Say No,” is excitedly included here), and 1984’s Contain Yourself, all originally recorded in Wales with producer Roger Bechirian (Elvis Costello, Squeeze). It’s a snapshot in time, one before Orrall relocated to Nashville to become a prolific songwriter, producer, and in-demand collaborator, with five Number 1 songs to his credit across an eclectic and expansive 350-track catalog. 

The album kicks off with a manic rendition of “Inspired,” originally recorded in 1979 with former members Millet on rhythm guitar and Sus on drums. The energy from the recording explodes out of the speakers, and sets a brazen tone for the 15 tracks that follow, all offering an odd cohesion for songs that at some points have six long years wedged in between recordings. But it paints a vivid picture of Orrall’s band, and comes across like one compact live concert where the band was firing on all cylinders. 

It was finding this recording on a cassette tape that made me search for more,” Orrall says about “Inspired,” perhaps enjoying what the title suggests for this new era as much as the recordings’ quality itself. “I dug deep and uncovered about 30 cassettes, digitized them, and then found the 16 best sounding/slash/best performances. When we got back together to rehearse, we actually pulled up some of those live tapes to remind us of the changes you make when you’ve been playing constantly for years. More reminders than inspiration, because we’re beyond ‘Inspired’ to be playing all these songs again.”

And play them they will. After the Marblehead gig over Fourth of July weekend, Orrall and his band canvass New England for the summer circuit, just like old times (with admittedly a bit more space between gigs), with additional shows July 17 as part of the Wildcat Concert Series in Jackson, New Hampshire; August 22 at The Cut in Gloucester; and September 13 at Two To Lou Music Festival in Sandown, New Hampshire.

The Bear Is The Mountain – Live 1979-1985, from Robert Ellis Orrall , is a beautiful melodic example of how the past can get us excited and energized for the future.

Kier Byrnes & The Kettle Burners Continue To Impress With Sensational New EP, “Dances By Firelight”

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We recently had the delightful opportunity, to check out the stunning new EP, “Dances By Firelight, from high-octane Boston-based Americana band, Kier Byrnes & The Kettle Burners. You can listen to “Dances By Firelight “ on Spotify Here , Apple Music Here Kier Byrnes & The Kettle Burners, have a boundless energy that is in full view on “Dances By Firelight” .

Photo Credit: Courtesy of the band

Earlier this spring, the Boston-based Americana band and its face-melting accordion and chicken pickin’ electric guitar stylings released a new EP in April’s Before The Fall, coming fresh off a sprint of seven live shows in five days, culminating with a wild 10-hour marathon set on St. Patrick’s Day. 

Now, the sextet is set to release an immediate follow-up in Dances With Firelight, a spirited EP that arrives today, (Friday, June 27) – just ahead of the release show at the 14-band New England Americana Festival the next day at Bellforge Arts Center, where Kier Byrnes & The Kettle Burners headline. Right after that, the band sets off on a whirlwind tour of The Netherlands and Belgium from July 3 to 13, playing 14 shows in 14 days.

A constant stream of live shows and this barrage of new releases – including March’s In The Key of Guinness EP of traditional Irish music – are all part of the Kettle Burners’ ethos, the type of band that one listens to all day at home or at work before going raising a glass with the band at one of their raucous live shows at night (or heck, even at a matinée). 

“If we didn’t think it was going to be fun, we wouldn’t be doing it,” Byrnes says with a laugh. “The best moments are when we connect with a crowd. When we play a show, nothing invigorates us more than when our music connects with someone.”

The opening track, “Little Bit More, Little Bit Less” , is the perfect opening track, had us on our feet almost immediately.

The hypnotic groove of ,”Don’t Let Perfect “ is absolutely otherworldly and shows off the next level musicianship of the band .

We enjoyed“Further Down the Road,” and its scratchy guitarwork adding to the intensity and intrigue, takes the band into the world of chain gangs, marriage, the church, truckers – and what Byrnes calls “all of life’s little mysteries, I guess… we never really know when the road will end, or how it ends.” That track, along with “Little Bit More, Little Bit Less,” feature gang vocals by Joe Pleiman, Pete Nersesian, Shane O’Neill, and Elisa Smith. 

The EP closes out with a pair of inspired covers, a hymnal-like rendition of Sturgill Simpson’s “Turtles All the Way Down” that glows with a weathered bravado; and a riveting romp through Billy Strings’ “Dust in a Baggie,” which sonically connects the EP back to opener “Little But More, Little Bit Less,” creating an infinite loop where the record plays on repeat with a natural flow.    

There is a one of a kind joy and wonderment that absolutely shines on “Dances By Firelight” from Kier Byrnes & The Kettle Burners that is special and truly inspiring.

Get Ready To Sing Your Heart Out On The Powerful New Single, “Tonight” , From Nate Perry & Ragged Company

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Nate Perry & Ragged Company deliver an absolutely blazing new single, “Tonight” and we can’t stop singing and dancing along. You can listen to “Tonight” Here .

It has been an absolute whirlwind for Nate Perry & Ragged Company, as of late .Boston Calling, over Memorial Day weekend, where they showcased several songs from a pair of EPs: last spring’s debut The Otherside of Everything, and the forthcoming Till The Well Runs Dry. They were also featured on WCVB’s Chronicle and CBS Boston /  WBZ-TV’s Road To Boston Calling special. 

Now they offer up the electrifying new single, “Tonight” Not only does “Tonight” lead off Nate Perry & Ragged Company’s new EP, set for release this summer, but it provides a slightly more aggressive feel than euphoric May single “Count on You”

Continuing to showcase the Boston collective’s blossoming spectrum of country- and roots-tinged alternative rock, “Tonight” cranks up the bluesy intensity and revs the band’s creative engine, with enough energy to appeal to the rock and roll scene and just enough twang to keep the Americana crowd honest. 

Photo Credit: Collin Heroux

“It was a fun song to write and it’s a fun song to play,” says vocalist, guitarist, and band leader Perry. “The creativity that went into the whole song really illustrates how much we’ve been cooking lately. This song is a reminder that this band can blow the roof of the building. It pulls us away from the traditional sound of Americana and towards a harder alt-rock sound while providing the raw rock and roll emotion that we’ve always delivered.”

“Tonight” is precisely the perfect musical jolt to send your summer into high gear. The next level musicianship from Nate Perry& Ragged Company , rises to the occasion to provide an absolute gem that will continue to shine long after the music fades .

“Tonight” has also emerged as a live favorite, just as the young band embraces a series of summer gigs. The first arrives a day after the release of “Tonight,” at the 2025 New England Americana Festival on June 28 at Bellforge Arts Center in Medfield, an all-day, outside, and free 14-band collection of New England’s rising talent. 

From there, the itinerary takes Nate Perry and the boys all around Massachusetts for the summer, performing live at the Veterans Rock Music Festival in Hyannis on July 19; the Bradford Common Music Series in Haverhill on July 31; Lobsterfest in Beverly on August 6; Levitate Backyard in Marshfield on August 23; and The Cut in Gloucester on September 20

Perry and the band – rounded out by Sam DeMello on drums; Connor Milligan on bass and backing vocals; Ollie Nash on keys and backing vocals; and Mike Chandler on lead guitar – get fired up every time “Tonight” comes up on the setlist. 

“It’s a blast,” he admits. “As soon as the count for the intro starts, we all get a shot of adrenaline and for the next few minutes the band runs wild. It comes out of the gate at full speed. It’s maybe our highest-energy song and the emotions behind it are unique to the rest of our work.” 

Whether live or on the recording, “Tonight,” which was produced by Brian Charles at Rare Signals in Cambridge, Massachusetts, tends to catch the listener by surprise and manages to hold interest through its nearly-four-minute duration, as an impassioned Perry unleashes his emotions as they roar out of the speakers. 

Nate Perry & Ragged Company, are a musical tour de force that can’t be ignored. “Tonight” is an absolute gem.

Already Dead Have Made Their Presence Known With An Absolute Hardcore Punk Masterpiece, “I Think It’s Time To Leave…”

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If high octane , no thrills punk rock is your thing …. We have the EP, you have been waiting for! Massachusetts based Already Dead , have delivered a new EP, “I Think It’s Time To Leave” that will send your music loving heart in to an absolute frenzy.

You can listen to “I Think It’s Time To Leave..” on Spotify Here and on Apple Music Here .

The new hardcore punk EP called I Think It’s Time To Leave…, from, Already Dead, is out on digital and 7-inch vinyl today.( Friday, June 20. )

The new record comes hot on the heels of last year’s explosive Something Like a War album – which earned the band mentions and microphones everywhere from WGBH’s The Culture Show and WBUR, Boston’s NPR to New Noise, Maximum Rocknroll, and Dying Scene – and delivers Already Dead’s first-ever vinyl issue. The 7-inch release party goes down Saturday, June 28 at Koto in Lowell alongside Vauli, The McGunks, and Autumn Astronauts. 

Courtesy Of The Band

Front and center on the new record,is a reloaded and rebooted Already Dead lineup, as founding members Dan Cummings (vocals and guitar) and Brandon Bartlett (vocals and guitars) are now rounded out by Ian Killpartrick (bass) and Forgie (drums). Cummings and Bartlett, who also split writing duties on this record, with Bartlett taking on an enhanced role in the band’s creative process, did not have to look far for the new members. In fact, they just had to look at their own teenage backyards located just outside of Boston.

“The whole band is now from the same damn small town, born and raised,” Cummings says with a laugh. “We all know each other in different ways, and are somewhat separated by age, but there is a certain camaraderie when you grew up partying in the same woods or neighborhoods. It made it really easy to be comfortable and start creating immediately.” 

I Think It’s Time To Leave… was co-produced by the band and longtime collaborator Jim Corbett, and recorded and mixed by Corbett at The Bridge Sound and Stage in Cambridge, Massachusetts. The record was mastered by Stephen Pettyjohn at Ethereal Mastering, and as for all Already Dead releases, the artwork is illustrated and designed by Mark Saffie of Saffie Design.  

The EP, packs a perfectly crafted sonic punch that you feel from the first note of the opening track , “I’ll Go Mind”, all the way through to the last note on “Nothin Wrong” On “I Think It’s Time To Leave.. “ , Already Dead , prove to be punk rock kings of the ring, with an EP, that is an absolute knockout.

Each song centers around a loose theme of getting out of somewhere – whether it be a bad relationship, a difficult situation, a person’s expectations, or simply an annoying conversation. And as usual, the brute force Already Dead deliver this theme provides enough motivation to just get up and leave with purpose and distinction.   

All the songs on this record felt cohesive, so I tried to think of something to tie them together,” says Bartlett. “Pretty quickly I Think It’s Time to Leave… popped into my mind because I equated it to making sense, in some way, for each song. Adding an ellipsis after the title leaves it open to what we’re leaving behind in each song.” 

Lead single, “Time” and “Sick Talk” are two solid songs that we were singing along to almost instantly. The standout track, on “I Think It’s Time To Leave..” , in our opinion is “Gettin By” . We love everything about this track. It is Already Dead at their absolute best.

You owe it to your music loving heart to check out “I Think It’s Time To Leave” from Already Dead. You will not be disappointed.

The Dogmatics Have Exactly What We Need With New Single, “You’ve Got What I Want”

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We recently had the stellar opportunity to check out the new single, via Rum Bar Records, “You’ve Got What I Want”, from Legendary Boston garage rock band, The Dogmatics. You can listen to “You’ve Got What I Want” on Spotify Here, Apple Music Here and on Bandcamp Here

Brimming with classic Dogmatics punkabilly and surf n’ skate energy at an economical 95 seconds in length, “You’ve Got What I Want” is the final single before the band unleashes its first new full-length album in nearly four decades, arriving on Friday, July 18. 

“You’ve Got What I Want “ is a melodic and sonic dream. Nobody brings it like The Dogmatics…. NOBODY! We were dancing and singing along instantly.

The Dogmatics, and their new single, “You’ve Got What I Want” represent a feeling and a sound that feels like a celebration that is a reserved for your birthday and the Fourth of July. It just feels right

A raucous record release party at Waltham’s French American Victory Club follows the release on the next weekend on Saturday, July 26, and the lineup is pretty much its own one-off music festival. Joining The Dogmatics from afternoon to evening are a host of friends and family, rounding up the definable sound of Boston across several decades: Black Cheers, Jay Allen and the Archcriminals, Last Stand, Gypsy Moths, Tom Baker and the Double Down, Stop Calling Me Frank, and Band 19. 

Photo Credit: Nicole Tammaro Photography

Recorded at Edsbarn in Canton, Massachusetts, and produced and engineered by Ed Riemer with mastering by Dave Westner, “You’ve Got What I Want” is a link to The Dogmatics’ past that also allows them to embrace the future. After reforming in 2019, the band has gigged regularly around New England, releasing a series of well-received singles and a 2022 EP for Rum Bar in Drop The Needle. Uninterested in being purely a throwback or nostalgia band, the newly-released Dogmatics material sounds like it came from a new band emerging out of an Allston basement or Somerville loft.

We are all in on “You’ve Got What I Want” from The Dogmatics, and know you will be too!

The Peppermint Kicks, Offer Up A Minty Fresh Smash Hit, With Latest Single, “Radio Wam Bam Boom”

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We recently had the otherworldly experience to check out the new single, “Radio Wam Bam Boom” , from The Peppermint Kicks . You can listen to “Radio Wam Bam Boom “ Here . It’s a vibe and a sound that you simply can’t ignore.

From those hazy early days of scanning through the AM and FM stations to punching buttons on our phones to fire up a digital stream via the other side of the world, the ethos of rock and roll radio has stayed the course. The Peppermint Kicks are now sending out their own signal with “Radio Wam Bam Boom,” a dynamite new single featuring The Underground Garage’s Palmyra Delran as the voice of radio, set for release today, (Friday, June 13 ) on Rum Bar Records. 

Photo courtesy of The Band

We are beyond excited for “Radio Wam Bam Boom” from The Peppermint Kicks. It’s the first new music from the collaborative project of Sal Baglio (The Amplifier Heads, The Stompers) and Dan Kopko (The Shang Hi Los, Watts) since their self-titled 2021 debut album and a one-off Christmas single that arrived later that year. And it sets a restless tone for the Kicks’ sophomore album, Pop Rocks In My Chewing Gum, ready to be unleashed this summer.  

With the adrenalized “Radio Wam Bam Boom” and its grandiose momentum, retro-rock swagger, and effortless cool, The Peppermint Kicks are callin’ America, callin’ radio London Town, and callin’ all cars — with a fiery request to turn up the radio. The upbeat and muscular garage rock track emerges from the speakers with a timeless punch, and is sure to shake up the scene this summer. 

“‘Radio Wam Bam Boom’ is a big loud bite,” says Baglio. “It’s an eardrum of rock candy about radio past and present, transistor, satellite, vinyl records revolving, guitar licks dissolving, disc jockeys spinnin’ & rock n roll dreamin’.

And there was no better person to extend an invite to than Delran, who as an essential voice of Little Steven’s Underground Garage on SiriusXM has helped countless bands, from Boston and beyond, reach global audiences. Her show, Palmyra’s Trash-Pop Shindig, as well as Bill Kelly’s Blackhole Bandstand, The Rodney Bingenheimer Show, The Mighty Manfred, Michael Des Barres and all the inspired 24/7 programming on the station, has been helping carry the torch for rock and roll radio. 

The electrifying energy on “Radio Wam Bam Boom” from The Peppermint Kicks, is enough to send a signal into the stratosphere and beyond.

Our music loving heart are beyond full thanks to the rock and roll magic from The Peppermint Kicks

So run don’t walk , to your favorite music listening device and crank – “Radio Wam Bam Boom” , from The Peppermint Kicks .

Lovina Falls Have Reached The Top Of The Mountain, With Breathtaking New Single, “Light and Low”

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Cover collage art by Lindsey Walker, www.artlwg.com

There is a pure and radiant glow that beautifully flows throughout the simply stunning new single “Light And Low” You can listen to “Light And Low” Here

Lovina Falls has a simple message for those seeking some kind of comfort in this unsteady, overwhelming, and uninspired 2025: “The world is blowing up, so find yourself and your people and move forward together, regardless, and in spite of, the chaos around.” 

We couldn’t agree more …. Lovina Falls, the dark and whimsical dream-pop and art-rock project from Boston singer-songwriter, multi-instrumentalist, and producer Valerie Forgione, which returns to the streams with their first new music of 2025 in “Light and Low,” a rousing jaunt of electronic sounds, harpsichord, and dizzying propulsion that hits the streams on Friday, June 13. The track arrives before the official release party later that night, held at Deep Cuts in Medford alongside The Daylilies and RoseR. 

At its core, “Light and Low” relays an internal vision to keep moving, to push forward, and power through with a sense of community and compassion. It certainly does not hurt that one can dance to it.     

“‘Light and Low’ is about recognizing that as time goes on, it’s ok to let go of old and ‘historic thinking’ to create a new path through and out of the Thicket of Now,” Forgione says. “It’s about knowing that when things change, the path is not predestined. Change the change. Move with conviction but head gracefully into the unknown, light and low.” 

Photo by Joan Hathaway

“Light and Low” continues to position Lovina Falls as a collaborative project, where Forgione performs most of the instrumentation in the studio before it blossoms on stage with the live band. What began as a solo outlet to attempt a reconnection into her past as a path forward has now evolved and emerged into a full-fledged ensemble, playing shows routinely and emerging as one of Boston’s most dynamic live on-stage septets.

And live on stage, where the Lovina Falls sound truly emerges, the band swells to a consuming wall of sound and melody, featuring two other fellow Mistle Thrush members in guitarist Scott Patalano and bassist Matt Klain, and joined by Carrie Ingber on keys, Chuck Ferreira on drums, Brenden Cobb also on guitar, and Laura England Klain and Emily Drohan on vocals

On “Light and Low”, Forgione performs vocals, piano, harpsichord, keyboards, bass, and drum programming, and is joined by fellow Mistle Thrush bandmate and drummer Todd Demma, now of Chameleons, alongside Cobb on tremolo guitar and co-producer David Minehan on additional guitar.

There is something very important and worthy about “Light and Low”, from Lovina Falls, it is a much needed message that artfully cuts through the static and beautifully announces its importance.

Already Dead Punches The Clock With Epic New Single, “Time”

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New EP coming June 20 titled I Think It’s Time To Leave…

We recently had the glorious opportunity to check out the new single, “Time” from Massachusetts punks, Already Dead (Spoiler Alert: This Song Freaking Scorches) You can listen to “Time” on Spotify Here , Apple Music , Bandcamp Here

We have been pretty smitten with the raw and powerful sound from Already Dead, for quite some time. Now they come roaring back into view with their explosive new single, “Time” The blazing new single, comes ahead of their new EP, “I Think It’s Time To Leave..” which arrives, June 20th .

Courtesy Of The Band

The new record comes hot on the heels of last year’s explosive Something Like a War album – which earned the band mentions and microphones everywhere from WGBH’s The Culture Show and WBUR, Boston’s NPR to New Noise, Maximum Rocknroll, and Dying Scene – and delivers Already Dead’s first-ever vinyl issue. The 7-inch release party goes down Saturday, June 28 at Koto in Lowell alongside Vauli, The McGunks, and Autumn Astronauts. 

The new record also shows off a reloaded and rebooted Already Dead lineup, as founding members Dan Cummings (vocals and guitar) and Brandon Bartlett (vocals and guitars) are now rounded out by Ian Killpartrick (bass) and Forgie (drums). Cummings and Bartlett, who also split writing duties on this record, with Bartlett taking on an enhanced role in the band’s creative process, did not have to look far for the new members. In fact, they just had to look at their own teenage backyards located just outside of Boston

“The whole band is now from the same damn small town, born and raised,” Cummings says with a laugh. “We all know each other in different ways, and are somewhat separated by age, but there is a certain camaraderie when you grew up partying in the same woods or neighborhoods. It made it really easy to be comfortable and start creating immediately.” 

“Time”, is Already Dead , at their very best . They couple smart , honest lyrics with raw and electrifying melodies that leave a lasting impression.

We can’t wait for the new EP, “I Think It’s Time To Leave..” Meanwhile, we will pass the time by cranking the epic new single, “Time”

Billy Dodge Moody , Proves He Is Somebody You Need To Know With Latest Single, “Nobody “

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We first fell in love with musical goodness of Boston, based singer-songwriter, Billy Dodge Moody, back in May, with his single, ‘Meaning To Disaster’. We are happy to report with his new single, “Nobody” our love for his honest and authentic sound continues to grow.

You can listen to “Nobody” on Spotify Here, Apple Music Here

“Nobody” and “Meaning To Disaster “, will be featured on on Moody’s forthcoming July 11 EP Ephemera, the first in a series of EPs about navigating life’s chaos and finding clarity. 

“Nobody”, simply feels like the perfect summer tune . We were immediately drawn to the almost “island” like feel of the song and it is effortlessly flowing in our music loving soul. Billy Dodge Moody, once again proves he is a master singer-songwriter/ storyteller and it is on full display on “Nobody”

“Sonically, I think it’s good timing with it coming out right before summer since it has an overall summer road trip vibe to it,” Moody says. “It also reflects the tonal ambiguity of the EP being both musically upbeat with a slightly dark, existential message – a theme that echoes throughout the record.”       

Billy Dodge Moody continues : “Nobody’ explores the theme of emotional masking and the unseen struggles people carry. More specifically, it’s about watching someone close to you change – someone who once seemed confident and on top of the world suddenly revealing signs of inner turmoil. The song reflects on the difficulty of truly understanding what others are going through beneath the surface and how much can remain hidden, even from those who care most.” 

Nobody,” interestingly enough, first came together while Moody was working on a Nirvana cover, and the guitarlines that permeate the track’s introduction call back to the Seattle icons’ Nevermind era. Utilizing a sort-of punk rock palm muting strumming pattern ultimately led to the chord progression heard in the song. 

“The style was a bit foreign to me, which actually made the writing process a lot more exciting,” Moody admits. “Usually when I have the instrumental foundation ironed out, I’m just trying to find a melody and I do it by mumbling gibberish over the chords. This particular progression and rhythm lent itself to more of a conversational tone so I just started writing a story of someone recognizing a significant change in someone’s personality since the last time they saw them.” 

From there, Moody took the music and lyrics to trusted producer Brian Charles, who engineered the track over a few sessions alongside co-producer and engineer Annie Hoffman. Similar to the process for “Meaning To Disaster,” recording got started at Guilford Sound up in Vermont, and then finished closer to home at Charles’ freshly-minted Rare Signals studio in Cambridge, Massachusetts. 

With Moody performing vocals, guitar, and keys, he’s joined on “Nobody” by Sam Bouve on bass; Parker Goessling on guitar; Tyler Simko on keyboards; Jon Chapman on drums; and Hannah Foxman on backup vocals. 

Billy Dodge Moody, has a voice and song with “Nobody” that you need to experience…. You just don’t know it yet.

Breakups Are Hard But Battlemode, Makes Them Sound Good With Latest Earworm, “Game Over”

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Art Credit: Narvicto DeJesus

We recently had the opportunity to check out the new single, “Game Over”, from Boston’s finest chiptune trio, Battlemode. You can listen to “Game Over” on Spotify Here, Apple Music Here,

Game Over” soundtracks a broken relationship in a way only Battlemode could; its vibrant Game Boy pulsation and moody blacklight kiss-off slams the controller down on the game of love and quickly unplugs the console. It’s a polished earworm that takes us back the dank mental arcade of our youth, with a kaleidoscopic euphoria, a glitchy witch house undercurrent, and a hypnotic tumble that demands repeated listens.

Photo credit- Astro

Not only do we get blazing new music from Battlemode, but the trio is getting ready to take the stage at Boston Calling , “Game Over”, comes exactly one week before taking the stage at Harvard Athletic Complex in Allston alongside Dave Matthews Band, Luke Combs, Vampire Weekend, Fall Out Boy, and a few dozen others.  

Lining up this new single ahead of the Memorial Day weekend music festival is no coincidence. While last summer’s smooth synth-pop jam “Playlist” was all about wallowing after a bad breakup and listening to all the songs two lovers once shared in the good times, the moody pulsation and basement rave kiss-off of “Game Over” slams the controller down on the game of love and quickly unplugs the console. 

When the song declares “I’m so done with you” in a high falsetto that arrives with such sass our heads snap back to the dank mental arcade of our youth, it’s clear Battlemode – the tag-team combo of Astrologic (Astro), Bifflecup (Biff), and Sam Mulligan – is moving on and moving out. 

Following in the path of “Playlist” and buoyant “Just Pretend,” which got the proper music video treatment this past January, “Game Over” is a polished earworm with a kaleidoscopic euphoria, a glitchy witch house undercurrent, and a hypnotic tumble that demands repeated listens. The infectious track was produced by Curt Martin, and Narvicto DeJesus delivered the bright and animated single artwork.

“Oh, not Battlemode doing another song about a soured relationship,” says Biff with a cocksure wink and a roll of the eye. “Are we petty for writing a song about exes who have wronged us? Our last breakup song ‘Playlist’ came from a place of heartbreak and vulnerability. We’re sad bois, OK?!?! But ‘Game Over’ covers the colder side of breakups. When someone has tried your patience to a point where you’re dead inside.” 

“Game Over” is Battlemode, fully charged and playing at full strength. The lyrics may imply “Game Over” However, Battlemode, is ready for the next level.

Sunday Junkie Harness The Sounds Of Melodic Perfection On Stunning Debut Album

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Art design by Tom Martin

We recently got a chance to check out the spectacular debut album from Worcester based alternative duo , Sunday Junkie ( Tom Martin and Shawn Pelkey) You can listen to their debut album, on Spotify Here, Apple Music Here , Bandcamp Here

Sunday Junkie, has a sound and vibe that is a one of a kind musical experience that is in full effect on their flawless debut.

Photo Credit- Sunday Junkie

It has been an absolute pleasure to listen to the magnificent singles, beginning with last fall’s mesmerizing“Vultures” and last month’s excellent gem “Fever Dream.” that have been released prior to today’s ( May 9th ) release of the debut album.

The result is a stirred Molotov cocktail of noise, a torrent of blissful agitation that corrals digestible genre lanes of post-punk, emo, ‘90s alternative, post-hardcore and whatever else from the duo of multi-instrumentalist and vocalist Tom Martin and drummer and percussionist Shawn Pelkey, two longtime friends who recently were part of Massachusetts hopefuls Not Bad Not Well. 

“Our sound emerged purely unintentionally – it’s just a pretty faithful expression of our influences and where we’re at in terms of writing abilities,” admits Martin. “I’ve never been a fan of trying to sound like xyz, or feel like we need to stay within certain parameters of a genre, but rather letting the songs just happen as they’re meant to.” 

Martin and Pelkey co-engineered the album, with Martin developing the artwork and the overall aesthetics. The record was then mixed by Jack Shea, and mastered by Jay Frigoletto at Mastersuite in Brookline, New Hampshire. 

The amazing energy and creativity that makes Sunday Junkie standout, is over flowing at a fever pitch on every track throughout the album.

The opening track, “Vultures” is an epic example of two like minded musicians making next level music with melodies that impress from note one

“Holy, Holy”, is perhaps our favorite track on the album. As we noted in our original review, ‘Holy, Holy’ from Sunday Junkie is the kind of song that effortlessly finds its way into your soul and stays with you long after the music has faded.”

We loved the hypnotic feel of “Seventeen”, we could easily picture this song on the silver screen.

“For the lyrical themes on this album, I’d say it’s a pretty even split of deeply personal, introspective lyrics and then dealing with discontent in relation to the world at large,” says Martin. “On the more personal, introspective side are songs like ‘Death Defier’ and ‘Fever Dream’ that delve into romantic relationships, and ‘Constellations’ aims to examine the dull ache of nostalgia and fleeting youth. ‘Emergencies’ hits on religious hypocrisy and the mainstream media’s constant cycle of fear often played ad nauseam.”

Sunday Junkie, is a band that take music places that are absolutely otherworldly. Their debut album is an experience that should be on the top of every music lover’s list.

We Found Our New Favorite Song, “I Think I Lost It” From Josh McKelvie

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We recently had the stellar opportunity, to check out the new single , “I Think I Lost It” , from Massachusetts based artist , Josh McKelvie. You can listen to “I Think I Lost It” on Spotify Here, Apple Music, Here

If you are a Whole Kameese regular, you know that if we really like a particular song or artist, we are not shy about it … This is most certainly the case with Massachusetts based artist, Josh McKelvie, and his phenomenal new song, “I Think I Lost It”

Josh McKelvie, is a fresh sounding voice that immediately stands out in a sometimes mundane musical landscape . He is a talented musician and songwriter who has crafted a smart and catchy gem with “I Think I Lost It”

Besides the memorable melody and flawless vocals, we were very impressed with the overall production of “I Think I Lost It”, which added a whole new dimension to the track .

So if you are looking for a new favorite song, look no further than , “I Think I Lost It”, from Josh McKelvie.

Happy Little Clouds Have Us On Cloud Nine, With New Single, Clear and Present Danger”

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Artwork credit: Jac Mestel

We really love listening to music , Boston, based grit-pop band, Happy Little Clouds, is definitely one of those reasons. We recently had the amazing opportunity to check out their new single, “Clear&Present Danger”, via The Sound Cove. You can listen to “Clear & Present Danger, on Spotify Here, Apple Music Here and on Bandcamp Here

Known for their energetic, gritty blend of power pop and indie rock, this new release promises to captivate fans both old and new. We were absolutely mesmerized by the new single, “Clear & Present Danger” from Happy Little Clouds, they definitely hit a new level of awesomeness with this one .

“Clear & Present Danger” is a post-grunge earworm that showcases Happy Little Clouds’ raw energy and dynamic sound. The song’s groove and melody pair with an evocative lyrical journey. Set for release just after May Day, “Clear & Present Danger” taps into themes of resistance, including confronting narcissistic manipulation and toxic power structures.


Photo credit: Jac Mestel

“This topic feels super relevant right now,” said lead vocalist/guitarist Jac Mestel. “We all know someone like this—a boss, a partner, a relative, or even a politician—whose charm hides an ugly side. And we know the truth about them, and we are screaming to their fans and supporters, ‘How can you not see this?!’”

Clear and Present Danger” draws from those experiences, paired with the realization that a narcissist’s power is ultimately paper thin. Lyrics like, “I saw her hand was made of glass, which I could surely shatter,” empower listeners to break free from cycles of abuse. The single marks a bold statement for Happy Little Clouds’ forthcoming new album, which is set for release later this year.

As a musical unit, Happy Little Clouds, have always displayed next level musicianship, this is front and center on , “Clear&PresentDanger” , particularly the otherworldly drumming that is brilliantly featured on the track. For Jess Townsend—one of Boston’s most acclaimed rock drummers—the single was a true labor of love, pushing her to new creative heights.

“This is the drum beat that I’m most proud of to date,” she shared. “I have always wanted to incorporate a linear beat, and I worked really hard with the dynamics to make this one groove.” She credits the standout performance to her strong collaboration with Mestel and bassist Derek Bergstrom, whose creative energy helped bring out the best in her playing.

Bergstrom’s interesting use of bass distortion on the song fosters an ethereal soundscape. “The bass line was inspired by Gang of Four and The Replacements, with a nod to Future Islands,” he said.

“Clear & Present Danger” was recorded and mixed by Ethan Dussault at New Alliance and mastered by Pete Weiss at Jade Cow Audio—both in Somerville, MA. The song is available for streaming on all major platforms, including Apple Music, Bandcamp, and Spotify. “Clear & Present Danger” and other recent singles feature tarot-inspired original cover art, which can be viewed on the trio’s Bandcamp or website.

“Clear&Present Danger”, from Happy Little Clouds, is an important well crafted gem that needs to be heard.

Happy Little Clouds are:

Jac Mestel: Vocals, Guitar

Derek Bergstrom: Bass

Jess Townsend: Drums

“All I’ve Got” From Haven West Veraguas, Is Simply Brilliant

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We recently had the distinct privilege to check out the new single, “All I’ve Got “ , from rising singer-songwriter, producer and multi-instrumentalist, Haven West Veraguas. You can listen to “All I’ve Got” on Spotify Here , Apple Music Here

“All I’ve Got” from Haven West Veraguas, is both a well crafted authentic truth as well as a melodic triumph.

The lyrics that are woven within “All I’ve Got”,feel timely and extremely relevant.

Haven, who is from Massachusetts, but currently resides in London, is a an artist in the truest sense of the word as he explores many musical styles with his music .

Haven, shares :

I wrote “All I’ve Got” to capture the bittersweet sentiment of
struggling to help the people closest to you even when you don’t have
a lot to give. At the same time, it embodies the sensation of seeing
the world crumble around your little bubble, cursing as everyone
around you appears to go through hell while you’re seemingly
unscathed. 

The beautiful lyrics only tell half the story with, “All I’ve Got” The melody and tone of the song is positively stunning. We felt Beatles vibes with a hint of Elliot Smith. The song is a beautiful testament to the next level of musicianship of the very talented Haven West Veraguas

“All I’ve Got”, is not a long song in length ( coming in at just one minute) However, what you get within that minute is a glorious musical experience.

Go to your favorite music listening spot and get lost in the beauty of “All I’ve Got” from Haven West Veraguas.

shiver. Continues To Shine With Remarkable New Single, “Growth”

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We had the distinct honor to check out the new single, “Growth” , from Salem, MA, based indie band , shiver. You can listen to “Growth” on Spotify Here , Apple Music Here

We can say with 100 percent certainty, there is nothing cold or frigid about shiver., they have a red hot one of a kind sound and vibe that is simply spectacular. Their new single, “Growth” is a melodic work of art . “Growth”, will be featured on the band’s new album, “Topsfield Fair” which will be released on May 16th. “Growth”, follows previous single, “Far Away”

“Growth” is what happens when four like minded and talented musicians get together and make music… absolute magic

shiver. , craft well written, well defined songs that are always woven with brilliant melodies that linger within your soul long after the music has ended . We have thoroughly enjoyed the magnificent artistic growth of shiver. We can’t wait to see what they do next.

We also highly recommend going to see shiver. live , we caught them this past September at “Moon Over Salem” and they were positively electrifying.

shiver. :

ChrisBabbitt,vocals,guitar,keys,Nick Finestone,,guitar,synth,keys,Evan Healey,bass and Ross Pszenny, drums

Staci Gruber Offers Up A Stunning New Single And Video For “No One Is Alone”, Featuring Michale Orland

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We recently had the opportunity to check out the new single and video for “No One Is Alone”, from Boston-based singer-songwriter Staci Gruber. You can listen to “No One Is Alone” on Spotify Here , Apple Music Here You can also check out the video for “No One Is Alone” below

Staci has  teamed up with prolific writer and arranger Michael Orland (American Idol) and producer Avli Avliav (Backstreet Boys, NSYNC, Ray J), resulting in an evocative and uplifting pop-rock anthem.

Staci Gruber is a transformative artist whose exceptional musical talents, storied songwriting, and emotional depth resonate deeply with her listeners. Her work seamlessly intertwines personal experiences with the emotional stories of others, creating a profound musical connection that explores themes of isolation, loneliness, and hope.

Throughout her childhood, Staci spent summers at the French Woods Festival of the Performing Arts, which further solidified her deep love for music. Staci’s journey took a unique and ambitious turn when she became the first person to transition from the classical voice program to the jazz studies department in a pioneering five-year dual-degree program at Tufts University and the New England Conservatory of Music. This distinctive educational background has shaped her multifaceted artistry and honed her versatility as both a performer and a songwriter. Her diverse musical influences range from Anne Murray to Barbra Streisand, Karen Carpenter, KD Lang, Billie Eilish, Pink, Nancy Wilson, John Coltrane and more, seeping various genres into her own unique musical melting pot. This led to her becoming a lead vocalist in a popular GB band that performed an eclectic range of musical styles and tastes. 

While her musical career flourished as a vocalist, Staci also achieved distinction in a completely separate field as a renowned Harvard Medical School professor and pioneering neuroscientist at McLean Hospital. In her groundbreaking work on cannabis, she focuses on understanding the long term impact of cannabinoids across a wide range of conditions. Staci’s research has been a game-changer, generating real-world data that has influenced clinical trials and provided critical insights into the potential benefits of cannabis for various medical conditions.

Staci shares about her debut solo single , “Every day, I meet people who feel absolutely alone in their experiences—disconnected or left behind. No One Is Alone is a reminder that even in our most solitary moments, we can find solace in one another, in places, in pets, or in any form of companionship. It’s a call to remember that we each have something valuable to contribute, especially in times of distress.”

We are absolutely mesmerized by the soulful voice of Staci Gruber, that is on full display on her magnificent new single , “No One Is Alone”

Preston Lydotes Shines With New Single “5 To 9”

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We recently had the distinct honor and pleasure to check out the new single, “5 to 9” from rising Boston, based singer-songwriter Preston Lydotes. You can listen to “5 to 9” Here

We first heard Preston Lydotes, back in January, with his flawless single, “The Critic In Me”

Preston, is back with a brand new single, “5 to 9” and we are absolutely over the moon in love with it .

There is a lot to like about Preston Lydotes, and it is front and center on his new single, “5 to 9”

“5 to 9” is a lively and vibrant song that has Preston Lydotes, firing on all cylinders. What we love about “5 to 9” is the authentically woven soulfulness that is felt throughout the song .

It is next to impossible to listen to “5 to 9” and not want to get up and move .

While Preston Lydotes, has a vibe and sound that is uniquely his , we heard shades of Bruce Springsteen within “5 to 9”

On “5 to 9”, Preston Lydotes, speaks directly to all of us that want to break away from the struggle of the daily grind and follow our true passion.

Preston Lydotes, is the real deal . We firmly believe he has the potential to be an important voice of his generation. Do yourself a favor and get lost in the musical magic of “5 to 9” from Preston Lydotes

Real Beaut Has Our Full Attention With Red Hot New Ep, “Politics”

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Artwork Credit- Jason Zico

Every day we are giving stunning examples of why we love music so much. Today’s example, is courtesy of Boston alt-rock band, Real Beaut and their epically awesome new EP, “Politics”

You can listen to “Politics” on Spotify Here,

The Boston alt-rock band, composed of all those other rock and roll groups that soundtracked the gritty and messy underbelly of the city’s music scene over the past several years, unleash new EP Politics today, (Friday, April 4) . The official record release party goes down the following night at the band’s unofficial home base, The Middle East in Cambridge, leading a sparkplug bill alongside American Ethos, Dwelley, and Bad at Drawing

Photo Credit: Morgan O’Meara

And regardless of where one may be on that Saturday night, the might and magnitude of Politics should be audibly heard far and loud. A powderkeg of a four-track record and the follow-up to 2023 debut EP Gentle Messages, it finds Real Beaut’s four members – guitarist Andrew Doherty; drummer and producer Benny Grotto, bassist and vocalist Johnny Northrup; and vocalist Keith Pierce – shifting into creative overdrive and embracing a new creative gear after years of collaboration, chemistry, and friendship. 

Our excitement around releasing Politics is fairly boundless,” says Pierce. “We have been trying hard to keep this record under wraps. Creating new interesting guitar-driven music in a relatable, communicative way is difficult but Real Beaut is one of the finest rock experiments I’ve ever been a part of. This new EP is very different from some of our earlier productions but we tried to retain the speed and ferocity of our youth through practice, recording, and respect for the listener.” 

An EP, like “Politics ”, is what happens when four next-level musicians get together and make the most spectacular-sounding collection of songs, we have heard in quite some time.

Even with each of the four blistering tracks all assuming its own sonic identity – confrontational opening banger “Politics on the Internet,” abrasively addresses what the title implies; the seismic “Paying Attention,” which hit Bandcamp early as an aural appetizer and has been described as a sort of grunge take on Van Halen; the hypnotic rock murkiness of ”Profane and Pedigree”; and the suffocating guitar assault of closer “Islands” – there is a cohesion that flows across the EP’s breathless and impatient 12 minutes of runtime. 

“Real Beaut always strives to find ways for building tension and allowing opportunity for release,” says Doherty. “Sometimes this is achieved by riding the line between discord and melody, or by letting the song sit in a sustained, dark pocket… festering or incubating, before breaking through and emerging as something new. These new tracks are a continuation of a process from our early work, but with more identifiable Real Beaut qualities.”   

We hope to meet with the members of Real Beaut someday soon so we can personally congratulate them on crafting a stunningly brilliant EP, with “Politics”

Kier Byrnes & The Kettle Burners Have Uncorked A Magnificent Collection Of Music , With New Ep “Before The Fall”

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If the new EP, “Before The Fall” from-based accordion-driven country-rock sextet Kier Byrnes & The Kettle Burners , was whiskey it would be from the best barrel in the land – guaranteed. You can listen to the splendid new EP, “Before The Fall” below

the high-octane sextet, led by longtime Boston music scene veteran Kier Byrnes and the recipient of Americana Act of the Year at the 2024 New England Music Awards, unleashes the stunning new EP , Before The Fall , today, (Friday, April 4.) The spirited and feisty six-track EP, which blends a spectrum of subgenres that bridge alt-folk, gypsy punk, Celtic, old-school country, and whatever else, gets the proper release party treatment a week later at The Plough & Stars in Cambridge come April 11. 

Photo Credit: Monica Sager

“My hope is to create a unique blend of music from genres I closely identify with; country, rock, Celtic and Bavarian folk music and turn it into something new that defies any genre,” says Byrnes. “You know the joke about what happens if you play a country song backwards – you get your car back, you get your woman back, and you get your dog back. My aim is to take a country song and turn it completely inside out.” 

The Before The Fall EP, fueled by potent lead single and opening track “White Russian,” continues a dynamic 2025 for the band, with no immediate signs of a slow down. In the Kettle Burners, co-vocalist and acoustic guitarist Byrnes is rounded out by lead guitarist and co-vocalist Dan DiBacco; accordion player Jason McGorty; washboard player Monica Sager; bassist Joe Miller; and drummer Brian Lilienthal. And the band just banged out seven live shows over a five-day stretch leading up to St. Patrick’s Day, celebrating their also-new In The Key of Guinness EP of Irish music with high-profile gigs at Harpoon Brewery, The Burren, and a massive 10-hour all-day holiday set at The Stockyard in Brighton.

Every song on , “Before The Fall” , felt more like a monumental musical event rather just an average song , we were literally hanging on every word and melody.

Remarkably, for a band with the Kettle Burners’ hustle and all-overdrive ambition, the tracks that make up Before The Fall were all written and recorded last summer, just ahead of the band’s appearance at Outlaw Music Fest in New Hampshire alongside Willie Nelson & Family, John Mellencamp, Charley Crockett, and others. A few weeks before the gig arrived, Byrnes suffered a tumble down a set of stairs, leaving him with severe injury to his legs and requiring surgery. Finishing the songs was placed on the back-burner, allowing Byrnes time to heal and giving the record its title, as the songs were all written Before The Fall.

With its title already ominous, the lyrical material reveals a slightly darker undercurrent than what the upbeat and zestful music would imply. 

“Some of my favorite country and folk songs are the ones where the music seems really nice and happy-go-lucky, but if you listen to the lyrics, it’s really gory and/or tragic,” admits Byrnes. “It’s fun to sing about darker stuff in an upbeat, energetic way.” 

We blissfully sang and danced our way through “Before The Fall” from Kier Byrnes & The Kettle Burners and truth be told we enjoyed every single minute of it. . “When The Money’s All Gone” , “Train’s Off The Rails and “Hurting or Helping “ are absolute gems that we are absolutely over the moon about . Flawless sing along vocals woven between memorable melodies make “Before The Fall” a collection of music to cherish forever. Our favorite track on “Before The Fall” , is without a doubt “Quarter-Life Crisis “ Everything about this song is “stop you in your tracks “ good.

Do yourself a solid and check out “Before The Fall” you certainly will not regret it.

Adam Sherman Has Crafted A Collection Of Timeless Melodies On Latest EP “Nowhere But Here”

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Photo by Adam Signore; design by Adam Sherman

Release party with Robin Lane set for Saturday, March 29 at Club Passim

We recently had the distinct honor and privilege to check out the new EP, “Nowhere But Here” , from Cambridge singer-songwriter , Adam Sherman. You can listen to “Nowhere But Here” on Spotify Here, Apple Music Here and Bandcamp Here

The one word that keeps coming to mind when we listen to Adam Sherman’s new EP, “Nowhere But Here” is ….. “Timeless”

The beautifully crafted and orchestrated tracks are so wonderfully put together that they could thrive in any musical period.

Sherman understands that the destination suggested in the EP title is wherever we may be – or need to be – in order to truly live in the moment, be present, and develop the human connection that dissipates more with each day.

“These songs are all about finding the strength to persevere and move towards love and kindness, even when there is loss,” Sherman says. “I would love listeners to feel that joy and sadness will always be present in our lives and that we can learn to embrace both and persevere.

Nowhere But Here, produced by Ken Field and recorded with Robin Lane providing harmony vocals, Sherman’s creative vision crystallizes. Led by last fall’s lived-in and lovelorn “Pure As Yours” and sweeping February single “Gratitude,” the EP is completed by a pair of new tracks in “How Hard I Tried,” which got the music video treatment , just ahead of the EP release;( you can watch the video which was directed and edited by Carissa Johnson below and “Torn And Tattered.” The result is a songwriter fully comfortable in his own skin, and the follow-up to 2021 album Triangle Sky finds him exploring some new sonic territory that feels like a natural progression of his songwriting.  

Every song on, “Nowhere But Here “ feels cinematic by nature in that they all draw you in instantly and have you on the edge of your seat. We felt a treasure trove of emotions with each song, which made for a one-of-a-kind music experience.

In addition to the production from Field, Nowhere But Here was recorded and mixed by Jon Evans at Brick Hill Studio in Orleans, MA; and mastered by Mark Alan Miller. It represents a bit of a new chapter for Sherman, who self-releases the EP under his own Haddon Road Music. It’s indebted to his past work, but also clears a new path forward as his artist studio in Cambridge provides the backdrop for his various creative passions, from writing and playing music to painting to graphic design to running a successful voice lessons business for the past 12 years.  

Across its four tracks, Sherman provides vocals and acoustic guitar and Lane gives an inspired harmony vocal performance. To execute the full vision Sherman has for the EP, he also enlisted Field (string arrangement); Jon Evans (bass, lap steel, percussion), Mark Usher (guitar); Matthew Hutchinson (piano, organ); Matthias Bossi (drums); Dorothea Samaha (violin); and Eve Samaha (cello) to create the ethereal and expansive sound that emerges poignantly from the speakers.

Nowhere But Here” by Adam Sherman, is an absolute “must-listen”

Looking Glass War Continue To Impress With Divine New EP, “Saints of the Lost and Found”

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Looking Glass War will be celebrating the release with a show at Faces Brewing Company in Malden, Saturday 29th March.

The saying goes : “If it ain’t broke don’t fix it” . This is definitely the case with Boston based quartet, Looking Glass War , who after three amazing singles, ( See You in Hell,Liberty Bell”, RuminationHouse” and “Adamantine Chain Gang”) are excited to announce the releaseof their next EP,“Saints of the Lost and Found”, featuring the brand new single,“Seance by the RCA”

Photo Credit: Coleman Rogers Photography

You can listen to “Saints Of the Lost and Found “ on Spotify Here, Apple Music Here, Bandcamp Here

Every musical composition crafted by Looking Glass War, is crafted with such a high level of style and “Rock And Roll Elegance”, and the new single , “Seance by the RCA, is no exception, as it the perfect bow on the amazing new EP, “Saints of the Lost and Found “

“Seance by the RCA” leads with hypnotic drums that had us completely entranced.

Drawing inspiration from a topic increasingly relevant in today’s complex world, the song reflects on the legacy of the legendary escape artist Harry Houdini—not just as a performer, but as a fierce skeptic who exposed mediums and spiritualists exploiting grieving families with their deceitful tricks.

One particular debunking of a seance-fraudster took place in the band’s own hometown of Boston, and serves as the subtext for most of the song’s lyrics. A wealthy socialite of the city’s historic Beacon Hill neighborhood had a lucrative hustle of fleecing others with promises of reuniting them with departed loved ones. She was also the spouse of an esteemed surgeon in the area. Taking some creative license with the real life story, Glenn infers that the surgeonhusband–despite being so familiar with the spectre of death as he “opens people for a living”–isironically haunted by his own mortality. In her imagined defense of her fraud, the socialitemedium claims she only engaged in the occult to aleve her husband’s fear of what lies beyond this world.

The EP artwork for “Saints” itself depicts a turn of the century seance taking place.

“Seance by the RCA” kicks off with a commanding guitar riff before breaking into one of the band’s most rhythmically intricate drum and bass grooves to date. Drummer Tony Porter cites a fusion of influences behind the innovative rhythm: “When Pete and Mike first brought the verseriff to rehearsal, I envisioned shifting away from a traditional rock beat toward a breakbeat or slowed-down drum ‘n’ bass feel. Interestingly, it was a Velvet Revolver track that inspired me tosimplify during the choruses, emphasizing just crash cymbals and bass drums. My influences can be eclectic, but ultimately, it’s about serving the song in the best possible way”.

 Pete adds, “I was listening to a lot of Mineral (90’s Mid-West emo legends) when I wrote this guitar line. I love the directness of their stuff and how the guitars work so tightly with the drums.I think that definitely came through, but it also keeps to the Looking Glass War sound as well -we can’t help but sound like us in the end.”

Looking Glass War has a sound and vibe that is simply on another level . “Saints Of the Lost and Found” is the kind of EP, that is packed with musical goodness from first note on the first track all the way through to the last note on the last track.

At the end of the day, what makes Looking Glass War , so special is their ability to fuse musical brilliance and cerebral brilliance as one to create an extraordinary musical experience. “Saints Of the Lost and Found “ is an EP, you’ll want to hold on to.

Looking Glass War:

Mike Ackley (bass)

Goddam Glenn (vocals)

Tony Porter (drums)

Pete Zeigler (guitar)

Girl With A Hawk Shine A Beacon Of Remembrance With “No One Like You”

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Linda Viens penned ‘No One Like You’ as a tribute to the impact and legacy of late Foo Fighters drummer Taylor Hawkins

We recently had the distinct honor to check out the beautifully crafted new single, “No One Like You”, from Boston, rock band, Girl With A Hawk. You can listen to “No One Like You” on Spotify Here, Bandcamp Here

Being a drummer and being of a certain age , the passing of Foo Fighters , drummer Taylor Hawkins , hit me pretty profoundly, I never knew Taylor, but through music he was an important part of my life .

Being the talented songwriter that she is, Linda Viens did what she does best – she wrote a song, and a few years later, that reflective instinct comes through in “No One Like You,” the new Girl with a Hawk single is out today , Friday, March 7 on Rum Bar Records.

It was one of those ‘gifts from the gods’ songs – it flowed into the heart and mind in one tearful piece,” Viens admits. “The song came through the ether as a whole entity, and was written subconsciously from Dave Grohl’s point of view, but also from the point of view of speaking through the veil to my own lost ones who died suddenly and shockingly – whether from health struggles or untimely overdoses or, most torturously, from the tragedy of suicide.”

“No One Like You”, from Girl With A Hawk, is a reflective and therapeutic song that you can carry with you long after the song has faded .

No One Like You,” arriving fresh off Viens’ induction into the New England Music Hall of Fame, is Girl with a Hawk’s first new music since a pair of fall 2024 singles, and sets up a new record from the Boston quintet due out later this year. And it continues Girl with a Hawk’s penchant for weary, weathered, heart-on-sleeve storytelling; something Viens and the band have developed over time as rock and roll lifers.

“No One Like You” was produced and engineered by Pete Weiss and recorded with Weiss at Panoramic House Studio in Stinson Beach, California, part of three new tunes that will eventually help compose the band’s debut full-length record. It was mixed and mastered by Weiss a little closer to home, at Jade Cow Music in Somerville, Massachusetts, with vocal overdubs recorded at Somerville’s Bluetone Studio and assistant engineering done by David Grabowski.

“Making songs that pack a punch and give people strength to face what is to come is what’s on my own mind right now,” Viens concludes. “There’s no goal but to make some music that we feel good about and if the music we make touches people – that is just immensely satisfying.

Music is the great healer, “No One Like You “ is an incredibly great song , from a phenomenally great band . Go find your favorite music listening spot and enjoy the greatness.

Girl with a Hawk is:

Linda Viens: Lead vocals, guitars

Richard Lamphear: Keys, backing vocals

Daniel Coughlin: Guitars, backing vocals

Dan Bernfeld: Bass, backing vocals

Nancy Delaney: Drums, backing vocals

We Are Forever Thankful For The Melodic Gem That is “Gratitude” From Adam Sherman Featuring Robin Lane

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Photo by Carissa Johnson; design by Adam Sherman

We recently had the amazing opportunity to check out the new single, “Gratitude”, from Cambridge singer-songwriter and Boston music scene veteran, Adam Sherman. The song also features Boston music icon Robin Lane

You can listen to “Gratitude” on Bandcamp Here

We were immediately taken with “Gratitude” from Adam Sherman , featuring Robin Lane, there is a heartfelt message of hope that lingers gently within the beautiful melodic tapestry of the song that stays with you long after the music has faded

Photo by Carissa Johnson

A needed tonic for our collective demoralization and a welcome dose of communal appreciation, “Gratitude” is the follow-up to last fall’s Bandcamp-exclusive “Pure As Yours,” and leads off Sherman’s forthcoming new EP, Nowhere But Here. The four-track collection of new material is out digitally and compact disc on March 28, with the record release party the following night at Club Passim in Harvard Square, Cambridge.

“‘Gratitude’ is about focusing on thankfulness for the good things in our lives, rather than the difficulties we encounter every day,” Sherman says. “It’s about finding light in the darkness. It’s about having hope when there is so much sadness in the world. I challenged myself to write a song about all that I have to be thankful for… I often write about love and loss and I wanted to go in an entirely new direction.” 

Sherman, known for work that spans decades from early bands like Private Lightning and The Souls to a distinguished modern-day solo career and as former guitarist for the resurrected Nervous Eaters . Adam Sherman is a gifted songwriter/ storyteller with an authentic voice with a message that shines perfectly on “Gratitude”

Sherman is truly at his collaborative best, enlisting Boston music icon Robin Lane for harmony vocals. Lane, known for her work in the ‘80s fronting beloved pop-rock group The Chartbusters, provides her unmistakable voice to the Nowhere But Here EP, and joins Sherman on stage at the Passim release party on March 29. But despite Sherman and Lane both having deep, rich histories in the Boston music scene, they began collaborating only recently. 

“Robin and I met by sharing songs with each other by email,” Sherman admits. “I’ve always loved Robin’s voice and when she responded positively to ‘Gratitude’ I asked if she would be willing to sing harmony. She agreed, and when we began recording in the studio it became clear that her voice would be beautiful on the other songs as well.”

Produced by Ken Field; recorded and mixed by Jon Evans at Brick Hill Studio in Orleans, MA; and mastered by Mark Alan Miller, “Gratitude” represents a bit of a new chapter for Sherman, who self-releases the track under his own Haddon Road Music. It’s indebted to his past work, but also clears a new path forward as his artist studio in Cambridge provides the backdrop for his various creative passions, from writing and playing music to painting to graphic design to running a successful voice lessons business for the past 12 years.

“Gratitude”, from Adam Sherman, featuring, Robin Lane is absolutely gorgeous track that you simply hear…. You’ll be grateful you did.

The Promise End Deliver Brilliant New Single “A Long Shadow”

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The stunning melodic brilliance continues from Boston based hardcore band , The Promise End as they deliver their striking new single , “A Long Shadow “ You can listen to “A Long shadow on Spotify, Here, The track is also accompanied by an animated lyric video from the talented visual artist Bizhan Khodabandeh. You can watch the video below.

Regarding the track the band states, “We are the malcontents of manufactured consent. In opposition, as one voice of dissent.”

The Promise End, take the quickness of lightning and the power of thunder and harness it to make breathtakingly beautiful music, case in point… the beauty and power of their latest single , A Long Shadow .

The Promised End will enter the studio to record the follow up LP  to 2024’s “For The Buried And The Broken” on April 18th. In November of this year, the band will embark on a tour of mainland Europe

2024 was a banner year for Boston hardcore outfit The Promised End. In February the band released their debut full length record “For The Buried And The Broken” on Sound Investment Records (US) and Gunner Records (Germany) and received critical praise for its energy,authenticity and thoughtful lyrical content.

In August/September of 2024 the band embarked on their maiden tour of Europe where they played 16 dates in Germany and Poland. Returning home the band was nominated for a 2024 Boston Music Award where they were in the company of such nominees as Converge, The Dropkick Murphys and Fiddlehead. The band has been busy writing their sophomore album

We can’t wait for more music from The Promise End, in the meantime we will keep “A Long Shadow” on repeat.

Upcoming Show:

March 22 @ Moon Base One24 New Derby Street Salem, MA 6pm All Ages $10 (W/ Deprogrammer, Cult Born, Cursed American Ethos)

Adios Fatso, Showcase Stunningly Brilliant Sound With Latest Single, “WTF”

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We recently got the distinct honor to check out the latest single, “WTF” from Boston, Massachusetts, band Adios Fatso. You can listen to “WTF” Here.

Full disclosure, ( as always on The Whole Kameese) , we had the heard the name, Adios Fatso, but up until a few days ago we had never heard any of their music . ( We want to publicly apologize to the band , we are sorry it took us so long to discover the incredible punk rock goodness of Adios Fatso)

Adios Fatso , who spent 2024, promoting their  No Cap album, a dope vinyl release, and also got a couple of shows under their belt , they are off to a fast start in 2025, with their latest single , “WTF”

We were absolutely enthralled with “WTF”, Adios Fatso , is a band who has one of the most unique sounds we’ve heard . There is definitely a punk sounding influence in their sound (Descendents,Ramones) but there is also this magnificent blues tone in “WTF” that gives it such an amazing added dimension. We also loved the thoughtful guitar work on “WTF”– absolutely freaking brilliant.

“WTF“ dives headfirst into the chaos of “crab mentality,” delivering razor-sharp lyrics rooted in real-life scenarios and the band’s signature unfiltered edge.

Adios Fatso, are a well oiled group of next level musicians, who have an amazing sound and vibe, and this shines brightly on “WTF”

Speaking of Descendents , “WTF”, was Mixed by Andrew Berlin (Descendents, Teenage Bottlerocket, Rise Against) and mastered by Jason Livermore (NOFX, Propagandhi, Lagwagon) at The legendary Blasting Room in Fort Collins, CO.

Adios Fatso, has two shows , coming up in the Massachusetts area , details below

2/15 Thirsty First in Lowell, MA.
2/19 Silhouette Lounge in Allston, MA.

Listening to a band like Adios Fatso, and a song like WTF, reminds us why we fell in love with music in the first place.

Sunday Junkie Elevate Their Sound To A Higher Level, With Authentic New Single “Holy,Holy”

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Art design by Tom Martin

We recently had the excellent opportunity to check out the new single “Holy,Holy” from Worcester, Massachusetts, alternative duo , Sunday Junkie. You can listen to “Holy,Holy” Here

“Holy,Holy”, from Sunday Junkie , is the kind of song that effortlessly finds it’s way into your soul and stay with you long after the music has faded.

Photo credit- Sunday Junkie

Holy, Holy” is the third offering from the duo of multi-instrumentalist and vocalist Tom Martin and drummer and percussionist Shawn Pelkey, following the fall release of a pair of striking debut singles in “Vultures” and “Haunted Head.” 

Each track will be featured on Sunday Junkie’s forthcoming debut album, due out sometime later this year. But before an overarching storyline emerges, these inaugural Sunday Junkie singles each strike a specific mood. As “Holy, Holy” twists and crawls through a dramatic atmosphere of tension, the duo quickly positions itself as a band with a lot to say and seemingly not a lot of time to say it. 

Sunday Junkie, formed last year from the ashes of scene spark plug Not Bad Not Well,

“I had issues with drinking in the past, and the lyrics on ‘Holy, Holy’ pretty heavily revolve around using alcohol as a means of self-medicating and ignoring a larger, underlying issue,” Martin adds. “It can be pretty insidious when it seems to provide relief, but the toll it’s taking is more evident to those around you and they just hope you can eventually see it too. The line ‘Honey on our tongues / Sucking on the rind’ is more of a reference to having everything at your fingertips, not realizing it, and choosing to throw it away instead.”

Familiar but deeply unique at the same time , Sunday Junkie have molded sonic and melodic tones to absolute perfection.

There is this real cinematic tone on “Holy,Holy”, that that really makes the track stand out . Martin and Pelkey have undeniable musical synergy that is front and center on “Holy, Holy”

Close your eyes and open your soul to the mystical soul of “Holy,Holy”

The Will Call Deliver A New Record “Amnesia” That is Simply Unforgettable

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We recently had the stellar opportunity to check out the new record, “Amnesia” , from Western Massachusetts, rock band , The Will Call. You can listen to “Amnesia” on Spotify Here, Apple Music Here .

The Will Call, deliver 9 well crafted gems on “Amnesia “ The band has a indie-rock sound that has a touch of alt country that really makes the band stand out .

The Will Call ( Monte Arnstam, drums and percussion. Marc Seedorf , bass and keys. Andrew Rush guitar and vocals) are a tight musical outfit, that display next level musicianship throughout, “Amnesia”

You really feel the energy from “Amnesia “ immediately with the driving opening track ,”Green Mountain Woman “, we love the alt -country- rock feel that had us moving almost instantly.

The Will Call, effortlessly deliver high quality and memorable tunes with the melodic and sonically pleasing “The Scrawl” ( the opening drum beat is freaking epic ) .

One thing that really stands out on “Amnesia”, from The Will Call, is the poetic brilliance that exists within the lyrics that were perfectly woven within the melodies . We found ourselves really digging into the lyrics on every track.

The title track, “Amnesia” is a stunning haunting musical composition that is beautifully constructed with a curious tone that lurks mysteriously throughout the track.

We heard influences of bands , such as Dinosaur Jr. and The Pixies . However , The Will Call have a style and vibe that honors their influences but it also shines the light on a fresh and original sound that is all their own

“Amnesia” , is the fourth album from The Will Call. The record was recorded at Greenfield’s 1357 Recording Studio.

We especially loved the closing track, “Song For Vincent Musetto” which of course is in reference to Vincent Musetto, who was an American newspaper editor  and film critic for the New York Post . Musetto, is perhaps best know for his headline “Headless body in topless bar” , which is brilliantly mentioned in the song .

So go and find your favorite music listening spot and become one with the musical goodness of “Amnesia”, from The Will Call.

Oh The Humanity! Deliver Sonically Perfect New Album “Ground To Dust”

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Massachusetts based shred punk quintet, OH THE HUMANITY! Delivers their beyond amazing new LP, “Ground To Dust”

You can listen to “Ground To Dust” Here

With A Wilhelm Scream’s Trevor Reilly behind the console and with the addition of a new member,OH THE HUMANITY , stepped outside the box, and delivered what they collectively feel is their most significant release to date.  ( we completely agree)

“Ground To Dust” is loaded with ripping guitars, big hooks and gut-wrenching lyrics, this record has something for everyone.

“Ground To Dust” is explosive from note one . OH THE HUMANITY! doesn’t let off the gas for on second. ( and it’s a thing of beauty.

Ground to Dust  showcases their diverse influences with 10 tracks of fast technical melodic punk capped off with emotionally resonant lyrics. Recorded by Trevor Reilly (A Wilhem Scream) at Anchor End Studio in New Bedford, MA, Ground to Dust is the band’s third studio album and is slated to release on January 24, 2025 via Sell the Heart (U.S.), Thousand Islands Records (Canada), and Engineer Records (UK).

“Ground To Dust” is a well crafted record that we are completely enthralled with . With stellar tracks like “Upper Riffspiratory Infection, Gutted , and our personal favorite “Love Irresolute “ you will be energized for days .

Do yourself a favor and check out “Ground To Dust” it is an absolute can’t miss .

Good Dogs Wear Capes Is A 3 Way Split EP Featuring Cape Crush, Good June And Impossible Dog And It Is Absolutely Brilliant

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Art work by : Chloe Deeley

Boston area bands, Cape Crush, Good June and Impossible Dog, truly embody the words made famous by the Beatles “Oh,I Get By With A Little Help From My Friends “ on their new 3 way split EP “ Good Dogs Wear Capes”

You can listen to “Good Dogs Wear Capes Here

The vibrant sounds and styles of Cape Crush, Good June and Impossible Dog shine brighter than a perfect morning sunset on “Good Dogs Wear Capes “ Right from the first track , “Apple At The Aggy” from Cape Crush, featuring Good June , there is this wonderful creative energy that you can feel on every track . “Apple At Aggy “ is a well written power pop tune that has an addictive melody that we sang along with almost instantly.

We love the feel and vibe of “Better In The Morning “ from Good June featuring Cape Crush . We were drawn in by the incredible musicianship on “Better In The Morning”

“Build Up “ , from Impossible Dog, featuring Good June , has an incredible groove that is simply amazing. “Build Up” like all of the songs on the EP , are the kind of songs that you can’t help but sing a long with .

Speaking of singing along , “Katie On The Radio from Cape Crush, featuring Impossible Dog , is one song we have been singing for days. It is well written power pop gem that is simply drop dead perfect .

“Count On Me “ from Good June , featuring Impossible Dog is a slower tempo melodic ear worm that we couldn’t get enough of . Perfect track for a late night drive.

The final track “Once Or Twice “ from Impossible Dog , featuring Cape Crush is full of beautiful complimentary vocals and sweet melodies that linger around long after the song stops.

“Good Dogs Wear Capes“ was Mixed by: Nicholas Starraninto, Mastered by: Pierce Johnston Mastering , Vocals Engineered by: Evan Doherty and Walker Bristol.

Tracking

Impossible Dog: Evan Doherty

Cape Crush: Evan Yarmo

Excitement, has been building all month for this epic EP, as singles from the split have been debuting every Friday in January, culminating in today’s full release (January 24th). To top it off, the bands will celebrate with a Split Release Show at Deep Cuts in Medford, MA, on January 31, 2025, bringing this collaboration to life in an unforgettable night of music.

Joshua David Thayer Continues To Amaze With Release Of New Single “Beginning To See The Dark” with Acoustic B-Side “Tempest”

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We recently had the amazing opportunity to check the new single, “Beginning To See The Dark” from singer-songwriter Joshua David Thayer. Including with the new single is an acoustic version of “Tempest” — which is the lead track on It Will Still Keep Feeling Rough.

You can listen to the two songs on Spotify Here, Apple Music Here and on Bandcamp Here.

You can also check out the video for “Beginning To See The Dark” below

We were beyond excited to get new music from Joshua David Thayer, especially since we are still basking in the glow of his stellar debut album,  “It Will Still Keep Feeling Rough”.

“Beginning To See The Dark”, an outtake from the sessions that shaped the critically acclaimed record. The single is accompanied by “Tempest (Acoustic),” a full acoustic production of the album’s lead track, reimagined with layered textures of acoustic guitars, banjo, slide guitar, and upright bass. This release is particularly meaningful, as it coincides with Thayer’s birthday and marks one year since he debuted his first solo material with the release of “Bird Children” on January 17, 2024.

We were immediately drawn to the haunting and beautifully crafted “Beginning To See The Dark”, the theme of uncertainty that lingers overs the track quietly settles in your soul giving room for solitary reflection.

Beginning To See The Dark” unfolds slowly with a hushed lilting intensity, building subtly until drums enter in the final third, giving way to a slinky and mesmerizing musical ending. The lyrics reflect on themes of struggle and the inevitability of uncertainty, with the refrain, “Now I’m beginning to see the dark in all things,” capturing Thayer’s reflective perspective and voice.

Courtesy Of The Artist

“This song came together in an unexpected way, early in the sessions for the album, but never quite fit into the sequence of the record,” says Thayer. “I heard the slide part in my head, rushed out to buy one, watched a video on how to play slide, and recorded the part immediately. It’s a piece that’s all about feeling—something that came through naturally in the moment.”

The brilliant acoustic b-side of “Tempest” offers a vibrant reinterpretation of the lead track of It Will Still Keep Feeling Rough.Far from stripped down, this version delivers a rich, full acoustic production that features intricate layers of acoustic guitars, banjo, slide guitar, and upright bass, creating a sound that is both organic and resonant.  It is also a treat when an artist can add another dimension to a track, Thayer, has definitely done this with “Tempest”

The track’s themes of persistence and transformation remain central, while the new arrangement brings a fresh and dynamic energy.

Both tracks were written, performed, recorded, and mixed by Joshua David Thayer at Brave Tiger in Medford, MA, and mastered by Mark Alan Miller at Radio Valkyrie in Holyoke, MA.

Joshua David Thayer is an artist who’s music and message needs to be heard . Do yourself a favor and check out “Beginning To See The Dark” and the acoustic B-Side of “Tempest” You will be glad you did.

“Better In The Morning “ From Good June Featuring Cape Crush Is An Example Of Music At It’s Absolute Best.

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Artwork By: Chloe Deeley

We recently had the amazing opportunity to check out the new single, “Better In The Morning “ from Boston based alternative/emo band Good June . The track also features North Shore, Massachusetts, based power-emo band , Cape Crush.

You can listen to “Better In The Morning “, Here

We’ve said it before but, we think it bears repeating. The music coming out of the Boston area right now is simply beyond amazing. If you need proof then look no further than a new 3-way split EP called Good Dogs Wear Capes, set to release on January 24, 2025. The EP features Cape Crush , Good June and Impossible Dog . They will release a song a week up until the release of “Good Dogs Wear Capes” Last week we were treat to “Apple At The Aggy” from Cape Crush , featuring Good June .

This week we further get to experience pure alternative/emo perfection with “Better In The Morning “ from Good June , featuring Cape Crush .

“Better In The Morning “, from Good June , featuring Cape Crush is one of those songs that is so well written and performed that you can’t help but get completely consumed by its musical goodness. We were also really taken by the overall tone and killer harmonies on “Better In The Morning” , making the track extremely pleasing to the ears.

The single was mixed by Nicholas Starraninto, Mastered by: Pierce Johnston Mastering and vocals engineered by Evan Doherty and Walker Bristol.

In addition to the 3-way split EP, the bands will celebrate with a Split Release Show at Deep Cuts in Medford, MA, on January 31, 2025, bringing this collaboration to life in an unforgettable night of music.

Jack Adamant Brilliantly Breaks Through Time And Space On New Single “Over Signs”

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We recently had the distinct honor to check out the latest single “Over Signs” from Italian singer – songwriter Jack Adamant who lives and records in Stockholm. You can listen to “Over Signs” Here You can also check out the video for “Over Signs “ below

“Over Signs” from Jack Adamant is an absolute sonically driven triumph. Jack Adamant artfully weaves perfectly placed vocal with memorable melodies. Jack creates a musical composition that will stay in your soul long after the music has ended.

His solo career began around 2012 when he started writing songs that were heavily influenced by American artists such as J Mascis, Lou Barlow, Evan Dando, Bob Mould, Mac McCaughan, Robert Pollard, Daniel Johnston and others. While Jack may drawn influence from the above artist, it is crystal clear that Jack Adamant has a style, sound and vibe that is completely his own .

Beyond the melodic goodness found in “Over Signs” , Jack Adamant is a talented musician that has a voice that needs to be heard .

For music with a heart beat and a soul you need to check out “Over Signs” from Jack Adamant

Happy Little Clouds Reach New Heights With Epically Awesome New Single “Higher”

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We recently had the extremely exciting opportunity to check out the new single “Higher” , from Boston-based rainbow-rust power-pop band – Happy Little Clouds.

You can listen to “Higher” Here

Happy Little Clouds, absolutely shines with their latest energetic pop gem “Higher”

From the moment we heard the first note on “Higher”we were positively mesmerized. We routinely get asked “What band should we be listening to? , Well look no further than Happy little Clouds”

Happy Little Clouds ( Jac Mestel , vocals and guitar, Jess Townsend, drums (World/
Inferno, Ketman), and Derek Bergstrom, bass (Broadcaster, Volcano Kings, founding
member of The Extreme Terror) generate a sound and a vibe that warms your soul and moves your feet.

Vocal perfection and melodic brilliance help propel “Higher” into the stratosphere. We have a feeling that Happy Little Clouds deliver an electrifying live show, that is absolutely stunning. If you’re looking for a good New Year’s resolution, it should be to make sure you fill your music loving soul with as much much music from Happy Little Clouds as possible.

Cape Crush Delivers A Spectacular New Single “Apple At The Aggy” Featuring Good June

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Artwork- Chloe Deeley

“Apple At The Aggy” is the first single from for a brand-new 3-way split EP, Good Dogs Wear Capes, featuring Cape Crush, Impossible Dog and Good June set to release on January 24, 2025

It’s a new year and we are super psyched to get new music from North Shore,Massachusetts based power emo band Cape Crush . The vibrant new single “Apple At The Aggy”, featuring Boston based band, Good June . You can listen to “Apple At The Aggy” on Spotify Here and on Apple Music Here

We have been highlighting the wonderful Boston area music scene for five years and we are beyond excited about the brand new 3-way split EP “Good Dogs Where Cape” because it features 3 of the best bands ( Cape Crush,Good June and Impossible Dog) that the scene has to offer .

The first single “Apple At The Aggy “ from Cape Crush , featuring Good June is a melodic gem that showcases Cape Crush and Good June at their absolute best . The vocal pairing on “Apple At The Aggy” is literally a thing of beauty.

“Apple At The Aggy” has a little bit of a “Britt-Pop” feel to it that gives it an added dimension that we absolutely love .

“Apple At The Aggy”,was Mixed by: Nicholas Starraninto and Mastered by: Pierce Johnston Mastering , Vocals Engineered by: Evan Doherty and Walker Bristol

Singles from the split will debut every Friday in January, culminating in the full release on January 24th. To top it off, the bands will celebrate with a Split Release Show at Deep Cuts in Medford, MA, on January 31, 2025, bringing this collaboration to life in an unforgettable night of music.

Artwork- Chloe Deeley

Rum Bar Records Once Again Raises The Bar With “Second Shot”

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Boston independent garage rock and power-pop record label wraps a lively 2024 with free 38-track comp today, (Tuesday, November 26)

You can check out “Second Shots “ on Bandcamp Here

Rum Bar Records brilliantly captures the true heart and soul of the local Boston music scene and beyond and, this is on full vibrant display on “Second Shots”

Lou Mansdorf’s ( an absolute music legend) esteemed and independent Boston-based label, which last year celebrated its 10th anniversary, caps a wild and busy 11th year of operation with Second Shot, a free 38-track compilation of garage rock, power-pop, pub rock, indie, punk, and swaggering rock and roll set for digital release and available for download starting today , (Tuesday, November 26. ) Seriously there is something for every music lover on planet on “Second Shots”

Serving as a look back at Rum Bar’s active 2024 – full of both homegrown and national bands and artists – and a peek into what next year may bring, Second Shot drops just ahead of Black Friday, and for good reason: Those who use the discount code niceprice20 at checkout will score 20 percent off all purchases on Rum Bar’s Bandcamp page through December 31, including pre-orders, all physical and digital music purchases, and merchandise.

In addition, the label is donating 20.25% of all profits during the month of December to Planned Parenthood. And Rum Bar is offering a “brown bag special,” where during December fans can get 5 CDs, randomly selected by Mansdorf, as well as a label koozie and sticker, for just $15.   

“From day one, this has been a labor of love,” Mansdorf says. “All we want to do is create one fan, one listener, one follower, one customer a day, a week, a month, a year, so we can just keep helping these artists spread their gospel and grow their fanbase.”

The free compilation features music that extends well beyond the Boston scene, rounding up tracks from Slamdinistas, The Hellflowers, Tom Baker, The Glimmer Stars, The Legendary Swagger, The Mochines, The Dogs, The Amplifier Heads, Tim McCoy, J Prozac, The Cretins, The Yum Yums, Boris The Sprinkler, Pavid Vermin, WiMP!, Shaggahs, Rick Barton, Jittery Jack with Amy Griffin on Guitar, Cindy Lawson, Girl with a Hawk, The Wynotts, Hotbox, Joe Jennings MVP’s, The Spackles, The Carnivals, Tony Marsico and the Ugly Thingz, The Hollywood Stars, Junior Varsity, Muck and the Mires, Gene Campagne, Diablogato, The Cornfed Project, The Hi-End, Richard Duguay & The Beautiful Decline, Cheap Cassettes, The Shang Hi Los, The Dogmatics, and Stop Calling Me Frank. 

The songs on “Second Shot” are seriously the finest collection of music around….. hands down. We are talking 38 tracks and not a bad one in the bunch . From the Amplifier Heads , “The Best It’s Gonna Be” , Girl With A Hawk, “Way With Words” , Muck and The Mires, He’s Not The One” – absolutely amazing!

Lou Mansdorf, Rum Bar Records , “Second Shot” and all the artist involved represent all that is good in music today . If you consider yourself self a music fan this is one compilation, you can’t miss”

Joshua David Thayer Absolutely Shines With Debut Solo Album “It Will Still Keep Feeling Rough”

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We recently had the opportunity to check out the debut solo record “ It Will Still Keep Feeling Rough” via Brave Tiger Records, from Boston based singer-songwriter Joshua David Thayer.

You can listen to “It Will Still Keep Feeling Rough” on Spotify Here, Apple Music Here and on Bandcamp Here

We were instantly captivated to the debut solo album “It Will Still Keep Feeling Rough” from singer-songwriter Joshua David Thayer. Thayer is a skilled storyteller that has a one of a kind voice that he uses to artfully tell amazing stories throughout “It Will Still Keep Feeling Rough”

Courtesy Of Artist

On the opening track “Tempest”, which has a brilliant folk rock feel, we were really drawn in by the versatility and tone of Joshua David Thayer’s voice .

After decades of playing bass and collaborating with other artists, Joshua David Thayer stepped into solo work for the first time to explore themes of loss, resilience, and transformation. The project evolved out of spontaneous home recordings and became a way of processing recent events in his life, including the passing of his father.

The album combines indie rock, alterna-folk, and ambient influences, with inspiration drawn from Rick Rubin’s The Creative Act and the creative paths of other artists that Joshua David Thayer admires.

Alongside contributions from Brooklyn-based co-producer Bradford Swanson, drummer Jason Smith, engineer Monte Arnstam, mixer Mark Alan Miller, and mastering by Jonathan Wyner, Joshua shares “this album has been a unique journey into new artistic territory for me.“

Joshua David Thayer has played in the past with Fancy Trash, Love Minus Zero, Hadley Transfer Station, and more. He also performed with artists such as Mark Mulcahy, TW Walsh, Dennis Crommett, Joshua Crane, and Treefort and shared stages with 4 Non Blondes, Juliana Hatfield, The Jayhawks, Langhorne Slim, DeVotchKa, and many more.


“It Will Still Keep Feeling Rough” is a musical treasure trove filled with well crafted songs that touch both the heart and soul.

The subtle groove on “Punch, Crumble And Crawl” really makes the track stand out.

The beautiful,”Peaceful Passing“ is a beautiful moving musical composition with a heartfelt message.

From top to bottom “It Will Still Keep Feeling Rough” is 48 minutes of enjoyable and thoughtful musical compositions. If we had to choose a favorite track (which is so hard to do) it would without question be “Say What You Mean”. This track in our opinion is Joshua David Thayer at his absolute best. ”Say What You Mean” is a unique and melodic gem that has a great story and flawless vocals.

Do your music loving heart a favor and check out “It Will Still Keep Feeling Rough” from Joshua David Thayer.

The Downstrokes & The Prozacs 

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Drop New Singles from 

‘Better Late Than Never’ 

via Punkerton Records

Today (Friday,November 1st) The Downstrokes & The Prozacs deliver two highly anticipated singles from their upcoming split album, Better Late Than Never, presented by Punkerton Records.

The Downstrokes unveil their track “We Gotta Go” –Here on Spotify and on Apple Music Here And wait…. There’s more… The Prozacs release their second single, “Awake” – Here on Spotify and on Apple Music Here

These new singles deliver a thrilling taste of the 12-track LP, Better Late Than Never(Available December 13th), where each band offers up its unique style with unfiltered punk rock energy. Alongside their digital release, both bands are dropping individual EPs featuring alternate covers.

You can pre order “Better Late Than Never”on vinyl Here

We are head over heels for both The Downstrokes and The Prozacs, they bring a sound and energy that is simply electrifying. If you need examples of two killer punk bands look no further than The Downstrokes and The Prozacs .

The Downstrokes merge gritty, high-energy punk with hard rock influences from the 60s-90s, Frostburg, Maryland’s The Downstrokes bring a raw edge to rock n’ roll. The Downstrokes are: Gerry LaFemina, Robin Summerfield, Josh Turner, Greg Wood


Hailing from Massachusetts( Our Home State) , The Prozacs bring a distinct style influenced by 90s Lookout and Mutant Pop Records. Since 2001, frontman J Prozac has led the band through decades of high-energy punk. The Prozacs are: J Prozac: Guitar & Vocals, Greg Russian: Bass, Mark Pena: Drums.

Girl With A Hawk Continue To Amaze With Beautiful New Single And Message “Share It All”

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Credit- Nicole Anguish

We recently had the delightful opportunity to check out the new single “Share It All” from Boston band Girl With A Hawk. You can listen to “Share It All” on Spotify Here, Apple Music Here and on Bandcamp Here

Girl With A Hawk , knows no creative or musical bounds. The band artfully and creatively, consistently add another layer of musical greatness to their already treasure trove of musical wonderment and… “Share It All” is no exception.

Fresh off the release of call-to-action folk song “#VOTE (Rock The Boat)”, the Boston rock band led by Linda Viens is set to release new single “Share It All” today, (Friday, October 25) via Rum Bar Records, with the colorful and engaging Joan Hathaway-directed lyric video to follow a few days later. The Americana-leaning “Share It All” was produced and engineered by Pete Weiss, and the single artwork was created and designed by Nicole Anguish of Daykamp Creative.

Those are just some of the names – Hathaway, Weiss, Anguish, and Rum Bar’s Lou Mansdorf – that are part of Girl with a Hawk’s expansive creative orbit. And as “Share It All” revels in a common sense of joy and euphoria by looking at ourselves as one collective unit, acknowledging the successes and triumphs of others to aid a shared cause, it’s a sentiment worth exploring as our country heads to further division on the eve of November’s historic presidential election.

“‘Share it All’ is about a way of looking at the world through the lens of our oneness, not our differences,” says Viens. “It draws from the Stoic concept of Sympatheia; that we must look after one another because we are all one, part of an interconnected cosmos. We are cut from the same human cloth, and breathe and think and live the same, no matter what superficial differences may appear to exist.” 

Photo – Kelly Davidson

Viens first penned “Share It All” during the Covid-19 pandemic in 2020, and, as she often does, took philosophical inspiration from Roman emperor Marcus Aurelius, who between 171–175 CE wrote: “Meditate often on the interconnectedness and mutual interdependence of all things in the universe.” At a time when family, friends, and colleagues were separated, forced to socially distance and isolate to curb the spread of the viral disease, the Boston music scene veteran was drawn to Aurelius’ idea that “understanding how we are all connected and dependent on each other encourages us to see past our differences, and help one another, even in small daily kindnesses. Seeing each other as ‘other’ emboldens alienation.”

The deepness of care that is ever present in the writings of Linda Viens and in the music of Girl With A Hawk is refreshing however, more importantly it gives us great hope that compassion still exists, and that is always a good thing .

Girl with a Hawk is:

Linda Viens: Lead vocals, guitars

Richard Lamphear: Keys, backing vocals

Daniel Coughlin: Guitars, backing vocals

Dan Bernfeld: Bass, backing vocals

Nancy Delaney: Drums, backing vocals

Kit Orion Delivers A Gorgeous Symphony Of Sound With Debut Album “Bottle Grin”

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Listening and video release party set for October 24 at Capitol Theatre in Arlington    

Photo and design credit: Sue O’Brien and Kit Orion

We recently had the glorious opportunity to check out the new electronic-pop album “Bottle Grin” from Kit Orion. The musical genius behind Kit Orion, is Worcester native and Cambridge based songwriter, producer and DJ Caitlyn O’Brien . You can listen to “Bottle Grin” Here

Our music loving heart was instantly filled with great joy , upon our first listen of Kit Orion’s euphoric new electronic-pop album Bottle Grin.

Kit Orion’s debut album opens a portal to perseverance and self-confidence, as the Worcester native grapples with bouts of self-doubt, a fixation on perfection, and personal trauma that was impacting her mental health. The result of this inner and outer journey plays out in vivid color across glossy beats and kaleidoscopic electro-pop.

“Bottle Grin” from Kit Orion unfolds like a page turning best selling novel with beautiful mind bending melodies, we were absolutely enthralled .

“This album feels like a series of sonic journal entries to me,” O’Brien says. “A lot of the lyrics in this album are a response to complicated grief. During the time I was writing these songs, I experienced abundant loss. I lost multiple pillars in my life, one after another over a short time. I was not able to have the space to grieve each person before another one was gone, so writing these songs was an acknowledgment of my people, their existence and their absence as a form of catharsis.” 

What we love most about “Bottle Grin” is the melodic and cinematic flow of the music .O’brein’s voice is a stunning and powerful instrument that delightfully shines and soars through out the 13 well crafted tracks on “Bottle Grin”

Photo Credit – Meghan Ireland

To peek inside Bottle Grin, past the shiny beats and glossy exterior of kaleidoscopic electro-pop, and past an emotional curtain that O’Brien may have once guarded with her life, is to not only understand the Worcester native’s creative headspace over the past two years, but to relate to it on a personal leve

From the kinetic strobe light mood of lead single “Like Honey” to the theatrical indie-pop confessions of the album closing title track, O’Brien weaves coming-of-age tales with delicate precision and a dream-like wonder. Select interludes, spliced-up samples from her personal past, pulled from home videos, take us back to her childhood, allowing a glimpse of the innocence and confidence she, like most of us, have lost along the way through adulthood. 

‘Get Grounded’ was written as a letter to myself, as I was experiencing depression, so it was difficult to write,” O’Brien reveals. “But sitting with my younger self, and looking back to give her some hope, helped me to remember to be kind to my current self, because my younger self is still there and that joy can be found even in difficult times.” Last year, O’Brien submitted ”Get Grounded” to Waveforms: A Multimedia Art Event at The Museum of Science in Boston, where she redesigned the song into spatial audio with the MIT Spatial Audio Lab. The day after Bottle Grin’s release, on October 25, O’Brien will return to Waveforms, taking part in the MIT Spatial Sound Lab Futures of Listening multimedia art occurrence at Midway Artist Studios in Fort Point.

“Each one of these songs was written as a response to a prompt, which also acted as a vessel for meditating on personal grief and trauma in real time,” O’Brien says. “I chose each one of these songs for the record because it felt like an accurate patchwork quilt of vibes for what was going on for me at the time that I was writing these songs.” Beyond her own songwriting, and providing vocals, synths, keys, samples, and drum programming, Bottle Grin was ultimately a collaborative affair. O’Brien wrote and produced the tracks, with recording, co-production, and additional engineering by Evan Murphy at Ombic Sound in Worcester, Massachusetts, and Big Nice Studio in Lincoln, Rhode Island. Mixing and mastering was done by Bradford Krieger at Big Nice Studio.

Photo by Meghan Ireland

More traditional live performances are also on the calendar, as Kit Orion plays Cambridge’s Lizard Lounge after the album drop: for the Bottle Grin afterparty on November 7 with Justice Cow and Baker Thomas Band. 

Performing with Justice Cow is especially poignant, as it’s the project of Jessica Kion, who not only provided bass guitar on Bottle Grin and directed and edited the “Like Honey” music video, but led a songwriting club during the pandemic that helped plant the seeds for the tracks that appear on the record. Kion now performs in the Kit Orion live band, with Dutch Tulips’ Matt Freake on synths, drums, and percussion.

In addition to Kion, the album features a wealth of contributions: Chris Barrett on trumpet; Kyle Harris on drums; Ben Levin on electric guitar; Laurence Scudder on viola; and Samuel Taber on piano and Rhodes and Hammond organs. Additional vocals and vocal samples are provided by the aforementioned Kion, Levin, and Murphy, plus a range of family members that reinforce the personal nature of the music contained within: James O’Brien, Mason O’Brien, Sue O’Brien and Richard O’Brien Jr.

We highly recommend finding your favorite music listening spot, and getting lost in the beauty of “Bottle Grin” from Kit Orion

Looking Glass War Drops Memorable Groove With New Single “Adamantine Chain Gang”

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As soon as we heard the new single “Adamantine Chain Gang” from Boston based post-punk band Looking Glass War we were over taken by the mesmerizing groove that the band has tastefully cooked up on the their latest single, and we absolutely love it. You can listen to “Adamantine Chain Gang “ on Spotify Here, Apple Music Here and on Bandcamp Here

The new single, is from from their forthcoming EP, “Saints of the Lost and Found”

Photo Coleman Rogers Photography

“Adamantine has a darker feel to it, a bit more ominous than the earlier releases this year. We decided to release this one close to Halloween due to it sounding a bit spookier than the rest of the songs we recorded this year” says drummer Tony Porter.

This is actually one of our older songs” reports Bassist, Mike Ackley.  “Pete and I wrote the music for an earlier project but it was only when Looking Glass War got started and Glenn added his lyrics and vocal melody that the song really took shape”. Zeigler adds – “It never worked though and once we got together with Glenn and Tony and Glenn added his vocal melody along with Tony’s drumming, it really came to life and became the tune it is today.  It’s a good process!”.  

Vocalist Goddam Glenn adds,  “Lyrically, this is my rock adaptation of Milton’s “Paradise Lost” when Lucifer gets booted from Heaven. That’s what the “adamantine chains” refer to. Those adamantine chains were basically wrapped around Satan to keep him strapped into Hell. Like some kind of infernal ankle monitor. The line “I’m not counting all the stars I crossed tonight” describes a falling star seeing all the other stars on his way down. And the line “It’s really not so bad once you get past the flames…”? It becomes pretty obvious what’s happening here. Maybe the song will set off an all new “Satanic Panic” for Gen Z. How’s that for spooky season?”

Rhythmically and melodically awash in musical greatness, “Adamantine Chain Gang” is a song and Looking Glass War are a band that reminds us why we love music so much.

The Brother Stereo Release Silver Screen Worthy New Single “The Ballad Of The Washed Up (and Seemingly Forgotten)

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Artwork Credit-Emily Joy Ashman

We recently had the opportunity to check out the new single “The Ballad Of The Washed Up(and Seemingly Forgotten) from Massachusetts alternative rock band, The Brother Stereo. You can listen to The Ballad Of The Washed Up (and Seemingly Forgotten) on Spotify Here and on Apple Music Here and on Bandcamp Here

There is something very organic and authentic about the new single “The Ballad Of The Washed Up ( and Seemingly Forgotten) from The Brother Stereo that makes the song so appealing. The message that the song tells about the struggles and pitfalls of those who struggle in Hollywood is a bit ironic. Because, “The Ballad Of The Washed Up (and Seemingly Forgotten) is a song that deserves its place on the silver screen.

“The Ballad of the Washed Up (and Seemingly Forgotten),” marks the third effort from the Massachusetts alternative rock band, led by songwriter and multi-instrumentalist Michael Robert Kelly, the brother of longtime Dropkick Murphys drummer Matt Kelly, and the Boston punk band’s substitute touring bass, banjo, and mandolin player, following punchy spring debut “After The Rain” and summer’s aching “Time in History.” 

An upbeat tune for downtrodden times, “The Ballad of the Washed Up (and Seemingly Forgotten)” continues to expand The Brother Stereo’s expansive sonic landscape, building upon a foundation of indie, psychedelia, post-Britpop, and guitar-driven space rock, but also taking the sound to unexpected places. It comes across as oddly timeless, a notion at playful odds with its storyline.  

“It’s about being at the top of your game and being a human under a lot of pressure,” Kelly says. “It’s about the superficiality of the people you meet, keeping up the facade of fame in the eyes of the world and trying to relate to others.”

“The Ballad of the Washed Up (and Seemingly Forgotten)” was written, recorded, produced, and engineered by The Brother Stereo; mixed by Trevor Buckingham; and mastered by Jay Frigoletto at Mastersuite Studio in Brookline, New Hampshire, just over the Massachusetts state line where Pelkey and Kelly grew up together. 

“The Ballad Of The Washed Up (and Seemingly Forgotten) by The Brother Stereo is a songwriting and musical feat that needs to heard and celebrated.

The Brother Stereo is:

Michael Robert Kelly: Vocals,  guitar, bass

Shawn Pelkey: Drums

Buddy Sullivan: Guitar